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                <text>A blind arch is formed in the north-west corner of the western bay, on which the scene of the Forty Martyrs of Sebaste is developed.  The scene is dated to the twelfth century A.D.  The painting is really intriguing as it depicts forty men who seem to be in pain as their facial expressions and injury scars attest.  They freeze to death in a frozen lake with hot water baths located on its banks in order to appeal them.  They are half-naked, only wearing underpants.  In the centre of the scene, a martyr loses consciousness and two others support him.  On the upper part of the recess, thirty-eight crowns descend from heaven.  &#13;
The scene narrates the martyrdom of forty soldiers who were martyred at Sebaste in Lesser Armenia during the persecutions of early Christian period.  On the soffit of the blind arch, Christ is depicted within a medallion and has His hands extended holding two crowns.  According to the story, one of them did not endure of this suffering and ran to the hot baths on the last day.  This martyr is represented on the western side of the soffit of the blind arch.  After watching the incident, a pagan soldier, surprised by the faith of the forty martyrs, converted and decided to join the group.  He is depicted on the eastern side of the soffit of the recess.&#13;
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>Saint Nicetas</text>
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                <text>Nicetas is the saint who is depicted on the eastern side of the soffit of the blind arch in the north-western corner of the naos.</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text> Apostle Peter is painted on the south respond of the western transverse arch of the western bay while Saint Paul is located opposite on the north respond.  The respond was placed as a reinforcement during alterations took place in the thirteenth century, covering the original frescoes of the twelfth century.  An important detail is that these may be executed during the same time as the Virgin and the frescoes on the triumphal arch of the apse, but not by the same hand.&#13;
What is visible today is the standing figure of Peter, which consists of the subjective thirteenth-century fresco layer on the lower part of his body and the overlying fourteenth-century fresco layer on the upper part.  Therefore, the fresco dated to the re-painting programme of the fourteenth-century follows the stylistic tradition of the former fresco layer.&#13;
He is depicted facing to the right, blessing with his right hand and holding an open scroll in the left hand.  He is dressed in a grey chiton and ocher himation on a red background on the former fresco layer.  The overlying fresco has a blue background.  The garments of Peter are long enough to touch his feet, which are painted over the bottom frame. &#13;
Behind the respond of Saint Peter, there is still visible a small part of a figure dating to the initial twelfth-century painting.  The figure bears a crown and thick, brown hair indicating a young man, therefore not Peter.  Thus the thirteenth-century layer does not seem to follow the original depiction.  The most likely scenario suggests that the painter or painters adopted a novel trend, Peter and Paul placed across the naos and facing each other, which arose in the period between the twelfth and the late thirteenth-century.  The first appearance of this scheme is to be found in the church of Saint Nicholas of the Roof at Lagoudera, and in the almost contemporary to Asinou, church of Christ Antiphonetes at Kalogrea.</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Figure-045</text>
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            <name>Coverage</name>
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                <text>35.046355, 32.973431</text>
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              <description>A name given to the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saint Nikephoros</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</text>
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            <description>An account of the resource</description>
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                <text>Saint Nikephoros, is the figure appearing, on the lower zone of the soffit of the northern arch of the central bay.&#13;
His insignia, declare him as a bishop, and according to his representation as an elder man, is recognised as Saint Nikephoros, the iconophile patriarch.&#13;
Nikephoros, along with Simeon Stilitis and Onouphrios who are depicted on the left, were painted at a later date, in the sixteenth century. Underneath the layer of 1631 and Nikephoros, though, exists the twelfth century layer and through a patch on his lower part it is easy to discern that another saint is depicted. His fine white lines cuff simulate those of saint Niketas on the western side of the same respond.  Based on that it can be proposed that this saint was, also, a courtly martyr.&#13;
The saint is of particular interest. Nikephoros the iconophile saint was not among the popular ones but Nikephoros is the declared donor of the church. Therefore a reasonable explanation for the depiction of Saint Nikephoros and his late repainting is his connection with the patron of the church. Regarding the saint of the lower layer, the scholars believe that another Saint Nikephoros, not the iconophile bishop, was depicted there. One of them is Saint Nikephoros the martyr, who martyred in Antioch. He was usually portrayed as a courtly martyr with long tunic and chlamys. Thus this Nikephoros may be depicted underneath the homonymous bishop.&#13;
Lastly, a successful spatial planning of the frescoes’ selection is Nikephoros and Nicholas, the two saints standing side by side, and their connection to the two important figures of the church, the donor Nikephoros and the ktetor, Nicholas.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="832232">
                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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              <elementText elementTextId="832233">
                <text>Library of Cyprus University of Technology</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2006</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="832235">
                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="832236">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>https://apsida.cut.ac.cy/items/show/45036</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG, MP3</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Figure-044</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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        <name>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Church of Panagia of Asinou</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ioulitta</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</text>
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            <description>An account of the resource</description>
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                <text>Saint Ioulitta, can be found on the lower zone, of the eastern face of the western transverse arch of the nave, and dates to the fourteenth century as the frescoes of the central naos.&#13;
&#13;
Ioulitta is the mother of Saint Kerykos, who is depicted on either side of the arch. Their representation may be explained as the donor’s will to embed locally venerated saints, within the sanctoral iconographic programme of the nave.&#13;
&#13;
Additionally they seem to fall into another theme, promoted by the iconographic programme of the nave. Along with Anna and her daughter, and Elena and her son, they praise the theme of giving birth, and cohesively the unparalleled event of Christ’s birth by the Virgin.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="832212">
                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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              <elementText elementTextId="832214">
                <text>Library of Cyprus University of Technology</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2006</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="832217">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <description>The nature or genre of the resource</description>
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                  <text>Church of Panagia of Asinou</text>
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                <text>Saint Kerykos, is located on the south supporting respond of the western transverse arch of the nave. Joachim across seems to look at him.&#13;
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>https://apsida.cut.ac.cy/items/show/45036</text>
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                <text>Figure-040</text>
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                <text>35.046355, 32.973431</text>
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