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                  <text>Κυπριακά Ταχυδρομεία</text>
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                  <text>Cyprus Post </text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                  <text>&amp;Eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha; &amp;alpha;&amp;pi;&amp;omicron;&amp;tau;&amp;epsilon;&amp;lambda;&amp;epsilon;ί&amp;tau;&amp;alpha;&amp;iota; &amp;alpha;&amp;pi;ό 1211 &amp;gamma;&amp;rho;&amp;alpha;&amp;mu;&amp;mu;&amp;alpha;&amp;tau;ό&amp;sigma;&amp;eta;&amp;mu;&amp;alpha;. &amp;Gamma;&amp;iota;&amp;alpha; &amp;nu;&amp;alpha; &amp;delta;&amp;epsilon;ί&amp;tau;&amp;epsilon; &amp;omicron;&amp;lambda;ό&amp;kappa;&amp;lambda;&amp;eta;&amp;rho;&amp;eta; &amp;tau;&amp;eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;pi;&amp;alpha;&amp;tau;ή&amp;sigma;&amp;tau;&amp;epsilon; &lt;a title="&amp;Sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha;" href="https://apsida.cut.ac.cy/items/browse?collection=19"&gt;&amp;epsilon;&amp;delta;ώ&lt;/a&gt;</text>
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                <text>"Cyprus 1974" Wood Engraving, Refugee Fund, Republic of Cyprus  </text>
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                <text>This is the first refugee stamp which is not "Black on White" or "White on Black". (see the 1984 stamp). Its power of expression is noticeably reduced. The background colour has changed thus reducing its emotional intensity and the sensation that it provokes. It is known however that in ancient Greece the mourning colour was in fact white. It represented the colour of a dead person’s cheeks when blood no longer coloured them rosy. Even now we encounter this in the habit of the Russian and Vatican fathers who wear white in mourning for the death of Christ.&#13;
In later years the mourning colour in Greece changed to black, as death resembled more the night and darkness. For this reason Orthodox holy fathers wear black to this day. The urns, which in ancient times were proffered to the dead, had this dual colouring of white on black or black on white. This refugee stamp with its mourning colour as we have known it since 1974 and which has made us grieve, is now less mournful. Another stamp in black and white (for mourning) is that of 1980 for the International Palestinian  Solitarity Day.</text>
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                <text>Cyprus Post, Republic of Cyprus  </text>
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                <text>Library of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>12th September 1988</text>
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                <text>Designer: A. Tassos</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>www.cypruspost.gov.cy</text>
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                <text>1988-REFUGEE-1C</text>
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                <text>35.160417, 33.346556</text>
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                <text> M.A. Moatsos, Athens</text>
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                  <text>Κυπριακά Ταχυδρομεία</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                  <text>&amp;Eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha; &amp;alpha;&amp;pi;&amp;omicron;&amp;tau;&amp;epsilon;&amp;lambda;&amp;epsilon;ί&amp;tau;&amp;alpha;&amp;iota; &amp;alpha;&amp;pi;ό 1211 &amp;gamma;&amp;rho;&amp;alpha;&amp;mu;&amp;mu;&amp;alpha;&amp;tau;ό&amp;sigma;&amp;eta;&amp;mu;&amp;alpha;. &amp;Gamma;&amp;iota;&amp;alpha; &amp;nu;&amp;alpha; &amp;delta;&amp;epsilon;ί&amp;tau;&amp;epsilon; &amp;omicron;&amp;lambda;ό&amp;kappa;&amp;lambda;&amp;eta;&amp;rho;&amp;eta; &amp;tau;&amp;eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;pi;&amp;alpha;&amp;tau;ή&amp;sigma;&amp;tau;&amp;epsilon; &lt;a title="&amp;Sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha;" href="https://apsida.cut.ac.cy/items/browse?collection=19"&gt;&amp;epsilon;&amp;delta;ώ&lt;/a&gt;</text>
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                <text>"Cyprus 1974" Wood Engraving, Refugee Fund, Republic of Cyprus </text>
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                <text>Lord, Tomorrow, let not &#13;
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(Poem by Zhtaro, translated by B. Mihranian)</text>
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                <text>Cyprus Post, Republic of Cyprus  </text>
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                <text>Library of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>4th September 1989&#13;
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                <text>Designer: A. Tassos</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>www.cypruspost.gov.cy</text>
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                <text>1989-REFUGEE-1C</text>
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                <text>35.160417, 33.346556</text>
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                <text> Helio Courvoisier, Helvetia</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text>An excerpt from the play "Mass in Phaneromeni Church" by Zhtaro: &#13;
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Left Chorister (A Refugee)&#13;
&#13;
 "There’s no island on the waves, &#13;
Only lamentations,&#13;
There’s no bread in this land, &#13;
Only pain, &#13;
Where is my land &#13;
Land of Love and Truth, &#13;
Where is my life &#13;
Life of dreams and freedom;&#13;
There is no sound of angels in heaven &#13;
Only blood,&#13;
There is no chase man in this world &#13;
Only my enemy". &#13;
&#13;
Right Chorister (A non-refugee)&#13;
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"Lord, is it true? &#13;
There’s no island on the waves? &#13;
Lord, nor bread in this land?&#13;
Lord, is it true? &#13;
There’s no sound of angels?&#13;
Lord, nor chaste a man?"&#13;
&#13;
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                <text>Designer: A. Tassos</text>
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                <text> Alex Matsoukis, Athens</text>
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                <text>Library of Cyprus University of Technology&#13;
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text> Many harbors resemble embraces, but Kyrenia’s above all; the tightest, the warmest and the sweetest. I will never forget the small harbor of Kyrenia… The only thing I could do on learning of the destruction that came about was to say and to write to all the world "I don’t Forget".&#13;
Nicos Demou&#13;
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                <text>Designer: A. Tassos</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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I Admired your looks and your dense hair &#13;
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The Mountain - your husband - is right to be jealous &#13;
Embracing you, he won’t let you go &#13;
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text>George Seferiades (1900-1971) who was better known as George Seferis was the most distinguished Greek poet of the 1930 s. A poet and a diplomat he wrote lyrical poetry and the Mythistorema in 1953. He served as Greece’s ambassador to Lebanon (1953-57) and the U.K.  (1957-62). In 1963 he was awarded the Nobel Prize for Literature. In 1953 he wrote the poem "Salamina tis Kyprou", (Salamis of Cyprus) recalling the tragedies of long, long ago, and the words of which still apply to tragedies from the recent past. The following is a translation:&#13;
Lord, help us to remember &#13;
How this carnage came about &#13;
The rape, the deceit, the selfishness &#13;
The dying of love Lord, help us to uproot them. &#13;
Lying as we are on these pebbles &#13;
It’s better now to forget &#13;
Better not to speak &#13;
For who can change the opinion of the mighty. &#13;
Separately each of us has his dreams&#13;
Incapable of lending an ear &#13;
To the agony of others. &#13;
But, yes the messenger cometh &#13;
No matter how long the road &#13;
He brings to those who tried to chain Hellespont &#13;
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The Lord’s voice calling over the waves &#13;
There, is an island.&#13;
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                <text>Cyprus Post, Republic of Cyprus</text>
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                <text>Library of Cyprus University of Technology&#13;
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Designer: A. Ladommatos</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text>A small bird flies out of Karpassia Crying slowly, crying softly Crying at noon Crying at his fate .At all its impositions. Niki Ladaki Philippou "Manoulla Kypriotissa"&#13;
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                  <text>Κυπριακά Ταχυδρομεία</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                  <text>&amp;Eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha; &amp;alpha;&amp;pi;&amp;omicron;&amp;tau;&amp;epsilon;&amp;lambda;&amp;epsilon;ί&amp;tau;&amp;alpha;&amp;iota; &amp;alpha;&amp;pi;ό 1211 &amp;gamma;&amp;rho;&amp;alpha;&amp;mu;&amp;mu;&amp;alpha;&amp;tau;ό&amp;sigma;&amp;eta;&amp;mu;&amp;alpha;. &amp;Gamma;&amp;iota;&amp;alpha; &amp;nu;&amp;alpha; &amp;delta;&amp;epsilon;ί&amp;tau;&amp;epsilon; &amp;omicron;&amp;lambda;ό&amp;kappa;&amp;lambda;&amp;eta;&amp;rho;&amp;eta; &amp;tau;&amp;eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;pi;&amp;alpha;&amp;tau;ή&amp;sigma;&amp;tau;&amp;epsilon; &lt;a title="&amp;Sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha;" href="https://apsida.cut.ac.cy/items/browse?collection=19"&gt;&amp;epsilon;&amp;delta;ώ&lt;/a&gt;</text>
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                <text>"Cyprus 1974" Wood Engraving, Refugee Fund, Republic of Cyprus</text>
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                <text>To a questionnaire put to the refugees and conducted by Nadia Theodorou, regarding entertainment in general before and after the invasion, and their wishes, they gave, in many instances, more than one answer as follows: &#13;
Entertainment Before After Wishes &#13;
Television 18.4 10.4 13.9 &#13;
Theater, cinema 33.3 5.0 15.1 &#13;
Amusement places 50.2 4.5 22.4 &#13;
Excursions 38.0 5.7 22.2 &#13;
Football 4.2 1.5 2.2&#13;
Cafes, cake shops 2.5 1.4 1.4 &#13;
Village coffee shops 9.6 7.9 4.3 &#13;
Sports 18.3 3.0 9.0 &#13;
Music, reading 4.4 2.9 3.4 &#13;
Needlework 3.5 2.4 1.1 &#13;
Visitations 11.7 5.2 6.1 &#13;
Nothing 9.5 63.1 41.1  &#13;
Total 203.6 113.0 142.2&#13;
&#13;
From the 9.5% who expressed no entertainment whatsoever prior to the invasion, the figure rose to over 63% after the invasion. And even when the ability existed either economically or otherwise, again more than 41% expressed no desire for entertainment. The lack of a spiritual mood, the intense presence of weariness and boredom create consequences not only to other members of the family but also to society in general.</text>
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                <text>Cyprus Post, Republic of Cyprus</text>
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                <text>Cyprus Post, Republic of Cyprus</text>
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                <text>Κυπριακά Ταχυδρομεία, Κυπριακή Δημοκρατία</text>
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            <name>Publisher</name>
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                <text>Library of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Date</name>
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                <text>30th June 1997</text>
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                <text>Designer: A. Tassos</text>
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            <name>Rights</name>
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              <elementText elementTextId="219916">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>www.cypruspost.gov.cy</text>
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                <text>TIFF</text>
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            <name>Identifier</name>
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              <elementText elementTextId="219921">
                <text>1997-REFUGEE-1</text>
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                <text>35.160417, 33.346556</text>
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            <name>Provenance</name>
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                <text>Oriental Press, Bahrain</text>
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