1 10 15 https://apsida.cut.ac.cy/files/original/525/49265/Zoomorphic-clay-vases.jpg cfcdd4b4b70e92d3a9bd4659606f0125 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zoomorphic Clay Vases https://apsida.cut.ac.cy/files/original/525/49265/PAM03423_[1].JPG f5952742890066b34a57e26b16208dae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photogrammetry https://apsida.cut.ac.cy/files/original/525/49265/PAM03754.JPG 7a01f2b9a5c7bcabcf91baeda8568a4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photogrammetry https://apsida.cut.ac.cy/files/original/525/49265/3D_Pipero_-_Version_2_[1].PNG 7961e411a1cd762228eb9ef11dbf3a19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3D Fabrication – Modelling https://apsida.cut.ac.cy/files/original/525/49265/3D_Pipero_-_Version_1.PNG 4b3d387bc095ee6e32b6e99ecfc9f383 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3D Fabrication – Modelling https://apsida.cut.ac.cy/files/original/525/49265/3D_Pipero_Mold_Kalupi.PNG 7d0f5665a5b6fd31be8f9c2ba5a1108b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3D https://apsida.cut.ac.cy/files/original/525/49265/image_2_[1].png d8bd1d0bd675bbc5c2ce58f7249b622b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Use and ReUse, 3D Printing https://apsida.cut.ac.cy/files/original/525/49265/279093958_470125254902878_2527902167561770652_n.jpg f60a00c280d37866ee7fd32cfe932ce7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition (Computer Tomography and Chemical Analysis with the kind support of the Radiology Department of YGIA Polyclinic Private Hospital and the University of West Attica) https://apsida.cut.ac.cy/files/original/525/49265/CTScan.jpg 7759dcc7f727e72a2c50b08270b82c1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CT SCAN https://apsida.cut.ac.cy/files/original/525/49265/IMG_0875.jpg d3aac5a482ae386d16aeabfcc1ed2930 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CT Scan, Data Acquisition Analysis https://apsida.cut.ac.cy/files/original/525/49265/20220705_152157-1024x768.jpg b94a92bc3c633c03a8651de5809e741e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Use and ReUse – 3D Fabrication https://apsida.cut.ac.cy/files/original/525/49265/MOVIE-0002_[3].mp4 5ae17faa25611ef56118b84c5d4227d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition (Computer Tomography and Chemical Analysis with the kind support of the Radiology Department of YGIA Polyclinic Private Hospital and the University of West Attica) https://apsida.cut.ac.cy/files/original/525/49265/MOVIE-0003_[4].mp4 9f84ceaa43c7967ece5c9051f3fd6e81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition (Computer Tomography and Chemical Analysis with the kind support of the Radiology Department of YGIA Polyclinic Private Hospital and the University of West Attica) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zoomorphic clay vases Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ζωομορφικά πήλινα αγγεία Subject The topic of the resource Zoomorphic clay vases Hellenistic period plain ware rhyta animal-shaped pottery Bank of Cyprus Cultural Foundation Mnemosyne Description An account of the resource The plain ware rhyta in the form of a he-goat dating to the Hellenistic period (310-30 B.C) belong to the Bank of Cyprus Cultural Foundation. The three zoomorphic rhyta are displayed in Figure below. They are characterized by a moulded solid head with twisted horns and ‘beard’. They have well-modelled ears, eyes and muzzle; punctures on forehead. The wheel-made cylindrical body is supported on four short legs; short tail. Basket handle at the back of the neck. On the breast there is a short narrow spout; filling-hole at the back of the base of handle. Linear incisions, made before firing, are present over the entire surface of the body. The three plain ware rhyta resemble one another strikingly, which suggests that were made in the same workshop. Their fabric and style of decoration recall the animal shaped Cypriote rattles of the same period. In this work, non-invasive analytical techniques for the study of three ceramic zoomorphic rhyta were employed, belonging to the museum of George and Nefeli Giabra Pierides located at the Bank of Cyprus Cultural Foundation in Nicosia, Cyprus. The Hellenistic pottery that has been found proves that Cyprus has an important tradition in ceramics, along with the large quantities of imported pottery that it receives from all over the Mediterranean. The three animal-shaped rhyta of simple goat form, which are prominently exhibited in the museum of the George and Nefeli Tziapra Pierides collection, are also part of this context. The animals are rendered with pragmatic features, especially their heads. Archaeologists suggested that the three plain ware rhyta have been used as ‘feeding bottles. The heads of goats are compact, have twisted horns and two of them have beards. They have elegantly constructed ears, eyes, and muzzle. They have spots on the forehead. The body is cylindrical and wheeled and rests on four short legs. The animals have a short tail and a reed-shaped handle at the back of the neck. The sternum has a short and narrow forechest. There is a filling hole at the back of the handle. These three rhyta come from the same pottery workshop and probably from the same craftsman. The preservation of tangible cultural heritage and its intangible information requires a holistic documentation approach. The development of such approaches requires a collaborative and multidisciplinary research, including the three-dimensional documentation of cultural heritage assets (data acquisition, data processing and modelling), the materials analysis of the artefacts, the knowledge management, and the use and re-use of the acquired information Cultural assets of historical value need to be holistically documented to ensure long-term preservation, to define authenticity, to prevent or identify illicit trafficking and to assist cultural heritage storytelling via new technologies, e.g., augmented reality (AR) and virtual reality (VR) applications. Creator An entity primarily responsible for making the resource Bank of Cyprus Cultural Foundation Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource Hellenistic period (310-30 B.C) Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Source A related resource from which the described resource is derived Bank of Cyprus Cultural Foundation UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <div class="element-text">&nbsp;<a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a></div> Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Format The file format, physical medium, or dimensions of the resource JPG Identifier An unambiguous reference to the resource within a given context CS12 Type The nature or genre of the resource Images Language A language of the resource en Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35°10'21.7"N 33°21'45.7"E animal-shaped pottery Bank of Cyprus Cultural Foundation Hellenistic period Mnemosyne plain ware rhyta Zoomorphic clay vases https://apsida.cut.ac.cy/files/original/525/49266/Scribe_Statuettes.png 80577e123c6d62cf5a15ddfdb1fbeb4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Limestone statuettes of draped youths seated on a stool. Traces of red paint are observed on the garments, lips, hair and papyrus. Ca. end of the 5th – beginning of the 4th century B.C. Source: Photographs reproduced from the Bank of Cyprus Cultural Foundation (BOCCF). https://apsida.cut.ac.cy/files/original/525/49266/PAM04985.JPG 0b29b4ce2c2de45f1979264570117aea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry https://apsida.cut.ac.cy/files/original/525/49266/PAM04913.jpg d73354b3bebe6b5ac8ade11b9e9b9bd9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry https://apsida.cut.ac.cy/files/original/525/49266/PAM05009.jpg 8ec799f29b128551376cf5a9b1fce584 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry https://apsida.cut.ac.cy/files/original/525/49266/PAM05160.jpg 8f43dd86d80e7a86eff6cfa2ee6dbaa4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The three limestone statuettes Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Τα τρία ασβεστολιθικά αγαλματίδια Subject The topic of the resource Three limestone statuettes Temple-boys Bank of Cyprus Cultural Foundation Description An account of the resource <p>The three limestone statuettes date from the 5th century B.C. to the middle of the 4th century B.C. and belong to the type known as temple-boys. The statuettes are part of the George and Nefeli Giabra Pieridis Collection of Cypriot antiquities , donated donated at the Bank of Cyprus Cultural Foundation (BOCCF) in Nicosia (CY), where they are currently on display. This type of temple-boy statuette was offered to both male and female divinities as votive offerings and they are rarely found in tombs. The most plausible theory and interpretation about temple-boys statuettes is that they were somehow connected with circumcision. Temple-boys limestone statuettes must have been very popular in Cyprus as three hundred of them have been assembled by Cecilia Beer and fifty-one of them are in the Censola Collection. Samples were found also in the Levant, where they may have been exported or made locally by Cypriots. The statuettes under study, wear a chiton and a himation, the folds of which are rather crudely rendered with shallow grooves. The sandaled feet rest on a plinth. There is a scroll spread on the knees, one edge of which the boy holds with the left hand; in the right hand he holds a stylus, resting on the papyrus. Curly hair; he wears a wreath of leaves round his head. Traces of red paint on the garments, on lips and on hair.</p> <p>On May 31, 2022, members of the MNEMOSYNE project team visited the Museum of George and Nefeli Giabra Pierides Collection, at the BOCCF, in Nicosia, in order to study and digitize artefacts belonging to the collection. The collection numbers more than 600 objects and covers a wide range of Cypriot Archaeology from the Early Bronze Age to the Medieval period. It includes unique examples of Mycenaean pottery and examples of pottery from the Geometric, Archaic, Classical, Roman and Medieval periods, clay figurines, stone sculptures and seals, jewellery, coins and bronze objects. In consultation with the Head Curator of the Museum, Dr Christodoulos Hatzichristodoulou, the three limestone statuettes of a clothed youth sitting of the Cypriot-classical period were chosen to be studied. In collaboration with the University of West Attica, the study of the chemical composition of the objects was carried out through the non-invasive technologies of X-ray fluorescence spectroscopy and X-ray Raman spectroscopy, which allow the identification of traces of colours in the objects under study.</p> <p>For the holistic documentation of the Scribe Statuettes, a conceptual model of data was created which divides the different types of data needed for the record of a cultural heritage object into classification categories. The general taxonomic system was developed under the MNEMOSYNE project (H2020 ERA Chair) and categorizes the Scribe Statuettes within classes such as &ldquo;Tangible&rdquo; and &ldquo;Movable&rdquo;. This type of data offers important information regarding the history of the objects. Furthermore, the MNEMOSYNE research group focused on the digital reconstruction of the statuettes. Shedding light on the polychromy components of the limestone statues from Cyprus allowed the digital reconstruction of the colours, visualizing the statuettes in their original forms. After receiving the processed and structured data of the Statuettes the team will be able to create a virtual exhibition of the statues in their original form, through the implementation of XR technologies that can provide to users of different background the unique opportunity to examine them closely, employing at the same time, innovative, user-centered storytelling methodologies.</p> <p>The case study of the three limestone statuettes of temple boys allowed the ERA Chair team members to focus on the characterization of polychromy on limestone sculptures from Cyprus. Limestone sculpture is an important expression of the Cypriot artistic production in Antiquity. Polychromy components have been identified by means of physico-chemical analytical techniques (e.g., x-ray fluorescence spectroscopy, Raman spectroscopy). The analytical techniques contributed to the identification of the original pigments present on the statuettes. In this research work the analysis focused on the characterization of artists&rsquo; use of color in ancient Cyprus and the identification of the pigments used. Results revealed inscriptions on limestone reliefs and traces of red ochre and hematite visible to the naked eye, yellow ochre and green earth pigments, non-visible to the naked eye. Traces of red paint are visible to the naked eye on the garments, lips and hair of the statuettes. The identification of original pigments provides information for art-historical and archaeological studies on aspects such as material and symbolic status of statues, manufacturing techniques or workshops secrets, diachronic developments of style and technologies.</p> Creator An entity primarily responsible for making the resource Bank of Cyprus Cultural Foundation Source A related resource from which the described resource is derived UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology Bank of Cyprus Cultural Foundation EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 5th century B.C. to the middle of the 4th century B.C. Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource en Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context CS11 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35°10'21.7"N 33°21'45.7"E Bank of Cyprus Cultural Foundation Mnemosyne Temple-boys Three limestone statuettes https://apsida.cut.ac.cy/files/original/525/49267/late-geometric-euboean-skyphos-870x506.jpg d24458f6bab42d24b119f13bc0d9439c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late geometric Euboean Skyphos https://apsida.cut.ac.cy/files/original/525/49267/PAM05347.jpg a52a8ec7d570671321f67e4c6c3099ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry https://apsida.cut.ac.cy/files/original/525/49267/PAM05501.jpg 646fd34d4bf690b3badd7c9ba24e163a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry https://apsida.cut.ac.cy/files/original/525/49267/PAM05530.jpg 0ada253f02a77a5010f3cf4a7e8d099c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Acquisition - Photogrammetry https://apsida.cut.ac.cy/files/original/525/49267/Capture_img.JPG 4bba77077f18e04bef7cbd4606fdd39e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Processing https://apsida.cut.ac.cy/files/original/525/49267/Capture21_[1].JPG ab9d21f13d4333ce9b61ffc677516742 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Processing https://apsida.cut.ac.cy/files/original/525/49267/GC_45_3D_Image_3_[1].jpg 53703f76ed8cf10925179333d4f9473a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Data Processing https://apsida.cut.ac.cy/files/original/525/49267/GC_45_3D_Image_4.jpg d6aa62a0f02bf94c3d747fc023945a4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Process of Use and Reuse- 3D Printing https://apsida.cut.ac.cy/files/original/525/49267/DSC00549.jpg c1210025029f3bef43d9fe50e1c44eb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Use and Reuse - 3D Printing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late geometric Euboean Skyphos Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ύστερος γεωμετρικός Ευβοϊκός Σκύφος Subject The topic of the resource Late geometric Euboean Skyphos Cypriot Archaeology Bank of Cyprus Cultural Foundation Mnemosyne Description An account of the resource The skyphos, dating back to the end of the 8th century BC, is of characteristic Late Geometric Euboean type. Such skyphoi have been found in fairly large numbers, especially in tombs in the Amathus region. The Cypriots were very fond of the Euboean drinking cups, especially during the Cypro-Archaic I period, and they also produced them locally. The skyphos belongs to the pottery collection of the George and Nefeli Giabra Pierides museum at the Bank of Cyprus Cultural Foundation. The artefact under study (height: 7cm; diameter: 11.8 cm) has convex sides, a vertical lip, two opposite horizontal loop handles on body, flat base. Decoration in orange to dark red paint. The exterior surface is decorated on both sides between handles with two confronted birds in rectangular panels separated by a group of vertical parallel lines. Above each bird there is a rectangle or lozenge probably recalling the wings of Euboean birds. The interior is painted solid. MNEMOSYNE research group has focused on the digital reconstruction of the late geometric Euboean Skyphos using photogrammetry. Additive manufacturing (3D printing) has been employed for the replication of the 3D model. ERA Chair team members have done the research and documentation of the related literature to record the conceptual model of data, aiming on the holistic documentation of the Skyphos. The taxonomy diagrams have been gathered and divided the types of data needed for the record of the cultural heritage objects into classification categories. Noninvasive chemical analytical techniques (eg. X-ray fluorescence spectroscopy, FTIR spectroscopy and Raman spectroscopy) could be employed for the identification of the dark orange- red colour used for the decoration of the Skyphos. Other traces of colour not visible to the naked eye could also be detected. Such identification of original pigments and comparison with related, published, scientific data may provide information for art-historical and archaeological studies on aspects such as material and symbolic status of such artefacts manufacturing techniques and workshops secrets, diachronic development of style and technology. Director of the Bank of Cyprus Culture Foundation, and Curator of the Museum, contributed to the collection of all relevant information and historical and other data. Additionally, in association with the University of West Attica, the non-invasive technologies of X-ray fluorescence spectroscopy and X-ray Raman spectroscopy, which enable the identification of traces of colors in the objects under study, were used to study the chemical composition of the objects. The object was digitized using photogrammetry, and various measurements were made to determine the object’s material and colors. Creator An entity primarily responsible for making the resource Bank of Cyprus Cultural Foundation Source A related resource from which the described resource is derived Bank of Cyprus Cultural Foundation UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 8th century BC Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource en Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context CS16 Bank of Cyprus Cultural Foundation Cypriot Archaeology Late geometric Euboean Skyphos Mnemosyne https://apsida.cut.ac.cy/files/original/525/49268/1A-Photogrammetry-Bow.png 6217927efe095fafb051bc63b31ccfc4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1A-Photogrammetry-Bow https://apsida.cut.ac.cy/files/original/525/49268/1B-TLS-Bow.png 18bc14242dcd115961b4e38e1bd08d3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1B-TLS-Bow https://apsida.cut.ac.cy/files/original/525/49268/2-Cloud_Sections-Bow.png 109a6cf0bc75c6a4eaf799d86e6b2e64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2-Cloud Sections-Bow https://apsida.cut.ac.cy/files/original/525/49268/3-Curves-Bow.png b3c4e1d94d6814cd390a4e7c8dd3e6dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3-Curves-Bow https://apsida.cut.ac.cy/files/original/525/49268/4-Curves_and_Boat-Bow.png d02fbc3ba82c7d9270defb02db2d2ba0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4-Curves and Boat-Bow https://apsida.cut.ac.cy/files/original/525/49268/5-Structure-Bow.png e5613ff87204ddd375de1135c76f5040 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5-Structure-Bow https://apsida.cut.ac.cy/files/original/525/49268/6-Boat-Bow.png 77afa0deee174f902b0d91ac27a53478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 6-Boat-Bow https://apsida.cut.ac.cy/files/original/525/49268/7-Photogrammetry_TLS_and_boat.png 610546afd972b67e6e7ac55d59d19cd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 7-Photogrammetry TLS and boat https://apsida.cut.ac.cy/files/original/525/49268/02-Lambousa-January-2023.JPG d546ec925a08258d642c2821ac8fc7aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambousa-January 2023 https://apsida.cut.ac.cy/files/original/525/49268/03-Lambousa-January-2023.JPG 39091ad9bb27d364501060ef6a0463a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambousa-January 2023 https://apsida.cut.ac.cy/files/original/525/49268/04-Lambousa-January-2023.jpg ff448e785b826a321d6f23ae01719af1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambousa-January 2023 https://apsida.cut.ac.cy/files/original/525/49268/05-Lambousa-March-2023.jpg 195a2629be9b8f3034f9e59f2876a655 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambousa-March 2023 https://apsida.cut.ac.cy/files/original/525/49268/06-Lambousa-March-2023.jpg d7ed5c048d1ad2b4979f3dfee8f6451b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambousa March 2023 https://apsida.cut.ac.cy/files/original/525/49268/07-Lambousa-September-2023.jpg e7582108284f828cf5dedef9d48f6e54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambousa September 2023 https://apsida.cut.ac.cy/files/original/525/49268/Lambousa_Boat_26.zip 2f8795a2a58f4da652423b2300c37e12 https://apsida.cut.ac.cy/files/original/525/49268/Lambousa_Boat_25_v15_texture.zip 296952961ecc9f187c1d6e15d5b0e26a https://apsida.cut.ac.cy/files/original/525/49268/Complexity_Report_v2.pdf da03cf24a11679424d3085d6054c8c7c https://apsida.cut.ac.cy/files/original/525/49268/Quality_Report_v2.pdf 227167e619194c30535cc6f6aed2afc9 https://apsida.cut.ac.cy/files/original/525/49268/Lambousa_Boat_Naval_Drawings_Finalised_v4.pdf 7559f3364f20ab505ed97e9101419728 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lambousa Fishing Trawler Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Αλιευτικό Σκάφος Λάμπουσα Subject The topic of the resource The Lambousa Fishing Trawler Description An account of the resource The Lambousa Fishing Trawler is considered a unique historical fishing boat of modern Cyprus culture with rich activity in the eastern Mediterranean waters. It was originally named Omonoia, and built at Perama, Piraeus in 1955 by Dimitrios Zacharias. It was given the name Lambousa when it arrived at the Famagusta port in 1965. The boat was used for fishing in the Mediterranean Sea for 50 years and is a 25-metre vessel with a 48-ton capacity and a top speed of 10 knots. The boat was then restored to its original state, and it was used during summer for organized visits with the aim of informing the public about fishing and maritime history and traditions of Limassol and Cyprus. During summer it was anchored at ‘Molos’ (Multifunctional seaside park), Limassol and in the winter, it was kept at the old harbour. The boat was repaired with European funding. Today, it is once again located at the Karnagio area in Limassol,for external and internal improvement works. Lambousa is one the last traditional fishing boats in Cyprus. Its type is no longer built neither in Cyprus or Greece. The boat was in active service until 2004, when it was given to Limassol Municipality by the Fisheries Department, following the government’s decision to withdraw several vessels to protect marine life (Πλοιάριο, ‘Λάμπουσα’, n.d.). It is a representative example of the Greek shipbuilding tradition and an heirloom, a living reminder of the history of Cypriot fishing. Its rescue is a very important milestone in the field of digital cultural heritage, especially because, according to the Regulation (EU) No 508/2014 – the European Maritime and Fisheries Fund, certain fishing boats should now be destroyed. The historic fishing boat ‘Lambousa’, which is property of the Limassol Municipality and one of Limassol’s popular visitable attraction has been docked for the past few years in a corner of the Karnagio shipyard, where it is eaten away by sea salt and weather conditions. Lambousa was chosen as a case study in the MNEMOSYNE project because it is the oldest existing fishing boat on the island and a unique and important landmark in the contemporary history of the island. It is worth noting that the Municipality of Limassol requested from the Laboratory to holistically document the fishing boat, in order to digitise, protect and preserve it in history using its advanced technology. This commission was part of a long-standing collaboration between the DHRLab and the Municipality of Limassol, in the context of the MNEMOSYNE project. Fishing boats have continued to be the major product of boatyards throughout the 20th century. Unique instances of the Greek boatbuilding history were lost in the late 1980s because of the adoption of the EU law on the reduction of the fishing fleet, dealing a serious blow to the maritime cultural legacy. Thousands of wooden fishing boats have been destroyed as a result of excessive subsidies for their demolition in the context of the renewal of the fishing fleet, which have persisted from all subsequent European Regulations in the programming periods that followed until the present. These subsidies were also accompanied by a lack of interest in calling for the preservation of traditional fishing vessels. <a href="https://apsida.cut.ac.cy/paradata/lambousa/" target="_blank"><strong>Corresponding Paradata for the Data Acquisition&nbsp;</strong></a> Creator An entity primarily responsible for making the resource Municipality of Limassol Source A related resource from which the described resource is derived Municipality of Limassol UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Digital Europe Programme - EUreka3D <br /><a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Publisher An entity responsible for making the resource available UNESCO Chair on Digital Cultural Heritage / Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 1955 Contributor An entity responsible for making contributions to the resource UNESCO Chair on Digital Cultural Heritage / Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource <a href="https://creativecommons.org/licenses/by-sa/4.0/deed.en" target="_blank">CC BY-SA 4.0</a> Format The file format, physical medium, or dimensions of the resource OBJ, GLTF, 3DM, E57 Language A language of the resource en Type The nature or genre of the resource 3D Identifier An unambiguous reference to the resource within a given context CS14 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 34.664559208246686, 33.02992467989664 Relation A related resource <a href="https://kompakkt.de/viewer/index.html?entity=6655c7a3c34e2de3efffb759&amp;mode=open" target="_blank">3D Viewer - Structural Model</a> VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 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0afddd0cbc7e956ad1827e1478a7ade2 https://apsida.cut.ac.cy/files/original/525/49270/014b.3.jpg 70647bf173b7acc024c2c88ac6976a3c https://apsida.cut.ac.cy/files/original/525/49270/017b.2.jpg 274e86baf2526cb56c0890d2c5a4980d https://apsida.cut.ac.cy/files/original/525/49270/015a.3.jpg e08c4e7e83320a45d0248d30bf164bd5 https://apsida.cut.ac.cy/files/original/525/49270/015b.3.jpg b2e26f4da2a95d607aff94d4df2efbaa https://apsida.cut.ac.cy/files/original/525/49270/016a.3.jpg eca93303e62e21deaeed8487ce56bc5f https://apsida.cut.ac.cy/files/original/525/49270/016b.3.jpg 3cd59264f11db51d5639f5254f0fa2b2 https://apsida.cut.ac.cy/files/original/525/49270/017a.3.jpg 0afddd0cbc7e956ad1827e1478a7ade2 https://apsida.cut.ac.cy/files/original/525/49270/017b.3.jpg 274e86baf2526cb56c0890d2c5a4980d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hercules Melqart Coin Collections Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Coins with Hercules Melqart Συλλογή Νομισμάτων με τον Ηρακλή Μελκαρτ Subject The topic of the resource Hercules Melqart Coin Collections Cypriot Archaeology Bank of Cyprus Cultural Foundation Numismatic Museum Athens Mnemosyne Description An account of the resource The Numismatic Museum in Athens owns one of the most important collections of coins in a worldwide scale, covering a chronological continuum from ancient to modern times, providing a unique history of monetary practice. Material, inscriptions, typologies and iconography are the main mediums through which coins narrate cultural identities, influences and exchanges, commerce and economy, religion, mythology, aesthetics and governing systems. The present case study which will deal with a small number of coins connected with Cyprus, will undoubtedly shed light on the island’s wealth and foreign connections and exchanges with its Near Eastern neighbours, during the sixth century BC. The coins in question depict Hercules-Melqart and belong to the Numismatic Museum of Athens, as well as to the Bank of Cyprus Cultural Foundation in Nicosia. The latter possesses also an important Numismatic Collection, covering the entire range of the Cypriot coinage, from the sixth century BC, the period of the city-kingdoms to the more recent period, following the establishment of the Republic of Cyprus. The iconography of Hercules Hercules represents one of the most archetypical personalities of Greek Mythology. His distinctive characteristics as a hero and as a god find parallels as early as in the adventures of the Mesopotamian hero Gilgamesh, the earliest poem of human history. Long after his establishment in the Greek pantheon, versions of Hercules are met in the Egyptian god Chonsu, Babylonian Nergal or the Phoenician god Melqart. On a small number of Cypriot coins from the collection of the Numismatic Museum of Athens, the local version of Hercules also takes the shape of Melqart. Cypriot Hercules, or Melqart, is an excellent example of cultural exchanges and affinities, while it also provides a unique testimony for the societal processes taking place in an island, the position of which made of it an important cultural and historical crossroad in the Near East and the civilizations that flourished around the Mediterranean basin, already from early antiquity. Epigraphic testimonies verify the division of Cyprus in distinct kingdoms already from the eighth century BC. Until the conquest of the kingdoms by Ptolemy I in 309 BC, the kings of the ten separate independent kingdoms minted coins in gold, silver and copper, using different iconographic motifs and inscriptions in Cypriot-syllabic scripture -the local syllabic scripture that was used for transcribing the Greek language in the Phoenician alphabet; in Greek alphabet from the fifth century BC onwards; and finally, in the Eteocypriot language, a pre-Indo-European language spoken in Iron Age Cyprus, which hasn’t yet been deciphered. An important number of silver and gold coins was minted by the kings of Kition -located in the area of the modern city of Larnaca-, founded at the end of the fourteenth century BC by groups of people arriving from the coast of Syria and Palestine. The strong Phoenician influence in Kition is evident due to the worship of Phoenician gods such as Melqart and Astarte, evidenced by the presence of altars, religious inscriptions, coins, as well as of other movable objects. Several of them have representations of Melqart, bearing the physical characteristics of Hercules. However, in the Cypriot depictions in sculpture and coins, Hercules is clearly differentiated since he often appears without a beard. Creator An entity primarily responsible for making the resource Bank of Cyprus Cultural Foundation Numismatic Museum Athens Source A related resource from which the described resource is derived UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology Numismatic Museum Athens Bank of Cyprus Cultural Foundation EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <br /><br /><a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 6th Century B.C. Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPEG PNG Language A language of the resource en Type The nature or genre of the resource IMAGE Identifier An unambiguous reference to the resource within a given context CS05 https://apsida.cut.ac.cy/files/original/525/49271/DSC06980-scaled.jpg 6b973e17843e8411cbba72bad126d66d https://apsida.cut.ac.cy/files/original/525/49271/Icon.png 5852b84d3b81bb8ffcaa01615f1606df https://apsida.cut.ac.cy/files/original/525/49271/RODOS.png b11e28d3fa1a63199cb47f40406224e1 https://apsida.cut.ac.cy/files/original/525/49271/STEP2.png c3dd625a89b44af4f0cca130e32fe83c https://apsida.cut.ac.cy/files/original/525/49271/STEP3A.png a661cc6c8e11280d738f531d9a741018 https://apsida.cut.ac.cy/files/original/525/49271/STEP3B.png 110640ae6855013d6d01df8f0a86ca05 https://apsida.cut.ac.cy/files/original/525/49271/STEP3C.png a9b3d58d7a7814adc8dd3d220f2e349d https://apsida.cut.ac.cy/files/original/525/49271/STEP4.png 291223a6d864ee2887293753ee951c07 https://apsida.cut.ac.cy/files/original/525/49271/DSC00357.jpg bb82f497a9ba6ec66bb18250424f0038 https://apsida.cut.ac.cy/files/original/525/49271/DSC00358.jpg 294c6fb474eaf14ef079db9c2683f422 https://apsida.cut.ac.cy/files/original/525/49271/DSC00361.jpg 0756595cf45baa723244c9e6577d2946 https://apsida.cut.ac.cy/files/original/525/49271/DSC00363.jpg c87b6cc72897b9916c0eda997281ba7c https://apsida.cut.ac.cy/files/original/525/49271/DSC00378.jpg a86b27d0b94fa7127bc5de1c18f2dd93 https://apsida.cut.ac.cy/files/original/525/49271/DSC00385.jpg da619b4fabf70619acc6b748fcdd8aa1 https://apsida.cut.ac.cy/files/original/525/49271/DSC00389.jpg 2dc48de268a5bf62c0afe22b7d85aeef https://apsida.cut.ac.cy/files/original/525/49271/DSC00392.jpg cdffd0fc82537f6155827ce284f9e5f7 https://apsida.cut.ac.cy/files/original/525/49271/DSC00404.jpg 9d7fed75707c7865efca0d3956fd1e10 https://apsida.cut.ac.cy/files/original/525/49271/DSC00412.jpg 8ac46381bc31726a306ef9f2938d21e5 https://apsida.cut.ac.cy/files/original/525/49271/DSC00431.jpg 2a60be46b3ce8ec0fb778fe12c734ec2 https://apsida.cut.ac.cy/files/original/525/49271/DSC00438.jpg 078db234ffb5a543fdee39e18b926a87 https://apsida.cut.ac.cy/files/original/525/49271/DSC00446.jpg 5505d1e00e16a9fa907a614b44b63b0e https://apsida.cut.ac.cy/files/original/525/49271/The_Horologio_of_Philippi_Windows_Media_Creator_0.mp4 138933eb2fe6869cb19030b6351d0713 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Horologion of Philippi: A portable Sundial Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Το Ορολόγιον των Φιλίππων Subject The topic of the resource The Horologion of Philippi: A portable Sundia Description An account of the resource The Philippi Sundial is one of the most beautiful and elegant technological artifacts and measurement devices of the Hellenic world. The Philippi Sundial is an original gadget, a portable pocket ring sundial, which encapsulates the scientific spirit and the technological innovation of the Hellenistic era. The Horologion is currently displayed at the Museum of Kavala, Greece. A sundial is a device that indicates time by using a light spot or shadow cast, by the position of the Sun on a reference scale. Sundials have been invented independently in every major culture and became more accurate and sophisticated as each culture developed. Expectedly, within the noosphere born in the Hellenistic era (with Alexandria as its most important center), ancient Greeks were well-positioned to develop the science (principles and forms) of sundials, having developed the science of geometry, particularly discovering the conic sections to be traced by a sundial nodus. The portable Horologion of Philippi is one of the finds from the archaeological excavation in the Octagon church of Philippi in Macedonia, Greece, which exhibits clear-cut functionality combined with unprecedented ergonomic design. Its distinctive type renders it unique in its kind, since it does resemble common elements, but significantly differs from, the three main types of sundials developed through the science of gnomonics of the Hellenic world. The user of the Horologion of Philippi could not only read the local hour in the region (latitude) of four cities but also calculate the latitude of a specific place, as well as the horizontal coordinates (that is the azimuth and the altitude of the Sun or another celestial object). Based on analyses of its epigraphic evidence, archaeologists date the construction of the Horologion of Philippi between 250 and 350 C.E. The Horologion of Philippi is a circular object made of copper alloy (around 72.5 mm in diameter), consisting of three rings placed inside each other. The inner ring carries an optometric (view) hole aiming at the sun, while the middle ring is made of two half rings, each bearing various engravings bilaterally, from the center to the edges. The first (outer) ring has an inner diameter of 64.9 mm, 3.8 mm thick, and 5 mm wide. It has no engraving or inscription, other than the holes for the shafts holding the other rings. The two separate half-rings, which comprise the middle ring, have an external diameter of 64.5 mm, an inner diameter of 57.2 mm, a thickness of 3.6 mm, and a width of 5 mm. They are constrained by an axis placed as a mono-block construction, with the stem through which the hoop passes allowing for complete (360 o) rotation. On the outer cylindrical surface of each semicircle, a pair of city names followed by their corresponding latitudes are engraved; «ΑΛΕΞΑΝ, ΛΑ» (Alexandria, Greece, 31o) and «ΡΟΔΟΥ, ΜΛΣ» (Rhodes, Greece, 36o) on one, and «ΟΥΙΕΝΝ, ΜΕ» (Vienne, France, 45 o) and «ΡΩΜΗ, ΜΑΓ» (Rome, Italy, 41o) on the other. On each flat side of the hemisphere, months Jan-Jun and Jul-Dec are engraved respectively, with indications laid out counterclockwise across 47 o arcs (twice the 23.5 o ecliptic tilt of the earth). The third (inner) ring has an outer diameter of 57 mm, an inner diameter of 51.5 mm, a thickness of 2.8 mm, and a width of 5 mm and can rotate around a fixed axis (constrained in the outer ring) with the help of two diametrically opposed pins, obtaining a gimbal suspension. Utilities and Operation Finding the local time The Philippi sundial’s unique ergonomic form makes it appropriate for a variety of uses. The sundial’s user discovers the current local time in the four cities’ vicinity, the latitude of a certain location, and the horizontal coordinates, or azimuth and altitude of the Sun or another celestial object. It can be employed as an astronomical instrument for observation as well as a time measurement device and a terrestrial system for determining location. Finding the latitude The Philippi Sundial’s user measures the height of the Sun over the astronomical horizon on the day of the equinox after setting the instrument in the working position, which entails mounting it towards the location’s zenith and orienting the outer ring perpendicular to the meridian plane. The complement of the place’s latitude is equal to the height of the Sun. Finding the azimuth and altitude of a celestial object The outer ring is placed in the meridian plane, the middle ring in the east-west plane, and the inner ring is used as the horizon circle by the clock’s user. The user can determine the azimuth and altitude of the celestial object by aiming at it. 3D Geometry For the 3D Geometry of the object, the MNEMOSYNE team worked with the department of Mechanical Engineering of the Aristotle University of Thessaloniki and with the assistance of the data that were collected and the photographs of the prototype from the museum, under the supervision of the Era chair, the object was designed in 3D form by the partners of the department of Mechanical Engineering of the Aristotle University of Thessaloniki, using the appropriate software and more specifically the Computer Aided Design System (CAD). Using CAD, virtual testing of the object’s utility and operations was conducted. With the help of the processed photos, a three-dimensional model was created with the assistance of the software “Agisoft Metashape”, of which the following sundial angles can be seen. After its completion and after the object’s utility was inspected, the necessary information and data were generated for the creation of a true, functional, physical replica of the sundial. Creator An entity primarily responsible for making the resource Philippi Museum, Kavala, Greece Source A related resource from which the described resource is derived Philippi Museum, Kavala, Greece UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <div style="text-align: left;"> <div class="element-text">&nbsp;<a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a></div> </div> Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 250-350 A.D. Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPG PNG MP4 Language A language of the resource en Type The nature or genre of the resource IMAGE VIDEO Identifier An unambiguous reference to the resource within a given context CS07 https://apsida.cut.ac.cy/files/original/525/49272/Picture91.png 45db9671e2f7d98a4d722c0d0680b33f https://apsida.cut.ac.cy/files/original/525/49272/Picture94.png e5e9a0c53d4cc36d19287c1c5f32e59d https://apsida.cut.ac.cy/files/original/525/49272/SAM_0816.JPG 94de0906dfca06099c34879ca3fa2216 https://apsida.cut.ac.cy/files/original/525/49272/SAM_0854.JPG 13461285329a88385f4fc7f1a4aea388 https://apsida.cut.ac.cy/files/original/525/49272/school.png 7f038138b128585f4c4e8f66c8e40ea9 https://apsida.cut.ac.cy/files/original/525/49272/house_of_Achilleas_Dimitri.png 08effe87af0b6510c57af63d88cce51e https://apsida.cut.ac.cy/files/original/525/49272/House_of_Katsinioros.jpg eabd2722b7118aa78ccfa2ac5852757a https://apsida.cut.ac.cy/files/original/525/49272/Fig5-3D_Model.PNG 13e81752037c2e61dd961c40c6d3ca7d https://apsida.cut.ac.cy/files/original/525/49272/Fig6-BIM_model_left.png 0a098b0186af8a322648f8ba963ddf54 https://apsida.cut.ac.cy/files/original/525/49272/Fig6-BIM_model_right.png b1267bb5124bdf518c339f55df73519f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fikardou Village Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Το παραδοσιακό χωριό Φικάρδου Subject The topic of the resource The Fikardou Village, UNESCO World Heritage Tentative List, Ancient Monument, Παραδοσιακό Χωριό Φικάρδου Description An account of the resource Fikardou village is located on the south-eastern slopes of the Troodos Mountain range, about thirty kilometres (30 km) southwest of the capital city of Nicosia, on the Eastern Mediterranean island of Cyprus. The village is considered a genuine example of 18th and 19th-century folk architecture of Cyprus with modifications and additions belonging to the first decades of the 20th century. Due to its unique and well-preserved building structure, the settlement was put under the supervision of the Department of Antiquities in Cyprus in 1978 as an “Ancient Monument” and a “Controlled Area”. In 1984, the Department of Antiquities undertook, as part of a wider program to revitalize the village, to repair and restore the collapsing houses and generally to improve the entire image and structure of the village. Since 2002 the village has been included on the UNESCO World Heritage Tentative List, aiming at high-quality protection and management of the components that constitute its uniqueness. Although the evidence referring to the village’s origins is scarce, the use of a genitive case in the village’s name suggests that the village once belonged to a feudal family of the same name, as is the case for the neighbouring villages of Gourri and Lazania. Τhe village bears the name of a once opulent and important native family of Cyprus, known in the chronicles under the various spellings of Phicardo, Ficardi etc.” and one Tomazo Phicardo - a notary to King James II during Frankish rule in Cyprus - was a feudal lord of nearby villages and possibly owned the village for a time as a fief, thus passing on his name to the village, as was the case for many village fiefs of the time. Fikardou is one of the few examples of a remarkable traditional settlement in Cyprus that has remained unspoiled over time and has managed to keep its architectural features and traditional way of life. The Department of Antiquities in 1978 declared the entire village an ‘Ancient Monument’ and a ‘Controlled Area’. The Department of Antiquities has made restorations on the old houses of the village which are great examples of mountainous Cypriot architecture of the 18th and 19th century, built with rough local stones and bricks in perfect harmony with the surrounding environment. The efforts of the Department made Fikardou, a former ruined village, a lively museum of traditional architecture. Forty houses of the 1920s which bear elements of folk architecture have been preserved to this day. The house of Katsiniorou and the house of Achilleas Dimitris have been honoured with the Europa Nostra prize in 1987-1988. The old houses were turned into museums accessible to the public and are run by the Department of Antiquities. Fikardou is located about 38 km southwest of Nicosia, 58 km from Limassol, 70 km southeastern to Larnaka and almost 150 km from the city of Paphos. It is built in the geographical area of Pitsilias at an altitude ranging from 400 to 1100 m on the southeastern slope of the Troodos Mountain. In the centre of the settlement there is 18th century church of Peter and Paul which operates once a year on June 23, on the Saints’ name day. The entrance to the village is in the south, at the meeting point of the winding roads from the villages of Klirou and Gourri. The central paved road does not enter the inner branching of the settlement. The inner branching is consisted just by narrow, cobbled streets, suitable only for pedestrians and animals. To the north, Fikardou is connected to the village of Klirou, at a distance of about 7km and to the west to the village of Gourri, at 2 km. The road network of the village consists of the central road axis running from north to south, which is bound by two parallel, narrower roads at different elevations that communicate with the central one with vertical branches or meet at certain points. No street has a straight course at plan level, as it is formed by the property boundaries. The layout of the narrow roads does not exceed four meters in width, while the smallest road width is almost two meters. The only difference in the width of the streets is the small widenings, the dead ends, and the platforms (church, school) which we rarely meet in the settlement. The area is characterized by the strong slope of the ground and the road patterns follow the shape of the natural relief. The main axis, as well as the two parallel ones that flank it, are the longest, parallel to the curves of the mountainous relief, in contrast to the roads that are perpendicular to them, which are characterized by a dangerously steep slope that makes vehicle access impossible. The process of holistic digitization and documentation of the movable and immovable tangible cultural heritage of Fikardou village is crucial for the protection, preservation and renovation of the village. Additionally, the 3D digitization process can significantly improve the accessibility of the unique cultural heritage of the village for research, innovation, education and enjoyment. For these reasons, the Fikardou village was chosen as case study in the Mnemosyne project. Creator An entity primarily responsible for making the resource The Department of Antiquities Source A related resource from which the described resource is derived The Department of Antiquities, UNESCO-WHTL UNESCO Chair on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Horizon 2020 - TExTOUR Horizon 2020 - IMPACTOUR <a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Digital Europe Programme - EUreka3D Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 1978 A.D. Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPG, PNG Language A language of the resource en Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context CS 13 Relation A related resource Europa Nostra Ancient Moument Department of Antiquities Fikardou Village UNESCO World Heritage Tentative List Παραδοσιακό Χωριό Φικάρδου https://apsida.cut.ac.cy/files/original/525/49274/Icon-1-rotated.jpg 0a49395c8a4601b1da74628a55fda122 https://apsida.cut.ac.cy/files/original/525/49274/PAM05921-683x1024.jpg ee57cc03992d0cbed2bb3d24702dcb7e https://apsida.cut.ac.cy/files/original/525/49274/Edit2-768x460.png 8c051cacc0dc8056cf528ddcceb263d6 https://apsida.cut.ac.cy/files/original/525/49274/Edit3-768x488.png 1ad830c94dc3180c0a1eaab13d07ae53 https://apsida.cut.ac.cy/files/original/525/49274/Edit1-768x508.png 81e5ca7a58f39c0b29f0b82feb47ba9a https://apsida.cut.ac.cy/files/original/525/49274/Panagia_Chrysorrogiatissa1.mp4 2b09ca4b0a75a1af6a7dc9c2d349efbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Icon of Panagia Chrysorrogiatissa Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Εικόνα Παναγιάς Χρυσορρογιάτισσας Subject The topic of the resource Icon of Panagia Chrysorrogiatissa Description An account of the resource The icon of Christ and the Virgin Mary covered with gold and silver is located in the Church of Chrysorrogiatissa monastery and is believed to have been painted by the Apostle and Evangelist Luke. According to tradition, the sacred icon was thrown into the sea during the iconoclastic period, in order to be saved from the iconoclasts. The waves from Isauria swept it away and carried it to the coast of Paphos, to the location of Moullia. On August 15, 1152, the monk Ignatius, who was practicing in the area, at the site of Kremasti, saw a great flash on the coast of Paphos. He found the icon and set off for his retreat. Overtired as he was, he fell asleep on the slope of Mount Rogia, under a pine tree. In his sleep, an angel of the Lord envisioned him building a temple in the name of the Virgin Mary. The building of Chrysorrogiatissa monastery as it is today, dates back to the 1760- 1770. Creator An entity primarily responsible for making the resource Chrysorrogiatissa Monastery Source A related resource from which the described resource is derived Chrysorrogiatissa Monastery UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> EUreka3D Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 1152 A.D. Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPEG PNG MP4 Language A language of the resource en Type The nature or genre of the resource IMAGE Identifier An unambiguous reference to the resource within a given context CS17 https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P10_3D_Perpsective-1-870x580.jpg 3b0c3e09f0d23b92e20675e312b841e7 https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P09_3DPerspective-1-870x580.jpg 7b6b5247f8f26c942bcfef2e9783ae74 https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P08_3DPerspective-1-870x580.jpg 78abaf978ebb4c56412703341294c22f https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P07_Section2-1-870x580.jpg 87942e21dc16621c079bd414bd29549a https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P06_Section1-1-870x580.jpg e3856836d857975e8ab029db628ad21d https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P04_Southeast_Elevation-1-870x580.jpg 005f19f9444b818fd0ff19cbc7cc32e6 https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P03_Northwest_Elevation-1-870x580.jpg 1ccc5785d01d1c1e2d55f9c629d74e73 https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P02_iortheast_Elevation-870x580.jpg 05475bf46cc25b518ed51fd4ff39a8ed https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_P01_Ground_Floor-1-870x580.jpg 98e427478de0d141b9d2cea5db3fe428 https://apsida.cut.ac.cy/files/original/525/49275/3D_architectural_drawing_.png 2a18384dc0e5915ba589b805e5bf9e1f https://apsida.cut.ac.cy/files/original/525/49275/2D_architectural_drawing.png c603a72611f7e678400be6fd93a70c25 https://apsida.cut.ac.cy/files/original/525/49275/2D_architectural_drawing_-_1.png f941182e94c0d909c96089095e714276 https://apsida.cut.ac.cy/files/original/525/49275/Karmiotissa_Church_-_Oculus.mp4 b3d28ee6127a6093c6239ed3ea370b01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Church of the Virgin Karmiotissa Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Η Εκκλησία της Παναγίας Καρμιώτισσας Subject The topic of the resource The Church of the Virgin Karmiotissa Description An account of the resource The church of Panagia Karmiotissa is dedicated to the Merciful Mother of God (Panagia Eleousa). It is located north of the area of Pano Polemidia, on the outskirts of the city of Limassol, in Cyprus. The foundation of the church is dated to the period spanning from the late 13th century to the early 14th century. It was erected by Roman-Catholic monks of the Order of Carmelites, who migrated to the island following their expulsion from Mount Carmel in Palestine. The monument is currently the sole remnant of the Monastery founded by the Carmelite monks and is therefore considered an important vestige of the establishment and presence of the Mendicant Orders on the island during the Frankish period. History and structure The monument, which was fully constructed from regular ashlars, is a pointed barrel-vaulted structure, unusually spacious for a rural Cypriot church. The two additional sections attached to its north wall, most probably two adjacent chapels, are preserved today in a ruinous state. A doorway on the north wall (there are two more doors opened on the west and south walls), which was later sealed, connected the interior of the church with the two chapels. The corners of the west wall bear the bases and of arches that may have supported a gateway or a narthex. One of the upper arch cantilevers is decorated with a figure, most probably that of a Carmelite monk, preserved in a bad condition. The interior of the church is not decorated and there are no traces of plaster, indicating thus, that it has never received a painted decoration. The monument has been restored several times between 1952 and 2002. According to the oral tradition, a settlement was also built within the same area because of the existence of a spring, the water flowing from which, was and is still believed to be holy. Through a water channel, the sacred water was also transferred to the center of the nearby city of Limassol, and more specifically to the church of Ayia Napa. The church belongs to a cluster of monuments and sites of the wider Limassol area associated with the Lusignan ruling family and the Frankish elites, while it is also connected with the religious life of the Latin (Catholic) population of the island of the 13th and 14th centuries. Creator An entity primarily responsible for making the resource Holy Metropolis of Limassol Source A related resource from which the described resource is derived The Church of the Virgin Karmiotissa UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource late 13th century to the early 14th century A.D. Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Language A language of the resource en Type The nature or genre of the resource IMAGE Identifier An unambiguous reference to the resource within a given context CS06 https://apsida.cut.ac.cy/files/original/525/49276/Chalcolithic_1.png 9c71e7b15825ec68632b28a446bc44f5 https://apsida.cut.ac.cy/files/original/525/49276/Chalcolithic_2.png e896c5c91ff33968ef85bad7bd3d32d3 https://apsida.cut.ac.cy/files/original/525/49276/Chalcolithic_3.png 09217df155a20a57f2ece01f47729d9c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MNEMOSYNE Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data PHOTO Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chalcolithic wine jars Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Χαλκολιθικά δοχεία κρασιού Subject The topic of the resource Chalcolithic wine jars Description An account of the resource Chalcolithic Wine Jars and the History of Wine in Cyprus Since antiquity, grapes have been one of the most famous agricultural products and foodstuffs of Cyprus, as well as one of the basic nutritional elements of the Cypriot diet. The vine has been cultivated on the island since ancient times, while it is still widely cultivated on the island more than any kind of fruit. Viticulture constitutes almost one quarter of the agricultural population, while a large proportion of their income derives from the vines. The famous Wine Villages (“Krasochoria”) of Cyprus – fourteen areas in Limassol, Paphos and Troodos, where inhabitants are exclusively engaged to vine planting and wine-making – constitute the core of vinification of Cyprus since antiquity. However, it is difficult to make any assumptions concerning the time and the circumstances under which the plant was brought to cultivation. It is likely that its cultivation is closely related to the knowledge of turning the fruit of the vine into wine. Wine is not only related to the nutrition or the economy of the island. Given that some of the equipment, recipes, techniques, and processes used to make wine (such as the traditional Commandaria) and zivania (another traditional grape-related beverage), as well as deserts, such as palouzes and soutzoukos, have been handed down for thousands of years, it is clear that wine constitutes a very important part of the cultural heritage – both tangible and intangible - of Cyprus, totally connected with the traditions, the art and the religion of the island. The famous Cypriot Wine The Cypriot wine became famous since antiquity while poets and historians, such as Homer, Stasinus, Pliny, Strabo, and others, sang the praises for its high quality and its sweet flavour. As early as 1100 B.C. the epic poet Homer refers to the Cypriot wine, while the great poet Hesiod in his book “Works and Days”, written around 800 B.C., describes its production in detail. Pliny highlights the importance of wine in antiquity in a simple statement (xiv. 150): ‘There are two liquids most pleasant to human bodies, wine inside and (olive) oil outside’. Furthermore, Strabo in his Geographica (around 23 AD) mentions that (xiv. 6.5): ‘In fertility Cyprus is not inferior to any one of the islands, for it produces both good wine and good oil…’. Winemaking though, was known in Cyprus long before Strabo wrote, as evident by the archaeological record, while Cypriot wine would be known for centuries by the name of “Nama”. Nevertheless, after Richard the Lionheart sold Cyprus to the Order of the Knights Templar and then to the Frank, Guy de Lusignan, the founder of the dynasty that ruled the island for three centuries (1192-1489), the Cypriot wine was renamed to “Commandaria”. During the Lusignans’ rule, catholic crusaders were settled and established themselves on the island in order to build up a feudal kingdom. Among these were the Knights of the Order of Saint John of Jerusalem. During their government (in order for them to have better control of the island) Cyprus was divided into districts called ‘commanderies’. The largest territory was that of Limassol, with Colossi Castle being tis centre of administration. Therefore, the name “Commandaria” was given to the wine because vineyards of excellent quality used to produce this wine were cultivated around the area of Colossi – named “La Grande Commanderie”. After the 12th century, the Cypriot wine became famous in almost all European countries. A famous poem by Henri d’ Andeli ‘The battle of the Wines’ says that during a wine contest the King of France, Phillip Augustus, asked his messengers to bring him the best wines from all around the world. Commandaria won the first prize and the King called the wine of Cyprus “the Apostle of wines”. Moreover, Ludolf Von Suchen, a historian who visited Cyprus in 1336-1344 writes that Commandaria was the Crusaders’ main source of wealth because of the extensive wine trade of that period. As evident in the text of Estienne de Lusignan, who visited Cyprus in 1850, “The Description of the Island of Cyprus”, the Cypriot wine is produced almost in the same way as it was produced during that time and even earlier, while he notes that the Cypriot wine is the best of the world. As Commandaria is not only one of the oldest traditional wines of the world, but it is also produced only in the previously mentioned Wine villages in Cyprus, it was attributed with a Protected Designation of Origin within the European Union, USA and Canada, securing the uniqueness and authenticity of the Cypriot wine. The case under study The earliest archaeologically documented evidence for the vine dates back to the middle of the 5th millennium BC. Wild grape seeds have been found at the Neolithic site of Aghios Epiktetos-Vrysi (4500-3900 BC), in the Kyrenia district, but most probably without any economic significance of the plant in the early prehistory of Cyprus. The same variety of wild grape seeds have been also discovered at the Chalcolithic site of Lemba - Lakkous, in Paphos, dated in the late 4th millennium BC. Chemical analyses of the botanical remains found at the bottoms of a number of egg-shaped jars (with long, narrow, cylindrical necks tapered towards the mouth, pointed nipple bases and no handles) found during Porphyrios Dikaios’ excavation at the archaeological site of Erimi-Bamboula, in 1932-1935, indicate that wine was produced on the island, at least, as early as the Chalcolithic period (3900-2500 BC). More specifically, out of an assemblage of eighteen jars, twelve bottoms contained large traces of tartaric acid (a naturally occurring acid found in several fruits, especially grapes), while the remaining six contained only some traces of the acid. Hence, the research concluded that the Chalcolithic jars were indeed used to intentionally process wine and, furthermore, that the jars with their specific form can be considered the predecessors of amphora-type wine storage vessels in Cyprus. The Chalcolithic Wine Jar under study: Out of the assemblage of the eighteen wine jars found in fragments (18 bottoms and several scattered body sherds) at the site of Erimi – Bamboula this was the only one restored and preserved. It has a characteristic ovoidal shape, pointed base and cylindrical neck tapered towards the mouth. It is taller than 60cm. It can be considered as an early amphora for wine storage and/or processing. It is white slipped inside and outside while it is decorated with wide brush strokes of red colour. Creator An entity primarily responsible for making the resource Department of Antiquities Source A related resource from which the described resource is derived Department of Antiquities Limassol Archaeological Museum UNESCO Chair on Digital Cultural Heritage - Digital Heritage Research Lab Cyprus University of Technology EU ERA Chair on Digital Cultural Heritage - MNEMOSYNE <a href="https://unescochair-dch.net/EU_Study_quality_in_3D_digitisation_of_tangible_cultural_heritage">EU Study VIGIE 2020/654</a> Publisher An entity responsible for making the resource available UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource Chalcolithic Period (3900-2500 BC) Contributor An entity responsible for making contributions to the resource UNESCO and ERA Chairs on Digital Cultural Heritage Digital Heritage Research Lab Cyprus University of Technology Rights Information about rights held in and over the resource CC BY-NC-SA 4.0 Format The file format, physical medium, or dimensions of the resource JPEG PNG Language A language of the resource en Type The nature or genre of the resource IMAGE Identifier An unambiguous reference to the resource within a given context CS10