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                  <text>Συλλογή  Έργων Τέχνης Χαράλαμπου Χριστοφόρου,   Χριστιανική Τέχνη </text>
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Oil on canvas. 75 x 90 cm&#13;
A depiction of baby angels by the Italian painter Filippo Abiatti who was a pupil of the painter Antonio Busca. Abiatti was a painter during the Baroque period. Together with Andrea Lanzani and Stefano Maria Legnani, he was one of the most important Milanese mannerist painters in the Lombardian School. Ticozzi claims he trained, along with Federigo Bianchi, and  Carlo Francesco Nuvolone. Along with Bianchi, he painted the cupola of Sant’ Alessandro Martire in Milan. Abbiati also painted a St. John preaching in the Wilderness for a church in Saronno.&#13;
&#13;
Φίλιππο Αμπιάτι (1640 – 1715). Ελαιογραφία σε καμβά. 75 x 90 εκ&#13;
« Μικροί Άγγελοι ».  Ο Φίλιππο Αμπιάτι γεννήθηκε στο Μιλάνο το 1640 και πέθανε εκεί το 1715. Είναι Ιταλός ζωγράφος της ακμής του μπαρόκ. Δραστηριοποιήθηκε στη Λομβαρδία και το Τορίνο μαζί με τους Andrea Zanzani και Stefano Legnani. ΄Ηταν από τους επιτηδευμένους ζωγράφους της Σχολής της Λομβαρδίας.&#13;
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                <text>By the Italian artist Abbiati Filippo (1640 – 1715). Oil on canvas. 105 x 140 cm&#13;
A portrayal of the Holy Virgin Mary and Baby Jesus by the Italian painter Filippo Abiatti who was a  pupil of the painter Antonio Busca.  Abiatti was a painter during the Baroque period. Together with Andrea Lanzani and Stefano Maria Legnani, was one of the most important Milanese mannerist painters in the Lombardian School. Ticozzi claims he trained, along with Federigo Bianchi, and Carlo Francesco Nuvolone. Along with Bianchi, he painted the cupola of Sant’ Alessandro Martire in Milan. Abbiati also painted a St. John preaching in the Wilderness for a church in Saronno.&#13;
&#13;
Φίλιππο Αμπιάτι. Ελαιογραφία πάνω σε καμβά. 105 x 140 cm.&#13;
Η « Μοντόνα και το θείο βρέφος » ( Η Παναγία με τον Χριστό ). O Φίλιππο Αμπιάτι γεννήθηκε στο Μιλάνο το 1640 και πέθανε εκεί το 1715. Είναι Ιταλός ζωγράφος της ακμής του μπαρόκ. Δραστηριοποιήθηκε στη Λομβαρδία και το Τορίνο μαζί με τους Andrea Zanzani και Stefano Legnani. ΄Ηταν από τους επιτηδευμένους ζωγράφους της Σχολής της Λαμβαρδίας.</text>
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A Russian Byzantine style illustration of the key moments in the final chapter of Christ’s life, also known as the ‘Passions of Christ’. Starting with the last supper – followed by Christ’s betrayal, His arrest and subsequent torment that ended in crucifixion – and until the Lord’s burial, these significant moments are depicted in small illustrations surrounding one of his resurrection that is the centerpiece of this art piece.  Russian art. &#13;
&#13;
Αγνώστου καλλιτέχνη. Eλαιογραφία. 110х100 cm. 19ος αιώνας. &#13;
Η « Ανάσταση του Χριστού ». Κύριο θέμα της ρώσικης εικόνας είναι η Ανάσταση του Χριστού. Δώδεκα μικρότερες παραστάσεις του θείου Πάθους, περιβάλλουν την εικόνα της Ανάστασης. Ο αγιογράφος είναι άγνωστος, όπως και ο τόπος όπου αυτός δραστηριοποιήθηκε.</text>
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&#13;
 Αγνώστου καλλιτέχνη. Ελαιογραφία σε καμβά. 125 x 80 εκ&#13;
« Ο Ιησούς δωδεκαετής στον Ναό » ( Λουκ. 2, 41 - 52 ).Είναι έργο της «Λατινοαμερικανικής Σχολής ».</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>http://christianart-gallery.com/shop/christian-art/school-latin-america/</text>
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                <text>35.160253, 33.369239</text>
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A 19th century Russian portrayal of Saint Philip the Apostle. The style carries a Western influence.&#13;
&#13;
 Άγνωστος ο αγιογράφος.Ρωσική εικόνα. 105 x 180 εκ. 19ος αιώνας. &#13;
 Ο « Άγιος Φίλιππος ». Εμφανής η εξάρτηση από τη δυτικής τεχνοτροπίας Αναγέννηση.</text>
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                <text>Library of Cyprus University of Technology</text>
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              <elementText elementTextId="586029">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <description>A related resource</description>
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              <elementText elementTextId="586030">
                <text>http://christianart-gallery.com/shop/christian-art/saint-philippos/</text>
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          <element elementId="42">
            <name>Format</name>
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                <text>JPG</text>
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                <text>CHART_CA_ (223)</text>
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                <text>35.160253, 33.369239</text>
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            <description>A language of the resource</description>
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                <text>Unknown artist.  Russian icon art. 100 x 175 cm. 19th Century&#13;
A 19th century Russian portrayal of Saint James the Apostle, brother of Saint John the Apostle. The style carries a Western influence.&#13;
&#13;
 Άγνωστος ο αγιογράφος. Ρωσική εικόνα. 100 x 175 εκ. 19ος αιώνας.&#13;
 Ο « Άγιος Ιάκωβος ». Εμφανής η εξάρτηση από τη δυτικής τεχνοτροπίας Αναγέννηση.&#13;
&#13;
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="586012">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>http://christianart-gallery.com/shop/christian-art/saint-jacob/</text>
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                <text>35.160253, 33.369239</text>
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              <name>Title</name>
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&#13;
 Σεργκέι Μαλιούτιν(1952-). Ελαιογραφία σε καμβά με ξυλόγλυπτη εικόνα του Αγίου Γεωργίου.  100 x 80 εκ.&#13;
« Αγιος Γεώργιος ». &#13;
&#13;
&#13;
Ο Σεργκέι Μαλιούτιν, ο οποίος γεννήθηκε στη Μόσχα το 1952. Αποφοίτησε με τον βαθμό « άριστα» από τη Σχολή RSFSR G.N. Tably- ashkin και Zhivotovs Studio. Έτυχε πολλών διακρίσεων στη Μόσχα και στο εξωτερικό. Από το 1979 είναι μέλος του  Youth Society of Artists and Russian Painters Union.&#13;
&#13;
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&#13;
Αγνώστου καλλιτέχνη. Ελαιογραφία σε ξύλο. 82 x 104 εκ. 17ος αιώνας. &#13;
Η « Παναγία και ο Χριστός ως βρέφος ». Ο Χριστός κάθεται πάνω στα γόνατα της Θεοτόκου και κρατείται από το αριστερό της χέρι.  Είναι ελαιογραφία πάνω σε ξύλο και ανήκει στον 17ο αιώνα. Στο πίσω μέρος της εικόνας υπάρχει σημείωση, σύμφωνα με την οποία η εικόνα αγοράστηκε στη Νέα Υόρκη και φυλασσόταν σε μουσείο.  </text>
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Αndrei Rublev. Ελαιογραφία πάνω σε καμβά. 110 x 68 cm&#13;
Η « Αγία Τριάδα ». Κύριο θέμα του πίνακα, με έντονο τον συμβολισμό, είναι η επίσκεψη των τριών Αγγέλων στον Αβραάμ, ο οποίος βρισκόταν τότε κοντά στη δρυ Μαμβρή ( Γεν. 18, 1 - 8 ). Το γεγονός αυτό είναι γνωστό ως « η φιλοξε-νία του Αβραάμ ». Το έργο, το οποίο θεωρείται από τις σημαντικότερες επιτυχίες της Ρωσικής τέχνης, ανήκει στον μεγάλο Ρώσο ζωγράφο Αndrei Rublev, ο οποίος έζησε τον 15ο αιώνα. Παρά την ωραιότητα των ανθέων μέσα σε ανθοδοχείο, η συμβολική παράσταση της εικόνας αδικείται σε μεγάλο βαθμό, επειδή τα άνθη καταλαμβάνουν το μεγαλύτερο μέρος του πίνακα, μη αφήνοντας έτσι το οπτικό πεδίο στο κύριο θέμα της εικόνας που είναι οι τρεις ΄Αγγελοι.</text>
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Η « Γέννηση της Θεοτόκου ». Είναι εικόνα της Ορθόδοξης παράδοσης, αγνώστου  αγιογράφου.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="585926">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="585927">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="585928">
                <text>CHART_CA_ (218)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="585929">
                <text>35.160253, 33.369239</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="750371">
                <text>en</text>
              </elementText>
              <elementText elementTextId="750642">
                <text>el</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="9002">
        <name>Christian art and symbolism</name>
      </tag>
      <tag tagId="9003">
        <name>Χριστιανική τέχνη και συμβολισμός</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
