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                  <text>Συλλογή  Έργων Τέχνης Χαράλαμπου Χριστοφόρου,   Χριστιανική Τέχνη </text>
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                <text>By Catherina Kouninioti&#13;
Collage and acrylic on board&#13;
35x27cm (with frame 47x41cm)&#13;
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                  <text>Συλλογή  Έργων Τέχνης Χαράλαμπου Χριστοφόρου,   Χριστιανική Τέχνη </text>
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                <text> Nikolaos  Kantounis (1768 – 1834)&#13;
Mixed media on cardboard . 43 x 34 cm&#13;
An oval painting of the Virgin Mary and baby Jesus who is one of the most important artists of the Ionian School. His paintings are considered rare.&#13;
&#13;
Νικόλαος Καντούνης (1768-1834), Μικτή τεχνική σε χαρτόνι,  43 x 34 εκ&#13;
Η « Παναγία και το θείο βρέφος » είναι οβάλ ( ωοειδής ) πίνακας  που έγινε με την ανάμειξη διαφόρων χρωστικών ουσιών πάνω σε χαρτόνι. Ο Νικόλαος Καντούνης  είναι ένας από τους σημαντικότερους καλλιτέχνες της « Επτανησιακής Σχολής ». Οι πίνακές του είναι σπάνιοι.&#13;
Γιος του Ιωάννη Καντούνη, γιατρού, ποιητή και συγγραφέα, μαθήτευσε κοντά στον Ιωάννη Κοράη και, πιθανόν, τον Νικόλαο Κουτούζη, ο οποίος, σύμφωνα με την παράδοση, τον απέβαλε από το εργαστήριό του από φθόνο. Ο ίδιος πάντως δήλωνε αυτοδίδακτος, όπως φαίνεται και στο επίγραμμα μιας αυτοπροσωπογραφίας του (Εθνική Πινακοθήκη). Η επίδραση του Κουτούζη πάντως είναι εμφανής τόσο στο έργο του όσο και στην ιδιωτική του ζωή, αφού, ακολουθώντας το παράδειγμά του, χειροτονήθηκε το 1788 ιερέας στο ναό της Ευαγγελίστριας στη Ζάκυνθο. Αργότερα, ως μέλος της Φιλικής Εταιρείας, εργάστηκε για την Επανάσταση και από το Μάιο ως τον Οκτώβριο του 1821 εξορίστηκε στο νησί της Κυράς αφ’ το Δία, κοντά στην Κεφαλλονιά, όπου φιλοτέχνησε και το “Μυστικό Δείπνο”.&#13;
Το έργο του περιλαμβάνει θρησκευτικές συνθέσεις και προσωπογραφίες. Στο θρησκευτικό μέρος ανήκουν εικονογραφήσεις στους ναούς των Αγίων Πάντων, των Αγίων Αποστόλων, της Παναγίας του Τσουρούφλη, της Αγίας Παρασκευής, της Οδηγήτριας και της Χρυσοπηγής στη Ζάκυνθο, οι οποίες δεν σώζονται. Στο Μουσείο Ζακύνθου φυλάσσονται συνθέσεις από το ναό της Πικριδιώτισσας, των Αγίων Αναργύρων, του Αγίου Γεωργίου της Κυπριάνας, της Επισκοπιανής, του Αγίου Ανδρέα του Αβούρη, του Αγίου Αντωνίου του Ανδρίτση κ. ά., ενώ επί τόπου σώζονται συνθέσεις στο Καθολικό της Μονής της Πλατυτέρας στην Κέρκυρα και στο ναό της Αγίας Αικατερίνης του Σινά στη Ζάκυνθο. Για την απόδοση των συνθέσεων αυτών πρότυπό του υπήρξε το έργο του Κουτούζη, αλλά και έργα Ιταλών και Φλαμανδών που κυκλοφορούσαν ευρέως σε χαρακτικά φύλλα την εποχή εκείνη στα Επτάνησα. Από τον Κουτούζη επηρεάστηκε και στις προσωπογραφίες του, μαζί δε αποτελούν τους θεμελιωτές της κοσμικής ζωγραφικής και ιδιαίτερα της προσωπογραφίας.&#13;
http://www.nationalgallery.gr/site/content.php?sel=386&amp;artist_id=4355</text>
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                <text>Nikolaos Kantounis&#13;
&#13;
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                <text>Νικόλαος Καντούνης</text>
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                <text>Συλλογή Χαράλαμπου Χριστοφόρου</text>
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                <text>“Μεγάλοι και Μικροί Δασκάλοι της Νεολληνικής Ζωγραφικής”, επιμέλεια Μάνος Στεφανίδης, James Χριστοφόρου, Alpha Art Publications, Βρυξέλλες, 2009</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                  <text>Συλλογή  Έργων Τέχνης Χαράλαμπου Χριστοφόρου,   Χριστιανική Τέχνη </text>
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                <text>Mother of Sorrows</text>
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                <text>Spanish (origin) art. Oil on canvas. 67 x 54 cm. 18th century&#13;
A representation of the popular portrayal of the Virgin Mary with her heart being pierced by a sword to show the suffering she endured as a mother in the name of her son and the larger good of man. From the Latin Mater Dolorosa, ‘Mother of Sorrows’ has come to be known by many terms. In the west it is commonly referred to as ‘Our Lady of Sorrows’ and is often illustrated with seven swords signifying the seven sorrows throughout her life, from the time of Christ’s circumcision (or the prophecy of Simon) until Jesus was laid to rest in his tomb. This piece, depicting her wearing monastic garmenting (like that of a nun), a cross hanging over her chest and a veil covering her head, is of Spanish origin and style, dating back to the 18th century.&#13;
&#13;
Ισπανικής προέλευσης. Λάδι σε καμβά. 67x54εκ. 18ος αιώνας.&#13;
 Η Παρθένος Μαρία έχει καλυμμένη την κεφαλή με βέλο και είναι ενδεδυμένη τη μοναχική εσθήτα. Τη μοναχική της ιδιότητα υποδηλώνουν ο σταυρός στο στήθος της και το κομποσχοίνι που κρέμεται από το δεξί της χέρι. Μακρύ ξίφος διαπερνά την καρδιά της, με τη λύπη ζωγραφισμένη στο πρόσωπό της. Το έργο ανήκει στην « Ισπανική Σχολή » και χρονολογείται στον 18ο αιώνα.</text>
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Angels were created before the visible world and man. As St. Gregory Palamas characteristically says, “God created the angels before us, for us to be sent as deacons". As Paul says, "To future inherit salvation” (Ltd., vol. 9th , pp. 80, 81). The first three are the ones that are always about God and are ready to join him immediately, without any mediation. This is the order of Seraphim Candles and eyed Cherubim and Thrones Holiness. Second class is that of ownership of the Powers and Powers. Project are the arrangements of big things, the actions of miracles and the Trinity, the Holy, Holy, Holy. Third and last is the order of the authorities, the Archangels and Angels, the feature of which is the “functional in diakoniais and finally the sacred hymn Alleluia” (Philokalia, Vol. 3rd, pp. 354, 355). The work of art is of Russian origin &#13;
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Ξυλόγλυπτο. 75х70 εκ. 19ος αιώνας&#13;
« Χερουβείμ ». Ρωσικό ανάγλυφο, σκαλιστό  στο χέρι. Είναι σε πολύ καλή κατάσταση.&#13;
Οι άγγελοι δημιουργήθκαν πρίν από τον ορατό κόσμο και τον άνθρωπο. Όπως χαρακτηριστικά αναφέρει ο άγιος Γρηγόριος ο Παλαμάς, ο Θεός «έπλασε τούς αγγέλους πρίν από εμάς για χάρη μας για να αποστέλλονται ως διάκονοι, όπως λέγει ο Παύλος, στούς μέλλοντας να κληρονομήσουν την σωτηρία» (Ε.Π.Ε., τόμ. 9ος, σελ. 80, 81)&#13;
Η πρώτη τριάς είναι αυτή που είναι πάντοτε γύρω από τον Θεό και είναι έτοιμη να ενωθή με αυτόν αμέσως, χωρίς την μεσολάβηση κανενός. Είναι η τάξη των εξαπτερύγων Σεραφίμ και των πολυομμάτων Χερουβίμ και των αγιοτάτων Θρόνων.&#13;
Δευτέρα τάξη είναι εκείνη των Κυριοτήτων, των Δυνάμεων και των Εξουσιών. Έργο της είναι οι διευθετήσεις των μεγάλων πραγμάτων, οι ενέργειες των θαυμάτων και ο Τρισάγιος ύμνος, το Άγιος, Άγιος, Άγιος.&#13;
Τρίτη και τελευταία είναι η τάξη των Αρχών, των Αρχαγγέλων και των Αγγέλων, το χαρακτηριστικό γνώρισμα της οποίας είναι το “λειτουργικόν εν διακονίαις και τέλος ο ιερός ύμνος του Αλληλούϊα”» (Φιλοκαλία, τόμ. 3ος, σελ. 354, 355).&#13;
http://orthodoxanswers.gr/</text>
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&#13;
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 « Αρχάγγελος Μιχαήλ ». Φέρει υπογραφ'η του καλλιτέχνη</text>
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&#13;
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&#13;
&#13;
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                <text>By Ioannis (John) Kornarou (1745-1812). Icon. Oil on wood. 26.5 x 20 cm&#13;
A small icon of Saint George.  Little is known about Kornarou. He was of the Cretan School of art and painted many icons in the Holy monastery of Sinha in Egypt as well as in monasteries around Cyprus. As stated by the inscription on the icon, a gentleman called George gifted it to his children. It carries a certificate of authenticity by Costas Hasapopoulos.&#13;
The icon painter Ioannis Kornaros lived from 1745 to 1812. Unfortunately not much is known about his life. But from a manuscript of the icon painter Stefanos Nikolaïdis (1817 – 1907), we know that Kornaros worked in Crete and Cyprus plus in Sinai and perhaps also in Egypt.&#13;
In Crete he started his life as a painter at the Savvathianon monastery outside the village of Rogdia a little west of Iraklion. There he painted an icon by the name of “Megas ei Kyrie” (Great Art Thou, O Lord), a forerunner of the final version, which he later finished in Toplou. The original icon still existed in 1854, where Nikolaïdis saw it, although half ruined by moist. Unfortunately it has since been ruined completely. Besides painting in the two monasteries, Kornaros painted in the Agios Matthaios ton Sinaïton church in Iraklion.&#13;
In the period 1775 – 1790 we find Kornaros in Sinai, where he both painted his own icons and restored others’ plus he contributed to the decoration of the church ceiling in the Agia Aikaterini monastery. Icons from this period also exist in Egypt, but it is uncertain if he has in fact been there himself.&#13;
After his stay in Sinai, Kornaros went on to Cyprus, were he among other things painted the “Archangel Michael” in 1795. Today it can be seen in the Byzantine Museum in Athens.&#13;
&#13;
http://www.psatharis-auctions.com.cy/bio_ioannis_kornaros.htm??&#13;
&#13;
Ιωάννης Κορνάρου (1745-1812),Φορητή εικόνα. Ελαιογραφία πάνω σε σκληρό ξύλο. 26.5 x 20 εκ&#13;
Ο « Άγιος Γεώργιος ».  Ο ζωγράφος Ιωάννης Κορνάρος ανήκει στην « Κρητική Σχολή ». ΄Οπως αναγράφεται  στην εικόνα, ο δωρητής της ήταν κάποιος Γεώργιος : « Δέησις Γεωργίου, μετά των τέκνων ». Ο Ιω. Κορνάρος ζωγράφισε πολλές εικόνες στη Μονή του Σινά και σε Μονές της Κύπρου. Την αυθεντικότητα της παρούσας εικόνας βεβαιώνει με σχετικό Πιστοποιητικό ο Κώστας Χασαπόπουλος. &#13;
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text> Costas Averkiou (1917-1981)&#13;
Charcoal on paper. 40 x 50см  &#13;
Costas Averkiou is a self-taught artist and engraver.  A portrait of a monk at the Stavrovouni monastery in Cyprus.  A monk (from Greek: μοναχός, monachos, “single, solitary” and Latin monachus) is a person who practices religious asceticism, living either alone or with any number of other monks. A monk may be a person who decided to dedicate his life to serving all other living beings, or to be an ascetic who voluntarily chooses to leave mainstream society and live his life in prayer and contemplation. The concept is ancient and can be seen in many religions and in philosophy.&#13;
http://en.wikipedia.org/wiki/Monk&#13;
&#13;
Κώστας Αβερκίου(1917-1981). Κάρβουνο σε χαρτί. 40x50 εκ. &#13;
 « Μοναχός του Σταυροβουνίου ».  Είναι έργο του αυτοδίδακτου ζωγράφου και χαράκτη Κώστα Αβερκίου, από την Ψημολόφου, ο οποίος πέθανε το 1981.</text>
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                <text>By the Greek painter Takis Marthas (1905-1964). Oil on canvas. 82 x 61 cm  &#13;
An abstract portrayal of the Holy Mother and divine Son.&#13;
&#13;
Τάκης Μάρθας (1905-1964). Ελαιογραφία σε καμβά. 82 x 61 cm &#13;
 Η « Παναγία και ο Χριστός ως βρέφος ». &#13;
&#13;
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Ο « Αρχάγγελος Γαβριήλ ευαγγελίζεται στον Άγιο Γρηγόριο », αγνώστων στοιχείων. Είναι μινιατούρα σε Ρωσικό χειρόγραφο.  &#13;
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