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An 18th century Western depiction of two angels assisting Christ’s body in the decent from the cross. The one holds him whilst carrying a chalice and the other kisses his hand in respectful praise.&#13;
&#13;
Eλαιογραφία πάνω σε καμβά. 115 x 100 εκ. 18ος αιώνας.&#13;
Η « Αποκαθήλωση ».  Άγγελος βοηθάει στην αποκαθήλωση του Χριστού από τον σταυρό, ενώ άλλος Άγγελος ασπάζεται το χέρι του. Είναι  του 18ου αιώνα, δυτικής τεχνοτροπίας. </text>
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An 18th century portrayal of the Annunciation of Christ’s birth to the Blessed Virgin Mary by the Archangel Gabriel. This is painting is of southern German origin, and it was given as as a gift by Mrs Hedwig Hunger Reutte who for many years worked as a chamber maid (longtime housekeeper) at the Abbey in Auhofen and later in the district of Biberach. The painting belonged to her uncle who was a priest at the Maselheim, the municipality of Biberach.&#13;
&#13;
Ελαιογραφία πάνω σε καμβά. 103 x 72 εκ. 18ος αιώνας&#13;
Ο « Ευαγγελισμός ». Είναι έργο του 18ου αιώνα και προέρχεται από τη Νότια Γερμανία. Δώρο του έτους 2000 από την κυρία Hedwig Hunger Reutte, για πολλά χρόνια οικιακή βοηθό στο Αββαείο του Auhofer, αργότερα Biberach. To έργο προ-έρχεται από τον θείο της, πρώην ιερέα στο Maselheim.</text>
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A classic Spanish style painting, depicting the portrait of Saint Philip. The artist’s identity is unknown. Spanish (origin) art.&#13;
&#13;
 Αγνώστου καλλιτέχνη. Φορητή εικόνα. Ελαιογραφία πάνω σε καμβά. 83 x 66.5εκ.  18ος αιώνας.   &#13;
« Άγιος Φίλιππος » έιναι έργο που ανήκει στη λεγόμενη « Ισπανική Σχολή »&#13;
&#13;
&#13;
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&#13;
The Blessed Virgin Mary and Baby Jesus framed within a ring of lemons and grape bunches by the renowned Italian sculptor Robbia. Robbia was from Florence and is known for his terracotta roundels as well as his personal development of a pottery glaze that made his works more durable outdoors and were therefore often used for the external decoration of buildings.&#13;
&#13;
 Αντίγραφο του έργου του  Ιταλού γλύπτη Luca della Robbia (1399/1400–1482). &lt;&lt;Η Μητέρα του Θεού με τον Ιησού ως βρέφος ». 73 x 73 εκ&#13;
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&#13;
 Ελαιογραφία σε ξύλο. 17ος αιώνας. &#13;
50 x 40 εκ&#13;
Η « Υπαπαντή του Κυρίου » ( Λουκ. 2, 22 - 35 ) έχει ωοειδές ( οβάλ )  σχήμα με ανάλογο πλαίσιο ( κορνίζα ). </text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>http://christianart-gallery.com/shop/christian-art/17th-century-oval-oil-painting/</text>
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A small Russian icon of the Blessed Virgin Mary with baby Jesus, decorated by carved vine leaves and grape bunches.&#13;
&#13;
Ρωσική εικόνα. 61 x 55 εκ. 18 ος αιώνας.&#13;
 Η « Παναγία με τον χριστό ως Βρέφος ». Ο Χριστός είναι στα δεξιά της Θεοτόκου Μαρίας. Η εικόνα είναι  έχει ως σκαλιστό φόντο φύλλα της αμπέλου και τσαμπιά από σταφύλι.</text>
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An image of the Virgin Mary being crowned by angels and her son baby Jesus, in which many important saints are also depicted. To either side of the Holy Mother are Saint John the Evangelist and saint John the Baptist. In the foreground on the left are Saint Spyridon (above) and Saint George (below) and to the right, Saint Nickolas (above) and saint Demetrious (below). The four Saints below are notoriously associated with the monastic way of spiritual life (monks) and are Saints Anthony, Efthimios, Onoufrios and Savvas.&#13;
&#13;
Εικόνα. 44 x 34εκ&#13;
Η « Παναγία με τον Χριστό ως βρέφος » είναι μία εικόνα στην οποία εμφανίζονται και πολλά άλλα πρόσωπα από το Αγιολόγιο της Εκκλησίας. « ΄Ενθεν και ένθεν » της Παναγίας εικονίζονται ο Άγιος Ιωάννης ο Θεολόγος και ο Άγιος Ιωάννης ο Πρόδρομος. Στις μεγαλύτερου σχήματος παραστάσεις απεικονίζονται : Αριστερά, ο Άγιος Σπυρίδων ( πάνω ) και ο Άγιος Γεώργιος ( κάτω ) και δεξια, ο Άγιος Νικόλαος ( πάνω ) και ο Αγιος Δημήτριος ( κά- τω ). Οι τέσσερις Άγιοι που εμφανίζονται στο κάτω μέρος της εικόνας είναι από τον χώρο του Μοναχισμού και είναι : Ο Άγιος Αντώνιος, ο Άγιος Ευθύμιος, ο Άγιος Ονούφριος και ο Άγιος Σάββας. Αξίζει να αναφερθεί ότι η Παναγία στέφεται από δύο Αγγέλους.</text>
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&#13;
Ρωσική εικόνα. 47.5 x 38 cm. 17ος αιώνας. Η « Μαντόνα »  Εντύπωση προκαλούν το πράο πρόσωπο, το φιλόστοργο βλέμμα και η εξαιρετική αμφίεσή της.  </text>
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                <text> Caroline Sorg (1833 – 1923). Oil on canvas. 33 x 42 cm. 1874&#13;
&#13;
An illustration of the Blessed Virgin Mary portrayed as a crowned Queen with her son Baby Christ to her right. The painting is by the French artist Marie-Antoinette Caroline Sorg (1833-1923), known as Carola Sorg.&#13;
&#13;
Marie-Antoinette Caroline Sorg ( 1833-1923 ). Ελαιογραφία πάνω σε καμβά.33 x 42 εκ. 1874&#13;
Η « Μαντόνα και το Βρέφος »  Η Παναγία απεικονίζεται ως εστεμμένη βασίλισσα και ο Χριστός όρθιος στα δεξιά της. Η Γαλλίδα ζωγράφος Marie-Antoinette Caroline Sorg είναι  γνωστή και ως Carola Sorg.  &#13;
&#13;
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Oil painting on wood. 17 x 24 cm&#13;
A portrayal of an elderly monk at “Arsanas of Simonopetra” (the port at the foot of a known monastery).  The painting was listed in a book published by the National Bank of Greece for an exhibition on “Mount Athos in Greek Art”. The painter Demos Braesas (1880-1964) originated from Aitoliko of the region of Messolonghi and died in Athens. &#13;
&#13;
Μπραέσας Δήμος. Ελαιογραφία πάνω σε ξύλο. 17 x 24 εκ&#13;
« Μοναχός του Αγίου Όρους ». Στον πίνακα απεικονίζεται ένας ηλικιωμένος μοναχός μπροστά στην είσοδο της                   « Mονής της Mετανοίας » του. Ο πίνακας αυτός περιελήφθη σε βιβλίο που εκδόθηκε από την Εθνική Τράπεζα της Ελλάδος για μια Έκθεση για το Άγιο Όρος ( Άθω).&#13;
Ο Μπραέσας Δήμος  γεννήθηκε στο Αιτωλικό. Σπούδασε στη Σχολή Καλών Τεχνών και αποφοίτησε το 1909. Υπήρξε συντηρητικός ζωγράφος όπου κινήθηκε στις τάσεις και τα αχνάρια του Ν. Λύτρα και του Σ. Μηλιάδη. Καλλιέργησε ένα ιμπρεσιονιστικό ύφος με αφαιρετικές χρωματικές και σχηματικές απλουστεύσεις αναζητώντας την πραγματική ζωγραφική ποιότητα των έργων του. Χρησιμοποίησε πλούσια και πυκνή χρωματική πάστα σε ελαφρώς λαμπερούς και αρμονικούς τόνους αποδίδοντας απλά καθημερινά θέματα.&#13;
&#13;
Ασχολήθηκε με την τοπιογραφία και την προσωπογραφία. Το 1944 διετέλεσε πρόεδρος του Καλλιτεχνικού Επιμελητηρίου Ελλάδας. Παρουσίασε πολλά έργα του σε ατομικές εκθέσεις από το 1920 έως το 1963, έλαβε μέρος στην Μπιενάλε της Βενετίας το 1934 και κέρδισε το χάλκινο μετάλλιο στην Exposition Internationale στο Παρίσι. Έργα του βρίσκονται στην Εθνική Πινακοθήκη Αθηνών.&#13;
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http://amvrakia.blogspot.com/2009/05/dimos-braessas-1880-1964.html&#13;
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