21 10 304 https://apsida.cut.ac.cy/files/original/01a588e00be282fcfa70acc2d7a1ba5d.pdf 9706cc191d0275e37cc1a07ec155ae7a PDF Text Text Cyprus. Conferences & Incentives ��Top meeting place Lying in the sparkling blue waters of the Eastern Mediterranean and at the crossroads between Europe, Africa and Asia, Cyprus has always had an important strategic position throughout history. Nowadays, as the Easternmost member of the European Union, the island is a perfect meeting place for decision-makers from all over the world. An ideal all year round climate, beautiful scenery, a traditionally hospitable people and a civilisation that goes back 10,000 years. The island has everything to offer to make your next meeting, convention, incentive or other corporate event a tremendous success. Having hosted meetings of heads of government in the past and with over 600 top companies and organisations holding conferences here every year, Cyprus has all the facilities that even the most valued VIPs would need. With a reputation for quality and professionalism, as well as top class facilities and service, you'll find there's no more distinctive venue than Cyprus. 1 �Accommodation Comfort and service for all your needs When it’s time for business you’ll find everything you need. Whether you are planning a full-scale conference of over a thousand participants, or an innovative incentives programme, Cyprus can provide it. There’s an abundance of quality hotels in all towns and holiday resorts with high standards of service to choose from, allowing you the convenience of staying in the same location as your corporate event. The excellent amenities offer fully equipped conference rooms with varying capacities, the latest audio, visual and video conferencing equipment, flexible meeting rooms, break-out rooms and technical equipment, as well as simultaneous translation facilities. Secretarial services are also widely available. Hire the executive boardroom for a small group meeting, host a product launch in the foyer, or hold a reception around the pool or on the terrace, and let the professionals accommodate you. After a day of tough decision-making, put your feet up in your wellappointed air-conditioned room or suite. Cyprus hotels provide every amenity the modern business traveller has come to expect and more, from swimming pools, tennis courts, sauna rooms, and beachfronts, to salt-water pools, exotic gardens, thalassotherapy and health spas. Buffet style dining is popular and presents your participants with a bountiful array of market fresh local and international cuisine. Benefit from special off-season discounts that are usually on offer between mid-November and mid-March, excluding the Christmas period. 2 1 ��Infrastructure keeping in touch Cyprus has a well developed physical and social infrastructure. Efficient dual carriage motorways link all towns and resorts, keeping travel time low and allowing you the freedom to indulge in your pursuits. Many international airlines operate regular flights to Larnaka airport. Transfer times to the capital Lefkosia (Nicosia) and Lemesos (Limassol) are less than one hour. Pafos is served by its own international airport. Within thirty minutes of leaving the arrivals lounge you may find yourself enjoying a drink at your venue hotel. The island’s geographic proximity to other popular destinations means you can add an extra dimension to your event by combining it with a short, value-for-money cruise to a neighbouring country such as Egypt, Syria, Lebanon, Greece and the Greek islands. A sophisticated communications system including tele-conferencing, video-conferencing, and widely accessible internet and e-mail facilities will link you anywhere in the world and help you maintain contact with your corporate base at home. On the social side, Cyprus can offer the coporate events organiser a stable economy and a safe and secure European country that respects law and order. 2 �Incentives a bonus worth working for Providing incentives through travel can be very effective and rewarding. Turn experiences into motivation and motivation into returns. A successful incentives program not only increases profits by motivating employees to work harder and customers to buy more, but it also builds loyalty, dedication and camaraderie. Offer your staff the chance to hone their golfing or tennis skills at one of the island’s purpose-built resorts set in peaceful surroundings with spectacular views. Make them feel like millionaires for a day experiencing the comfort of a private yacht, or let them be pampered at one of the island’s luxury spa resorts. Cyprus has an abundance of added-value amenities such as archaeological sites, museums, galleries, sporting and leisure activities, nightlife and entertainment. The culture and heritage of Cyprus is unique, with a 10,000 year history as a meeting place for continents and peoples. This cosmopolitan element gives Cyprus its distinctive flavour, a feature in the choice of destination by corporate clients. Jeep safaris into the countryside, wine tours round picturesque mountain villages, a themed cruise around the attractive coastline, are just some of the possibilities which Cyprus has to offer. 5 �Destination Management Companies leave it to us... Whether you need a live band to play for your soirée, someone to organise games, gimmicks or other entertainment for your pre and post event tours or for escorting members, let the experts do it for you. Numerous professional destination management companies with experienced, efficient and multilingual staff will draw up a complete tailor-made programme to suit your needs and be on hand at all times to supervise every stage of the event. Their portfolio of original, innovative and creative ideas can include anything from an afternoon experiencing village life - sipping coffee and playing backgammon, or baking home-made olive or ‘halloumi cheese’ pies - to a day following in the footsteps of Aphrodite, the legendary goddess of love and beauty, protectress of Cyprus. From the place where she rose from the waves, to dedicated sites where she was worshipped. Having one of the oldest civilisations in the world, there is so much in Cyprus to see, from ancient prehistoric sites, Greco-Roman theatres, exquisite mosaics, to skilfully painted Byzantine churches on the UNESCO world heritage list. Cyprus’ rich cultural heritage, in combination with the beauty and tranquility of its mountainous hinterland vastly enhance the drama and memorability of group events. 6 3 �4 5 6 �LA C A O CE N EUROPE AT N TI ASIA M ED IT E R RA AFRICA NEA N CYPRUS SE A Cape Apostolos Andreas † Apostolos Andreas Rizokarpaso Aigialousa Karpasia Davlos Kantara Cape Kormakitis Livera KERYNEIA Lambousa Agios Amvrosios Karavas Agios Ilarion Cape Elaia Agios Epiktitos Bellapais Myrtou Trikomo Voufaventon Pentadaktylos Y O M ORF Pyrgos KEY Cape Arnaoutis C H R YS O † Church, Monastery Akamas Archaeological site O CH Village Kathikas Maa † Agios Neofytos Kedares Lempa Kyperounta † Mandria Agios Nikolaos Nisou Tamassos Liopetri Agios Irakleidios Trooditissa Pelendri Agros Palaichori † Cape Gkreko Kornos Machairas Platres LARNAKA † Pano Lefkara Kato Lefkara Vavla Hala Sultan Tekkesi Salt Lake Kiti † Agios Raindays Humidity (%) MARCH 19,4 10,0 8,0 16,9 68 8,9 APRIL 26,6 16,5 11,2 19,0 69 2,6 JUNE 30,7 20,1 12,8 21,8 70 0,3 JULY 33,0 22,2 12,6 24,1 71 0,0 AUGUST 33,2 22,6 11,9 25,4 73 0,3 Alassa Kouklia Palaipafos Aphrodite’s Sanctuary Germasogeia Amathous Polemidia Sanctuary of Apollon Ylatis Kolossi Kourion Pissouri Petra tou Romiou (Aphrodite’s birthplace) Salt Lake 22,6 12,7 9,2 17,4 67 5,0 MAY SEPTEMBER 31,3 20,4 10,6 25,8 67 0,3 28,6 17,7 8,9 23,2 68 3,4 OCTOBER NOVEMBER 23,5 13,4 7,2 20,2 73 7,3 DECEMBER 19,0 10,0 5,8 18,6 81 10,0 Cape Kiti Cape Aspron E P I S K O PI B AY Zygi Kalymnos Beach LEMESOS (Governors Beach) (Limassol) IR I B A Y Harbour ROT AK Cr ete Ha Al ,R ifa ex ho an dr Cape Gata ia DISTANCE CHART (Km) Cape Zevgari LEFKOSIA LEMESOS rut Bei 17,5 8,1 7,2 16,6 73 9,1 Larnaka International Airport Kofinou Minas Choirokoitia s eu ira s, P 17,3 8,4 6,1 16,5 77 11,4 FEBRUARY AK A B A Y L de JANUARY Timi Marina ARN Cape Pyla Tenta Geroskipou Pafos International Airport Harbour Stavrovouni Omodos Arsos Koilani Laneia Vasa Vouni Lofou Protaras Agia Napa Xylofagou Fikardou Gourri Sotira Lymbia Kakopetria Pedoulas Pano Panagia Panagia Stroumpi Chrysorrogiatissa Paralimni Mazotos PAFOS Sea temperature in oC Mean daily Sunshine (Hours) Maximum daily coastal temperature in oC Minimum night coastal temperature in oC Troodos Lasa † Galata Moutoulas † Coral Bay AMMOCHOSTOS (Famagusta) Latsia Pera Klirou † Fyti TEMPERATURES MONTHS Panagia Gerakies tou Kykkou Peristerona Lysos Y Deryneia Asinou Cedar Valley Pegeia Peristerona Stavros tis Psokas Polis Main Road Limit of area under Turkish occupation Karavostasi BA Apostolos Varnavas † Salamis Egkomi LEFKOSIA (Nicosia) Nikitari Argaka Drouseia Motorway MORFOU Deftera Baths of Aphrodite Lakki Neon Chorion Town AREA UNDER TURKISH OCCUPATION SINCE 1974 Astromeritis Soloi B U BA Vouni AY Pomos U A FA M A GUS T Lefkonoiko PAFOS 80 LEMESOS 152 72 PAFOS LARNAKA 20km 70 142 LARNAKA TROODOS 0 47 80 51 123 121 TROODOS AGIA NAPA 81 107 184 POLIS 188 108 41 163 AGIA NAPA 37 177 160 220 POLIS PARALIMNI 85 111 178 44 158 5 219 �Cyprus international conference centre flexibility and efficiency Only a short distance from the centre of town in the capital of the island, Lefkosia (Nicosia), the Cyprus International Conference Centre is a state-of-the-art, multi-purpose venue equipped with the latest technological facilities and flexible spaces to host meetings of various size, from large scale conventions of 1,200 delegates to seminars, receptions, exhibitions, banquets, fashion shows and product launches. 7 Facilities available include wireless projection equipment, recording equipment, sound control booths, CCTV, facilities for live TV and radio broadcasting, simultaneous interpretation for 14 languages, satellite TV reception and a projection room. Foyer services include banking and travel facilities, post office, secretarial services, shops, a VIP lounge and a cafeteria. �8 Cyprus state fair authority exhibit with confidence The Cyprus State Fairs Authority, with its many years of experience, has the know-how that is needed to guarantee the organisation and coordination of successful local and international exhibitions, conferences and other events. Its Multipurpose Hall Complex situated within the International Fair grounds in Lefkosia (Nicosia) can meet the growing demand for high standard exhibition centres, combining functionality and flexibility. 9 It offers both a conference facility as well as an exhibition area accommodating up to 1,200 participants, a foyer, pavilions, audiovisual equipment, restaurants and cafeterias, as well a technical and administrative support. 11 �Useful information Passports and Visas Getting Around Cyprus is a member of the European Union since May 2004. No visas are required for entry into Cyprus by nationals of most European countries. Nationals of other countries should contact their nearest Cyprus consulate, or if none, the nearest British consulate. For more information visit the website: http: //www.mfa.gov.cy. There are no vaccination requirements for visitors to Cyprus. The best way to travel around Cyprus is by car. Self-drive car rental firms have offices in all towns, as well as at Larnaka International Airport. Modern air-conditioned tourist coaches as well as minibuses are also available for hire. Cyprus has a modern road network with dual lane motorways linking the main towns of Lefkosia (Nicosia), Lemesos (Limassol), Larnaka and Pafos. Approximate journey times from the capital Lefkosia (Nicosia) are 30 minutes to Larnaka, 45 minutes to Lemesos (Limassol), 1 hour to Agia Napa and 1hr 30 minutes to Pafos. Driving is on the left, as in the United Kingdom, and all signposting is in both English and Greek. The speed limit on motorways is 100 kilometres per hour. Both front and rear seatbelt wear is mandatory. The use of mobile phones at any time while driving is strictly prohibited, unless hands-free equipment is used. Communal "service taxis" provide connections between all major towns every half hour. Regular taxis are reasonably priced and are a good option for airport transfers. Petrol stations in all seaside areas and major towns are equipped with automatic pumps, accepting bank notes or credit cards and operating on a 24-hour basis. Banks The currency of the Republic is the Cyprus Pound (CYí) which is divided into 100 cents. Notes are issued in í20, í10, í5 and í1 denominations. Bank opening hours are from 08:30 to 13:30. Certain banks in tourist areas open during the afternoon. Automatic Exchange Machines and ATM Machines operate on a 24-hour basis and most currencies and denominations are accepted. As of 1.1.08 the Cyprus Republic is expected to enter the euro zone and employ the euro as its currency. The prices listed in the contents of this publication (í) are converted into euros (e) based on the exchange rate of the Cyprus pound against the euro which was set on 10.7.07, i.e í1 = e1.71 or e1=í0.58 Business Hours Shop opening hours vary according to the season. In the summer they are usually open between 09:00-14:00 and 17:00-20:00 and at other times of the year from 09:00-3:00 and 14:30-18:00. On Wednesdays and Saturdays morning opening hours are observed. Medical Medical needs in Cyprus are met through government hospitals and private clinics and specialised doctors in private practice. Medical standards in Cyprus are high, as most practitioners are trained in European countries and the USA, while medical diagnostic centres are modern and wellequipped. Almost all brands of pharmaceuticals are available in Cyprus. Pharmacies are open during normal shopping hours. Late night chemists are listed in the daily papers. Weather Cyprus enjoys an intense Mediterranean climate, with long dry summers from mid-May to mid-October and mild winters with some rain and snow on the Troodos range from December to February, separated by short autumn and spring seasons. Extremes of temperature are rare. There is abundant sunshine all the year round, even in December and January when there is an average of six hours of bright sunshine per day. Electricity The Cyprus electricity supply operates on 240 volts a.c 50 H.z with normal 13 amp square pin plugs. Adaptor plugs are widely available from hotel receptions or shops. Water Tap water is safe to drink. It is a precious commodity on the island, especially during the summer months. Telecommunications Cyprus prides itself on having one of the most sophisticated telecommunications systems in the world. High quality value added services such as advanced data transmission systems, facsimile, mobile telephony, cardphones, paging, videoconferencing, private leased circuits, audiotex, and high-speed internet access, make the island an ideal location for businesses depending on fast, reliable telecommunications. �Services 10 Business needs can be catered for by companies that offer office and secretarial services such as typing, photocopying, printing and bookbinding. Translation and interpreter services are readily available, as are tourist guides in many languages. The island offers excellent postal, messenger and courier services. Cyprus’ Department of Postal Services provides a universal, rapid, safe and low-cost service. All major international courier services have offices on the island, while local companies offer messenger services between towns. Specialised forwarding companies and customs clearing agencies can undertake any shipping, packing, insurance and delivery needs and are able to receive any type of goods either for final importation or for re-export TV, Radio and Press There are seven national television channels with many programmes including news reports broadcast in English. Most hotels have satellite television broadcasting major network channels CNN, BBC, SKY, NBC, etc. There are numerous radio stations broadcasting both locally and nationally. CyBC 2 has regular programmes for visitors in several languages and one can also pick up the BBC World Service and the British Forces Broadcasting Service (BFBS) in Cyprus. There are three English language newspapers; the Cyprus Weekly and the Financial Mirror are weeklies, while the Cyprus Mail is a daily. Daily newspapers from other European countries are also available. Languages 11 English is widely spoken, while French and German are spoken in tourist resorts. Food and drink The various foreign influences on Cyprus over the centuries have left their mark on the island’s cuisine. On the whole Cyprus follows a Mediterranean diet, similar to that of Greece but with some additional influences. The traditional fast food of Cyprus is a pitta bread filled with souvlakia (kebab) and salad. Tavernas specialise in meze, which is an array of several dishes that enable one to taste everything at one sitting. Local delicacies include ‘halloumi’ cheese, a semi-hard cheese prepared from sheep's milk with the addition of mint, eaten grilled, fried or on its own. Other culinary influences have come from neighbouring Eastern Mediterranean countries. Italian, British and American fast food chains are also in evidence. Cyprus has a long tradition of winemaking that goes back over 4,000 years. One characteristic old wine, Commandaria, is acknowledged to be the oldest in the world. 13 �Cyprus Tourism Organisation Worldwide Offices CYPRUS CYPRUS TOURISM ORGANISATION Leoforos Lemesou 19 P.O.Box 24535, CY 1390, Lefkosia Tel: +357 22691100, Fax: +357 22331644 E-mail: cytour@cto.org.cy www.visitcyprus.com BELGIUM OFFICE DU TOURISME DE CHYPRE DIENST VOOR TOERISME VAN CYPRUS Avenue de Cortenbergh 61, Kortenberglaan B-1000 Bruxelles/Brussel Tel. 02/735.06.21, Fax: 02/735.66.07 E-mail: cyprus@skynet.be IRELAND CYPRUS TOURISM ORGANISATION 71 Lower Leeson Str., Dublin 2 Tel. 00 353-1-662 9269, Fax: 00 353-1-662 9270 E-mail: cyprusinfo@eircom.net SWEDEN CYPERNS TURISTRÅD Norrlandsgatan 20, 111 43 Stockholm Tel. (08) 10 50 25, Fax: (08) 10 64 14 103 86 Stockholm, E-mail: info@ctosweden.org UNITED KINGDOM CYPRUS TOURIST OFFICE 17, Hanover Street London W1S 1YP Tel. 0207 569 8800, Fax: 0207 499 4935 E-mail: informationcto@btconnect.com GERMANY FREMDENVERKEHRSZENTRALE ZYPERN FRANKFURT Zeil 127, 60313 Frankfurt Tel. (069) 25 19 19, Fax: (069) 25 02 88 E-mail: info@cto–fra.de BERLIN Wallstr. 27, 10179 Berlin Tel. 0 30-23 45-75 90, Fax: 0 30–23 45-75 92 E-mail: cto_berlin@t—online.de SWITZERLAND FREMDENVERKEHRSZENTRALE ZYPERN Gottfried Keller – Strasse 7, 8001 Zürich Tel. +4144 262 3303, Fax: +4144 251 2417 Geneva: Tel: +4122 741 33 03 E-mail: ctozurich@bluewin.ch AUSTRIA ZYPERN TOURISMUS Parkring 20, A-1010 Wien Tel. (01) 513 18 70, Fax: (01) 513 18 72 E-mail: zyperntourism@aon.at FRANCE OFFICE DU TOURISME DE CHYPRE 15, Rue de la Paix, 75002 Paris Tel. 01. 42.61.42.49, Fax: 01. 42.61.65.13 E-mail: cto.chypre.paris@wanadoo.fr THE NETHERLANDS CYPRUS VERKEERSBUREAU Keizersgracht 635, 1017 DS Amsterdam Tel. (020) 624 4358, Fax: (020) 638 3369 E-mail: cyprus.sun@wxs.nl FINLAND KYPROKSEN MATKAILUTOIMISTO Aleksanterinkatu 48B, 00100 Helsinki Tel. (0) 9-476 09 100, Fax: (0) 9-476 09 120 E-mail: info@ctofinland.org GREECE CYPRUS TOURISM ORGANISATION ATHENS Voukourestiou 38, Kolonaki, Athens 10673 Tel. (210) 36 10 178, (210) 36 10 057 Fax: (210) 36 44 798 E-mail: cto-athens@ath.forthnet.gr THESSALONIKI 37 Nikis Ave., Thessaloniki 54013 Tel. 00 2310-242880, Fax: 00 2310-286881 E-mail: kotthes@the.forthnet.gr ITALY ENTE NAZIONALE PER IL TURISMO DI CIPRO Via Santa Sofia 6, 20122 Milano Tel. 02 58 31 98 35, 02 58 30 33 28 Fax: 02 58 30 33 75 E-mail: info@turismocipro.it UNITED STATES CYPRUS TOURISM ORGANIZATION 13 East 40th Str. New York, NY 10016 Tel. (00 1212) 683-5280, Fax: (00 1212) 683-5282 E-mail: gocyprus@aol.com �ISRAEL CYPRUS TOURISM ORGANISATION Top Tower-14th floor, Dizengoff Centre 50 Dizengoff Str., - Tel-Aviv 64332 Tel. 00-972-3-52 57 442, Fax: 00-972-3-52 57 443 E-mail: cto@netvision.net.il RUSSIAN FEDERATION CYPRUS TOURISM ORGANISATION MOSCOW Povarskaya 9, Building 2 121069, Moscow Tel. 007 495 744 2953/54, Fax: 007 495 744 2955 E-mail: moscowcto@yandex.ru ST. PETERSBURG Prospect Chernyshevskogo, Flat 56, house 17 191123, St. Petersburg Tel. 007-812 332-58-08, Fax: 007-812-332-58-09 E-mail: spbcto@yandex.ru HUNGARY CIPRUSI IDEGENFORGALMI HIVATAL H-1051 Budapest Dorottya Str. 3. III floor Tel. 00-36-1-266 6044, Fax: 00-36-1-266 6043 E-mail: ciprusinfo@t-online.hu POLAND CYPRYJSKA ORGANIZACJA TURYSTYCZNA Piekna 20, 00-549 Warszawa Tel.+ 48 22-827 90 36, Fax: + 48 22-827 90 34 E-mail: cto@cypr.pl 12 CZECH REPUBLIC KYPERSKÁ ORGANIZACE CESTOVNÍHO RUCHU Pod Hradbami 662/9, 160 00 Praha 6 Tel. 00-420-222-253 097 Fax: 00-420-222-251 639 E-mail: cto.prague@volny.cz MIDDLE EAST AND ARABIAN GULF CYPRUS TOURISM ORGANISATION Al Ghurair Center, Offices Tower, 436B P.O.Box 94670, Deira Dubai - UAE Tel: + 971 4 2277637 Fax: +971 4 2277638 E-mail: tourism@cyprusme.com 15 �Production: CYPRUS TOURISM ORGANISATION, September 2007 Design: SUCCESS ADVERTISING Co. Ltd Text: MARINA CHRISTOFIDES Printing: ANKAT PUBLICATIONS LTD Photographs: CYPRUS TOURISM ORGANISATION CYPRUS CONFERENCE CENTRE (8) CYPRUS FAIRS AUTHORITY (9) ACTION GLOBAL COMMUNICATIONS APHRODITE HILL GOLF CLUB (3) HILTON CYPRUS (Cover Left) HOLIDAY INN HOTELS - RESORTS (Cover Right) COLUMBIA HOTELS & RESORTS (1) LOUIS HOTELS (2) CHRISTINA DRAKOS, DRAKOS TRAVEL (4,12) L.C.I LAUREATE CONFERENCE & INCENTIVE TRAVEL (5,6) AMATHUS BEACH HOTEL (7) CAPO BAY HOTEL (10) AENEAS HOTEL (11) ISBN: 9963-44-038-X �CYPRUS TOURISM ORGANISATION www.visitcyprus.com � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus, conferences & incentives Subject The topic of the resource Cyprus--Conferences--Guidebooks Κύπρος--Συνέδρια--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource Κύπρος είναι ενα ιδανικό μέρος συνάντησης, ενα ιδανίκο κλίμα για όλο το χρόνο, όμορφο τοπίο, και παραδοσιακά φιλοξενούμενους ανθρώπους. Η Κύπρος έχει όλες τις ανέσεις που ακόμα και τα πιο πολύτιμα VIPs θα χρειαστούν. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context English_Conf_Incentives_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Conferences--Guidebooks Cyprus--Tourism--Guidebooks Κύπρος--Συνέδρια--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/76e417ae92a549eb84e214fbc0922a3f.pdf 9706cc191d0275e37cc1a07ec155ae7a PDF Text Text Cyprus. Conferences & Incentives ��Top meeting place Lying in the sparkling blue waters of the Eastern Mediterranean and at the crossroads between Europe, Africa and Asia, Cyprus has always had an important strategic position throughout history. Nowadays, as the Easternmost member of the European Union, the island is a perfect meeting place for decision-makers from all over the world. An ideal all year round climate, beautiful scenery, a traditionally hospitable people and a civilisation that goes back 10,000 years. The island has everything to offer to make your next meeting, convention, incentive or other corporate event a tremendous success. Having hosted meetings of heads of government in the past and with over 600 top companies and organisations holding conferences here every year, Cyprus has all the facilities that even the most valued VIPs would need. With a reputation for quality and professionalism, as well as top class facilities and service, you'll find there's no more distinctive venue than Cyprus. 1 �Accommodation Comfort and service for all your needs When it’s time for business you’ll find everything you need. Whether you are planning a full-scale conference of over a thousand participants, or an innovative incentives programme, Cyprus can provide it. There’s an abundance of quality hotels in all towns and holiday resorts with high standards of service to choose from, allowing you the convenience of staying in the same location as your corporate event. The excellent amenities offer fully equipped conference rooms with varying capacities, the latest audio, visual and video conferencing equipment, flexible meeting rooms, break-out rooms and technical equipment, as well as simultaneous translation facilities. Secretarial services are also widely available. Hire the executive boardroom for a small group meeting, host a product launch in the foyer, or hold a reception around the pool or on the terrace, and let the professionals accommodate you. After a day of tough decision-making, put your feet up in your wellappointed air-conditioned room or suite. Cyprus hotels provide every amenity the modern business traveller has come to expect and more, from swimming pools, tennis courts, sauna rooms, and beachfronts, to salt-water pools, exotic gardens, thalassotherapy and health spas. Buffet style dining is popular and presents your participants with a bountiful array of market fresh local and international cuisine. Benefit from special off-season discounts that are usually on offer between mid-November and mid-March, excluding the Christmas period. 2 1 ��Infrastructure keeping in touch Cyprus has a well developed physical and social infrastructure. Efficient dual carriage motorways link all towns and resorts, keeping travel time low and allowing you the freedom to indulge in your pursuits. Many international airlines operate regular flights to Larnaka airport. Transfer times to the capital Lefkosia (Nicosia) and Lemesos (Limassol) are less than one hour. Pafos is served by its own international airport. Within thirty minutes of leaving the arrivals lounge you may find yourself enjoying a drink at your venue hotel. The island’s geographic proximity to other popular destinations means you can add an extra dimension to your event by combining it with a short, value-for-money cruise to a neighbouring country such as Egypt, Syria, Lebanon, Greece and the Greek islands. A sophisticated communications system including tele-conferencing, video-conferencing, and widely accessible internet and e-mail facilities will link you anywhere in the world and help you maintain contact with your corporate base at home. On the social side, Cyprus can offer the coporate events organiser a stable economy and a safe and secure European country that respects law and order. 2 �Incentives a bonus worth working for Providing incentives through travel can be very effective and rewarding. Turn experiences into motivation and motivation into returns. A successful incentives program not only increases profits by motivating employees to work harder and customers to buy more, but it also builds loyalty, dedication and camaraderie. Offer your staff the chance to hone their golfing or tennis skills at one of the island’s purpose-built resorts set in peaceful surroundings with spectacular views. Make them feel like millionaires for a day experiencing the comfort of a private yacht, or let them be pampered at one of the island’s luxury spa resorts. Cyprus has an abundance of added-value amenities such as archaeological sites, museums, galleries, sporting and leisure activities, nightlife and entertainment. The culture and heritage of Cyprus is unique, with a 10,000 year history as a meeting place for continents and peoples. This cosmopolitan element gives Cyprus its distinctive flavour, a feature in the choice of destination by corporate clients. Jeep safaris into the countryside, wine tours round picturesque mountain villages, a themed cruise around the attractive coastline, are just some of the possibilities which Cyprus has to offer. 5 �Destination Management Companies leave it to us... Whether you need a live band to play for your soirée, someone to organise games, gimmicks or other entertainment for your pre and post event tours or for escorting members, let the experts do it for you. Numerous professional destination management companies with experienced, efficient and multilingual staff will draw up a complete tailor-made programme to suit your needs and be on hand at all times to supervise every stage of the event. Their portfolio of original, innovative and creative ideas can include anything from an afternoon experiencing village life - sipping coffee and playing backgammon, or baking home-made olive or ‘halloumi cheese’ pies - to a day following in the footsteps of Aphrodite, the legendary goddess of love and beauty, protectress of Cyprus. From the place where she rose from the waves, to dedicated sites where she was worshipped. Having one of the oldest civilisations in the world, there is so much in Cyprus to see, from ancient prehistoric sites, Greco-Roman theatres, exquisite mosaics, to skilfully painted Byzantine churches on the UNESCO world heritage list. Cyprus’ rich cultural heritage, in combination with the beauty and tranquility of its mountainous hinterland vastly enhance the drama and memorability of group events. 6 3 �4 5 6 �LA C A O CE N EUROPE AT N TI ASIA M ED IT E R RA AFRICA NEA N CYPRUS SE A Cape Apostolos Andreas † Apostolos Andreas Rizokarpaso Aigialousa Karpasia Davlos Kantara Cape Kormakitis Livera KERYNEIA Lambousa Agios Amvrosios Karavas Agios Ilarion Cape Elaia Agios Epiktitos Bellapais Myrtou Trikomo Voufaventon Pentadaktylos Y O M ORF Pyrgos KEY Cape Arnaoutis C H R YS O † Church, Monastery Akamas Archaeological site O CH Village Kathikas Maa † Agios Neofytos Kedares Lempa Kyperounta † Mandria Agios Nikolaos Nisou Tamassos Liopetri Agios Irakleidios Trooditissa Pelendri Agros Palaichori † Cape Gkreko Kornos Machairas Platres LARNAKA † Pano Lefkara Kato Lefkara Vavla Hala Sultan Tekkesi Salt Lake Kiti † Agios Raindays Humidity (%) MARCH 19,4 10,0 8,0 16,9 68 8,9 APRIL 26,6 16,5 11,2 19,0 69 2,6 JUNE 30,7 20,1 12,8 21,8 70 0,3 JULY 33,0 22,2 12,6 24,1 71 0,0 AUGUST 33,2 22,6 11,9 25,4 73 0,3 Alassa Kouklia Palaipafos Aphrodite’s Sanctuary Germasogeia Amathous Polemidia Sanctuary of Apollon Ylatis Kolossi Kourion Pissouri Petra tou Romiou (Aphrodite’s birthplace) Salt Lake 22,6 12,7 9,2 17,4 67 5,0 MAY SEPTEMBER 31,3 20,4 10,6 25,8 67 0,3 28,6 17,7 8,9 23,2 68 3,4 OCTOBER NOVEMBER 23,5 13,4 7,2 20,2 73 7,3 DECEMBER 19,0 10,0 5,8 18,6 81 10,0 Cape Kiti Cape Aspron E P I S K O PI B AY Zygi Kalymnos Beach LEMESOS (Governors Beach) (Limassol) IR I B A Y Harbour ROT AK Cr ete Ha Al ,R ifa ex ho an dr Cape Gata ia DISTANCE CHART (Km) Cape Zevgari LEFKOSIA LEMESOS rut Bei 17,5 8,1 7,2 16,6 73 9,1 Larnaka International Airport Kofinou Minas Choirokoitia s eu ira s, P 17,3 8,4 6,1 16,5 77 11,4 FEBRUARY AK A B A Y L de JANUARY Timi Marina ARN Cape Pyla Tenta Geroskipou Pafos International Airport Harbour Stavrovouni Omodos Arsos Koilani Laneia Vasa Vouni Lofou Protaras Agia Napa Xylofagou Fikardou Gourri Sotira Lymbia Kakopetria Pedoulas Pano Panagia Panagia Stroumpi Chrysorrogiatissa Paralimni Mazotos PAFOS Sea temperature in oC Mean daily Sunshine (Hours) Maximum daily coastal temperature in oC Minimum night coastal temperature in oC Troodos Lasa † Galata Moutoulas † Coral Bay AMMOCHOSTOS (Famagusta) Latsia Pera Klirou † Fyti TEMPERATURES MONTHS Panagia Gerakies tou Kykkou Peristerona Lysos Y Deryneia Asinou Cedar Valley Pegeia Peristerona Stavros tis Psokas Polis Main Road Limit of area under Turkish occupation Karavostasi BA Apostolos Varnavas † Salamis Egkomi LEFKOSIA (Nicosia) Nikitari Argaka Drouseia Motorway MORFOU Deftera Baths of Aphrodite Lakki Neon Chorion Town AREA UNDER TURKISH OCCUPATION SINCE 1974 Astromeritis Soloi B U BA Vouni AY Pomos U A FA M A GUS T Lefkonoiko PAFOS 80 LEMESOS 152 72 PAFOS LARNAKA 20km 70 142 LARNAKA TROODOS 0 47 80 51 123 121 TROODOS AGIA NAPA 81 107 184 POLIS 188 108 41 163 AGIA NAPA 37 177 160 220 POLIS PARALIMNI 85 111 178 44 158 5 219 �Cyprus international conference centre flexibility and efficiency Only a short distance from the centre of town in the capital of the island, Lefkosia (Nicosia), the Cyprus International Conference Centre is a state-of-the-art, multi-purpose venue equipped with the latest technological facilities and flexible spaces to host meetings of various size, from large scale conventions of 1,200 delegates to seminars, receptions, exhibitions, banquets, fashion shows and product launches. 7 Facilities available include wireless projection equipment, recording equipment, sound control booths, CCTV, facilities for live TV and radio broadcasting, simultaneous interpretation for 14 languages, satellite TV reception and a projection room. Foyer services include banking and travel facilities, post office, secretarial services, shops, a VIP lounge and a cafeteria. �8 Cyprus state fair authority exhibit with confidence The Cyprus State Fairs Authority, with its many years of experience, has the know-how that is needed to guarantee the organisation and coordination of successful local and international exhibitions, conferences and other events. Its Multipurpose Hall Complex situated within the International Fair grounds in Lefkosia (Nicosia) can meet the growing demand for high standard exhibition centres, combining functionality and flexibility. 9 It offers both a conference facility as well as an exhibition area accommodating up to 1,200 participants, a foyer, pavilions, audiovisual equipment, restaurants and cafeterias, as well a technical and administrative support. 11 �Useful information Passports and Visas Getting Around Cyprus is a member of the European Union since May 2004. No visas are required for entry into Cyprus by nationals of most European countries. Nationals of other countries should contact their nearest Cyprus consulate, or if none, the nearest British consulate. For more information visit the website: http: //www.mfa.gov.cy. There are no vaccination requirements for visitors to Cyprus. The best way to travel around Cyprus is by car. Self-drive car rental firms have offices in all towns, as well as at Larnaka International Airport. Modern air-conditioned tourist coaches as well as minibuses are also available for hire. Cyprus has a modern road network with dual lane motorways linking the main towns of Lefkosia (Nicosia), Lemesos (Limassol), Larnaka and Pafos. Approximate journey times from the capital Lefkosia (Nicosia) are 30 minutes to Larnaka, 45 minutes to Lemesos (Limassol), 1 hour to Agia Napa and 1hr 30 minutes to Pafos. Driving is on the left, as in the United Kingdom, and all signposting is in both English and Greek. The speed limit on motorways is 100 kilometres per hour. Both front and rear seatbelt wear is mandatory. The use of mobile phones at any time while driving is strictly prohibited, unless hands-free equipment is used. Communal "service taxis" provide connections between all major towns every half hour. Regular taxis are reasonably priced and are a good option for airport transfers. Petrol stations in all seaside areas and major towns are equipped with automatic pumps, accepting bank notes or credit cards and operating on a 24-hour basis. Banks The currency of the Republic is the Cyprus Pound (CYí) which is divided into 100 cents. Notes are issued in í20, í10, í5 and í1 denominations. Bank opening hours are from 08:30 to 13:30. Certain banks in tourist areas open during the afternoon. Automatic Exchange Machines and ATM Machines operate on a 24-hour basis and most currencies and denominations are accepted. As of 1.1.08 the Cyprus Republic is expected to enter the euro zone and employ the euro as its currency. The prices listed in the contents of this publication (í) are converted into euros (e) based on the exchange rate of the Cyprus pound against the euro which was set on 10.7.07, i.e í1 = e1.71 or e1=í0.58 Business Hours Shop opening hours vary according to the season. In the summer they are usually open between 09:00-14:00 and 17:00-20:00 and at other times of the year from 09:00-3:00 and 14:30-18:00. On Wednesdays and Saturdays morning opening hours are observed. Medical Medical needs in Cyprus are met through government hospitals and private clinics and specialised doctors in private practice. Medical standards in Cyprus are high, as most practitioners are trained in European countries and the USA, while medical diagnostic centres are modern and wellequipped. Almost all brands of pharmaceuticals are available in Cyprus. Pharmacies are open during normal shopping hours. Late night chemists are listed in the daily papers. Weather Cyprus enjoys an intense Mediterranean climate, with long dry summers from mid-May to mid-October and mild winters with some rain and snow on the Troodos range from December to February, separated by short autumn and spring seasons. Extremes of temperature are rare. There is abundant sunshine all the year round, even in December and January when there is an average of six hours of bright sunshine per day. Electricity The Cyprus electricity supply operates on 240 volts a.c 50 H.z with normal 13 amp square pin plugs. Adaptor plugs are widely available from hotel receptions or shops. Water Tap water is safe to drink. It is a precious commodity on the island, especially during the summer months. Telecommunications Cyprus prides itself on having one of the most sophisticated telecommunications systems in the world. High quality value added services such as advanced data transmission systems, facsimile, mobile telephony, cardphones, paging, videoconferencing, private leased circuits, audiotex, and high-speed internet access, make the island an ideal location for businesses depending on fast, reliable telecommunications. �Services 10 Business needs can be catered for by companies that offer office and secretarial services such as typing, photocopying, printing and bookbinding. Translation and interpreter services are readily available, as are tourist guides in many languages. The island offers excellent postal, messenger and courier services. Cyprus’ Department of Postal Services provides a universal, rapid, safe and low-cost service. All major international courier services have offices on the island, while local companies offer messenger services between towns. Specialised forwarding companies and customs clearing agencies can undertake any shipping, packing, insurance and delivery needs and are able to receive any type of goods either for final importation or for re-export TV, Radio and Press There are seven national television channels with many programmes including news reports broadcast in English. Most hotels have satellite television broadcasting major network channels CNN, BBC, SKY, NBC, etc. There are numerous radio stations broadcasting both locally and nationally. CyBC 2 has regular programmes for visitors in several languages and one can also pick up the BBC World Service and the British Forces Broadcasting Service (BFBS) in Cyprus. There are three English language newspapers; the Cyprus Weekly and the Financial Mirror are weeklies, while the Cyprus Mail is a daily. Daily newspapers from other European countries are also available. Languages 11 English is widely spoken, while French and German are spoken in tourist resorts. Food and drink The various foreign influences on Cyprus over the centuries have left their mark on the island’s cuisine. On the whole Cyprus follows a Mediterranean diet, similar to that of Greece but with some additional influences. The traditional fast food of Cyprus is a pitta bread filled with souvlakia (kebab) and salad. Tavernas specialise in meze, which is an array of several dishes that enable one to taste everything at one sitting. Local delicacies include ‘halloumi’ cheese, a semi-hard cheese prepared from sheep's milk with the addition of mint, eaten grilled, fried or on its own. Other culinary influences have come from neighbouring Eastern Mediterranean countries. Italian, British and American fast food chains are also in evidence. Cyprus has a long tradition of winemaking that goes back over 4,000 years. One characteristic old wine, Commandaria, is acknowledged to be the oldest in the world. 13 �Cyprus Tourism Organisation Worldwide Offices CYPRUS CYPRUS TOURISM ORGANISATION Leoforos Lemesou 19 P.O.Box 24535, CY 1390, Lefkosia Tel: +357 22691100, Fax: +357 22331644 E-mail: cytour@cto.org.cy www.visitcyprus.com BELGIUM OFFICE DU TOURISME DE CHYPRE DIENST VOOR TOERISME VAN CYPRUS Avenue de Cortenbergh 61, Kortenberglaan B-1000 Bruxelles/Brussel Tel. 02/735.06.21, Fax: 02/735.66.07 E-mail: cyprus@skynet.be IRELAND CYPRUS TOURISM ORGANISATION 71 Lower Leeson Str., Dublin 2 Tel. 00 353-1-662 9269, Fax: 00 353-1-662 9270 E-mail: cyprusinfo@eircom.net SWEDEN CYPERNS TURISTRÅD Norrlandsgatan 20, 111 43 Stockholm Tel. (08) 10 50 25, Fax: (08) 10 64 14 103 86 Stockholm, E-mail: info@ctosweden.org UNITED KINGDOM CYPRUS TOURIST OFFICE 17, Hanover Street London W1S 1YP Tel. 0207 569 8800, Fax: 0207 499 4935 E-mail: informationcto@btconnect.com GERMANY FREMDENVERKEHRSZENTRALE ZYPERN FRANKFURT Zeil 127, 60313 Frankfurt Tel. (069) 25 19 19, Fax: (069) 25 02 88 E-mail: info@cto–fra.de BERLIN Wallstr. 27, 10179 Berlin Tel. 0 30-23 45-75 90, Fax: 0 30–23 45-75 92 E-mail: cto_berlin@t—online.de SWITZERLAND FREMDENVERKEHRSZENTRALE ZYPERN Gottfried Keller – Strasse 7, 8001 Zürich Tel. +4144 262 3303, Fax: +4144 251 2417 Geneva: Tel: +4122 741 33 03 E-mail: ctozurich@bluewin.ch AUSTRIA ZYPERN TOURISMUS Parkring 20, A-1010 Wien Tel. (01) 513 18 70, Fax: (01) 513 18 72 E-mail: zyperntourism@aon.at FRANCE OFFICE DU TOURISME DE CHYPRE 15, Rue de la Paix, 75002 Paris Tel. 01. 42.61.42.49, Fax: 01. 42.61.65.13 E-mail: cto.chypre.paris@wanadoo.fr THE NETHERLANDS CYPRUS VERKEERSBUREAU Keizersgracht 635, 1017 DS Amsterdam Tel. (020) 624 4358, Fax: (020) 638 3369 E-mail: cyprus.sun@wxs.nl FINLAND KYPROKSEN MATKAILUTOIMISTO Aleksanterinkatu 48B, 00100 Helsinki Tel. (0) 9-476 09 100, Fax: (0) 9-476 09 120 E-mail: info@ctofinland.org GREECE CYPRUS TOURISM ORGANISATION ATHENS Voukourestiou 38, Kolonaki, Athens 10673 Tel. (210) 36 10 178, (210) 36 10 057 Fax: (210) 36 44 798 E-mail: cto-athens@ath.forthnet.gr THESSALONIKI 37 Nikis Ave., Thessaloniki 54013 Tel. 00 2310-242880, Fax: 00 2310-286881 E-mail: kotthes@the.forthnet.gr ITALY ENTE NAZIONALE PER IL TURISMO DI CIPRO Via Santa Sofia 6, 20122 Milano Tel. 02 58 31 98 35, 02 58 30 33 28 Fax: 02 58 30 33 75 E-mail: info@turismocipro.it UNITED STATES CYPRUS TOURISM ORGANIZATION 13 East 40th Str. New York, NY 10016 Tel. (00 1212) 683-5280, Fax: (00 1212) 683-5282 E-mail: gocyprus@aol.com �ISRAEL CYPRUS TOURISM ORGANISATION Top Tower-14th floor, Dizengoff Centre 50 Dizengoff Str., - Tel-Aviv 64332 Tel. 00-972-3-52 57 442, Fax: 00-972-3-52 57 443 E-mail: cto@netvision.net.il RUSSIAN FEDERATION CYPRUS TOURISM ORGANISATION MOSCOW Povarskaya 9, Building 2 121069, Moscow Tel. 007 495 744 2953/54, Fax: 007 495 744 2955 E-mail: moscowcto@yandex.ru ST. PETERSBURG Prospect Chernyshevskogo, Flat 56, house 17 191123, St. Petersburg Tel. 007-812 332-58-08, Fax: 007-812-332-58-09 E-mail: spbcto@yandex.ru HUNGARY CIPRUSI IDEGENFORGALMI HIVATAL H-1051 Budapest Dorottya Str. 3. III floor Tel. 00-36-1-266 6044, Fax: 00-36-1-266 6043 E-mail: ciprusinfo@t-online.hu POLAND CYPRYJSKA ORGANIZACJA TURYSTYCZNA Piekna 20, 00-549 Warszawa Tel.+ 48 22-827 90 36, Fax: + 48 22-827 90 34 E-mail: cto@cypr.pl 12 CZECH REPUBLIC KYPERSKÁ ORGANIZACE CESTOVNÍHO RUCHU Pod Hradbami 662/9, 160 00 Praha 6 Tel. 00-420-222-253 097 Fax: 00-420-222-251 639 E-mail: cto.prague@volny.cz MIDDLE EAST AND ARABIAN GULF CYPRUS TOURISM ORGANISATION Al Ghurair Center, Offices Tower, 436B P.O.Box 94670, Deira Dubai - UAE Tel: + 971 4 2277637 Fax: +971 4 2277638 E-mail: tourism@cyprusme.com 15 �Production: CYPRUS TOURISM ORGANISATION, September 2007 Design: SUCCESS ADVERTISING Co. Ltd Text: MARINA CHRISTOFIDES Printing: ANKAT PUBLICATIONS LTD Photographs: CYPRUS TOURISM ORGANISATION CYPRUS CONFERENCE CENTRE (8) CYPRUS FAIRS AUTHORITY (9) ACTION GLOBAL COMMUNICATIONS APHRODITE HILL GOLF CLUB (3) HILTON CYPRUS (Cover Left) HOLIDAY INN HOTELS - RESORTS (Cover Right) COLUMBIA HOTELS & RESORTS (1) LOUIS HOTELS (2) CHRISTINA DRAKOS, DRAKOS TRAVEL (4,12) L.C.I LAUREATE CONFERENCE & INCENTIVE TRAVEL (5,6) AMATHUS BEACH HOTEL (7) CAPO BAY HOTEL (10) AENEAS HOTEL (11) ISBN: 9963-44-038-X �CYPRUS TOURISM ORGANISATION www.visitcyprus.com � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus. Conferences & Incentives Subject The topic of the resource Cyprus--Conferences--Guidebooks Κύπρος--Συνέδρια--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource Lying in the sparkling blue waters of the Eastern Mediterranean and at the crossroads between Europe, Africa and Asia, Cyprus has always had an important strategic position throughout history. Nowadays, as the Easternmost member of the European Union, the island is a perfect meeting place for decision-makers from all over the world. An ideal all year round climate, beautiful scenery, a traditionally hospitable people and a civilization that goes back 10,000 years. The island has everything to offer to make your next meeting, convention, incentive or other corporate event a tremendous success. Having hosted meetings of heads of government in the past and with over 600 top companies and organisations holding conferences here every year, Cyprus has all the facilities that even the most valued VIPs would need. With a reputation for quality and professionalism, as well as top class facilities and service, you'll find there's no more distinctive venue than Cyprus. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Source A related resource from which the described resource is derived Cyprus Tourism Organisation Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context English_Conf_Incentives_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Conferences--Guidebooks Cyprus--Tourism--Guidebooks Κύπρος--Συνέδρια--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/dda0800e150dc6a34723982e3c29b9c3.pdf cfcd88c1ed56cea04b8543d74298465f PDF Text Text EUROPEAN DESTINATIONS OF EXCELLENCE EDEN TROODOS AGROS VOUNI PANAGIAS KATO PYRGOS KALOPANAYIOTIS �4-5 EDEN 6-9 EDEN THEMES & DESTINATIONS CONTENTS 10-17 TROODOS 18-25 AGROS 26-31 VOUNI PANAGIAS 32-39 KATO PYRGOS 40-47 KALOPANAYIOTIS �CREDITS PRODUCTION: Cyprus Tourism Organisation ARTWORK: Orangeapple Creative Solutions Ltd PHOTOGRAPHY: Cyprus Tourism Organisation archive Nathaniel Andreou Socrates Michaelides TEXT: Cyprus Tourism Organisation European Commission EDEN PROJECT OFFICER: Elena Pericleous Cyprus Tourism Organisation elenapericleous@visitcyprus.com �EDEN EDEN is the acronym for European Destinations of Excellence, a project promoting sustainable tourism development models across the European Union. The project is based on national competitions that take place every year and result in the selection of a tourist “destination of excellence” for each participating country. Through the selection of destinations, EDEN effectively achieves the objective of drawing attention to the values, diversity and common features of European tourist destinations. It enhances the visibility of emerging European destinations, creates a platform for sharing good practices across Europe and promotes networking between awarded destinations. This European quest for excellence in tourism is developed around an annual theme, chosen by the Commission together with the relevant national tourism bodies. The key feature of the selected destinations is their commitment to social, cultural and environmental sustainability. The recipients of the award are emerging, little known European destinations located in the 27 Member States and candidate countries. The EDEN project helps to spread the sustainable practices used in the chosen destinations across the Union and to turn these places into all-year-round venues. The process thus aims to help de-congest over-visited tourist destinations. The development of this project is backed by the European Commission which launched the project in 2006 and still plays a crucial coordinating role. Its tasks include encouraging dialogue among stakeholders, co-financing the selection procedures, organising the award ceremony and coordinating a comprehensive communication campaign. The Cyprus Tourism Organisation is the responsible body for the EDEN program in Cyprus. 4 EDEN είναι το αρκτικόλεξο των λέξεων Ευρωπαϊκοί Προορισμοί Αριστείας στα αγγλικά, ενός έργου που προάγει τα μοντέλα ανάπτυξης βιώσιμου τουρισμού σε ολόκληρη την Ευρωπαϊκή Ένωση. Το έργο βασίζεται σε εθνικούς διαγωνισμούς που πραγματοποιούνται κάθε χρόνο και οδηγούν στην επιλογή ενός τουριστικού «προορισμού αριστείας» από κάθε συμμετέχουσα χώρα. Με την επιλογή των προορισμών το EDEN καταφέρνει να προσελκύσει την προσοχή στις αξίες, στην ποικιλομορφία και στα κοινά χαρακτηριστικά των ευρωπαϊκών τουριστικών προορισμών. Βελτιώνει την προβολή των αναδυόμενων ευρωπαϊκών προορισμών, δημιουργεί μια πλατφόρμα για τη διάδοση ορθών πρακτικών σε ολόκληρη την Ευρώπη και προάγει τη δικτύωση μεταξύ των βραβευμένων προορισμών. Αυτή η ευρωπαϊκή αναζήτηση της αριστείας στον τουρισμό αναπτύσσεται γύρω από ένα ετήσιο θέμα, το οποίο επιλέγεται από την Επιτροπή σε συνεργασία με τους φορείς τουρισμού σε κάθε συμμετέχουσα χώρα. Το βασικότερο χαρακτηριστικό των επιλεγμένων προορισμών είναι η δέσμευσή τους στην κοινωνική, πολιτιστική και περιβαλλοντική βιωσιμότητα. Βραβεύονται αναδυόμενοι, σχετικά άγνωστοι ευρωπαϊκοί προορισμοί που βρίσκονται στα 27 κράτη μέλη και στις υποψήφιες χώρες. Το πρόγραμμα EDEN βοηθά στην εξάπλωση των βιώσιμων πρακτικών που εφαρμόζονται στους επιλεγμένους προορισμούς σε ολόκληρη την Ένωση και στη μετατροπή αυτών των τοποθεσιών σε πόλους έλξης επισκεπτών ολόκληρο το χρόνο. Συνεπώς η διαδικασία έχει ως στόχο να βοηθήσει στην αποσυμφόρηση προορισμών που προσελκύουν υπερβολικό αριθμό τουριστών. Η ανάπτυξη αυτού του έργου υποστηρίζεται από την Ευρωπαϊκή Επιτροπή, που εγκαινίασε το έργο το 2006 και εξακολουθεί να παίζει ένα ζωτικής σημασίας συντονιστικό ρόλο. Στις αρμοδιότητές της περιλαμβάνονται η ενθάρρυνση του διαλόγου μεταξύ των ενδιαφερόμενων φορέων, η συγχρηματοδότηση των διαδικασιών επιλογής, η διοργάνωση της τελετής απονομής των βραβείων και ο συντονισμός μιας ολοκληρωμένης εκστρατείας επικοινωνίας. Ο Κυπριακός Οργανισμός Τουρισμού είναι ο υπεύθυνος οργανισμός για το πρόγραμμα EDEN στην Κύπρο. �EDEN steht für „European Destinations of Excellence“, herausragende europäische Reiseziele – ein Projekt zur Förderung von Modellen eines nachhaltigen Tourismus in der gesamten Europäischen Union. Das Projekt basiert auf nationalen Wettbewerben, die alljährlich stattfinden und eine Auswahl von „herausragenden Tourismuszielen” für jedes teilnehmende Land treffen. Mit der Auszeichnung der Reiseziele gelingt es EDEN in wirkungsvoller Weise, die Aufmerksamkeit auf die Werte, die Vielfalt und die Gemeinsamkeiten europäischer Tourismusziele zu lenken. Es schärft die Wahrnehmung neuer europäischer Reiseziele, schafft eine Plattform für den Austausch bewährter Praktiken in Europa und fördert die Vernetzung zwischen prämierten Reisezielen. L’acronyme EDEN («European Destinations of Excellence») désigne les destinations européennes d’excellence. Il s’agit d’un projet encourageant les modèles de développement d’un tourisme durable à travers l’Union européenne, dans le cadre duquel des concours nationaux sont organisés chaque année et débouchent sur la sélection d’une «destination d’excellence» touristique dans chaque pays participant. travers cette sélection de destinations, EDEN met en avant les valeurs, la diversité et les caractéristiques communes des destinations touristiques européennes. Ce projet améliore la visibilité des destinations européennes émergentes, crée une plateforme pour le partage des bonnes pratiques en Europe, et encourage la mise en réseau des destinations récompensées. Dieses europäische Streben nach Exzellenz im Bereich Tourismus rankt sich um ein jährliches Thema, das die Kommission gemeinsam mit den zuständigen nationalen Tourismusbehörden auswählt. Ce concours européen pour l’excellence dans le domaine touristique est développé autour d’un thème annuel, choisi par la Commission en collaboration avec les organismes touristiques nationaux compétents. Das Hauptmerkmal der ausgewählten Destinationen ist ihr Engagement für soziale, kulturelle und ökologische Nachhaltigkeit. Die Preisträger sind aufstrebende, wenig bekannte europäische Reiseziele in den 27 Mitgliedstaaten und in den Kandidatenländern. Das Projekt EDEN trägt dazu bei, nachhaltige, in den ausgewählten Reisezielen angewandte Praktiken in der gesamten Union zu verbreiten und diese Orte zu ganzjährigen Reisezielen zu machen, wodurch andere touristische Destinationen, die zu starken Besucherströmen ausgesetzt sind, entlastet werden. La caractéristique clé des destinations sélectionnées est leur engagement envers une viabilité sociale, culturelle et environnementale. Les lauréats de ce prix sont des destinations européennes émergentes et peu connues, qui se situent dans un des États membres ou un pays candidat. Le projet EDEN contribue à diffuser dans l’Union les pratiques durables appliquées dans les destinations choisies et à faire de ces endroits des lieux touristiques prisés. Ce processus vise aussi à désengorger les destinations touristiques trop fréquentées. Die Entwicklung dieses Projekts wird von der Europäischen Kommission unterstützt, die das Projekt 2006 auf den Weg gebracht hat und auch heute noch eine wichtige Koordinierungsfunktion ausübt. Ihre Aufgaben umfassen die Förderung des Dialogs zwischen den Interessenvertretern, die Ko-Finanzierung der Auswahlverfahren, die Organisation der Preisverleihung und die Koordinierung einer umfassenden Informationskampagne. Die Fremdenverkehrszentrale Zypern ist für das EDEN Programm in Zypern verantwortlich. Ce projet bénéficie du soutien de la Commission européenne, qui l’a lancé en 2006 et joue toujours le rôle fondamental de coordinatrice. Les tâches de la Commission consistent, entre autres, à encourager le dialogue entre les parties prenantes, à cofinancer les procédures de sélection, à organiser la cérémonie de remise des prix et à coordonner une campagne complète de communication. L’Office du Tourisme de Chypre est l’organisation responsable pour le programme EDEN à Chypre. �EDEN THEMES AND DESTINATIONS The principle of the EDEN process is simple: each year, one theme is chosen by the European Commission, in close cooperation with national tourism bodies, and one destination per participating country is selected. Each of the chosen topics serves to highlight different aspects of European regions’ assets and is related to sustainable development in one way or another, whether from a cultural, economic, local involvement or environmental point of view. Destinations taking part have to show that economically viable tourism has been developed based on each year’s EDEN theme. EDEN topics provide an opportunity for demonstrating the wealth of diversity Europe can offer, including its natural resources, historical heritage, traditional celebrations, local gastronomy, and so on. The eligible destinations, namely lesser known and less crowded ones, are thus able to show off what makes them unique and also show tourists that an unforgettable experience awaits them. The winning destinations are those that best reflect the chosen theme of the year and that offer a unique tourism experience, in line with sustainable patterns. 6 Θέματα και προορισμοί EDEN Η αρχή που διέπει τη διαδικασία EDEN είναι απλή: κάθε χρόνο επιλέγεται ένα θέμα από την Ευρωπαϊκή Επιτροπή, σε στενή συνεργασία με τους εθνικούς φορείς τουρισμού, καθώς και ένας προορισμός ανά συμμετέχουσα χώρα. Καθένα από τα επιλεγμένα θέματα χρησιμεύει ώστε να αναδειχθούν διάφορες πλευρές των συγκριτικών πλεονεκτημάτων των ευρωπαϊκών περιφερειών και σχετίζεται με κάποιον τρόπο με τη βιώσιμη ανάπτυξη, είτε από πολιτιστική, οικονομική ή περιβαλλοντική άποψη είτε από τη σκοπιά της τοπικής συμμετοχής. Οι προορισμοί που συμμετέχουν οφείλουν να δείξουν ότι έχει αναπτυχθεί οικονομικά βιώσιμος τουρισμός με βάση το θέμα EDEN της κάθε χρονιάς. Τα θέματα EDEN παρέχουν την ευκαιρία να καταστεί φανερός ο πλούτος της ποικιλομορφίας που μπορεί να προσφέρει η Ευρώπη, συμπεριλαμβάνοντας τους φυσικούς πόρους της, την ιστορική της κληρονομιά, τους παραδοσιακούς εορτασμούς της, την τοπική γαστρονομία κ.ο.κ. Οι επιλέξιμοι προορισμοί, δηλαδή οι λιγότερο γνωστοί και όσοι προσελκύουν λιγότερους επισκέπτες, έχουν έτσι τη δυνατότητα να αναδείξουν όσα τους καθιστούν μοναδικούς και επίσης να δώσουν στους τουρίστες μια γεύση από την αξέχαστη εμπειρία που τους περιμένει. Οι προορισμοί που αναδεικνύονται νικητές είναι αυτοί που αντανακλούν με τον καλύτερο τρόπο το επιλεγμένο θέμα της κάθε χρονιάς και οι οποίοι προσφέρουν μια μοναδική τουριστική εμπειρία, σύμφωνα με πρότυπα βιωσιμότητας. �EDEN-Themen und -Reiseziele Thèmes & destinations EDEN Das EDEN-Verfahren beruht auf einem einfachen Prinzip: Jedes Jahr wählt die Europäische Kommission in enger Zusammenarbeit mit den nationalen Tourismusbehörden ein Thema aus, und pro Teilnehmerland wird ein Reiseziel ausgewählt. Le principe d’EDEN est simple: chaque année, un thème est choisi par la Commission européenne, en proche collaboration avec les organismes nationaux de tourisme, et une destination par pays participant est sélectionnée. Jedes gewählte Thema dient dazu, verschiedene Aspekte der herausragenden Besonderheiten der europäischen Regionen hervorzuheben und steht in der einen oder anderen Weise in Zusammenhang mit nachhaltiger Entwicklung, sei es von einem kulturellen, wirtschaftlichen, lokal geprägten oder ökologischen Standpunkt aus. Chacun des thèmes choisis a pour but de mettre en valeur différents aspects des atouts des régions européennes et est lié, d’une façon ou d’une autre, au développement durable, que ce soit du point de vue culturel, économique, environnemental ou de l’engagement des acteurs locaux. Die Reiseziele, die sich bewerben, müssen die Entwicklung eines ökonomisch tragfähigen Tourismus entsprechend dem jährlichen EDEN-Thema nachweisen. EDEN-Themen bieten die Gelegenheit, dem Reichtum der europäischen Vielfalt, einschließlich der Naturressourcen, des historischen Erbes, traditioneller Feste, ortstypischer Gastronomie usw., Geltung zu verschaffen. Die förderwürdigen Reiseziele, insbesondere weniger bekannte und touristisch weniger erschlossene Reiseziele, erhalten die Gelegenheit, mit Stolz auf das zu verweisen, was sie einzigartig macht und Touristen mit dem Versprechen unvergesslicher Erfahrungen und Erlebnisse anzulocken. Die Preisträger sind Destinationen, die das gewählte Jahresthema am besten widerspiegeln und eine einzigartige Tourismuserfahrung im Sinne eines nachhaltigen Tourismus bieten. Les destinations participantes doivent prouver qu’elles ont développé un tourisme économiquement viable en relation avec le thème annuel choisi par EDEN. Les thèmes EDEN permettent donc de démontrer combien l’Europe est riche en diversité, notamment en ce qui concerne ses ressources naturelles, son patrimoine historique, ses célébrations traditionnelles, sa gastronomie locale, etc. Les destinations éligibles, moins connues et moins visitées, sont donc en mesure de mettre en évidence ce qui les rend uniques et de montrer aux touristes qu’une expérience inoubliable les attend. Les destinations récompensées sont celles qui reflètent le mieux le thème choisi pour l’année et qui offrent une expérience touristique unique, dans le respect de modes durables. �ΤROODOS AGROS VOUNI PANAGIAS 2007 – Best Emerging European Rural Destinations of Excellence For the very first award in 2007, Europe rediscovered itself in its rural dimension. The quest was directed towards destinations that supported the development of rural tourism by making the most of their heritage, offering new products and improving the spread of visitors over seasons. 2008 – Tourism and local intangible heritage In 2008, destinations were awarded, not for their monuments or facilities, but for the traditions they have inherited and preserved through the generations. This living or ‘intangible’ heritage serves to bring people closer to the communities they live in by giving them a sense of identity and continuity. It includes culinary traditions, handicrafts, local arts and rural life. 2009 – Tourism and protected areas The EDEN award 2009 focused on promoting sustainable tourism in protected areas. Eligible destinations are those protected areas and/or the areas bordering them where an economically viable tourism product has been developed using the protected area as an asset, all the while respecting its protected environment and meeting the needs of local residents and visitors. 2007 – Καλύτερος Αναδυόμενος Ευρωπαϊκός Αγροτουριστικός Προορισμός Αριστείας Με τα πρώτα βραβεία το 2007, η Ευρώπη ανακάλυψε εκ νέου την αγροτική της διάσταση. Αναζητήθηκαν προορισμοί που να υποστηρίζουν την ανάπτυξη του αγροτουρισμού αξιοποιώντας την κληρονομιά τους, προσφέροντας νέα προϊόντα και βελτιώνοντας την κατανομή των επισκεπτών σε διαφορετικές εποχές. 2008 – Τουρισμός και τοπική άυλη κληρονομιά Το 2008 οι προορισμοί δεν επιλέχθηκαν με βάση τα μνημεία ή τις εγκαταστάσεις τους, αλλά με βάση τις παραδόσεις που κληρονόμησαν και διατήρησαν από γενιά σε γενιά. Αυτή η ζωντανή ή «άυλη» κληρονομιά δημιουργεί στενούς δεσμούς ανάμεσα στους ανθρώπους και την κοινότητά τους δίνοντάς τους μια αίσθηση ταυτότητας και συνέχειας. Περιλαμβάνει τις μαγειρικές παραδόσεις, τη χειροτεχνία, τις τοπικές τέχνες και την αγροτική ζωή. 2009 – Τουρισμός και προστατευόμενες περιοχές Το βραβείο EDEN 2009 επικεντρώθηκε στην προώθηση του βιώσιμου τουρισμού σε προστατευόμενες περιοχές. Επιλέξιμοι προορισμοί είναι οι προστατευόμενες περιοχές ή/και οι περιοχές που συνορεύουν με αυτές όπου έχει αναπτυχθεί ένα οικονομικά βιώσιμο τουριστικό προϊόν που χρησιμοποιεί την προστατευόμενη περιοχή ως συγκριτικό πλεονέκτημα, ενώ παράλληλα σέβεται το προστατευόμενο περιβάλλον και καλύπτει τις ανάγκες των κατοίκων της περιοχής και των επισκεπτών. 2008 – Tourismus und lokales immaterielles Erbe 2008 wurden die Reiseziele nicht aufgrund ihrer Denkmäler oder Einrichtungen ausgezeichnet, sondern für ihre Traditionen gewürdigt, die sie über Generationen gepflegt und bewahrt hatten. Dieses lebendige bzw. immaterielle Kulturerbe bringt die Menschen den Gemeinschaften näher, in denen sie leben, indem es ihnen eine Identität verleiht und Kontinuität gewährleistet. Das immaterielle Kulturerbe umfasst kulinarische Traditionen, Kunsthandwerk, ortstypische Kunst und dörfliches Leben. 2009 – Tourismus und Schutzgebiete Der neue EDEN-Preis zielt auf die Förderung eines nachhaltigen Tourismus in geschützten Gebieten. Förderwürdige Destinationen sind Schutzgebiete und/ oder an sie grenzende Gebiete, in denen ein wirtschaftlich tragfähiges Tourismusprodukt entwickelt wurde, welches das Schutzgebiet als Vorteil nutzt und gleichzeitig die geschützte Umwelt respektiert und den Bedürfnissen der Bewohner und Besucher vor Ort Rechnung trägt. 2007 – Beste aufstrebende ländliche Destinationen Europas Bei der ersten Preisverleihung im Jahr 2007 entdeckte Europa sich selbst in seiner ländlichen Dimension. Die Suche nach herausragenden europäischen Reisezielen betraf Destinationen, die die Entwicklung von Agrotourismus förderten, indem sie das Potenzial ihres Erbes optimal ausschöpften, neue Produkte anboten und die Besucher besser über die Jahreszeiten verteilten. 2007 – Meilleures destinations rurales européennes d’excellence émergentes La première remise des prix en 2007 fut l’occasion pour l’Europe de redécouvrir sa dimension rurale. Le concours récompensait les destinations qui encourageaient le développement du tourisme rural en mettant en valeur leur héritage, en proposant de nouveaux produits et en augmentant chaque année le nombre de leurs visiteurs. 8 2008 – Tourisme et patrimoine immatériel local En 2008, certaines destinations se sont vu remettre un prix, non pour leurs monuments ou infrastructures, mais pour les traditions qu’elles ont héritées et conservées au fil des générations. Le patrimoine vivant ou «immatériel» sert à rapprocher les personnes des communautés dans lesquelles elles vivent en leur conférant un sens d’identité et de continuité. Il comprend les traditions culinaires, les artisanats, les arts locaux et la vie rurale. 2009 – Tourisme et zones protégées L’édition 2009 des prix EDEN s’est concentrée sur la promotion du tourisme durable dans les zones protégées. Les destinations éligibles sont donc les zones protégées et/ou les zones qui les bordent qui ont développé un produit touristique économiquement viable en recourant à la zone en tant qu’atout, tout en respectant son environnement protégé et en répondant aux besoins des habitants et des visiteurs. �KATO PYRGOS 2010 – Aquatic Tourism The 2010 quest has been addressed to those tourist coastal, lake and riverside destinations promoting innovative approaches for their aquatic tourism offer in such a way as to develop a more qualitative environment, to cope with the seasonality issue and to rebalance the tourist flows from the most famous and crowed tourist destinations. 2010 – Τουρισμός με βάση το υδάτινο στοιχείο Αυτή τη χρονιά αναζητούνται τουριστικοί προορισμοί σε ακτές, λίμνες και ποτάμια που προάγουν καινοτόμες προσεγγίσεις στην τουριστική προσφορά τους με βάση το υδάτινο στοιχείο με τρόπο τέτοιο ώστε να αναπτύσσεται ένα πιο ποιοτικό περιβάλλον, να αντιμετωπίζεται το θέμα των εποχιακών διακυμάνσεων και να επιτυγχάνεται νέα ισορροπία στις τουριστικές ροές από τους πιο διάσημους τουριστικούς προορισμούς που προσελκύουν περισσότερους επισκέπτες. 2010 – Wassertourismus Die diesjährige Suche konzentrierte sich auf Küsten-, See- und Fluss-Reiseziele, die innovative Konzepte für Wassertourismusangebote fördern, die darauf ausgerichtet sind, ein qualitativ besseres Umfeld zu entwickeln, dem Saisoncharakter Rechnung zu tragen und die Touristenströme in den beliebtesten und überfüllten Touristenzielen wieder ins Gleichgewicht zu bringen. 2010 – Tourisme aquatique Cette année, le concours a porté sur les destinations touristiques situées en bord de mer, de lac ou de fleuve, qui encouragent le recours à des approches innovantes pour leur offre touristique aquatique, de façon à développer un environnement de meilleure qualité, de réagir au problème de la saisonnalité et de rééquilibrer les flux touristiques des destinations touristiques les plus populaires et les plus fréquentées. KALOPANAYIOTIS 2011 - Tourism and Regeneration of physical sites The 2011 quest rewarded those destinations which have regenerated a physical site of their local heritage and converted it into a tourism attraction to be used as a catalyst for wider local regeneration. 2011 – Τουρισμός και Ανάπλαση χώρων-περιοχών Η αναζήτηση του 2011 επιβράβευσε εκείνους τους προορισμούς που έχουν αναπλάσει έναν χώρο-περιοχή από την τοπική τους κληρονομιά και τον έχουν μετατρέψει σε τουριστικό αξιοθέατο με τέτοιον τρόπο ώστε να χρησιμοποιηθεί ως καταλύτης για την ευρύτερη τοπική ανάπλαση. 2011 – Tourismus und Regeneration von physischen Stätten Im Rahmen des diesjährigen Wettbewerbs wurden Reiseziele ausgezeichnet, die ein zum lokalen Kulturerbe gehörendes Gebiet regeneriert und zu einer touristischen Attraktion gemacht haben, um so eine umfassende Regenerierung der Region voranzutreiben. 2011 – Tourisme et sites reconvertis Le concours 2011 a récompensé les destinations qui ont restauré puis reconverti un site de leur patrimoine local en une attraction touristique dans le cadre de la revitalisation urbaine locale. �TROODOS Troodos has five distinct regions, grouped around Mount Olympus, the highest mountain peak in Cyprus (1,952 meters): • Lemesos Mountain Resort region situated around the central higher elevations of the Troodos range, featuring pine covered village communities. • Pitsilia region (North and South) to the east of Mount Olympus, home to picturesque valleys covered with vineyards, almond, hazelnut, walnut and fruit trees. A good time to visit is in the spring, when the entire Valley is in full blossom. • Solea Valley to the north, situated along the main Lefkosia Troodos road, a charming area of tranquil villages set in beautiful natural surroundings. • Marathasa Valley located on the northwestern slopes of the Troodos range, a fertile cherry producing area of small village communities and crystal water springs. • Krassochoria and “Koumandaria” region, located on the southern slopes of the Troodos range, a region known for its wine production. In recent years a number of small enterprises specializing in the production of local wine have emerged, establishing wine varieties of international standard. 10 Το Τρόοδος περιλαμβάνει πέντε διαφορετικές περιοχές με κέντρο το όρος Όλυμπος, τη ψηλότερη κορυφή στην Κύπρο (1.952 μέτρα): • Την περιοχή ορεινών θερέτρων Λεμεσού, γύρω απ’ τα κεντρικά υψώματα της οροσειράς Τροόδους, με χωριά ανάμεσα στα πευκοδάση. • Την περιοχή Πιτσιλιά (Βόρεια και Νότια), στα ανατολικά του όρους Όλυμπος, με γραφικές κοιλάδες γεμάτες αμπέλια, αμυγδαλιές, φουντουκιές, καρυδιές και άλλα οπωροφόρα δέντρα. Καλύτερη εποχή να την επισκεφθείτε είναι η άνοιξη, όταν όλη η κοιλάδα είναι ανθισμένη. • Την κοιλάδα Σολιά στα βόρεια, κατά μήκος του κεντρικού δρόμου Λευκωσία-Τρόοδος, μια γοητευτική περιοχή με ήσυχα χωριά χτισμένα σε τοποθεσίες μεγάλης φυσικής ομορφιάς. • Την κοιλάδα Μαραθάσα, στις βορειοδυτικές πλαγιές της οροσειράς Τροόδους. Είναι μια εύφορη περιοχή με μικρά χωριά και πηγές με κρυστάλλινο νερό, γνωστή για τα κεράσια της. • Την περιοχή Κρασοχωριά και «Κουμανταρία», στις νότιες πλαγιές της οροσειράς Τροόδους, που είναι γνωστή για την παραγωγή κρασιού. Τα τελευταία χρόνια εμφανίστηκαν αρκετές μικρές επιχειρήσεις που ειδικεύονται στην παραγωγή τοπικού κρασιού, δημιουργώντας ποικιλίες κρασιού διεθνούς εμβέλειας. �Troodos besteht aus fünf Regionen, die sich rund um den höchsten Berg Zyperns (1.952 m), den Olympus Berg reihen: • Das Bergresort von Lemesos mit seinen, von Kiefernwäldern be deckten Dörfern in den zentralen, höheren Erhebungen des Troodos. • Die Region Pitsillia (Nord und Süd) im Osten des Olympus Berg ist die Heimat von malerischen Tälern, Weinbergen, Obstplantagen, Mandel– Hasel– und Wallnussbäumen. Die beste Jahreszeit für einen Besuch ist das Frühjahr, wenn das Tal in voller Blüte steht. • Das Tal von Solea im Norden, ein bezauberndes Gebiet mit friedvollen Dörfern entlang der Hauptstraße Lefkosia – Troodos und umgeben von einer herrlichen Natur. • Das Marathasa Tal an den nordwestlichen Hängen des Troodos Gebirges - ein fruchtbares Anbaugebiet für Kirschen mit kristallklaren Wasserquellen und kleinen Dörfern. • Die „Koumandaria- Region“ und „Krassochoria“ an den Südhängen des Troodos - bekannt für ihre Weinproduktion. In den letzten Jahren hat eine Reihe von kleinen Weinunternehmen es geschafft, die zypriotischen Weinsorten auf internationalem Niveau zu etablieren. Le Troodos couvre cinq régions distinctes autour du Mont Olympe, le plus haut sommet de Chypre (1952 mètres) : • La région touristique montagneuse de Lemesos (Limassol) qui comprend la partie centrale la plus élevée de la chaîne du Troodos, caractérisée par ses villages au milieu des bois de pins. • La région de Pitsilia (Nord et Sud) à l’est du Mont Olympe, avec ses pittoresques vallées aux pentes couvertes de vignobles, d’amandiers, de noisetiers, de noyers et d’arbres fruitiers. Il est recommandé de la visiter au printemps lorsque les arbres sont en fleurs. • La vallée de Solea au nord, que parcourt la route Lefkosia (Nicosie)-Troodos, région de villages tranquilles situés dans un magnifique environnement naturel. • La vallée de Marathasa, sur les pentes nord-ouest de la chaîne du Troodos, une région fertile réputée pour ses cerisiers, avec ses petits villages et ses sources d’eau cristalline. • La région de Krassochoria et Koumandaria, sur les pentes méridionales du massif, célèbre pour ses vignobles. Depuis quelques années, de petites propriétés y produisent différents vins appréciés à l’échelon inter national. DON’T FORGET ΜΗΝ ΞΕΧΆΣΕΤΕ Sample Koumantaria and other local wines at one of Troodos’ many wineries Να δοκιμάσετε την Κουμανταρία και άλλα Κυπριακά κρασιά σε ένα από τα οινοποιεία του Τροόδους Taste traditional Cypriot food and preserved sweets at local tavernas Hike through one of Troodos’ many nature paths Visit Kykkos Monastery Να δοκιμάσετε την παραδοσιακή Κυπριακή κουζίνα και γλυκά κουταλιού στις τοπικές ταβέρνες Να περπατήσετε στα Μονοπάτια τις Φύσης Να επισκεφτείτε το Μοναστήρι Κύκκου �Troodos provides a wide range of hotels, traditional houses and agrotourism establishments for accommodation. There is a supply of nearly 2000 beds in various types of licensed establishments, from basic village accommodation to 4 star hotels. The area offers an abundance of things to do and see: walking or cycling through forest nature trails, attending local village festivals, experiencing the local traditional cuisine and discovering the cultural treasures of UNESCO World Heritage sites are among the main pursuits. Birdwatchers, botanists, geologists, ramblers, bikers, photographers or nature lovers seeking a relaxing break away from the cosmopolitan coastal resorts will all be delighted! Troodos National Forest Park covers an area of 9,337 hectares around the Olympus Mountain. The highest point is Chionistra (1,952 m) and the lowest is the Moni forest (700m). 12 Το Τρόοδος διαθέτει πολλά ξενοδοχεία, παραδοσιακές οικίες και ξενώνες αγροτουρισμού. Υπάρχουν σχεδόν 2.000 κλίνες σε διάφορες εγκαταστάσεις, από στοιχειώδη καταλύματα στα χωριά, μέχρι ξενοδοχεία 4 αστέρων. Οι επισκέπτες έχουν πολλά να κάνουν και να δουν στην περιοχή. Κύριες δραστηριότητες είναι το περπάτημα ή η ποδηλασία μέσα στα δασικά φυσικά μονοπάτια, η παρακολούθηση μιας τοπικής γιορτής σε κάποιο χωριό, η δοκιμή της τοπικής παραδοσιακής κουζίνας και η ανακάλυψη των πολιτιστικών μνημείων που έχουν συμπεριληφθεί στις τοποθεσίες Παγκόσμιας Κληρονομιάς της UNESCO. Όσοι ασχολούνται με την παρατήρηση πουλιών, οι βοτανολόγοι, οι γεωλόγοι, οι πεζοπόροι, οι ποδηλάτες, οι φωτογράφοι και οι φυσιολάτρεις που αποζητούν ένα ήρεμο διάλειμμα από τα κοσμοπολίτικα θέρετρα των ακτών θα απολαύσουν τη διαμονή τους στην περιοχή! Το Εθνικό Δασικό Πάρκο του Τροόδους καλύπτει έκταση 9.337 εκταρίων γύρω από το όρος Όλυμπος. Η ψηλότερη κορυφή είναι η Χιονίστρα (1.952 μ.) και η χαμηλότερη το δάσος Μονή (700 μ.). �Troodos bietet eine große Auswahl an Hotels und traditionellen Ferienhäusern mit einer Kapazität von ungefähr 2000 Betten in verschiedenen Hotelkategorien. Die Region bietet eine Fülle von Sehenswürdigkeiten und Aktivitäten. Dazu gehört Wandern oder Rad fahren, Dorffeste besuchen, die einheimische traditionelle Küche ausprobieren und die Sehenswürdigkeiten des UNESCO Weltkulturerbes besuchen. Vogelbeobachter, Botaniker, Geologen, Wanderer, Radfahrer, Fotografen und Naturliebhaber, die nach einem entspannten Aufenthalt abseits der lebhaften Küstenorte suchen, werden begeistert sein. Der Troodos Nationalpark umfasst ein Gebiet von 9.337 Hektar rund um den Olympus Berg. Der höchste Punkt ist „Chionistra“ (1.952 m) - der niedrigste der Wald von Moni (700 m). Au chapitre de l’hébergement, le Troodos offre un vaste choix d’hôtels, de maisons traditionnelles et de gîtes ruraux. Des gîtes ruraux tout simples aux hôtels 4 étoiles, la région propose en tout près de 2000 lits dans des établissements dûment homologués. Elle offre, par ailleurs, beaucoup à voir et à faire : randonnées à pied ou à vélo en pleine nature sur les chemins, fêtes villageoises, gastronomie traditionnelle locale et découverte des trésors culturels que sont les sites inscrits sur la liste du Patrimoine mondial de l’Unesco. Les amateurs d’ornithologie, de promenades botaniques ou géologiques, de photographie ou, tout simplement, les simples amoureux de la nature y passeront d’agréables moments, loin de la vie trépidante des stations balnéaires de la côte. Le Parc national forestier du Troodos couvre une superficie de 9337 hectares autour du Mont Olympe, dont le point culminant est Chionistra (1952 mètres) et la partie la plus basse, la forêt de Moni (700m). �Machairas National Forest Park situated in the Pitsilia region contains over 600 plant species, including 27 indigenous to Cyprus. The predominant forest trees are the calabrian pine (Pinus brutia) and the golden oak (Quercus alnifolia). Fauna includes foxes, hares, hedgehogs, snakes, lizards and rare endemic species of butterfly. The two most important Cypriot rivers, Pediaios and Yialias, spring from the Park. Five nature protection area reserves are found within the Troodos region, all included in the European ‘NATURA 2000’ network. Cultivated vineyards cover a large percentage of Cyprus’ hilly and mountainous land, from sea level up to 1,500 metres. Most vineyards are located in the southern Troodos area predominantly on the slopes of the Krassochoria and “Koumandaria” region. Στο Εθνικό Δασικό Πάρκο Μαχαιρά στην περιοχή Πιτσιλιάς απαντώνται πάνω από 600 είδη φυτών, μεταξύ των οποίων είναι και 27 ενδημικά στην Κύπρο. Τα περισσότερα δέντρα δάσους είναι οι τραχείες πεύκες (Pinus brutia) και οι λατζιές (δρυς η κληθρόφυλλη, Quercus alnifolia). Η πανίδα περιλαμβάνει αλεπούδες, λαγούς, σκαντζόχοιρους, φίδια, σαύρες και σπάνια ενδημικά είδη πεταλούδας. Στα είδη πουλιών που ζουν στο πάρκο συγκαταλέγονται ο σπιζαετός, ο τρυποράσιης, η σκαλιφούρτα, η ελατοπαπαδίτσα, ο γκιώνης, η κίσσα, η νησοπέρδικα και η φάσα. Οι δύο σημαντικότεροι ποταμοί της Κύπρου, ο Πεδιαίος και ο Γιαλιάς, έχουν τις πηγές τους στο πάρκο. Στην περιοχή του Τροόδους υπάρχουν πέντε προστατευόμενες φυσικές περιοχές, που περιλαμβάνονται στο ευρωπαϊκό δίκτυο «NATURA 2000». Τα αμπέλια καλύπτουν μεγάλο ποσοστό της λοφώδους και ορεινής γης της Κύπρου, από το επίπεδο της θάλασσας μέχρι τα 1.500 μέτρα. Τα περισσότερα αμπέλια είναι συγκεντρωμένα στη νότια περιοχή του Τροόδους, κυρίως στις πλαγιές της περιοχής Κρασοχώρια και «Κουμανταρία». Από τα αμπέλια της περιοχής βγαίνει ένα γλυκό και γεμάτο κρασί για επιδόρπιο που είναι γνωστό ως κουμανταρία και αρχικά παραγόταν από την «Grand Commanderie» των Ιπποτών του Τάγματος του Αγίου Ιωάννη της Ιερουσαλήμ κατά το 14ο αιώνα. Θεωρείται το παλαιότερο κρασί του κόσμου με ονομασία προέλευσης. WIR EMPFEHLEN Verkostung von „Koumandaria“ und anderen lokalen Weinen in einer von Troodos Weinkellereien 14 Traditionelle zypriotische Küche und süß eingelegte Früchte in den einheimischen Tavernen �Der Nationalpark von Machairas befindet sich in der Region Pitsillia. Man findet dort über 600 Pflanzenarten, darunter 27 einheimische Arten. Kiefern (Pinius brutia) und Eichen (Quercus alnifolia) sind die vorherrschenden Baumarten. Zur Fauna gehören Füchse, Hasen, Igel, Schlangen, Eidechsen und seltene endemische Schmetterlingsarten. Die zwei wichtigsten zypriotischen Flüsse – der „Pediaios“ und der „Yialias“ entspringen in dem Nationalpark. In der Region Troodos befinden sich fünf Naturschutzgebiete, die alle ins „European Natura 2000 Network“ aufgenommen wurden. Vom Meeresspiegel bis zu einer Höhe von 1.500m bedecken gepflegte Weinberge einen großen Teil der bergigen Landschaft. Die meisten Weinberge liegen im Süden von Troodos - überwiegend an den Berghängen von Krassochoria und der Koumandaria Region. Le Parc national forestier de Machairas est situé dans la région de Pitsilia ; il y pousse plus de 600 espèces végétales, dont 27 sont endémiques à Chypre. Ses espèces les plus communes sont le pin calabrais (Pinus brutia) et le chêne doré (Quercus alnifolia). Côté faune, on peut y observer des renards, des lièvres, des hérissons, des serpents, des lézards et quelques espèces endémiques rares de papillons. Les deux plus grandes rivières de Chypre y ont leur source. Cinq réserves naturelles protégées sont recensées dans la région du Troodos, toutes faisant partie du réseau européen NATURA 2000. Auf einem der vielen Naturlehrpfaden von Troodos wandern Die Besichtigung vom Kykkos Kloster Les vignobles qui couvrent une bonne partie des collines et terres montagneuses de Chypre jusqu’à une altitude de 1500 mètres sont essentiellement concentrés sur les pentes sud du Troodos, dans la région de Krassochoria et Koumandaria. Cette région produit un vin de dessert doux et robuste connu sous l’appellation Koumandaria. Produit dès le XIVème siècle par la Grande Commanderie des Chevaliers de l’ordre de Saint-Jean de Jérusalem, il est considéré comme étant la plus ancienne appellation au monde. �The region vineyards are the source of a sweet, robust dessert wine known as Koumandaria. Originally produced by the ‘Grand Commanderie’ of the Knights of the Order of St. John of Jerusalem during the 14th century, it is considered to be the oldest named wine in the world. Tradition and heritage form an important part of daily life in the area. It is home to many small museums and centres dedicated to traditional skills, environment, iconography and rural life. Local festivals commemorating the patron saint of a village are an integral part of life in the region. Other festive events cover a wide variety of themes such as folk art and craft festivals, bread, preserved sweets, meat and other local produce exhibitions and wine tasting events. 16 Η παράδοση και η κληρονομιά αποτελούν σημαντικό τμήμα της ζωής στην περιοχή, όπου υπάρχουν πολλά μικρά μουσεία και κέντρα, αφιερωμένα σε παραδοσιακές τέχνες, στο περιβάλλον, στην εικονογραφία και στην αγροτική ζωή. Τα τοπικά πανηγύρια στη γιορτή του προστάτη αγίου κάθε χωριού είναι βασικό κομμάτι της ζωής στην περιοχή. Άλλες εκδηλώσεις καλύπτουν ευρεία γκάμα θεμάτων, όπως τα φεστιβάλ λαϊκής τέχνης, οι εκθέσεις ψωμιού, γλυκά κουταλιού, κρέατος και άλλων τοπικών προϊόντων και οι εκδηλώσεις δοκιμής κρασιών. �Der bekannte Dessertwein Zyperns, der „Koumandaria“, stammt aus dieser Region. Ursprünglich wurde er im 14. Jahrhundert in der „Grand Commanderie“ der Ritter des Johanniterordens hergestellt und gilt als einer der ältesten Markenweine der Welt. Tradition und Erbe bilden einen wichtigen Teil des Alltags in der Region. Sie ist die Heimat von zahlreichen kleinen Museen und Handarbeitszentren, der Ikonographie und ländliches Leben ist vorherrschend. Lokale Feste zum Gedenken an den Schutzpatron des Dorfes sind ein fester Bestandteil des Lebens in dieser Region. Im Rahmen von vielen Festlichkeiten entsteht Volkskunst. Zudem sind Weinverkostungen im Angebot, spezielles Brot, süß eingelegte Früchte und andere einheimische Produkte. La vie quotidienne dans cette région est restée très traditionnelle, d’où ses nombreux petits musées et centres d’artisanat, dédiés ou illustrant la vie rurale, ses fêtes votives, ses festivals d’art et ses dégustations de vins et produits régionaux. A NE PAS MANQUER Déguster le Koumandaria et d’autres vins locaux chez un producteur Découvrir la gastronomie traditionnelle chypriote dans les tavernes locales, et notamment ses pâtisseries et douceurs Randonner au milieu de la nature sur les innombrables chemins du Troodos Visiter le monastère de Kykkos. �AGROS On the slopes of Mount Troodos, centrally located, Agros village offers an authentic travel experience. Its close proximity to all cities and the international airports of Larnaca and Pafos provides short and easy access by car and bus. Agros village is situated in the heart of the Pitsilia region in a beautiful valley, where wild roses grow in the hills. It is home to many historical and cultural sites and natural walking and hiking trails for those who love nature and enjoy discovering flora and fauna. Its beautifully landscaped vineyards, almond blossoms, walnut trees, fruit orchards and perennial crystal clear water springs have earned Agros a very precious reputation as one of the island’s national treasures. Χτισμένο στις πλαγιές του όρους Τρόοδος, στην καρδιά της περιοχής Πιτσιλιά στο κέντρο της Κύπρου, μέσα σε μια όμορφη κοιλάδα, με τους γύρω λόφους γεμάτους άγριες τριανταφυλλιές, το χωριό Αγρός προσφέρει μια αυθεντική, παραδοσιακή ταξιδιωτική εμπειρία. Στο χωριό υπάρχουν πολλοί χώροι αρχαιολογικού και πολιτιστικού ενδιαφέροντος, καθώς και ειδικά μονοπάτια για περπάτημα και πεζοπορία για όσους αγαπούν τη φύση και τους αρέσει να ανακαλύπτουν την πανίδα και τη χλωρίδα του τόπου. Τα όμορφα διαμορφωμένα αμπέλια, οι αμυγδαλιές, οι καρυδιές, οι οπωρώνες και οι πηγές με κρυστάλλινο νερό που τρέχει όλο το χρόνο καθιστούν τον Αγρό ένα από τα πιο φημισμένα αξιοθέατα του νησιού. 18 �Das Dorf Agros bietet ein authentisches Reisererlebnis. Es ist zentral an den Hängen des Troodos Gebirges gelegen. Wegen seiner Nähe zu den Städten und den beiden internationalen Flughäfen von Larnaka und Pafos ist es mit dem Auto oder mit dem Bus gut zu erreichen. Agros liegt im Herzen der Region „Pitsillia“, in einem wunderschönen Tal, wo wilde Rosen auf den Hügeln wachsen. Es ist nicht nur die Heimat von vielen historischen und kulturellen Stätten, sondern auch von Wanderlehrpfaden für Naturliebhaber. Durch seine wunderschönen Weinberge, die blühenden Mandelbäume, Wallnussbäume, Obstplantagen und die kristallklaren Wasserquellen ist das Dorf eines der kostbarsten nationalen Schätze der Insel. Sur la partie centrale des pentes méridionales du Troodos, le village d’Agros offre une expérience intéressante et authentique, avec l’avantage d’être situé à proximité des grandes villes et des deux aéroports internationaux de Larnaca et de Pafos, donc facilement accessible. Au cœur de la région de Pitsilia, dans une splendide vallée où poussent des roses sauvages, Agros offre de nombreux sites historiques et culturels au milieu d’un environnement naturel propice aux balades et randonnées pour une découverte de la faune et de la flore. Ses paysages plantés de vignobles, d’amandiers, de noyers et de vergers, ainsi que ses sources d’eau pure, valent à Agros de compter parmi les trésors touristiques de l’île. DON’T FORGET Enjoy a walk through the village’s nature trails Visit the village during the Rose Festival in May Try rose related products such as rosewater and rose oil based liqueur, brandy, preserves and perfumes �Agros is an ideal year-round rural destination to visit not only for its great countryside, but also for its local traditions and cultural and religious sites. Named after a monastery of the 11th century, Agros was founded at the end of the 18th century and developed its well known rosewater industry with the introduction of the Mesopotamian Rosa Damascena in the early 20th century. Agros offers its visitors unique opportunities to participate in celebrations of local cultural heritage and natural beauty. One such celebration is the rose festival in May. Ο Αγρός αποτελεί ιδανικό αγροτικό προορισμό ολόκληρο το χρόνο όχι μόνο λόγω του πανέμορφου φυσικού περιβάλλοντος, αλλά και χάρη στις τοπικές παραδόσεις και τους χώρους πολιτιστικού και αρχαιολογικού ενδιαφέροντος. Το όνομα του χωριού, προέρχεται από ένα μοναστήρι του 11ου αιώνα. Ο Αγρός ιδρύθηκε στα τέλη του 18ου αιώνα και ανέπτυξε τη διάσημη βιομηχανία ροδοστάγματος με την εισαγωγή της Ροδής της Δαμασκηνής από τη Μεσοποταμία στις αρχές του 20ού αιώνα. Το χωριό προσφέρει λοιπόν στους επισκέπτες του μοναδικές ευκαιρίες να συμμετάσχουν στις γιορτές της τοπικής πολιτιστικής κληρονομιάς και της ομορφιάς της φύσης, όπως η γιορτή του τριαντάφυλλου τον Μάιο. Agros ist nicht nur wegen seiner schönen Landschaft ein ideales Ganzjahresziel für Agrotourismus, sondern auch wegen seiner Traditionen, der kulturellen und religiösen Stätten. Benannt nach einem Kloster aus dem 11. Jahrhundert, wurde Agros im 18. Jahrhundert gegründet. Es entwickelte seine bekannte Rosenwasser- Herstellung Anfang des 20. Jahrhunderts mit der Einfuhr von der Rosa Damascena aus Mesopotamien. Das Dorf bietet seinen Gästen die einzigartige Gelegenheit, an Kultur – und Naturfesten teilzunehmen, wie z.B. dem Rosenfestival im Mai. 20 �Agros est une destination agro-touristique fonctionnant toute l’année, non seulement en raison de son superbe environnement naturel, mais aussi pour ses sites culturels et religieux, comme pour riches traditions locales. Son nom lui vient d’e celui d’un monastère du XIème siècle, mais Agros n’a été fondé qu’à la fin du XVIIIème, tandis que sa réputation comme centre de production de l’eau de rose ne date que du début du XXème, avec l’introduction de la culture de la rose damascène de Mésopotamie. Agros offre aux visiteurs ses beautés naturelles et l’opportunité de découvrir son héritage culturel, notamment lors du Festival de la rose, en mai. ΜΗΝ ΞΕΧΆΣΕΤΕ Να περπατήσετε στα φυσικά μονοπάτια του χωριού Να επισκεφτείτε τον Αγρό για τη Γιορτή του Τριαντάφυλλου το Μάιο Να δοκιμάστε λικέρ, μπράντι, γλυκά και αρώματα με βάση το ροδόσταγμα και το έλαιο τριαντάφυλλου WIR EMPFEHLEN Auf den Naturlehrpfaden zu wandern Das Dorf während des Rosenfestivals im Mai zu besuchen Rosenprodukte, wie Rosenwasser, Likör, Brandy, Marmelade und Parfüm zu probieren. �Throughout the area there are three nature trails, ideal for walking in an idyllic setting. A walk through Agros village reveals important aspects of the tradition, history and culture of the region. Την περιοχή του Αγρού διασχίζουν τρία φυσικά μονοπάτια, ιδανικά για να απολαύσει ο επισκέπτης το ειδυλλιακό τοπίο. Μια βόλτα μέσα στο χωριό αποκαλύπτει σημαντικές πλευρές της παράδοσης, της ιστορίας και του πολιτισμού της περιοχής. The church of Panagia Eleousa erected on the ruins of the Agros monastery is an impressive piece of Byzantine architecture with a massive dome. The church also housed the icon of Panagia (Virgin Mary the Merciful) until 1990 when it was put in a nearby chapel. The church of Timios Prodromos (John the Baptist) is a 19th century basilica monument located in eastern Agros. Η εκκλησία της Παναγίας Ελεούσας, που ανεγέρθηκε στα ερείπια του μοναστηριού του Αγρού, είναι ένα εντυπωσιακό δείγμα βυζαντινής αρχιτεκτονικής και διαθέτει τεράστιο τρούλο. Στην εκκλησία φυλασσόταν επίσης η εικόνα της Παναγίας Ελεούσας μέχρι το 1990 οπότε και μεταφέρθηκε σ’ ένα κοντινό παρεκκλήσιο. Η εκκλησία του Τιμίου Προδρόμου (Αγίου Ιωάννη του Βαπτιστή) είναι μια βασιλική του 19ου αιώνα που βρίσκεται στον ανατολικό Αγρό. One of the most important museums of the island is the Frangoulidis museum. The folk art museum housed in a restored traditional building carries a selection of local arts and crafts. Its most interesting exhibits include a traditional olive mill. 22 Ένα από τα σημαντικότερα μουσεία του νησιού είναι το Μουσείο Φραγκουλίδη. Το μουσείο λαϊκής τέχνης, που στεγάζεται σ’ ένα ανακαινισμένο παραδοσιακό κτίριο, διαθέτει μια συλλογή από τοπικά τεχνουργήματα και αντικείμενα. Στα πλέον ενδιαφέροντα εκθέματά του συγκαταλέγεται ένας παραδοσιακός ελαιόμυλος. �Ideal zum Wandern sind die drei nahe gelegenen Naturlehrpfade. Ein Spaziergang durch Agros offenbart wichtige Elemente von Brauchtümern, der Geschichte und der Kultur der Region. Agros offre trois sentiers « nature » pour des balades dans un très bel environnement, tandis que le village lui-même révèle des aspects importants de l’histoire, de la culture et des traditions régionales. Die Kirche der „Panagia Eleousa“, errichtet auf den Ruinen des Agros- Klosters, ist mit ihrer massiven Kuppel ein beeindruckendes Beispiel byzantinischer Architektur. Seit 1990 beherbergte die Kirche auch die Ikone der Panagia (Jungfrau Maria der Barmherzigen), die später dann in eine nahe gelegene Kapelle gebracht wurde. Bei der Kirche des Timios Prodromos (Johannes der Täufer) aus dem 19. Jahrhundert handelt es sich um eine Basilika im Osten von Agros. L’église de la Panagia Eleousa, construite sur les ruines de l’ancien monastère d’Agros, est, avec son dôme impressionnant, un exemple majeur de l’architecture byzantine. Elle abritait jusqu’en 1990 une icône de la Panagia (Vierge Marie de la Miséricorde), aujourd’hui exposée dans une chapelle voisine. Dans la partie est du village se trouve l’église de Timios Prodromos (Jean-le-Baptiste), une basilique du XIXème siècle. Eines der wichtigsten Museen der Insel ist das Frangoulidis Museum. Das Volkskunstmuseum ist im traditionellen Stil restauriert worden und beherbergt eine Auswahl an einheimischem Kunstgewerbe. Zu seinen interessantesten Exponaten gehört eine traditionelle Ölmühle. L’un des plus importants musées de l’île est le Musée Frangoulidis, musée d’art populaire installé dans une maison traditionnelle restaurée. Il propose d’intéressantes collections d’objets d’art et d’artisanat locaux, ainsi qu’un moulin à huile d’olive traditionnel. �Agros is situated on the path of a wine route through pine trees and grapevines which grow freely on the slopes of the mountain. The route includes two wineries: Vasilikon winery Kyperounta, and Tsiakkas winery Pelendri. Ο Αγρός βρίσκεται πάνω σε μια διαδρομή του κρασιού που διασχίζει περιοχές με πεύκα και αμπέλια στις πλαγιές του βουνού. Η διαδρομή περιλαμβάνει δύο οινοποιεία: το οινοποιείο Βασιλικόν στην Κυπερούντα και το οινοποιείο Τσιάκκας στο Πελένδρι. Rose lovers will thoroughly enjoy a visit to Agros in May during the annual week-long rose festival, at the peak of rose blossoming. The festival is full of activities, exhibitions and demonstrations, celebrating nature’s beauty and local traditions. During the month of May rose-growers pick around half a million rose buds during the early morning hours while the leaves are still damp with morning dew. These flowers fill the whole region with a sensational fragrance. Local villagers and the surrounding communities use the rose extract to produce rose oil, rosewater, liqueur and brandy. Rosewater also has many uses in Cypriot cuisine. Οι λάτρεις των τριαντάφυλλων θα απολαύσουν μια επίσκεψη στον Αγρό στη διάρκεια του Μαΐου για την ετήσια γιορτή του τριαντάφυλλου, που διαρκεί μία εβδομάδα την εποχή που ανθίζουν τα τριαντάφυλλα. Η γιορτή περιλαμβάνει πολλές δραστηριότητες, εκθέσεις και επιδείξεις με αντικείμενο την ομορφιά της φύσης και τις τοπικές παραδόσεις. Στη διάρκεια του Μαΐου, οι καλλιεργητές τριαντάφυλλου μαζεύουν περίπου μισό εκατομμύριο μπουμπούκια πολύ νωρίς το πρωί, όσο τα φύλλα είναι ακόμα υγρά από την πρωινή πάχνη. Αυτά τα λουλούδια πλημμυρίζουν ολόκληρη την περιοχή μ’ ένα ευωδιαστό άρωμα. Οι χωρικοί του Αγρού και των γύρω κοινοτήτων χρησιμοποιούν αυτό το εκχύλισμα για να παραγάγουν έλαιο τριαντάφυλλου, ροδόσταγμα, λικέρ και μπράντι. Το ροδόσταγμα χρησιμοποιείται επίσης ευρέως στην κυπριακή κουζίνα. 24 �Das Dorf Agros befindet sich inmitten einer Weinroute, umgeben von Pinien und Weinreben, die frei an den Berghängen wachsen. Auf der Route befinden sich zwei Weingüter: Das Weingut Vasilikon in Kyperounta und das Tsiakkas Weingut in Pelendri. A NE PAS MANQUER Rosenliebhaber werden einen Besuch in Agros im Mai während des Rosenfestivals, wenn die Rosenblüte ihren Höhepunkt erreicht hat, sehr genießen. Während des Festivals finden viele Aktivitäten, Ausstellungen und Vorführungen statt. Ungefähr eine halbe Million Rosenknospen werden in diesem Monat abgepflückt, solange die Blätter noch feucht vom Morgentau sind. Die Blumen füllen die gesamte Region mit ihrem speziellen Duft. Die einheimischen Bauern und die umliegenden Gemeinden nutzen den Rosenextrakt für die Herstellung von Rosenöl, Rosenwasser, Likör und Brandy. Rosenwasser findet häufig Anwendung in der zypriotischen Küche. Visiter le village pendant le Festival de la rose Des randonnées sur les sentiers « nature » de la région Goûter ou tester les produits issus de la rose, tels que l’eau de rose, la liqueur de rose, l’eau-de-vie, les confitures et les parfums Agros est également une escale sur la route des vins qui sillonne sur les flancs de la montagne entre bois de pins et vignobles. Deux arrêts sont recommandés, les chais Kyperounta et ceux de Tsiakkas Pelendri. Les amoureux des roses viendront plutôt à Agros en mai, durant le Festival de la rose qui dure une semaine au moment de la floraison. Un festival riche en couleurs et en activités, assorti d’expositions et de manifestations célébrant la beauté de la nature et les traditions locales. Au cours du mois de mai, un demi-million de boutons de roses sont cueillis aux premières heures de la matinée, alors que les feuilles sont encore humides de rosée. Une moisson dont les délicates fragrances baignent toute la région. On utilise ici les extraits de rose pour produire de l’huile et de l’eau de rose, de la liqueur et de l’eau-de-vie. L’eau de rose est aussi une composante fréquente de la cuisine chypriote. �VOUNI PANAGIAS With its winding countryside and picturesque settings, the area is renowned for its walking and hiking trails. Vouni Panagias Nature Trail, with its varying altitude and rugged terrain, covers an area of about 10 kilometres. Hikers who reach the top are rewarded with stunning panoramic views of Panagia village and the Akamas Peninsula expanse as well as sunsets over the Troodos Mountains. Walking the wine routes is another “must do” in Vouni Panagias. The region hosts three vineyards which produce some of the Island’s most exotic wines. Pairing the wine with local cuisine like mezze (an assortment of traditional small dishes) is highly recommended. For a trip back in history, visit Agios Nikolaos Monastery. It was built in the 4th Century AD and is founded on top of the ruins of the ancient temple dedicated to the Goddess Hera. Με τα εναλλασσόμενα και γραφικά της τοπία, η περιοχή είναι γνωστή για τις περιπατητικές διαδρομές της. Το Μονοπάτι της Φύσης του χωριού Βουνί Παναγιάς, με το ποικίλο υψόμετρο και το κακοτράχαλο έδαφος, καλύπτει μια έκταση σχεδόν 10 χιλιομέτρων. Οι πεζοπόροι που φθάνουν στο ψηλότερο σημείο ανταμείβονται από την εκπληκτική πανοραμική θέα του χωριού Παναγιά, της χερσονήσου του Ακάμα, καθώς και τα ηλιοβασιλέματα επάνω από την οροσειρά του Τροόδους. Το περπάτημα στους δρόμους του κρασιού είναι άλλη μια εμπειρία που πρέπει οπωσδήποτε να ζήσει κανείς στο Βουνί Παναγιάς. Η περιοχή φιλοξενεί τρεις αμπελώνες που παράγουν ορισμένα από τα πιο εξωτικά κρασιά του νησιού. Ο συνδυασμός του κρασιού με μεζέδες της τοπικής κουζίνας (μια ποικιλία παραδοσιακών μικρών πιάτων) συνιστάται ανεπιφύλακτα. Για να γνωρίσετε την αρχαία ιστορία του τόπου, κάντε μια βόλτα έως τη Μονή του Αγίου Νικολάου. Χτίστηκε τον 4ο αιώνα μ.Χ., επάνω από τα ερείπια του αρχαίου ναού που ήταν αφιερωμένος στη Θεά Ήρα. 26 �Mit ihren Serpentinenstraßen und der malerischen Kulisse ist diese Region bekannt für ihre Wander –und Naturlehrpfade. Der Wanderweg „Vouni Panagias“ ist mit seiner variierenden Höhenlage in felsiger Landschaft ungefähr 10 Kilometer lang. Wanderer, die es bis zum Gipfel schaffen, werden mit einem atemberaubenden Panorama vom Dorf Panagia und der Akamas Halbinsel, sowie einem Sonnenuntergang über den Bergen von Troodos belohnt. Sie sollten unbedingt der Weinstraße in Vouni Panagias folgen. In der Region befinden sich drei Weingüter, die den einen oder anderen exotischen Wein herstellen. Wir empfehlen, diese köstlichen Weine zusammen mit der ausgezeichneten lokalen Küche, wie z.B. mit „Meze“ (einer Auswahl an kleinen, traditionellen Gerichten) zu genießen. Für eine Reise zurück in die Geschichte besuchen Sie das Kloster von Agios Nikolaos. Es wurde im 4. Jahrhundert gegründet und auf den Ruinen des antiken Tempels der Göttin Hera erbaut. Ses chemins sillonnant un paysage accidenté et pittoresque en font l’une des régions préférées des randonneurs. Sentier escarpé parcourant la montagne en pleine nature sur une dizaine de kilomètres, le Vouni Panagias NatureTrail récompense les randonneurs pour les vues panoramiques qu’il offre sur le village de Panagia et la péninsule d’Akamas, sans oublier, les superbes couchers de soleil sur le massif du Troodos. Parcourir les différentes routes des vins est un autre « must » de Vouni Panagias, région qui offre trois vignobles produisant quelques-uns des crus les plus originaux de l’île. Une autre expérience savoureuse que l’on recommandera est de les accorder avec des plats locaux, comme les mezze (assortiment de petits hors d’œuvre). Remontant l’histoire, une halte s’impose au monastère Agios Nikolaos. Datant du IVème siècle après J.C., il a été construit sur les ruines d’un ancien temple dédié à la déesse Hera. �Rare species of predator birds and wildlife inhabit the Vouni Panagias area. The four largest mammal species indigenous to Cyprus roam the mountain sides. One of them, the Cyprus Mouflon, is found only in the Paphos Forest. For nature lovers, there are over 650 plant species, including trees, shrubs and rare herbaceous plants. The natural splendor of vegetation is prominent all year around and is one of the main reasons for the magnificent landscape. Εξαιρετικά σπάνια είδη αρπακτικών πτηνών και άγριας ζωής κατοικούν στο Βουνί Παναγιάς. Τα τέσσερα μεγαλύτερα είδη ενδημικών θηλαστικών της Κύπρου περιφέρονται στις ορεινές πλαγιές. Ένα από αυτά, το Αγρινό ή Mouflon, ένα είδος αγριοπρόβατου, εμφανίζεται μόνο στο Δάσος της Πάφου. Για τους φυσιολάτρες, υπάρχουν περισσότερα από 650 είδη φυτών, όπως δέντρα, θάμνοι και σπάνια ποώδη φυτά. Η εκπληκτική φυσική βλάστηση κυριαρχεί ολόκληρο το χρόνο και είναι ένας από τους κύριους λόγους για τους οποίους το τοπίο είναι απαράμιλλο σε ομορφιά. Seltene Arten von Raubvögeln und wild lebenden Tieren halten sich in der Region auf. Die vier größten zypriotischen Säugetierarten durchstreifen die Berghänge. Eins davon, das Zypern – Mufflon findet man nur im Pafos – Wald. Für Naturliebhaber gibt es einschließlich der Bäume, Sträucher und seltenen Stauden über 650 Pflanzenarten. Die natürliche Pracht der Vegetation ist das ganze Jahr über präsent. La région de Vouni Panagias abrite également des espèces rares d’oiseaux de proie et une abondante vie sauvage, notamment les quatre espèces de mammifères endémiques à l’île, dont le mouflon de Chypre que l’on ne trouve que dans la forêt de Paphos. Côté flore, on y dénombre plus de 650 espèces d’arbres, arbustes et plantes herbacées, composant une magnifique couverture végétale toute l’année. 28 �DON’T FORGET Wining and dining at the Panagia Wine Festival Watch spectacular sunsets from high altitude vistas Savour the fresh air of the Paphos Forest Stroll back in history at old monasteries ΜΗΝ ΞΕΧΆΣΕΤΕ Να επισκεφτείτε το Φεστιβάλ Κρασιού της Παναγιάς Να θαυμάσετε υπέροχα ηλιοβασιλέματα από τα ψηλά σημεία θέας Να απολαύσετε καθαρό αέρα στο Δάσος της Πάφου Να διασχίσετε διαδρομές διαμέσου των αιώνων στα αρχαία μοναστήρια WIR EMPFEHLEN Einen Besuch des Weinfestivals von Panagia Den Sonnenuntergang über den Bergen von Troodos Die frische Bergluft des Pafos Waldes In alten Klöstern auf den Spuren der Geschichte zu wandeln �A NE PAS MANQUER Participer au Festival du Vin de Panagia Respirer l’air frais de la forêt de Paphos Assister au coucher du soleil depuis les sommets de la région Visiter les vieux monastères Panagia village is the birthplace of one of the most-prominent personalities in recent history, Archbishop Makarios III, the first President of the Republic of Cyprus. Το χωριό Παναγιά είναι επίσης η γενέτειρα ενός από τους πιο επιφανείς άνδρες της πρόσφατης ιστορίας, του Αρχιεπισκόπου Μακαρίου ΙΙΙ, του πρώτου Προέδρου της Κυπριακής Δημοκρατίας. And don’t forget about the hospitality of the people. Visitors rave about how receptive and friendly the locals are to tourists. Και ας μην ξεχνάμε τη φιλοξενία των ανθρώπων. Οι επισκέπτες επαινούν τη δεκτικότητα και τη φιλικότητα των ντόπιων απέναντι στους τουρίστες. The preservation of the area and its ecological value are significant factors to the region’s inhabitants. The locals understand and appreciate the cultural heritage and are committed to preserving its authenticity. Η μοναδικότητα της περιοχής και η οικολογική της αξία είναι εξαιρετικά σημαντικοί παράγοντες για τους κατοίκους της περιοχής. Το Βουνί Παναγιάς είναι μια αρχαία περιοχή που άκμασε επί σειρά ετών. Οι άνθρωποι κατανοούν την πολιτισμική κληρονομιά και καταβάλλουν προσπάθειες για τη διατήρηση της αυθεντικότητάς της. Προωθούνται συνεχώς αποτελεσματικές μέθοδοι ελέγχου του τουρισμού, βελτιώνοντας την ποιότητα ζωής των κατοίκων και το περιβάλλον. Effective methods to attract sustainable tourism, which raises the quality of life of the locals and at the same time improves the environment, are constantly being promoted. 30 �Das Dorf Panagia ist der Geburtsort vom ersten Präsidenten der Republik Zypern, Erzbischof Makarios III., eine der bekanntesten Persönlichkeiten der jüngeren Geschichte Zyperns. Le village de Panagia est le lieu de naissance d’une des plus éminentes personnalités de l’histoire récente, à savoir l’archevêque Makarios III, le premier Président de la République de Chypre. Nicht zu vergessen die Gastfreundlichkeit der Menschen, von der viele Besucher immer wieder schwärmen. Quant à l’accueil chaleureux et l’hospitalité des habitants de cette région, on s’accorde à dire qu’ils sont incomparables. Für die Bewohner der Region sind die Erhaltung der Umwelt und des ökologischen Gleichgewichts von großer Bedeutung. Sie wissen das kulturelle Erbe zu schätzen und setzen sich für den Erhalt seiner Authentizität ein. L’écologie et la protection de la nature sont un vrai credo pour les villageois, qui sont également très attachés à leur patrimoine culturel dont ils veulent préserver l’authenticité. Auch im Interesse der Einheimischen wird sanfter und nachhaltiger Tourismus gefördert. Enfin, la promotion d’un tourisme durable, qui engendre une meilleure qualité de la vie pour les habitants de ces régions et une bonne gouvernance environnementale, fait l’objet de toutes les attentions de la part des autorités. �KATO PYRGOS Kato Pyrgos is a small village of just 1500 people situated in the Tylliria area of West Cyprus. Nestled on the roots of Troodos mountain range, on the largest and most enchanting valley of the area, along a beach of unparalleled beauty and crystal clear blue waters, its natural environment remains virtually untouched and preserves its natural splendor. The name Kato Pyrgos originates from the local dialect word “troulli”, which describes a small, Venetian era, observation and signalling tower built on a nearby coast side hill, overlooking the area and whose ruins can still be seen today. “Troulli” stands for small tower or “Pyrgos” – the Greek word for tower - and thus the name of the village became “Kato Pyrgos” (Lower – Tower). Three winter season rivers run through the area. “Flevas”, “Potamoudes” and “Katouris”, which enter the village and wind up through it to reach the sea. For everyone who wants to marvel at the area’s sights on foot the Tylliria water dam just outside the village, is an ideal spot for fresh water fishing and a bit of hiking. Ο Κάτω Πύργος είναι ένα μικρό χωριό με περίπου 1500 κατοίκους στην περιοχή Τηλλυρία της δυτικής Κύπρου. Το χωριό είναι κτισμένο στους πρόποδες της οροσειράς του Τροόδους στη μεγαλύτερη κοιλάδα της περιοχής Τηλλυρίας, κατά μήκος παραλιών απαράμιλλης ομορφιάς και κρυστάλλινων νερών Πρόκειται για ένα μέρος πλούσιο σε ιστορία και πολιτιστική κληρονομιά. Ο Κάτω Πύργος είναι ένα από τα λίγα χωριά της Κύπρου όπου το φυσικό περιβάλλον παραμένει σχεδόν ανέγγιχτο και τα βουνά διατηρούν τη φυσική ομορφιά τους. Το όνομα του προέρχεται από τη λέξη «τρουλλί», λέξη της τοπικής διαλέκτου που περιγράφει ένα μικρό Ενετικό παρατηρητήριο κτισμένο σε ένα παρακείμενο παραθαλάσσιο λόφο. Η τοπικής διαλέκτου λέξη «τρουλλί» σημαίνει Πύργος και από αυτή θεωρείται ότι προέρχεται και το όνομα του χωριού. Τρείς χείμαρροι διασχίζουν τη περιοχή. Ο «Φλέβας», ο «Ποταμούδης» και ο «Κατούρης» διασχίζουν το χωριό και καταλήγουν στη θάλασσα. Όσοι επιθυμούν να θαυμάσουν τη θέα της περιοχής περπατώντας, το φράγμα της Τηλλυρίας λίγο έξω από το χωριό, είναι ιδανικό για ψάρεμα και πεζοπορία. 32 �Kato Pyrgos ist ein kleines Dorf mit gerade 1500 Einwohnern, das sich im Westen der Insel, in der Region Tylliria befindet. Es ist eingebettet in die Vorläufer des Troodos Gebirges, im größten und schönsten Tal der Gegend, mit einem Strand von unvergleichlicher Schönheit und kristallklarem Wasser dazu nahezu unberührt und naturbelassen. Der Name stammt aus dem Wort „troulli“, was im lokalen Dialekt soviel bedeutet, wie „kleiner Turm“. Gemeint ist damit der kleine Aussichtsturm aus der venezianischen Zeit, der sich auf einem nahe gelegenen Hügel an der Küste befand und dessen Ruinen noch heute zu sehen sind. „Pyrgos“ ist das griechische Wort für „Turm“, daher auch der Name des Dorfes „Kato Pyrgos“ (Unterer Turm). Die Flüsse „Flevas“, „Potamoudes“ und „Katouris“ fließen in den Wintermonaten durch das Gebiet. Die außerhalb des Dorfes gelegene Talsperre von Tylliria ist ein idealer Ort für Angler, Wanderer und alle, die einfach die Schönheit der Region bewundern möchten. Katos Pyrgos est un petit village de seulement 1500 habitants, situé dans la région de Tylliria à l’ouest de Chypre. Blotti au pied du Mont Troodos, dans l’une des plus larges et plus enchanteresses vallées de la région, le long d’une plage superbe baignant dans une mer transparente, son environnement naturel d’une exceptionnelle splendeur est resté intact. Son nom lui vient du dialecte local « troulli » qui désigne une petite tour d’observation de la période vénitienne construite sur une colline voisine dominant la côte, dont les ruines sont encore visibles. «Troulli» pour petite tour, soit Pyrgos en grec, qui est donc celui du village «Kato Pyrgos» (tour basse). Trois rivières, «Flevas», «Potamoudes» et «Katouris» ne coulant qu’en hiver, traversent en méandres le village avant de se jeter dans la mer. Pour une balade, le barrage de Tylliria offre à proximité ses paysages, en même temps qu’il est un bon endroit pour la pêche en eau vive. �Begin your journey to the village in the early morning and take in a deep breath of the mountain’s fresh air. Expose your senses to all the aromas of the herbs and the trees accentuated by the morning dew, listen to the running streams, the leaves rustling and the birds singing the most beautiful of songs. One of the most beautiful and exciting moments of your journey may be a meeting with the Mouflon, Cyprus’ wildlife protected indigenous wild sheep. Living gregariously in their family group, so sweet and graceful in their presence and naturally curious, they will stop to look at you and pose for only a second for a photo to be taken and then gallop with unmatched agility back into the safety the forest provides them. Ξεκινήστε για το ταξίδι σας προς τον Κάτω Πύργο μέσα από το Τρόοδος με την αυγή. Αφήστε τις αισθήσεις σας να απολαύσουν τις μυρωδιές και τα αρώματα των βοτάνων και των δέντρων του βουνού, τους ήχους του νερού στα ρυάκια, το κελάηδισμα των πουλιών και το θρόισμα των φύλλων. Μια από τις πιο όμορφες και συναρπαστικές εμπειρίες της διαδρομής σας είναι η συνάντηση με Αγρινά ή Mouflon, το προστατευόμενο είδος αγριοπρόβατου, ενδημικό στην Κύπρο. Beginnen Sie Ihre Reise zum Dorf am frühen Morgen, atmen Sie die frische Bergluft und den Duft der Wildkräuter im Morgentau und lauschen Sie dem Fließen der Bächlein, dem Rauschen der Blätter und dem Zwitschern der Vögel. Eines der schönsten und spannendsten Momente könnte die Begegnung mit einem Moufflon, dem einheimischen Wildschaf Zyperns, sein. Das Moufflon, ein anmutiges, graziles und wildes Bergschaf lebt in der Herde und ist von Natur aus neugierig. Es könnte vielleicht für einen Moment innehalten und Ihnen die Möglichkeit bieten, diesen wunderbaren Augenblick schnell mit einem Foto festzuhalten, um danach wieder im Schutz des Waldes zu verschwinden. 34 �Commencez votre balade tôt le matin par un bol d’air frais de la montagne en respirant le parfum des herbes sauvages et des arbres magnifié par la rosée, tout en écoutant le murmure de l’eau, le bruissement des feuilles et le chant des oiseaux. Vous aurez peut-être la chance de croiser un mouflon, le mouton sauvage endémique (et protégé) de Chypre. Vivant en troupeaux, ces gracieux animaux sont naturellement curieux et vous aurez peut-être l’occasion de les prendre en photo avant qu’ils ne s’abritent prestement sous le couvert de la forêt. DON’T FORGET Visit the Chapel of Virgin Mary “Galoktisti” Visit the village square and spare a moment to admire the century old oak tree adorning it Taste local fresh fish and figs ΜΗΝ ΞΕΧΆΣΕΤΕ Επισκεφθείτε το Παρεκκλήσι της Παρθένου Μαρίας «Γαλόκτιστη». Επισκεφθείτε την πλατεία του χωριού και να θαυμάσετε την υπεραιωνόβια βελανιδιά που βρίσκεται στο κέντρο της Δοκιμάστε φρέσκο ψάρι και τα σύκα της περιοχής WIR EMPFEHLEN Die Kapelle der Jungfrau Maria „Galoktisti“ zu besichtigen Den Dorfplatz mit seiner alten Eiche zu besuchen Den einheimischen, frischen Fisch und die Feigen zu kosten �The nature and climate in Kato Pyrgos are generous and ideal for many cultivations and orchards. Fragrant lemons, soft peaches, oranges, spring gardens and so many other fruits and vegetables find the ideal environment to grow and tempt everyone with their unparallel flavours! The village is particularly famous for its delicious and plentiful figs, either fresh in season, or dried to be consumed throughout the year. Η φύση και το κλίμα της περιοχής είναι ιδανικά για πολλές καλλιέργειες. Μυρωδάτα λεμόνια, ζουμερά ροδάκινα, πορτοκάλια, λαχανόκηποι και πολλά άλλα φρούτα και λαχανικά βρίσκουν το ιδανικό περιβάλλον για να μεγαλώσουν και να δελεάσουν τον κάθε ένα με τις απαράμιλλες γεύσεις τους. Το χωριό είναι ιδιαίτερα γνωστό για τα υπέροχα σύκα του, τα οποία καταναλώνονται κατά τη διάρκεια του χρόνου είτε φρέσκα, είτε παστά. The village small and picturesque fishing port is a promising shortest distance landfall for most of the tired sailors from the Aegean. The port’s tranquil environment surrounded by mountain hills and a small archaic type theatre offer unparalleled sunsets behind the shade of the Limnitis rock and the ancient kingdom of Soloi which tend to underline the long and mystifying history of the island. Visitors can choose between both sandy and pebbled beaches for some sunbathing, romantic leisurely strolls or simply to relax and enjoy the spectacular sunsets. The beaches in the area are some of the cleanest on the island and if you are lucky you might spot a pod of dolphins playing far out in the sea! A handful of tavernas and hotel restaurants offer freshly caught local fish. Το μικρό και γραφικό λιμανάκι του Κάτω Πύργου προσφέρει χώρο προστασίας και ξεκούρασης για πολλούς ναυτικούς και ψαράδες. Το ήρεμο περιβάλλον του, περιτριγυρισμένο από τους πρόποδες του Τρόοδους προσφέρει ασύγκριτα ηλιοβασιλέματα πίσω από τη σκιά της πέτρας του Λιμνίτη και το αρχαίο βασίλειο των Σόλων. Οι παραλίες του Κάτω Πύργου είναι διάσημες για τα δροσερά και διαυγή νερά, ιδανικά για τους ζεστούς καλοκαιρινούς μήνες. Οι επισκέπτες μπορούν να διαλέξουν μεταξύ αμμώδη ή με βότσαλα παραλίες, για λίγη ηλιοθεραπεία, ρομαντικούς περιπάτους ή απλά για να απολαύσουν το υπέροχο ηλιοβασίλεμα. Οι παραλίες είναι από τις καθαρότερες στο νησί και αν είστε τυχεροί, μπορεί να δείτε κάποιο κοπάδι δελφινιών να παίζει μακριά μέσα στη θάλασσα. 36 �Die Natur und das Klima von Kato Pyrgos bieten ideale Voraussetzungen für den Anbau von duftenden Zitronen, zarten Pfirsichen, Orangen und vielen anderen leckeren Obst –und Gemüsesorten. Das Dorf ist besonders bekannt für seine schmackhaften Feigen, die man entweder frisch oder auch als Dörrobst verzehren kann. Der kleine, malerische Fischerhafen des Dorfes ist ein einladender Anlegeplatz für müde Segler aus der Ägäis. Die ruhige Umgebung des Hafens inmitten von Berghügeln und einem kleinen, im antiken Stil gebauten Theater bietet unvergleichliche Sonnenuntergänge im Schatten des Felsen von Limnitis und des Königreiches von Soloi. Hier spürt man förmlich die antike Geschichte der Insel. Sonnenbaden, entspannen, flanieren oder einfach nur den Sonnenuntergang genießen können die Besucher an den zauberhaften Sand– oder Kieselstränden. Die Strände gehören zu den saubersten der ganzen Insel. Wenn Sie Glück haben, können Sie spielende Delphine im Meer beobachten. Eine Handvoll Tavernen und Restaurants bieten frisch gefangenen Fisch. Le climat et la nature sont généreux à Kato Pyrgos, d’où ses nombreuses cultures et vergers. Citrons parfumés, pèches, oranges et bien d’autres fruits ou légumes y poussent en abondance. Le village est notamment célèbre pour ses délicieuses figues, soit fraîches en saison, soit séchées, à déguster tout au long de l’année. Le petit et pittoresque port de pêche de Kato Pyrgos est un mouillage proche et bien connu des marins souhaitant s’évader de la mer Egée. Son cadre est tranquille, surplombé par les collines et un petit théâtre antique d’où l’on peut contempler de magnifiques couchers de soleil ; l’ombre du rocher Limnitis y évoque l’ancien royaume de Soloi, rappelant l’histoire plusieurs fois millénaire de l’île. De sable ou de galets, les plages y invitent au farniente, avant d’admirer les plus beaux crépuscules qui soient. La mer y est limpide et il n’est pas rare d’y voir des groupes de dauphins croisant au large. Côté gastronomie, quelques tavernes et restaurants d’hôtels vous proposent les excellents poissons du jour. �38 �Walking up and nearing the pine tree forest, the tiny chapel of Virgin Mary “Galoktisti” can be visited. Another small chapel in the area is the one dedicated to Prophet Elias and visitors there can also view the archaeological finds adjacent to it. Kato Pyrgos is also renowned for its characteristic traditional charcoal production process which in another era used to supply the entire island with charcoal. Πλούσιο σε ιστορία και πολιτισμό, το χωριό Κάτω Πύργος διαθέτει μνημεία, παρεκκλήσια και εκκλησίες. Ευρήματα του 14ου αιώνα και τάφοι της Ελληνιστικής και Ρωμαϊκής περιόδου εντοπίστηκαν σε μια περιοχή κοντά στο χωριό. Επιπλέον, οι επισκέπτες μπορούν να επισκεφθούν το Παρεκκλήσι της Παρθένου Μαρίας «Γαλόκτιστη», που χτίστηκε με γάλα αντί για νερό, γύρω στον 12ο με 14ο αιώνα καθώς και το εκκλησάκι του Προφήτη Ηλία για τα παρακείμενα αρχαιολογικά ευρήματα. Ο Κάτω Πύργος είναι επίσης γνωστός για το χαρακτηριστικό παραδοσιακό τρόπο παρασκευής κάρβουνου με το οποίο κάποια άλλη εποχή προμήθευε ολόκληρο το νησί. In der Nähe des etwas höher gelegenen Pinienwaldes kann die kleine Kapelle „Galoktisti“, die der Jungfrau Maria geweiht ist, besichtigt werden. Ebenso können Sie die Kapelle des Propheten Elias und die angrenzenden archäologischen Funde besichtigen. Kato Pyrgos ist ebenfalls bekannt für den speziellen Herstellungsprozess von Holzkohle, mit der die gesamte Insel in früheren Zeiten versorgt wurde. Près de la forêt de pins vous attend la minuscule chapelle de la Vierge Marie « Galoktisti » et dans les alentours, celle du Prophète Elias, ainsi que les objets trouvés sur le site archéologique qui est à côté. Kato Pyrgos est aussi connu pour être un centre de production traditionnelle de charbon de bois, lequel autrefois fournissait toute l’île. A NE PAS MANQUER La visite de la chapelle de la Vierge Marie « Galoktisti » Flâner sur la place du village à l’ombre de son chêne centenaire Se régaler de la pêche du jour et de figues �KALOPANAYIOTIS The picturesque village of Kalopanayiotis, with its restored traditional architecture, cobbled streets and footpaths, numerous chapels and churches and healing sulphur rich thermal springs, is an example of a genuine traditional community unaffected by modern day civilization. Houses with tiled rooftops, picturesque balconies, courtyards with vine trees climbing on the walls offering visitors their shade, are the main characteristics of the village. All these, are stunningly framed by the mesmerising flora of the Setrachos Valley and the water sounds of the year-round running Setrachos River. 40 Το γραφικό χωριό Καλοπαναγιώτης, με την αναπαλαιωμένη παραδοσιακή αρχιτεκτονική, τους πέτρινους δρόμους και μονοπάτια, τα πολυάριθμα εκκλησάκια και τα θεραπευτικά θειούχα νερά, είναι ένα παράδειγμα παραδοσιακής κοινότητας που έχει μείνει ανεπηρέαστη από τον μοντέρνο πολιτισμό. Οι κεραμιδένιες σκεπές, τα θαυμάσια μπαλκόνια, οι ήσυχες αυλές με τις κληματαριές, τα πλακόστρωτα δρομάκια και οι παλιές εκκλησίες είναι τα κύρια χαρακτηριστικά του χωριού. Όλα αυτά πλαισιώνονται υπέροχα από την εντυπωσιακή χλωρίδα της κοιλάδας του Σέτραχου και τους ήχους του Σέτραχου ποταμού που διασχίζει ολόχρονα το χωριό. �Das malerische Dorf Kalopanayiotis ist mit seinen im traditionellen Stil restaurierten Häusern, den gepflasterten Wegen, den zahlreichen Kapellen und Kirchen und den Thermalquellen ein Beispiel für authentisches, traditionelles Dorfleben. Zu den charakteristischen Merkmalen gehören Häuser mit Ziegeldächern und malerischen Balkonen, Innenhöfe mit Weinreben, die sich an den Hausmauern emporranken und so den Besuchern Schatten spenden. Dazu kommt noch die zauberhafte Pflanzenwelt des „Setrachos – Tal“, in dem der Setrachos – Fluss das ganze Jahr über fließt. Le pittoresque village de Kalopanayiotis, avec son architecture traditionnelle joliment restaurée, ses rues et ruelles pavées, ses nombreuses chapelles et églises et ses sources thermales sulfureuses bienfaisantes, offre l’image parfaite d’une communauté traditionnelle préservée de la vie moderne. Ses maisons aux toits de tuile, avec leurs vieux balcons et leurs cours ombragées de treilles de vigne, renforcent encore cette impression, d’autant qu’il est campé dans le cadre végétal luxuriant de la vallée de l’impétueuse rivière Setrachos. DON’T FORGET Visit the Byzantine museum Try soutzouko, a local sweet made of grape juice and almonds. Visit the local trout fishing farm next to Kalopanayiotis water dam Enjoy a walk through the Nature Path leading to the 17th century Kykkos Watermill �Kalopanayiotis’ most important monument which stands since the Byzantine era, is the Monastery of Agios Ioannis Lambadistis. The Byzantine Museum next to the Monastery, along with the Museum of the National Martyr Bishop Lavrentios, the new and the old Venetian bridge, the six Byzantine era chapels, the restored traditional architecture houses in the old neighbourhood of the village and the abundant surrounding natural beauty of the village, combine a most beautiful destination for a visitor seeking a unique and unparalleled experience. The village of Kalopanayiotis, one of 14 villages of Marathasa valley area, is located in the midst of the Setrachos River’s Valley, on the North side of Troodos Mountain range at an altitude of 700m. At a distance of about 70km from either city of Lefkosia (Nicosia) or Lemessos (Limassol), the visitor can easily reach the village through a modern and well maintained road system. 42 Το πιο σημαντικό μνημείο στο χωριό θεωρείται το Βυζαντινό Μοναστήρι του Αγίου Ιωάννη Λαμπαδιστή. Το Βυζαντινό Μουσείο το οποίο βρίσκεται δίπλα από το Μοναστήρι, το μουσείο του Εθνομάρτυρα Επισκόπου Λαυρέντιου, το καινούργιο αλλά και το παλιό Ενετικό γεφύρι, τα έξι Βυζαντινά εκκλησάκια, τα αναπαλαιωμένα σπίτια στην παλιά γειτονιά και η φυσική ομορφιά του χωριού, συνδυάζουν ένα υπέροχο προορισμό για τον επισκέπτη που ψάχνει μια μοναδική και ασύγκριτη εμπειρία. Ο Καλοπαναγιώτης είναι ένα από τα 14 χωριά που συγκαταλέγονται στη περιοχή Μαραθάσας και βρίσκεται στη κοιλάδα του Σέτραχου ποταμού, στις βόρειες πλαγιές της οροσειράς Τροόδους, 700 μέτρα πάνω από το επίπεδο της θάλασσας. Σε απόσταση 70km τόσο από τη Λευκωσία όσο και από τη Λεμεσό, ο επισκέπτης μπορεί εύκολα να επισκεφτεί το χωριό χρησιμοποιώντας ένα σύγχρονο και καλοδιατηρημένο οδικό δίκτυο. �Die wichtigste Sehenswürdigkeit in Kalopanayiotis ist das Kloster von Agios Ioannis Lambadistis aus der byzantinischen Zeit und das Museum für den Märtyrer von Zypern - Bischof Lavrentios. Zu weiteren Sehenswürdigkeiten gehören die neue und die alte venezianische Brücke, die sechs byzantinischen Kapellen, die restaurierten Häuser im alten Viertel des Dorfes und natürlich die Schönheit der umliegenden Natur. Das Dorf liegt in einer Höhe von 700 m - mitten im Setrachos Tal auf der Nordseite des Troodos Gebirges und ist eins von 14 Dörfern des Marathasa Tals. Die Entfernung zu den Städten Lefkosia und Lemesos beträgt je ungefähr 70 km. Besucher können das Dorf über ein gut ausgebautes Straßennetz erreichen. Kalopanayiotis s’enorgueillit de posséder un monument de l’époque byzantine, le monastère d’Agios Ioannis Lambadistis, que complète le Musée Byzantin voisin. A cela s’ajoute le Musée de l’Evêque et martyr Lavrentios, héros national, le vieux et le nouveau ponts vénitiens, ses six chapelles byzantines, sans oublier, bien sûr, ses maisons d’architecture traditionnelle et les beautés naturelles de son environnement. Pas étonnant dans ces conditions qu’il soit devenu une destination particulièrement appréciée des visiteurs à Chypre! Kalopanayiotis, l’un des 14 villages de la vallée de Marathasa, qui est aussi celle de la rivière Setrachos, est situé sur le versant nord du Troodos a l’altitude de 700 mètres. Distant de 70 kilomètres de Lefkosia (Nicosie) comme de Lemessos (Limassol), le village est accessible par une très bonne et moderne route goudronnée. ΜΗΝ ΞΕΧΆΣΕΤΕ Δοκιμάστε σουτζούκο, ένα τοπικό γλυκό από σταφύλια και αμύγδαλα. Αρκετά καταστήματα στον Καλοπαναγιώτη πουλούν αυτή την τοπική λιχουδιά Επισκεφθείτε τη φάρμα πέστροφας δίπλα στο φράγμα του Καλοπαναγιώτη, όπου επιτρέπεται το ψάρεμα Απολαύστε έναν περίπατο ακολουθώντας το μονοπάτι που περνάει μέσα από τη φύση και οδηγεί στον Νερόμυλο του Κύκκου, ένα μνημείο του 17ου αιώνα που ανακαινίστηκε πρόσφατα �There are many churches and chapels in the village, including the Chapel of Agia Marina which dates since the late 10th century, the chapel of Panagia Theoskepasti built under the shade of a 700 year old Quercus type tree and the chapel itself dates since the 12th century, the Chapel of Agios Andronikos and Agia Athanassia built around the 11th Century and where parts of its 16th Century frescos can still be viewed today, the Church of Panagia (Our Lady) Theotokos and the Chapels of Agios Kyriakos, Archangelos Michael, Agios Georgios and Agios Sergios and Bachos. Most religious sites are considered of great archeological importance and are protected by the Department of Antiquities. Holy icons and ecclesiastical relics from these chapels and churches dating as far back as the 11th Century are hosted in the Byzantine Museum in the village. Στις πολυάριθμες εκκλησίες και παρεκκλήσια του χωριού περιλαμβάνονται το παρεκκλήσι της Αγίας Μαρίνας που χρονολογείτε περί τα τέλη του 10ου αιώνα, το παρεκκλήσι της Παναγίας της Θεοσκέπαστης του 12ου αιώνα που κρύβεται κάτω από τη σκιά ενός δέντρου τύπου περνιάς ηλικίας 700 ετών, το παρεκκλήσι των Αγίου Ανδρονίκου και Αγίας Αθανασίας που χρονολογείτε γύρω στον 11ο αιώνα και όπου τοιχογραφίες του 16ου αιώνα είναι ορατές μέχρι σήμερα, η εκκλησία της Παναγίας Θεοτόκου και τα παρεκκλήσια των Αγίου Κυριάκου, Αρχαγγέλου Μιχαήλ, Άγιου Γεωργίου και Άγιου Σέργιου και Βάκχου. Τα περισσότερα από αυτά θεωρούνται υψηλής αρχαιολογικής σημασίας και προστατεύονται από το Τμήμα Αρχαιοτήτων. Εικόνες και εκκλησιαστικά κειμήλια από τα παρακκλήσια αυτά, ορισμένα από τα οποία χρονολογούνται του 11ου αιώνα, φιλοξενούνται στο Βυζαντινό Μουσείο του χωριού. WIR EMPFEHLEN Den Besuch des Byzantinischen Museums 44 Die Verkostung von „Soutzouko“ – einer einheimischen Süßigkeit aus Traubensaft und Mandeln �Es befinden sich dort zahlreiche Kirchen und Kapellen, darunter die Agia- Marina- Kapelle aus dem 10. Jahrhundert, die im Schatten einer 700 Jahre alten Eiche erbaute Kapelle der Panagia Theoskepasti aus dem 12. Jahrhundert, die teilweise mit Wandmalereien aus dem 16. Jahrhundert geschmückte Agios- Andronikos- und Agia- Athanasia- Kapelle aus dem 11. Jahrhundert, die Kirche der Heiligen Jungfrau (Panagia) und viele andere Kapellen, die den Heiligen Agios Kyriakos, Archangelos Michail, Agios Georgios, Agios Sergios und Bachos geweiht sind. Die meisten religiösen Stätten sind von großer archäologischer Bedeutung und stehen unter dem Schutz des „Department of Antiquities“. Heilige Ikonen und Kirchenreliquien aus dem 11. Jahrhundert, die aus diesen Kirchen stammen, befinden sich im Byzantinischen Museum des Dorfes. Kalopanayiotis possède de nombreuses églises et chapelles dignes d’intérêt, telles la chapelle d’Agia Marina qui date de la fin du Xème siècle, la chapelle de la Panagia Theoskepasti, construite au XIIème siècle et blottie à l’ombre d’un vieux chêne doré de 700 ans, la chapelle d’Agios Andronikos et d’Agia Athanassia ,qui date du 11ème siècle et où l’on peut admirer des vestiges de fresques du XVIème, l’église de la Panagia (Notre-Dame) Theotokos et les chapelles d’Agios Kyriakos, de l’Archange Michel, d’Agios Georgios et d’Agios Sergios et Bachos. La plupart des sites religieux sont d’une grande importance archéologique et, à ce titre, protégés par le Département des Antiquités. De saintes icônes et des reliques ecclésiastiques provenant de ces chapelles et églises sont abritées dans le Musée Byzantin du village. Den Besuch der Forellenzucht an der Talsperre von Kalopanayiotis Einen Spaziergang zur Kykkos Wassermühle durch den Naturpfad �In recent years, the local authorities with the support of the Government and the European Union have initiated several regeneration projects in order to revive the village. Perceiving its rich architectural and cultural identity and potential was a core aspect of the programme, and this is reflected in all the initiatives executed. For example the Byzantine Museum next to the Monastery of Agios Ioannis Lampadistis is housed in the village’s old school which has been renovated and transformed into a museum. The house of National Martyr Bisthop Lavrentios is another example of sustainable regeneration at its best. This glorious building has been restored and converted into a cultural and conference centre for community use. A number of houses have been renovated into agri-tourism accommodation. For the local community, it is also important that the village regains its old reputation as a great therapeutic center with healing springs. Today, the village of Kalopanayiotis is a regenerated and rejuvenated destination, ready to welcome guests from Cyprus and beyond. It is a place that combines sightseeing, nature, health and tradition, in a truly beautiful way. 46 Πρόσφατα, οι τοπικές αρχές με την υποστήριξη της κυβέρνησης και της Ευρωπαϊκής Ένωσης ξεκίνησαν αρκετά έργα ανάπλασης ούτως ώστε να αναζωογονήσουν το χωριό. Για τις αρχές, η σύλληψη της αρχιτεκτονικής και πολιτιστικής ταυτότητας του χωριού αποτελούσε τον βασικό πυρήνα του προγράμματος και αυτό φαίνεται σε όλες τις πρωτοβουλίες που έχουν πραγματοποιηθεί. Για παράδειγμα, το Βυζαντινό Μουσείο δίπλα από το Μοναστήρι του Αγίου Ιωάννη του Λαμπαδιστή, στεγάζεται στο παλιό σχολείο του χωριού το οποίο ανακαινίστηκε και μεταμορφώθηκε σε μουσείο. Το σπίτι του Εθνομάρτυρα Λαυρεντίου αποτελεί ένα ακόμη παράδειγμα βιώσιμης ανάπλασης με τον καλύτερο δυνατό τρόπο. Αυτό το μεγαλοπρεπές κτίριο έχει ανακαινιστεί και μετατραπεί σε πολιτιστικό και συνεδριακό κέντρο για την κοινότητα. Επίσης, αρκετά σπίτια έχουν ανακαινιστεί και έχουν γίνει αγροτουριστικά καταλύματα. Για τις τοπικές αρχές, ήταν επίσης σημαντικό το χωριό να ανακτήσει τη φήμη του ως σημαντικό θεραπευτικό κέντρο με ιαματικές πηγές. Σήμερα, ο Καλοπαναγιώτης είναι ένας προορισμός που έχει αναπλαστεί και είναι έτοιμος να καλωσορίσει επισκέπτες από την Κύπρο αλλά και από πιο μακριά. Είναι ένα μέρος που συνδυάζει αξιοθέατα, φύση, υγεία και παράδοση, με έναν πραγματικά όμορφο τρόπο. �In den letzten Jahren haben die Regierung und die örtlichen Behörden mit Unterstützung der Europäischen Union mehrere Projekte gestartet, um das Dorf für die Besucher noch attraktiver zu machen. Einer der Kernpunkte des Projekts war die Bewahrung der architektonischen und kulturellen Identität des Dorfes. Ein Beispiel dafür ist das Byzantinische Museum neben dem Kloster von Agios Ioannis Lambadistis, das in der alten Schule des Dorfes untergebracht wurde. Sie wurde zum Museum umgebaut. Das prächtige Haus des Märtyrers Bischof Lavrentios wurde ebenfalls restauriert und kann jetzt von der Gemeinde als Kultur –und Konferenzzentrum benutzt werden. Mehrere Häuser wurden zu agrotouristischen Unterkünften umgewandelt. Für die Dorfgemeinde ist es ebenfalls sehr wichtig, dass der Ort seinen alten Status als therapeutisches Zentrum mit Heilquellen wieder erlangt hat. Sowohl für Zyprioten als auch für ausländische Gäste ist Kalopanayiotis heute ein Reiseziel, das Tradition, Sehenswürdigkeiten, Natur und Wohlbefinden kombiniert. A NE PAS MANQUER Visiter le Musée Byzantin Déguster le soutzouko, une friandise faite à partir de jus de raisin et d’amandes Visiter la ferme d’élevage de truites proche du barrage de Kalopanayiotis Faire une balade sur le sentier « nature » jusqu’au moulin à eau de Kykkos, qui date du XVIIème siècle Depuis quelques années, les autorités locales, avec le support du Gouvernement et celui de l’Union Européenne, ont entrepris différents travaux de restauration avec l’ambition de faire revivre le village en mettant en avant la richesse de son architecture et de son identité culturelle par des projets de développement durable. C’est ainsi que le Musée Byzantin a trouvé refuge dans l’ancienne école du village, que celui de l’Evêque et martyr Lavrentios occupe désormais une maison restaurée devenu un centre culturel et de conférence, ou encore, que bon nombre de vieilles maisons on été transformées en chambre d’hôtes et gîtes ruraux. Il était aussi important pour la communauté locale que le village redevienne un centre thérapeutique de balnéothérapie. Mission accomplie puisque, aujourd’hui, Kalopanayiotis, destination combinant parfaitement découverte, visites historiques, nature, santé et traditions, a renouvelé sa vocation touristique et accueille Chypriotes et visiteurs étrangers. �19 Lemesos Avenue P.O. Box 24535 CY 1390 Lefkosia, Cyprus This brochure is developed under the European Commission co-financed 13/G/ENT/CIP/11/B/N02S001 action entitled “Promotion of EDEN destinations and awareness raising”, Grant Programme 2011 www.cyprus-eden.com � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource EDEN Cyprus Brochure Subject The topic of the resource Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource Ευρωπαϊκοί Προορισμοί Αριστείας, είναι ενα έργο που προάγει μοντέλα ανάπτυξης βιώσιμου τουρισμού σε ολόκληρη την Ευρωπαϊκή Ένωσης. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context EDEN_Cyprus_Brochure_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/d2e8c3e7e4fc1f6138aad01cad09d742.pdf fdd717a99f198a093d95859c833266e1 PDF Text Text Information concerning the Zenobia Cyprus: Quick Facts During the summer months, many divers choose a shorty for their dives, however for extended and deeper dives a warmer wetsuit is recommended. Tanks can be filled onboard the catamaran and lunch is served after the second dive. The Zenobia is suitable for less experienced, since the railing lies at a shallow 17 metres. Due to the excellent visibility, divers can appreciate the majestic atmosphere of the ship even from this vantage point. For the more adventurous, the Zenobia is probably the best reason to consider a deep diver speciality course. All of the wrecks’ highlights can be reached thereafter, since 42 metres is the maximum depth. Capital: Lefkosia (Nicosia) Other towns: Lemesos (Limassol), Larnaka, Pafos, Paralimni, Ag. Napa Languages: Greek and Turkish are the official languages. English is widely spoken. French and German are also spoken within the tourism industry. Population (de jure): 865,900 (2012) International Airports: Larnaka & Pafos Currency: Euro (€) Diving at the Zenobia - World’s most amazing wreck dive Area under Turkish occupation since 1974 Journey to the Zenobia The Zenobia lies close to the shore in the bay of Larnaka, only a few (boat) minutes from the cosy marina, from which there is also a daily catamaran service. Almost all major diving centres on the island offer package deals, including day trips with two guided dives and lunch. If you arrive without a pre-arranged travelling plan, the marina with its large beach promenade in the centre of Larnaka is your first port of call. There is ample parking in the harbour area and push carts are available to transport equipment from your car to the catamaran. Contact us Address: Cyprus Tourism Organisation, 19, Limassol Avenue, P.O. Box 24535, CY 1390, Lefkosia Tel: +357 22 691 100 Fax: + 357 22 331 644 Email: cytour@visitcyprus.com / divingincyprus@visitcyprus.com Website: www.visitcyprus.com Facebook: http://www.facebook.com/LoveCyprus http://www.facebook.com/Diving in Cyprus Twitter: http://twitter.com/visitcyprus Pictures and text by: (c) www.citydive.eu Giorgio Chronas, Chris Bernard Translated into English by Eric Lomas 414.01.14 www.visitcyprus.com �Life at the Zenobia What seems to be a massive reef from the surface, reveals itself to be the overgrown hull of the ship. Myriads of fish circle the wreck, with barracudas patrolling along the railing, ready to snap at any passing form of life. Seemingly tame groupers materialise out of the deep blue water only to descend along the multi-storey superstructures. The Zenobia magically lures its visitors to its most fascinating features: the light-flooded bridge, the unbelievable vastness of the bow, the elongated cargo bays with their many trucks and the two imposing propellers. And all this accompanied by a varied underwater fauna and flora. The Zenobia When divers think of Cyprus, the first thing that springs to mind is the sunken wreck of the Zenobia, which not only constitutes one of the three largest wrecks in the Mediterranean, but also ranks amongst the top 10 diveable wrecks worldwide. The huge hull of the Zenobia lies at a depth of between 16 and 42 metres and can be reached in a couple of minutes by boat from Larnaka harbour. With a length of some 172 metres, a width of 23 metres and its erstwhile cargo of 104 trucks, it makes the heart of any diving enthusiast miss a beat in anticipation. In June 1980, the Swedisch RoRo-ferry began her maiden voyage, with cargo bays full, in Greece enroute to Syria. Just off Cyprus, the ship banked. The Zenobia was equipped with a computer-assisted stabilising system, designed to compensate such banking by filling water tanks on the opposite side of the bays. A malfunction of this system caused the water tanks on the wrong side to be filled. In the course of the following days, the ship inclined further and further until it finally sank, on June 7th 1980, only 2 kilometres from the harbour of Larnaka. Due the vast size of the wreck, two dives are necessary to fully appreciate this marvel of the Mediterranean floor. The first dive leads towards the bow of the ship, along the railing, past the only remaining lifeboat and the mounting brackets of the missing ones to the easily accessible bridge and cafeteria. The second dive starts at the descent line and continues towards the stern and the unrivalled highlight of this dive: Over 100 trucks float in eerie suspension within the huge cargo bay. The two enormous propellers present the breath-taking final stage of this dive, before the return along the 16-metres long railing. Penetration of the wreck is possible at numerous access hatches but requires careful planning and guidance in order to prevent getting lost in the labyrinthine innards of the ship. The Zenobia for Non-Divers Non-divers need not do without the rich maritime life, which the Zenobia is home to. A spacious catamaran heads for the Zenobia, complete with sun deck and lots of room both in and out of the sun. Non-divers are welcome and can thus accompany their partners and friends on their diving trip. The catamaran stays moored at the Zenobia during the surfacing break between the two dives and affords the opportunity to relate the impressions from below first-hand. Glass-boats also regularly offer trips to the Zenobia. Good visibility in these waters ensures a perfect exploration of the immensity of the Zenobia and the riches of fish, even from above. Snorkellers can often catch a glimpse of divers at the Zenobia’s deco bar. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Diving at the Zenobia Subject The topic of the resource Cyprus--Diving--Guidebooks Κύπρος--Κατάδυση--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Diving_at_the_Zenobia_EN_lrg Description An account of the resource Οι καταδύσεις στην Κύπρο Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Diving--Guidebooks Cyprus--Tourism--Guidebooks Κύπρος--Κατάδυση--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/19ef36fe5abed3de23dfd9611943cd18.pdf 475ba35587f7a0d69660b6ca7b487d73 PDF Text Text Cyprus, Your Sports Destination ��“I have no doubt we made the right decision to choose Cyprus as not just our training base for the Athens Olympic Games but also our warm weather training centre of operations for at least the next ten years. Cyprus now offers great training facilities for a huge range of sports, and is blessed with wonderful weather and a superb environment. Athletes and coaches from whatever the sport could not choose a better place.’’ Richard Simmons-British Olympic Performance Manager �Sports Tourism in Cyprus There are many reasons why athletes and sports lovers are drawn to this beautiful island… There’s the exceptional climate, the range of up-to-date sports facilities, the high-quality service industry, and the short travel times between city, sea and mountains. Cyprus offers a wide choice of sports facilities. From gyms to training grounds, from Olympic swimming pools to mountain biking routes, there’s everything the modern sportsman or woman could ask for. One of the world’s favourite holiday destinations, Cyprus also has an impressive choice of accommodation, from selfcatering apartments to luxury hotels. When considering where to stay, it’s worth remembering that many hotels provide fully equipped fitness centres and health spas with qualified personnel - the ideal way to train and relax. A gateway between Europe and the Middle East, Cyprus enjoys easy flight connectivity with all major European countries and beyond. Many international sports bodies have already recognized Cyprus as the ideal training destination. And it’s easy to see why National Olympic Committees from a number of countries chose Cyprus as their pre-games training destination ahead of the Athens Olympics. Medical care in Cyprus is of the highest standard, combining advanced equipment and facilities with the expertise of highly skilled practitioners. The safe and friendly atmosphere also encourages athletes to bring families for an enjoyable break in the sun. Great restaurants, friendly cafes and great beaches make Cyprus the perfect place to unwind and relax. �Cyprus... Your sports destination �Football Top-flight football teams from Europe and beyond choose to train in Cyprus every year. These teams have included Crystal Palace FC, FC Dinamo Moscow, AIK (Sweden) and many more. Cyprus boasts sixteen national stadiums (all located within a short distance of each other), grass football fields, athletics facilities, and training resources of the highest standard. Facilities incorporated within include first-aid and physiotherapy rooms, anti-doping control facilities, changing rooms, restrooms, showers, canteens, VIP rooms, conference spaces, telecommunications services, media rooms and more. �“The hotel has been outstanding, and all the staff have been very friendly and welcoming. The facilities are more than adequate, you are right on the beach to go for a walk or the boys can have a run. The atmosphere is very relaxing, and that is the idea of it.’’ Iain Dowie – Crystal Palace FC coach The infrastructure in place can easily meet the demands of the most rigorous professional training programme… and with so many football teams training here regularly, it’s never a problem to organise a friendly match. Cyprus is particularly well suited to pre-season training from November through April, a period offering plenty of sunshine, minimal rain, and temperatures ranging from 10 to 25 degrees celsius. Top football teams who have trained in Cyprus include such famous names as AC Sparta Praha (Czech Republic), AIK (Sweden), FC Dinamo Moscow (Russia), FC Steaua Bucuresti (Romania), Ipswich Town FC (England), Malmo FF (Sweden), and Crystal Palace FC (England). “We believe Cyprus offers excellent training facilities and a comfortable environment for British clubs… The advantage in Cyprus for clubs is they have the quality of competitive opposition which you do not necessarily get elsewhere in Europe.” Gary Hooper – Former Luton defender and current sports travel professional �Cycling The ideal Cyprus climate makes it possible to explore the island’s breathtaking countryside all year round, making for an unforgettable cycling experience. For professional or recreational mountain bikers looking to head off the beaten track, Cyprus offers an abundance of hidden trails along the coast or up in the mountains, all offering something new to discover. Whether exploring the winding dirt tracks of the Troodos mountains, the beautiful wild nature trails, or the rocky coastline of the Akamas, Cyprus is a haven for mountain bikers. �“Cyprus is the ideal place to train. I feel at home. The climatic conditions here are ideal.” Filip Meirhaerghe (Belgium) The local terrain varies within very short distances, making cycling in Cyprus both a great workout and a journey of discovery. Thanks to the excellent secondary roads winding through spectacular local countryside, Cyprus is also great for road cycling. The Cyprus Cycling Federation, a member of the International Cycling Union, organises a number of local road races, international MTB races and a host of other competitions, attracting world class cyclists from all over the world. International champions and top names from the world of cycling have all competed and trained in Cyprus, including Belgium’s Filip Meairhaeghe and Roel Paulisen, Bart Bretjens and Bas Peters of the Netherlands, as well as Austria’s Michael Weiss, Italy’s Massimo de Bertolis, Germany’s Karl Platt, and Switzerland’s Thomas Frischknecht. Teams that have chosen Cyprus as a training destination include the Belgian National Team, the British Olympic Association, the Netherlands Olympic Committee, and the Irish National Olympic Cycling Team. A number of local bicycle centres offer bike rental services, route information, guide assistance and support for organised groups. �Aquatics Swimmers can enjoy the best of both worlds in Cyprus as the island boasts excellent open waters, plus a number of swimming pools, both indoor and outdoor. The many top-class swimming pool facilities in Cyprus include 25m and 50m open-air, heated pools of 8-10 lanes, 1m diving boards, 3m spring boards, 5m, 7.5m and 10m platforms. Supplementary equipment, underwater viewing and filming windows are also available. Various national swimming teams have trained in Cyprus, including the Swedish and British Olympic Swimming Teams, as well as the Dutch, Finnish and Austrian national squads. The facilities have also attracted famous names, such as Peter VanDenHoogenband of Holland and Michael Klim of Australia. Local pools regularly host a number of different disciplines, including events such as synchronized swimming, diving, water polo, etc. �“ This is the fourth time in almost one year that we visit Cyprus for a training camp …the sport facilities and hotels are of course outstanding… the beautiful weather and hospitality of the Cyprus people have made these training camps the best we can have. Every time (we visit Cyprus) we bring new people and other top foreign swimmers because we want to share this perfect training spot. We are very proud and lucky to be able to train in Cyprus.” Jacco Verhearen – Royal Dutch Swimming Federation Team Performance Director & Head Coach �This is where we set the foundations for the gold medal in Sydney!” Bridgette McMahon (Switzerland) –Triathlon Gold Medalist, Sydney Olympic Games 2000 Athletics Well-equipped outdoor athletic facilities exist throughout Cyprus, ready to cater for your training whether you choose to exercise at dawn or dusk. Pay a visit to the island’s many training grounds and you’ll see for yourself that Cyprus is more than ready to welcome serious athletes. “The conditions are ideal; the facilities, the weather, the people… I would highly recommend Cyprus to my colleagues as a training destination. Once you go there, you will do it annually.” Costas Kenderis (Greece) – 200m Gold Medalist, Sydney Olympic Games 2000 �“What strikes you at the finish is how smoothly the Challenge runs… Kilometre markers and water stations pop up at metronomic regularity; the routes are clearly marked with enthusiastic marshals at every ambiguous point…” Steven Seaton (Editor of Runners World magazine) on the 4Day Challenge Marathon Running The climate, the wide diversity of terrain, the short distances between town, country and coast make Cyprus perfect for runners. Marathons and half-marathons regularly prove popular with local and international athletes, plus event organisers often offer athletes and spectators alike the chance to enjoy a spot of outdoor cultural entertainment after the race. Triathlon All year round warm weather conditions make Cyprus a paradise for triathlon enthusiasts looking for a comprehensive triathlon training destination. Swimming in one of the island’s 5 outdoor 50m pools or in one of the beautiful calm bays; cycling along picturesque routes, ranging from long straights to steep hills; running in one of the state-of-art newly constructed track areas or on a trail by the sea… All triathlon sports can easily be practiced on the island at facilities and areas close to a variety of accommodation options. Triathlon, running and cycling races are organised all year round and provide ideal opportunities to test your skills in a relaxed atmosphere. �Other Sporting Activities Cyprus is a dream destination for sports and adventure lovers. After all, along with those already mentioned, Cyprus offers a whole host of sports and activities guaranteed to make any visit to the island an exciting and invigorating experience. GOLF Many of today’s professional sportsmen and women will admit that they’re addicted to golf, and it’s a game rapidly growing in stature here in Cyprus. With 300 days of sunshine and several exceptional courses, golfers return to Cyprus time and time again. A number of international standard 18-hole courses are now in place and many international competitions have already been held. Players teeing off in Cyprus will find themselves playing amidst some of the island’s most beautiful scenery. From fairways overlooking the Mediterranean to peaceful secluded valleys, eighteen rounds in the sunshine has never been more enjoyable! An impressive infrastructure has grown to support the Cyprus golfing boom. Lively clubhouses, equipment rentals, luxurious hotels, and properties to buy or rent just yards from the fairway - there’s everything the modern golfer could need. �WATERSPORTS With the sparkling blue waters of the Mediterranean always close at hand, Cyprus is the perfect watersports destination, summer or winter. Crystal clear with minimal tides, the waters off Cyprus are ideal for professionals and fun-seekers alike. Small wonder then that sportsmen and women head here to prepare for international competitions in windsurfing, sailing, swimming, canoeing and more. Cyprus is regarded as a top sailing centre and extensive sailing and windsurfing facilities enable athletes to save time by storing their sailing equipment without disassembling it. Trained professionals representing the island’s sailing associations can provide every assistance. DIVING For those looking to explore beneath the surface, everything from cave to wreck diving is available, with the sunken wreck of the Zenobia – lying on the seabed off Larnaka – rated as one of the world’s top dives. Many of the diving centres situated throughout the island are members of the Cyprus Federation of Underwater Activities. These centres provide quality diving equipment under the professional guidance of instructors. “There is no better place for high-level competitions. The only thing I can say is that Cyprus is the place to be…” Nicos Kaklamanakis (Greece) – 1996 Olympics Windsurfing Gold Medalist MOTORSPORT SHOOTING Every year, the island hosts the most exciting round of the FIA World Rally Championship - the Cyprus Rally. Considered by many to be the toughest event in the FIA World Rally Championship, this outstanding event sees the world’s best drivers do battle on the winding gravel tracks of the Troodos mountains. As well as the Cyprus Rally, several other rallying and sprint events are held throughout the year. Shooting is a popular sport in Cyprus and the Cyprus Shooting Sport Federation is very active, organising local, national and international events, as well as providing facilities in every town, covering the trap, skeet, double trap and sporting disciplines. Arms and ammunition are safely stored, while shooting centres also offer a number of facilities including cafeterias. OTHER ACTIVITIES Other popular activities in Cyprus include beach volleyball, tennis, squash, badminton, basketball, boxing, gymnastics, martial arts, bowling, karting, parachuting, hang-gliding and a variety of extreme sports. �Medical and re-habilitation facilities are of the highest standard in Cyprus, combining advanced medical equipment with the expertise of highly-skilled practitioners. Sports stadiums and venues offer first-aid equipment while regional medical centres and hospitals can cater for any eventuality. The Cyprus Association of Sports Medicine is responsible for such key aspects as physiotherapy, sports massage and antidoping procedures. Not only is Cyprus the ideal place to receive treatment for sports-related injuries, it’s also perfect for resting and recuperating afterwards. The island boasts an extensive range of health and wellness spas offering a broad range of traditional and alternative treatments and therapies which soothe, rejuvenate and inspire. Extensive facilities also exist for physiotherapy and rehabilitation. SPORTS CONFERENCES AND MEETINGS With visitors coming to Cyprus not just to train, but also for many other aspects of their sport, local professionals have set in place modern facilities which cater for a range of needs. Luxurious hotels dot the island, offering extensive conference and meeting facilities, and Cyprus is becoming an increasingly popular venue for sports meetings, with the island hosting many regional and European conferences. Local professionals have created flexible packages that can be adapted to suit delegations of any size. �Sports Events/Training ESTABLISHED SPORTS VISITORS TO CYPRUS A selection of teams that have already chosen Cyprus as their training destination National sports associations and teams: Belgian Olympic Athletics Team British Olympics Association & Team GB (Archery, Athletics, Badminton, Boxing, Cycling, Diving, Equestrian, Judo, Modern Pentathlon, Rowing, Swimming, Taekwondo, Triathlon, Weightlifting) British Paralympic Association (Archery, Athletics, Cycling, Judo, Power lifting, Shooting, Swimming, Tennis) Cayman Islands Olympic Swimming Team German Boxing Team German Junior Triathlon Team National Irish Olympic Teams (Athletics, Boxing, Cycling, Judo, Shooting, Taekwondo) Netherlands Olympic Committee (Archery, Athletics, Badminton, Fencing, Mountain Biking, Road Cycling, Shooting) Scottish U19 Football Team Swedish Olympic Swimming Team Dutch, Finnish and Australian National Swimming Teams Udinese Calcio Footoball Team Women’s National Football Team of Scotland, Canada, Japan, Sweden, Norway, The Netherlands. MAJOR SPORTS EVENTS FIBA Eurocup All Star Game 2005 – 2006 - 2007 ‘Race under the Sun’ cross country MTB race (UCI) 2006 - 2007 3rd World University Beach Volley Championship 2006 Antique Rally (Regulating and Sporting) 2006 - 2007 FIVB Challenger Beach Volley Tournament 2006 - 2007 - 2008 Balkan Youth Swimming Games 2006 Victory Cyprus Grand Prix (Shooting) 2006 - 2007 5th Amateur Men’s Open Tournament and 1st Amateur Women’s Open Golf Tournament 2006 - 2007 - 2008 Marathon MTB World Cup Cycling Race (UCI Marathon World Series) 2005 Mediterranean Junior Wrestling Tournament 2005 Cyprus Aphrodite Half Marathon (annually) Cyprus International 4-day Challenge Marathon Events (annually) Amathunta Half Marathon & 10km (annually) Ultra Sports Pafos Marathon (annually) International Cyprus Women’s Cup 2008 ISSF World Championships in Shotgun 2007 Cyprus Rally (Annually) Troodoos Rally ExtremeCy World 2006-2007 Championship for Extreme Sports European Masters Weightlifting Championship 2007 U23 European Beach Volleyball Championship 2007 INTERENATIONAL SPORTS EVENTS 2008 Cyprus Sunshine Cup 2008 (mountain biking) World Aquabike Cyprus Grand Prix 2008 & European Women’s Cyprus Grand Prix 2008 World Games Sporting 2008 (shooting) FIBA Eurocup Final Four 2008 CONFERENCES HELD IN CYPRUS Sporting conferences held in Cyprus in recent years include: European Sports Management Conference (2006) 8th UEFA Youth Conference (2005) 28th UEFA Ordinary Congress (2004) European Aquatics Federation Conference (2004) IOC Middle East Regional Forum on Peace and Sport (2004) CONFERENCES Meeting of the Executive Committee of the European University Sports Association 2007 Annual Conference of the European Motorcycle Federation 2007 8th General Assembly of the European Canoe Federation 2007 17th UEFA Referees Course 2008 Founding Assembly Meeting of the Mediterranean University Sports Association 2008 ��Mountain biking in the Troodos… Running beside the Mediterranean… Swimming off the beach… All Seasons… All Reasons… Cyprus... your sports destination �Useful Information Lefkosia Pafos The island’s capital city, Lefkosia (Nicosia) is located at the centre of the island and is a cosmopolitan mix of office blocks, pavement cafes, and modern shops. The headquarters of many of the island’s sports associations are located here. Pafos is a lively place boasting an impressive line up of luxury hotels, golf courses and natural attractions. It is also home to the island’s second international airport. Lemesos The island’s major port, Lemesos (Limassol) successfully combines its roles as a tourist resort and a modern international business centre. Many of the island’s best hotels are here, while local sports and training facilities are numerous. Larnaka This popular coastal resort also does double duty as a bustling working town. Home to the island’s major international airport, Larnaka is an effective base for further travel around the island. Troodos Mountains A cool escape from the heat of the summer or a skiing destination in winter, the Troodos mountains offer tracks, paths and trails for cycling, hiking and running. Athletes sometimes use Troodos for altitude training. Agia Napa / Protaras Agia Napa and Protaras are major holiday destinations with plenty of hotels and recreational facilities along with sports and fitness training venues. Villages The many villages dotted around the countryside often offer rural accommodation and are a great choice for those who enjoy running and cycling. �Cyprus... your sports destination Fast Facts: Time: Electricity Supply: Local time is GMT + 2hrs, except during daylight saving timewhen it is GMT + 3hrs. 220/240 Volts AC 50Hz. UK standard square pin sockets. Banks & Currency: Cyprus mains tap water is safe to drink. Given the hot climate, it is important not to waste water. Cyprus currency is the euro, which is divided into 100 cent. Banks accept and exchange all major currencies. Most restaurants, major shops, etc. accept credit cards. Public banking hours: Monday-Friday 08:30hrs to 13:30hrs Shopping / Business Hours: As an approximate guide, opening hours in Cyprus are 09:00hrs to 18:00hrs, with a one hour lunch break. In the hotter months (between mid-June and August 31) a siesta period (optional) comes into effect, Opening hours during this period are approximately 08:00hrs-13:00hrs and 16:00hrs-20:00hrs. Many shops close on Wednesday and Saturday afternoons throughout the year. Post Offices: Most post offices open from 08:00hrs to 13:00hrs, Mon-Fri. Main post offices also open from 15:00hrs-18:00hrs on weekdays and 09:00hrs-11:00hrs on Saturdays. Water: Driving: Driving is on the left. Hire cars are widely available and are easily identified by their red number plates featuring a "Z" prefix. Drivers under 25 years of age holding a driving licence for less than 3 years at the time of rental, must inform the car rental company so that under-age insurance coverage is provided. Seat belts must be worn front and rear in cars. Helmets must be worn when riding motorcycles. Drinking and driving is punishable by law. Emergency telephone numbers: Police / Fire / Ambulance Forest Department (Fires) Major Hospitals (enquiries) 112 1407 1400 Airports International airports are located at Larnaka and Pafos. For information, telephone 77778833 �Contact Details All major sports are represented in Cyprus by federations and associations who can help individuals and groups locate equipment, premises or anything they need to train in Cyprus. There are also a number of specialist sports- handling companies operating who can provide useful advice and professional assistance. The Cyprus Tourism Organisation is always happy to help with any enquiry: Cyprus Tourism Organisation P Box 24535 .O. CY 1390 Lefkosia Tel:(+357) 22691100 Fax: (+357) 22331644 E-mail: cytour@visitcyprus.com www.visitcyprus.com SPORTS BODIES Cyprus Sports Organisation, P Box 24804 .O. 1304 Lefkosia Cyprus Tel.: (+357) 22897000 Fax: (+357) 22358222 E-mail: info@sportskoa.org.cy www.sportskoa.org.cy Cyprus Olympic Committee P Box 23931 .O. Photos: CTO archives, Agisilaou and Spyrou, Leptos Calypso Hotels 1687 Lefkosia Text and Design: Action Global Communications Cyprus Printed by: J.G. Cassoulides & Son Ltd - September 2008 Tel: (+357) 22449880/81 ISSN: 9963-44-063-0 Fax: (+357) 2244989890 E-mail: cypnoc@cytanet.com.cy www.olympic.org.cy �CTO Offices abroad CYPRUS CYPRUS TOURISM ORGANISATION Leoforos Lemesou 19, Lefkosia (Nicosia) P.O.Box 24535, CY 1390 Lefkosia (Nicosia) Tel. (00357) 22 69 11 00 Fax: (00357) 22 33 16 44 E-mail: cytour@visitcyprus.com Web-site: www.visitcyprus.com UNITED KINGDOM CYPRUS TOURIST OFFICE 17, Hanover Street London W1S 1YP Tel. 0207 569 8800, Fax: 0207 499 4935 E-mail: informationcto@btconnect.com BELGIUM OFFICE DU TOURISME DE CHYPRE DIENST VOOR TOERISME VAN CYPRUS Avenue de Cortenbergh 61, Kortenberglaan B-1000 Bruxelles/Brussel Tel. 02/735.06.21, Fax: 02/735.66.07 E-mail: cyprus@skynet.be THE NETHERLANDS CYPRUS VERKEERSBUREAU Keizersgracht 635, 1017 DS Amsterdam Tel. (020) 624 4358, Fax: (020) 638 3369 E-mail: cyprus.sun@planet.nl IRELAND CYPRUS TOURISM ORGANISATION 71, Lower Leeson Str., Dublin 2 Tel. 00 353-1-6629269, Fax: 00 353-1-6629270 E-mail: cyprusinfo@eircom.net SWEDEN CYPERNS TURISTRÅD Sveavägen 66, 111 34 Stockholm Tel. (08) 10 50 25, Fax: (08) 10 64 14 E-mail: info@ctosweden.org GERMANY - FRANKFURT FREMDENVERKEHRSZENTRALE ZYPERN Zeil 127 - 60313 Frankfurt Tel. (069) 25 19 19, Fax: (069) 25 02 88 E-mail: info@cto–fra.de FINLAND KYPROKSEN MATKAILUTOIMISTO Aleksanterinkatu 48B, 00100 Helsinki Tel. (0) 9-476 09 100, Fax: (0) 9-476 09 120 E-mail: info@ctofinland.org GERMANY - BERLIN FREMDENVERKEHRSZENTRALE ZYPERN Wallstr. 27, 10179 Berlin Tel. 0 30–23 45–75 90, Fax: 0 30–23 45–75 92 E-mail: cto_berlin@t–online.de GREECE - ATHENS CYPRUS TOURISM ORGANISATION Voukourestiou 38, Kolonaki, Athens 10673 Tel. (210) 36 10 178, (210) 36 10 057 Fax: (210) 36 44 798 E-mail: cto–athens@ath.forthnet.gr SWITZERLAND FREMDENVERKEHRSZENTRALE ZYPERN Gottfried Keller – Strasse 7 CH-8001 Zürich Tel. (+4144) 262 3303, Fax: (+4144) 251 2417 Geneva: Tel: (+4122) 741 33 03 E-mail: ctozurich@bluewin.ch GREECE - THESSALONIKI CYPRUS TOURISM ORGANISATION 37 Nikis Ave., Thessaloniki 54013, P.O.Box 50046 Tel. 00 2310-242880, Fax: 00 2310-286881 E-mail: kotthes@the.forthnet.gr AUSTRIA ZYPERN TOURISMUS Parkring 20, A–1010 Wien Tel. (01) 513 18 70 Fax: (01) 513 18 72 E-mail: office@zyperntourismus.at FRANCE OFFICE DU TOURISME DE CHYPRE 15, Rue de la Paix, 75002 Paris Tel. (01) 42 61 42 49, Fax: (01) 42 61 65 13 E-mail: cto.chypre.paris@wanadoo.fr ITALY ENTE NAZIONALE PER IL TURISMO DI CIPRO Via Santa Sofia 6, 20122 Milano Tel. 02 58 31 98 35, 02 58 30 33 28 Fax: 02 58 30 33 75 E-mail: info@turismocipro.it UNITED STATES CYPRUS TOURISM ORGANIZATION 13 East 40th Str. New York, NY 10016 Tel. (00 1212) 683–5280 Fax: (00 1212) 683–5282 E-mail: gocyprus@aol.com ISRAEL CYPRUS TOURISM ORGANISATION Top Tower-14th floor, Dizengoff Centre 50 Dizengoff Str., - Tel-Aviv 64332 Tel. 00-972-3-52 57 442 Fax: 00-972-3-52 57 443 E-mail: cto@netvision.net.il RUSSIAN FEDERATION - MOSCOW CYPRUS TOURISM ORGANISATION Povarskaya 9, Building 2, 121069, Moscow Tel. 007 495 223 9684 Fax: 007 495 744 2955 E-mail: moscowcto@yandex.ru RUSSIAN FEDERATION - ST. PETERSBURG CYPRUS TOURISM ORGANISATION 27, Furshtatskaya street, 191123 St. Petersburg Tel: 007-812-332-58-08 Fax: 007-812-332-58-09 E-mail: spbcto@yandex.ru HUNGARY CIPRUSI IDEGENFORGALMI HIVATAL H-1051 Budapest, Dorottya Str. 3. III floor Tel. 00-36-1-266 6044, Fax: 00-36-1-266 6043 E-mail: ciprusinfo@t-online.hu POLAND CYPRYJSKA ORGANIZACJA TURYSTYCZNA Ul. Piekna 20, 00-549 Warswa Tel.+ 48 22-827 90 36, Fax: + 48 22-827 90 34 E-mail: cto@cypr.pl CZECH REPUBLIC KYPERSKÁ ORGANIZACE CESTOVNíHO RUCHU Pod Hradbami 662/9, 16000 Praha 6 Tel. 00-420-222-253 097 Fax: 00-420-222-251 639 E-mail: cto.prague@volny.cz MIDDLE EAST & ARABIAN GULF CYPRUS TOURISM ORGANISATION Al Ghurair Center, Offices Tower, No 436B P.O.Box 94670, Deira, Dubai, UAE Tel. (009714) 2277637, Fax. (009714) 2277638 E-mail: tourism@cyprusme.com �CYPRUS TOURISM ORGANISATION www.visitcyprus.com � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus your sports destination Subject The topic of the resource Cyprus--Sports--Guidebooks Kύπρος--Αθλητισμός--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource There are many reasons why athletes and sports lovers are drawn to this beautiful island. There’s the exceptional climate, the range of up-to-date sports facilities, the high-quality service industry, and the short travel times between city, sea and mountains. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Cyprus_your_sports_destination_en_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Sports--Guidebooks Cyprus--Tourism--Guidebooks Kύπρος--Αθλητισμός--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/c8363137925d41221b36b886d2733a61.pdf 1c32147bf9c29d0217190d395760ba87 PDF Text Text �CYPRUS-VENICE HISTORIC RELATIONSHIP Academic Advisor / Texts : Professor Gilles Grivaud Rouen University, France Study coordinator / Routes design: Philios Phylaktis Coordination on behalf of CTO: Vakis Loizides, Strategy Department CTO working group: Maria Skapoulli, Niki Alitopoulou, Christos Koumides Design / Artistic editing: George Phylaktis Photographs The Leventis Municipal Museum of Lefkosia Figs 5,6,8,20,21,82,101,102,103,104 Bank of Cyprus Cultural Foundation Figs 1,3,18,19 Larnaka Municipality Figs 105,106 Ammochostos Municipality Fig. 108 Michalis Theocharides Figs 2,9,10,11,12,13,14,15,16,17,22,23,24,25,27,29,30,31,32,33,36,37,38,39, 41,42,43,44,45,46,47,48,49,50,51,52,53,54,55,56,57,60,61,62,63,69,70,71,72,73,74,75,76,77,83,84,85,86, 87,88,89,90,91,92,93,94,95,96,97,98,99,100 Elias Eliades Figs 26,28,68,78,40,79 Nathanael Petrou Figs. 80,81 Andreas Coutas Fig. 107 Department of Antiquities Figs 34,35,58,59,64,65,66,67 Andreas Malekos Fig. 7 Marios Hapsis Fig. 4 Maps Lands and Surveys Department, Lefkosia Cyprus Production Cyprus Tourism Organisation, 2011 ISBN 978-9963-44-125-9 2 Fig.1 Bertelli Ferrando copper engraved map of Cyprus, 1562 The special relationships that Cyprus maintained with Venice and Italian cities have been marked by contrasting phases that show a consolidation of reports throughout the Middle Ages to the Renaissance. The first known links go back to the Byzantine period, when the Emperor Manuel Comnenus gives to the Venetians the right to trade and settle on the Island since 1147. A community soon settled in Lemesos (Limassol) and the surrounding region and also in Pafos and Lefkosia (Nicosia). In the 1180s, the Venetians are already a powerful community; no monument of this period remains and the information comes from a manuscript, deposited in a Venetian private collection. The conquest of the island by Richard the Lionheart and its transformation into a state ruled by the Frankish dynasty of Lusignan, does not strengthen the Venetian settlement on the Island; indeed, for unknown reasons, the properties of the Venetians are confiscated by the Crown in the years 1191-1192. Throughout the thirteenth century, Venice is trying to obtain compensation for this confiscation, but the tensions between the Commune of Venice and the 3 �CYPRUS-VENICE HISTORIC RELATIONSHIP Academic Advisor / Texts : Professor Gilles Grivaud Rouen University, France Study coordinator / Routes design: Philios Phylaktis Coordination on behalf of CTO: Vakis Loizides, Strategy Department CTO working group: Maria Skapoulli, Niki Alitopoulou, Christos Koumides Design / Artistic editing: George Phylaktis Photographs The Leventis Municipal Museum of Lefkosia Figs 5,6,8,20,21,82,101,102,103,104 Bank of Cyprus Cultural Foundation Figs 1,3,18,19 Larnaka Municipality Figs 105,106 Ammochostos Municipality Fig. 108 Michalis Theocharides Figs 2,9,10,11,12,13,14,15,16,17,22,23,24,25,27,29,30,31,32,33,36,37,38,39, 41,42,43,44,45,46,47,48,49,50,51,52,53,54,55,56,57,60,61,62,63,69,70,71,72,73,74,75,76,77,83,84,85,86, 87,88,89,90,91,92,93,94,95,96,97,98,99,100 Elias Eliades Figs 26,28,68,78,40,79 Nathanael Petrou Figs. 80,81 Andreas Coutas Fig. 107 Department of Antiquities Figs 34,35,58,59,64,65,66,67 Andreas Malekos Fig. 7 Marios Hapsis Fig. 4 Maps Lands and Surveys Department, Lefkosia Cyprus Production Cyprus Tourism Organisation, 2011 ISBN 978-9963-44-125-9 2 Fig.1 Bertelli Ferrando copper engraved map of Cyprus, 1562 The special relationships that Cyprus maintained with Venice and Italian cities have been marked by contrasting phases that show a consolidation of reports throughout the Middle Ages to the Renaissance. The first known links go back to the Byzantine period, when the Emperor Manuel Comnenus gives to the Venetians the right to trade and settle on the Island since 1147. A community soon settled in Lemesos (Limassol) and the surrounding region and also in Pafos and Lefkosia (Nicosia). In the 1180s, the Venetians are already a powerful community; no monument of this period remains and the information comes from a manuscript, deposited in a Venetian private collection. The conquest of the island by Richard the Lionheart and its transformation into a state ruled by the Frankish dynasty of Lusignan, does not strengthen the Venetian settlement on the Island; indeed, for unknown reasons, the properties of the Venetians are confiscated by the Crown in the years 1191-1192. Throughout the thirteenth century, Venice is trying to obtain compensation for this confiscation, but the tensions between the Commune of Venice and the 3 �Fig.2 Detail from Venetian Watch Tower, near Kiti Kingdom of Cyprus lasted until 1302, without impeding on the activities of merchants in key ports of the Island (Famagusta, Lemesos and Pafos). With the restoration of diplomatic relations in 1302, starts a period of progressive diffusion of the Italian influence in the Frankish kingdom. This influence is expressed first through the financial and commercial activities, in spite of the climate of rivalry between Genoa and Venice. In this context, the Cornaro family became one of the main supporters of the Lusignan dynasty, and in the 1360s, King Peter I concedes to Marco Cornaro the fief of Episkopi which will become an important centre for sugar production and a source of enrichment for the Venetian family. The support of “Cornaro della Piscopia” becomes essential when the Kingdom of Cyprus enters into a long financial crisis after its defeat by Genoa, which rules Famagusta directly from 1374 until 1464. The financial dependence of the Lusignans on Venice follows a significant turn in the cultural world when a foundation was established in 1393 to enable young people of Cypriot families (Frankish, Greek and Syrian) to study at the University of Padua, the great intellectual centre of the Venetian Terra Ferma conquered by Venice in 1405. Throughout the fifteenth century, a large part of the elite of the kingdom is educated by Italian teachers; the movement that links the Cypriot elite with the Paduan and Venetian intellectual circles has 4 Fig.3 ndrea Morosoni, Andreae Mavroceni, Senatoris Historia Veneta Ab Anno MDXXI. Usque ad Annum MDCXV. In quinque partes tribute, Venice Published by: Antonio PInellum 1623 5 �Fig.2 Detail from Venetian Watch Tower, near Kiti Kingdom of Cyprus lasted until 1302, without impeding on the activities of merchants in key ports of the Island (Famagusta, Lemesos and Pafos). With the restoration of diplomatic relations in 1302, starts a period of progressive diffusion of the Italian influence in the Frankish kingdom. This influence is expressed first through the financial and commercial activities, in spite of the climate of rivalry between Genoa and Venice. In this context, the Cornaro family became one of the main supporters of the Lusignan dynasty, and in the 1360s, King Peter I concedes to Marco Cornaro the fief of Episkopi which will become an important centre for sugar production and a source of enrichment for the Venetian family. The support of “Cornaro della Piscopia” becomes essential when the Kingdom of Cyprus enters into a long financial crisis after its defeat by Genoa, which rules Famagusta directly from 1374 until 1464. The financial dependence of the Lusignans on Venice follows a significant turn in the cultural world when a foundation was established in 1393 to enable young people of Cypriot families (Frankish, Greek and Syrian) to study at the University of Padua, the great intellectual centre of the Venetian Terra Ferma conquered by Venice in 1405. Throughout the fifteenth century, a large part of the elite of the kingdom is educated by Italian teachers; the movement that links the Cypriot elite with the Paduan and Venetian intellectual circles has 4 Fig.3 ndrea Morosoni, Andreae Mavroceni, Senatoris Historia Veneta Ab Anno MDXXI. Usque ad Annum MDCXV. In quinque partes tribute, Venice Published by: Antonio PInellum 1623 5 �two fundamental consequences: on the one hand, it feeds permanent exchanges on both sides of the Mediterranean, which causes the progressive settlement of Cypriots in Italy; on the other hand, it strengthens the influence of Venice in the court of the last Lusignan, which precipitated the marriage of James II de Lusignan with Catherine Cornaro. The sudden death of James II opens the way to the accession to the throne by Catherine Cornaro in 1474 and the beginning of the direct domination of Venice: Cyprus becomes a province of the Venetian maritime empire, administered directly from the mainland. Accordingly, the island becomes part of a colonial system where officers sent by the Senate of Venice introduce their own political and cultural environment; therefore, the defensive system of the island is reorganised according to the principles of military architecture of the Italian Renaissance, both in the interior and the cities on the coast, while Lefkosia and Famagusta are experiencing changes in their public space, according to classic designs of Venetian cities. The period between 1474-1570 is undoubtedly the period where the links between Venice and Cyprus are the most dense. The formal integration of Cyprus into the Dominio da Mar in 1489 enhances the penetration of Italian culture in the island, so that the taste for Renaissance develops within the Cypriot elite, increasingly living half way between Venice, or the 6 mainland, and the island. This elite borrows the literary, philosophical and aesthetic values that animate the circles of scholars, it follows the fashion of the metropolis and adopts its social behaviours. The civilisation of the Italian Renaissance penetrates deeply the Cypriot nobility and the wealthy do not hesitate to decorate churches on their domains by painters drawing their inspiration from Italy. still attracts Cypriot scholars, who may acquire books printed in Greek or publish books, as does the Archimandrite Kyprianos in 1777. In this presentation of the historical frame between Cyprus and Italy, it is clear that the monuments showing the close relationship between the two countries are built in Cyprus between 1474 and 1570; before the Venetian domination, it is difficult to distinguish exclusive influence of Italian culture on the island whether in architecture or painting, because during the reign of the Lusignans, the Cypriot civilisation is marked by the Frankish influence until the fourteenth century, before becoming a hybrid culture (Franco-Byzantine) in the fifteenth century. Only the period of the Venetian domination opens the way for the systematic features of Italian civilisation. The Ottoman conquest of the summer of 1570 puts an end to the Venetian domination of Cyprus and detaches the island from the Italian environment. Relations with Venice were not totally broken but incorporation into the Empire of the Sultan reinserts the island into the Orthodox world, now becoming accustomed for a long while to live under the government of a Muslim state. The disappearance of the old aristocracy opens the way for the emergence of new elites linked to the Patriarchate of Constantinople and dealing with the Ottomans; gradually aesthetic models inspired by Italian art are no longer renewed and new cultural references are required. In Venice, however, there is scattered evidence of links between Cyprus and Venice in a few monuments that relate to a broader period, from the midfourteenth century to the beginning of the seventeenth. It is important to emphasise that many testimonials attesting to the density of relations between Cyprus and Venice are not accessible to a wide audience because these are in manuscripts or documents stored in places with limited accessibility. Fig.4 Famagusta Gate in Lefkosia Only a few expatriate noble families in Venice and Italy after 1570 keep the memory of a Greek culture nourished by the principles of the Renaissance but after two or three generations, these families are completely assimilated into Italian society and lose their connection with the island. While the trade relations between Cyprus and Venice continue until the eighteenth century, Venice 7 �two fundamental consequences: on the one hand, it feeds permanent exchanges on both sides of the Mediterranean, which causes the progressive settlement of Cypriots in Italy; on the other hand, it strengthens the influence of Venice in the court of the last Lusignan, which precipitated the marriage of James II de Lusignan with Catherine Cornaro. The sudden death of James II opens the way to the accession to the throne by Catherine Cornaro in 1474 and the beginning of the direct domination of Venice: Cyprus becomes a province of the Venetian maritime empire, administered directly from the mainland. Accordingly, the island becomes part of a colonial system where officers sent by the Senate of Venice introduce their own political and cultural environment; therefore, the defensive system of the island is reorganised according to the principles of military architecture of the Italian Renaissance, both in the interior and the cities on the coast, while Lefkosia and Famagusta are experiencing changes in their public space, according to classic designs of Venetian cities. The period between 1474-1570 is undoubtedly the period where the links between Venice and Cyprus are the most dense. The formal integration of Cyprus into the Dominio da Mar in 1489 enhances the penetration of Italian culture in the island, so that the taste for Renaissance develops within the Cypriot elite, increasingly living half way between Venice, or the 6 mainland, and the island. This elite borrows the literary, philosophical and aesthetic values that animate the circles of scholars, it follows the fashion of the metropolis and adopts its social behaviours. The civilisation of the Italian Renaissance penetrates deeply the Cypriot nobility and the wealthy do not hesitate to decorate churches on their domains by painters drawing their inspiration from Italy. still attracts Cypriot scholars, who may acquire books printed in Greek or publish books, as does the Archimandrite Kyprianos in 1777. In this presentation of the historical frame between Cyprus and Italy, it is clear that the monuments showing the close relationship between the two countries are built in Cyprus between 1474 and 1570; before the Venetian domination, it is difficult to distinguish exclusive influence of Italian culture on the island whether in architecture or painting, because during the reign of the Lusignans, the Cypriot civilisation is marked by the Frankish influence until the fourteenth century, before becoming a hybrid culture (Franco-Byzantine) in the fifteenth century. Only the period of the Venetian domination opens the way for the systematic features of Italian civilisation. The Ottoman conquest of the summer of 1570 puts an end to the Venetian domination of Cyprus and detaches the island from the Italian environment. Relations with Venice were not totally broken but incorporation into the Empire of the Sultan reinserts the island into the Orthodox world, now becoming accustomed for a long while to live under the government of a Muslim state. The disappearance of the old aristocracy opens the way for the emergence of new elites linked to the Patriarchate of Constantinople and dealing with the Ottomans; gradually aesthetic models inspired by Italian art are no longer renewed and new cultural references are required. In Venice, however, there is scattered evidence of links between Cyprus and Venice in a few monuments that relate to a broader period, from the midfourteenth century to the beginning of the seventeenth. It is important to emphasise that many testimonials attesting to the density of relations between Cyprus and Venice are not accessible to a wide audience because these are in manuscripts or documents stored in places with limited accessibility. Fig.4 Famagusta Gate in Lefkosia Only a few expatriate noble families in Venice and Italy after 1570 keep the memory of a Greek culture nourished by the principles of the Renaissance but after two or three generations, these families are completely assimilated into Italian society and lose their connection with the island. While the trade relations between Cyprus and Venice continue until the eighteenth century, Venice 7 �CATERINA CORNARO Born on 30th of April 1454, Caterina Cornaro was the daughter of Marco Cornaro della Ca’ Grande, of a wealthy Venetian family which had close ties with the Lusignan Kingdom during the fifteenth century. By her grandmother, she was related to the Greek family of the Comnenus of Trebizond, and her grandfather was Duke of Naxos; in other words, Caterina had Greek blood in her veins, could speak Greek and therefore was to be very popular among Greek people. 8 Fig.5 Gens Cornelia; 17th Century Engraving of the genealogical tree of the Cornaro Family by an anonymous artist She was married at the age of fourteen, in July 1468, under pressure from the Venetian government which wanted to extend its influence over the Kingdom of Cyprus and obtained from James II, the last Lusignan King, the promise that Caterina would inherit the Kingdom in case James would die first. Caterina received an extraordinary dowry, about 100.000 ducats. The formal wedding ceremony took place in Famagusta in December 1472. Seven months later, in August 1473, she was widowed but being pregnant at the time, gave birth to a son, James III, 50 days later. She acted then as regent of the Kingdom but when her one-year-old child died, in August 1474, she became the heiress of the Kingdom. Immediately, the Venetian government sent Caterina’s brother and uncle, together with a fleet and an army in order to secure Venetian power over the island. Living first in Famagusta then in Lefkosia, Caterina could not reign as an independent queen and, despite her popularity, she was forced to resign and to put the Kingdom in the hands of Venice in 1489 (as one can see in the monument of Doge Pietro Mocenigo in the Saints John and Paul church in Venice). Caterina arrived in Venice at the beginning of June 1489 and a great company of nobles and ladies accompanying the Doge welcomed the Queen of Cyprus. In order to express gratitude, Venice granted Caterina the territory and castle of Asolo, in the Terra Ferma, in the hilly area of Treviso. In fact, Venice provided a golden exile to Caterina, watching her travels, fearing intrigues and prohibiting too close links with Cyprus. Until the end of her life, Caterina maintained a brilliant court at Asolo, where poets, humanists, musicians and artists could gather. She died on the 10th of July 1510 and was buried in the family chapel inside the church of Santi Apostoli, in Venice. Her remains were later removed to the church of San Salvatore where a slab commemorates her memory. Fig.6 Caterina Cornaro portrait 9 �CATERINA CORNARO Born on 30th of April 1454, Caterina Cornaro was the daughter of Marco Cornaro della Ca’ Grande, of a wealthy Venetian family which had close ties with the Lusignan Kingdom during the fifteenth century. By her grandmother, she was related to the Greek family of the Comnenus of Trebizond, and her grandfather was Duke of Naxos; in other words, Caterina had Greek blood in her veins, could speak Greek and therefore was to be very popular among Greek people. 8 Fig.5 Gens Cornelia; 17th Century Engraving of the genealogical tree of the Cornaro Family by an anonymous artist She was married at the age of fourteen, in July 1468, under pressure from the Venetian government which wanted to extend its influence over the Kingdom of Cyprus and obtained from James II, the last Lusignan King, the promise that Caterina would inherit the Kingdom in case James would die first. Caterina received an extraordinary dowry, about 100.000 ducats. The formal wedding ceremony took place in Famagusta in December 1472. Seven months later, in August 1473, she was widowed but being pregnant at the time, gave birth to a son, James III, 50 days later. She acted then as regent of the Kingdom but when her one-year-old child died, in August 1474, she became the heiress of the Kingdom. Immediately, the Venetian government sent Caterina’s brother and uncle, together with a fleet and an army in order to secure Venetian power over the island. Living first in Famagusta then in Lefkosia, Caterina could not reign as an independent queen and, despite her popularity, she was forced to resign and to put the Kingdom in the hands of Venice in 1489 (as one can see in the monument of Doge Pietro Mocenigo in the Saints John and Paul church in Venice). Caterina arrived in Venice at the beginning of June 1489 and a great company of nobles and ladies accompanying the Doge welcomed the Queen of Cyprus. In order to express gratitude, Venice granted Caterina the territory and castle of Asolo, in the Terra Ferma, in the hilly area of Treviso. In fact, Venice provided a golden exile to Caterina, watching her travels, fearing intrigues and prohibiting too close links with Cyprus. Until the end of her life, Caterina maintained a brilliant court at Asolo, where poets, humanists, musicians and artists could gather. She died on the 10th of July 1510 and was buried in the family chapel inside the church of Santi Apostoli, in Venice. Her remains were later removed to the church of San Salvatore where a slab commemorates her memory. Fig.6 Caterina Cornaro portrait 9 �LEFKOSIA moat that is today partially filled, changing its original appearance. There are three gates. To the east, FAMAGUSTA GATE is particularly impressive with the breadth of its internal layout which includes an archway, a high dome and several rooms used for the guard house; the front door of Famagusta Gate is derived from the Lazaretto Gate in Candia (Heraklion), Crete, which was built by Michele Sanmicheli, another major architect of Venice. Its device is simple, combining a triangular facade with the rounded lines of the pediment, the door and the windows, four coats-of-arms of Venetian officers, carved on the pillars. The second gate, to the west, is Pafos Gate. The third to the north, Kyrenia Gate, has undergone considerable changes in the 1930s, so that it has lost its function. An incomplete inscription, related to a Venetian officer stationed in 1562, was inserted there. Despite openings made in modern times to facilitate car access, the Venetian walls of 1567 still impress with their volume and the regularity of their layout. The military qualities of this work did not prevent the capture of the city by the Ottoman troops three years later, on the 9th of September, 1570; however, Lefkosia was a prototype of military Renaissance architecture, and Giulio Savorgnano reproduced this model when Venice charged him, twentyfive years later, to build the fortress of Palmanova, in Friuli, to block the Ottoman threat. Lefkosia has retained little evidence of civil Renaissance architecture. Fig.7 Aerial photograph of Lefkosia 10 After the departure of Caterina Cornaro to Venice in 1489, Lefkosia became the capital city of the Regno di Cipro where three officers heading the colonial government were installed. The city was also the main place of residence of the aristocracy and where many religious institutions, latin or orthodox, were established since the thirteenth century. In spite of the wealth accumulated by the nobility, the city did not have major monumental construction, except for the WALLS OF THE CITY. This was one of the most innovative enterprises of military Renaissance architecture. Its instigator was the engineer Giulio Savorgnano who transformed completely, in six months only (starting on the 1st of June 1567), the defensive system left by the Lusignan which was considered obsolete and unsuited to modern warfare. To complete the project, over 1,800 houses, 4 beautiful palazzi, 80 churches and three monasteries were razed to allow construction of the new walls. It was designed on a radial plan, in a star form with eleven bastions and only 3 gates. The bastions bore either the names of some leading Venetian officers (Mula, Querini, Barbaro, Loredano), or those of nobles who agreed to finance and organise the works (Flatro, Carafa, Podocataro, Costanzo, Davila, Tripoli, Rocas). The perimeter of the enclosure is 4.8 km. The exceptional quality of this enclosure is recognized by the apparatus of walls, built with a facing of beautiful stonework placed on thick mud walls. They are protected by a large Fig.8 Plan of Lefkosia Steffano Lusignano, Chronograffia et breve historia universale dell’ isola di Cipro, Bologna 1572 11 �LEFKOSIA moat that is today partially filled, changing its original appearance. There are three gates. To the east, FAMAGUSTA GATE is particularly impressive with the breadth of its internal layout which includes an archway, a high dome and several rooms used for the guard house; the front door of Famagusta Gate is derived from the Lazaretto Gate in Candia (Heraklion), Crete, which was built by Michele Sanmicheli, another major architect of Venice. Its device is simple, combining a triangular facade with the rounded lines of the pediment, the door and the windows, four coats-of-arms of Venetian officers, carved on the pillars. The second gate, to the west, is Pafos Gate. The third to the north, Kyrenia Gate, has undergone considerable changes in the 1930s, so that it has lost its function. An incomplete inscription, related to a Venetian officer stationed in 1562, was inserted there. Despite openings made in modern times to facilitate car access, the Venetian walls of 1567 still impress with their volume and the regularity of their layout. The military qualities of this work did not prevent the capture of the city by the Ottoman troops three years later, on the 9th of September, 1570; however, Lefkosia was a prototype of military Renaissance architecture, and Giulio Savorgnano reproduced this model when Venice charged him, twentyfive years later, to build the fortress of Palmanova, in Friuli, to block the Ottoman threat. Lefkosia has retained little evidence of civil Renaissance architecture. Fig.7 Aerial photograph of Lefkosia 10 After the departure of Caterina Cornaro to Venice in 1489, Lefkosia became the capital city of the Regno di Cipro where three officers heading the colonial government were installed. The city was also the main place of residence of the aristocracy and where many religious institutions, latin or orthodox, were established since the thirteenth century. In spite of the wealth accumulated by the nobility, the city did not have major monumental construction, except for the WALLS OF THE CITY. This was one of the most innovative enterprises of military Renaissance architecture. Its instigator was the engineer Giulio Savorgnano who transformed completely, in six months only (starting on the 1st of June 1567), the defensive system left by the Lusignan which was considered obsolete and unsuited to modern warfare. To complete the project, over 1,800 houses, 4 beautiful palazzi, 80 churches and three monasteries were razed to allow construction of the new walls. It was designed on a radial plan, in a star form with eleven bastions and only 3 gates. The bastions bore either the names of some leading Venetian officers (Mula, Querini, Barbaro, Loredano), or those of nobles who agreed to finance and organise the works (Flatro, Carafa, Podocataro, Costanzo, Davila, Tripoli, Rocas). The perimeter of the enclosure is 4.8 km. The exceptional quality of this enclosure is recognized by the apparatus of walls, built with a facing of beautiful stonework placed on thick mud walls. They are protected by a large Fig.8 Plan of Lefkosia Steffano Lusignano, Chronograffia et breve historia universale dell’ isola di Cipro, Bologna 1572 11 �The main such evidence is associated with CHATZIGEORGAKIS KORNESIOS’ HOUSE, the grand dragoman of the island between 1779 and 1809. The house is located near the archbishop’s palace. This house, which has undergone many alterations over the centuries, is the major example of aristocratic residence of Lefkosia on a plan dating back to the Frankish period. It is highly probable that this house was the Podocataro family’s palazzo, because at the entrance of the house there is a carved marble tablet bearing the Coat of arms of the family, as that which can be seen in Venice on the funeral monument of Livio Podocataro in the church of San Sebastiano. The marble plaque combines several symbols, because one recognises the emblem of Venice with the lion of St. Mark above the Byzantine two-headed eagle and foliage carrying pomegranates. The style of this high-relief reveals artists who were rather clumsy in the execution of the original composite motifs. Without any doubt, it is a local production that gives the interesting image of a mixed aesthetic, between the Renaissance model and traditions inherited from the Byzantine civilisation. 12 Fig.9 Carved marble lintel bearing the Coat of arms of Podocataro family, entrance of Chatzigeorgakis Kornesios House The religious architecture, that was so flourishing during the Lusignan time, is not well documented for the period of the fifteenth and sixteenth centuries, probably because the maintenance of many institutions in the Frankish period restricted the capacity of noble families to make new investments. One of the few foundations was that of the hospital of the Augustinians, at the initiative of Archbishop Guglielmo Goneme, who came to retire in St. Mary’s Church, now OMERIYE MOSQUE, in 1469. From this hospital, only a wall remains, behind the church, pierced by two windows the decorations of which reveal a direct and early import of Italian models, with a delicate sculpted pediment and jambs. Apart from the hospital of the Augustinians, traces of the penetration of Renaissance aesthetic in the churches are difficult to identify, because they are in most cases adapted to the Franco-Byzantine style. Thus, the Church of the PANAGIA CHRYSALINIOTISSA, the foundation of which dates from the Byzantine period, combines several architectural elements of Franco-Byzantine style, but as they were made at different times, it is difficult to attribute only to the sixteenth century the renovation or construction of the building. The insertion of an Italian styled coat-ofarms in the northern wall of the church indicates the possibility of renovation at the time of the Venetian rule and one can probably attribute to this period the arcades of what could have been the courtyard of the monastery, but their style does not show any assimilation of Renaissance patterns. The door, windows and tops of the capitals are in fact imitations of the Franco-Byzantine local style that follow similar principles to those of Bedestan’s great portal. Fig.10 Arches, Panagia Chrysaliniotissa Church , Lefkosia Fig. l1 Window, Panagia Chrysaliniotissa Chrurch, Lefkosia 13 �The main such evidence is associated with CHATZIGEORGAKIS KORNESIOS’ HOUSE, the grand dragoman of the island between 1779 and 1809. The house is located near the archbishop’s palace. This house, which has undergone many alterations over the centuries, is the major example of aristocratic residence of Lefkosia on a plan dating back to the Frankish period. It is highly probable that this house was the Podocataro family’s palazzo, because at the entrance of the house there is a carved marble tablet bearing the Coat of arms of the family, as that which can be seen in Venice on the funeral monument of Livio Podocataro in the church of San Sebastiano. The marble plaque combines several symbols, because one recognises the emblem of Venice with the lion of St. Mark above the Byzantine two-headed eagle and foliage carrying pomegranates. The style of this high-relief reveals artists who were rather clumsy in the execution of the original composite motifs. Without any doubt, it is a local production that gives the interesting image of a mixed aesthetic, between the Renaissance model and traditions inherited from the Byzantine civilisation. 12 Fig.9 Carved marble lintel bearing the Coat of arms of Podocataro family, entrance of Chatzigeorgakis Kornesios House The religious architecture, that was so flourishing during the Lusignan time, is not well documented for the period of the fifteenth and sixteenth centuries, probably because the maintenance of many institutions in the Frankish period restricted the capacity of noble families to make new investments. One of the few foundations was that of the hospital of the Augustinians, at the initiative of Archbishop Guglielmo Goneme, who came to retire in St. Mary’s Church, now OMERIYE MOSQUE, in 1469. From this hospital, only a wall remains, behind the church, pierced by two windows the decorations of which reveal a direct and early import of Italian models, with a delicate sculpted pediment and jambs. Apart from the hospital of the Augustinians, traces of the penetration of Renaissance aesthetic in the churches are difficult to identify, because they are in most cases adapted to the Franco-Byzantine style. Thus, the Church of the PANAGIA CHRYSALINIOTISSA, the foundation of which dates from the Byzantine period, combines several architectural elements of Franco-Byzantine style, but as they were made at different times, it is difficult to attribute only to the sixteenth century the renovation or construction of the building. The insertion of an Italian styled coat-ofarms in the northern wall of the church indicates the possibility of renovation at the time of the Venetian rule and one can probably attribute to this period the arcades of what could have been the courtyard of the monastery, but their style does not show any assimilation of Renaissance patterns. The door, windows and tops of the capitals are in fact imitations of the Franco-Byzantine local style that follow similar principles to those of Bedestan’s great portal. Fig.10 Arches, Panagia Chrysaliniotissa Church , Lefkosia Fig. l1 Window, Panagia Chrysaliniotissa Chrurch, Lefkosia 13 �14 Fig.12 Renaissance window in hostel connected to the Church of St Mary of theAugustinians, now the Omeriye Mosque in Lefkosia Fig.13 Mother of God (Madre della Consolazione), end of 15th century Lefkosia ,Church of Our Lady Chrysaliniotissa. Now at the Byzantine Museum of Archbishop Makarios III Foundation, Lefkosia 15 �14 Fig.12 Renaissance window in hostel connected to the Church of St Mary of theAugustinians, now the Omeriye Mosque in Lefkosia Fig.13 Mother of God (Madre della Consolazione), end of 15th century Lefkosia ,Church of Our Lady Chrysaliniotissa. Now at the Byzantine Museum of Archbishop Makarios III Foundation, Lefkosia 15 �Fig.17 Decoration on the wall of Stavros tou Missirikou Church, Lefkosia Fig.14 he adoration of the Magi 15th – 16th century Church of Panagia Faneromeni, Lefkosia. Today at the Byzantine Museum of the Archbishop Makarios III Foundation, Lefkosia 16 Fig.15 Virgin Mary enthroned between St. Nicholas and Saint George from the Church of St. George in occupied Vatili now at the Byzantine Museum of the Archbishop Makarios III Foundation, Lefkosia Fig.16 Communion of the Apostles, end of 15th century, Panagia Chrysaliniotissa Chrurch. Today at the Byzantine Museum of the Archbishop Makarios III Foundation, Lefkosia The church STAVROS TOU MISSIRIKOU belongs to this class of monuments where different styles are associated. Located in the city centre behind the church of Panagia Faneromeni, this church is very small and is built according to an unusual plan for Greek churches, with a unique nave topped by a dome. Its exterior decoration is characterised by a cornice composed of corbels and foliage, referring to the Franco-Byzantine motifs, but they are associated with volutes, which are borrowed from the decorative repertoire of Renaissance art. This detail shows in fact a limited influence of Italian aesthetic of the Cypriot architects and master masons of the sixteenth century. The clearest evidence of the Venetian presence is in Lefkosia’s museums. Among the many interesting icons of the BYZANTINE MUSEUM OF THE ARCHBISHOP MAKARIOS III FOUNDATION collections, several exhibit the taste for Italian culture of the Cypriot elite of Lefkosia during the late fifteenth and the sixteenth centuries. In twelve icons, the donors are depicted in their Italian dress, both men and women, indicating the importance given to following the standards of the Venetian fashion as the clothes style changes very often from one portrait to another. More than anywhere else in Cyprus, the icons of the Byzantine Museum demonstrate the different ways by which Italian pictorial culture was received on the island. Some icons present traditional Byzantine composition executed with some Italian architectural display (Communion of the Apostles from the Panagia Chrysaliniotissa church) or with attention to the expression of human feelings (The Virgin in the style of Madre della Consolazione, from the Panagia Chrysaliniotissa church). Other icons demonstrate that pure Italian composition was adopted by Cypriot artist as the icon of the Pietà (from Agia Marina church at Pera Chorio Nisou). In some cases, Byzantine and Italian aesthetics and techniques are so mixed that the icons could have been produced in any country where Greeks and Venetians lived together (The Virgin between St. Nicholas and St. George, from Agios Georgios church at Vatili). One can also admire the complete assimilation of Renaissance culture in a picture which could have been painted in an Italian province (Adoration of the Magi, from the Panagia Faneromeni church). Apart from the icons, one notes the unique gilted silver chalice made for Agios Mamas monastery in 1501, which reveals the high quality of the liturgical vessels used in the churches of Lefkosia and revealing the art of the silversmiths and goldsmiths working in Cyprus. The collections of the Byzantine Museum can be considered as the best guide to understand how Greek and Italian cultures intermixed. 17 �Fig.17 Decoration on the wall of Stavros tou Missirikou Church, Lefkosia Fig.14 he adoration of the Magi 15th – 16th century Church of Panagia Faneromeni, Lefkosia. Today at the Byzantine Museum of the Archbishop Makarios III Foundation, Lefkosia 16 Fig.15 Virgin Mary enthroned between St. Nicholas and Saint George from the Church of St. George in occupied Vatili now at the Byzantine Museum of the Archbishop Makarios III Foundation, Lefkosia Fig.16 Communion of the Apostles, end of 15th century, Panagia Chrysaliniotissa Chrurch. Today at the Byzantine Museum of the Archbishop Makarios III Foundation, Lefkosia The church STAVROS TOU MISSIRIKOU belongs to this class of monuments where different styles are associated. Located in the city centre behind the church of Panagia Faneromeni, this church is very small and is built according to an unusual plan for Greek churches, with a unique nave topped by a dome. Its exterior decoration is characterised by a cornice composed of corbels and foliage, referring to the Franco-Byzantine motifs, but they are associated with volutes, which are borrowed from the decorative repertoire of Renaissance art. This detail shows in fact a limited influence of Italian aesthetic of the Cypriot architects and master masons of the sixteenth century. The clearest evidence of the Venetian presence is in Lefkosia’s museums. Among the many interesting icons of the BYZANTINE MUSEUM OF THE ARCHBISHOP MAKARIOS III FOUNDATION collections, several exhibit the taste for Italian culture of the Cypriot elite of Lefkosia during the late fifteenth and the sixteenth centuries. In twelve icons, the donors are depicted in their Italian dress, both men and women, indicating the importance given to following the standards of the Venetian fashion as the clothes style changes very often from one portrait to another. More than anywhere else in Cyprus, the icons of the Byzantine Museum demonstrate the different ways by which Italian pictorial culture was received on the island. Some icons present traditional Byzantine composition executed with some Italian architectural display (Communion of the Apostles from the Panagia Chrysaliniotissa church) or with attention to the expression of human feelings (The Virgin in the style of Madre della Consolazione, from the Panagia Chrysaliniotissa church). Other icons demonstrate that pure Italian composition was adopted by Cypriot artist as the icon of the Pietà (from Agia Marina church at Pera Chorio Nisou). In some cases, Byzantine and Italian aesthetics and techniques are so mixed that the icons could have been produced in any country where Greeks and Venetians lived together (The Virgin between St. Nicholas and St. George, from Agios Georgios church at Vatili). One can also admire the complete assimilation of Renaissance culture in a picture which could have been painted in an Italian province (Adoration of the Magi, from the Panagia Faneromeni church). Apart from the icons, one notes the unique gilted silver chalice made for Agios Mamas monastery in 1501, which reveals the high quality of the liturgical vessels used in the churches of Lefkosia and revealing the art of the silversmiths and goldsmiths working in Cyprus. The collections of the Byzantine Museum can be considered as the best guide to understand how Greek and Italian cultures intermixed. 17 �Two other museums have collections of artefacts connected with the long history of Italo-Cypriot relationships. The MUSEUM OF THE HISTORY OF CYPRIOT COINAGE belongs to the BANK OF CYPRUS CULTURAL FOUNDATION and has a permanent exhibition which traces the development of Cypriot coinage from the first coins issued during the sixth century B.C. to modern times. Two thousand and six hundred years of turbulent Cypriot history come alive through more than 500 coins, divided into nine chronological sections and exhibited in twenty three showcases. A chronological section is dedicated to the Venetian period. The Foundation’s Rare Historical Documents Collection, focusing on the history of Cyprus, includes manuscripts and printed books, dated from the sixteenth to the twentieth century. The earliest material found in the Collection are letters exchanged between Venetian merchants regarding goods transported through Famagusta harbour between 1407 and 1493. The printed editions include travel books by Europeans who visited Cyprus during the Frankish (1192-1489), the Venetian (1489-1571) and the Ottoman (1571-1878) periods, historical books of the sixteenth century written by the official historiographers of Venice, and a series of books regarding the “War of Cyprus” (1570-71). Figs.18,19 James III and Caterina Cornaro,1473-1474, with Venetian countermark, end of 15th century Silver gros,2.58 gms,24mm Obv.: Coat of arms of the Kingdom of Jerusalem, of the Lusignan family, of the Kingdom of Armenia and of the Kingdom of Cyprus KAT[TERIA D GR] IMP CP AR Rev.: Cross of Jerusalem IACOB[9DGR] IRM CIPA T9. Countermarked with six circular punches:two central punches, one with the value 8 solidi and one margin of the coin BCCF 1998-01-05 18 The LEVENTIS MUNICIPAL MUSEUM OF LEFKOSIA is the historical museum of the capital of Cyprus and a unique museum in the presentation and interpretation of the Venetian Period of Cyprus. The Cornaro Gallery of the museum contains an important collection of paintings and drawings dedicated to Caterina Cornaro the Venetian Queen of Cyprus (14731489). Amongst the paintings there are two dedicated to the presentation of the Crown of Cyprus to the Venetian Doge Barbarigo (1489), an important sequence in the history of Cyprus since through this act the administration of the island is officially offered to the Venetian Republic.Special importance is also drawn on the commercial relations between Venice and Cyprus and to the construction of the Venetian walls of Lefkosia. The history of the Venetian walls of Lefkosia, which are considered prototype of the European renaissance military architecture, is depicted through a unique collection of maps of the city as well as through a multimedia interactive table. Last but not least is the presentation of the siege and fall of the city to the Ottomans (1570) which is depicted through publications, a treasure of precious vessels associated with Venetian officers of the period and other artifacts such as coins and engravings. Fig.20 Caterina Cornaro Gallery, Leventis Municipal Museum, Lefkosia Fig.21 Flemish armorial tapestry with the Coat of arms of the Cornaro of Venice, circa 1680, Leventis Municipal Museum, Lefkosia 19 �Two other museums have collections of artefacts connected with the long history of Italo-Cypriot relationships. The MUSEUM OF THE HISTORY OF CYPRIOT COINAGE belongs to the BANK OF CYPRUS CULTURAL FOUNDATION and has a permanent exhibition which traces the development of Cypriot coinage from the first coins issued during the sixth century B.C. to modern times. Two thousand and six hundred years of turbulent Cypriot history come alive through more than 500 coins, divided into nine chronological sections and exhibited in twenty three showcases. A chronological section is dedicated to the Venetian period. The Foundation’s Rare Historical Documents Collection, focusing on the history of Cyprus, includes manuscripts and printed books, dated from the sixteenth to the twentieth century. The earliest material found in the Collection are letters exchanged between Venetian merchants regarding goods transported through Famagusta harbour between 1407 and 1493. The printed editions include travel books by Europeans who visited Cyprus during the Frankish (1192-1489), the Venetian (1489-1571) and the Ottoman (1571-1878) periods, historical books of the sixteenth century written by the official historiographers of Venice, and a series of books regarding the “War of Cyprus” (1570-71). Figs.18,19 James III and Caterina Cornaro,1473-1474, with Venetian countermark, end of 15th century Silver gros,2.58 gms,24mm Obv.: Coat of arms of the Kingdom of Jerusalem, of the Lusignan family, of the Kingdom of Armenia and of the Kingdom of Cyprus KAT[TERIA D GR] IMP CP AR Rev.: Cross of Jerusalem IACOB[9DGR] IRM CIPA T9. Countermarked with six circular punches:two central punches, one with the value 8 solidi and one margin of the coin BCCF 1998-01-05 18 The LEVENTIS MUNICIPAL MUSEUM OF LEFKOSIA is the historical museum of the capital of Cyprus and a unique museum in the presentation and interpretation of the Venetian Period of Cyprus. The Cornaro Gallery of the museum contains an important collection of paintings and drawings dedicated to Caterina Cornaro the Venetian Queen of Cyprus (14731489). Amongst the paintings there are two dedicated to the presentation of the Crown of Cyprus to the Venetian Doge Barbarigo (1489), an important sequence in the history of Cyprus since through this act the administration of the island is officially offered to the Venetian Republic.Special importance is also drawn on the commercial relations between Venice and Cyprus and to the construction of the Venetian walls of Lefkosia. The history of the Venetian walls of Lefkosia, which are considered prototype of the European renaissance military architecture, is depicted through a unique collection of maps of the city as well as through a multimedia interactive table. Last but not least is the presentation of the siege and fall of the city to the Ottomans (1570) which is depicted through publications, a treasure of precious vessels associated with Venetian officers of the period and other artifacts such as coins and engravings. Fig.20 Caterina Cornaro Gallery, Leventis Municipal Museum, Lefkosia Fig.21 Flemish armorial tapestry with the Coat of arms of the Cornaro of Venice, circa 1680, Leventis Municipal Museum, Lefkosia 19 �THE MANOR HOUSE AND IRRIGATION SYSTEM, POTAMIA. Located about 25 km southeast of Lefkosia, Potamia village was particularly important under the Lusignan reign especially when James I (1389-1398) and Janus (1398-1432) built there a Manor House, the design of which was inspired by early Italian villas. Waterwheels, working day and night, fed tanks, cisterns, fountains and pipes in order to irrigate citrus orchards in such a way that one could admire a green landscape from the manor’s loggia. This elegant and refined manor was a place of reception, appreciated by important foreign guests, who called it Bel Vedere. In 1426, the residence was burned down by the Mamelukes of Egypt and never recovered its former glory. Folk tales assert that Caterina Cornaro lived there, a point not confirmed by archive documents or by the archaeological excavations conducted by the French School at Athens. The manor, however, regained some of its economic prosperity from 1521 when the fief of Potamia was purchased by a wealthy and influential family of the Greek aristocracy in Cyprus, the Singlitico. Using the irrigation system developed by the Lusignan, they made Potamia the centre of a prosperous area and a source of considerable revenues. Fig.22 The oldest watermill of Cyprus at Agios Sozomenos (outside view) 20 Today we are left with the ruins of the manor house. In the surrounding countryside we have evidence of its prosperous past in particular in the remains of two water mills, the first in Archangelos (arriving by the road from Fig.23 The oldest watermill of Cyprus at Agios Sozomenos (from the top) 21 �THE MANOR HOUSE AND IRRIGATION SYSTEM, POTAMIA. Located about 25 km southeast of Lefkosia, Potamia village was particularly important under the Lusignan reign especially when James I (1389-1398) and Janus (1398-1432) built there a Manor House, the design of which was inspired by early Italian villas. Waterwheels, working day and night, fed tanks, cisterns, fountains and pipes in order to irrigate citrus orchards in such a way that one could admire a green landscape from the manor’s loggia. This elegant and refined manor was a place of reception, appreciated by important foreign guests, who called it Bel Vedere. In 1426, the residence was burned down by the Mamelukes of Egypt and never recovered its former glory. Folk tales assert that Caterina Cornaro lived there, a point not confirmed by archive documents or by the archaeological excavations conducted by the French School at Athens. The manor, however, regained some of its economic prosperity from 1521 when the fief of Potamia was purchased by a wealthy and influential family of the Greek aristocracy in Cyprus, the Singlitico. Using the irrigation system developed by the Lusignan, they made Potamia the centre of a prosperous area and a source of considerable revenues. Fig.22 The oldest watermill of Cyprus at Agios Sozomenos (outside view) 20 Today we are left with the ruins of the manor house. In the surrounding countryside we have evidence of its prosperous past in particular in the remains of two water mills, the first in Archangelos (arriving by the road from Fig.23 The oldest watermill of Cyprus at Agios Sozomenos (from the top) 21 �Lefkosia, before crossing the river Yialias), the other one before Agios Sozomenos, near the bridge across the Alykos. This latter mill, built in the fourteenth century, was in operation until the eighteenth century and is probably the oldest and most monumental watermill of Cyprus where we still observe the aqueduct conveying water and the imposing forced waterline built in massive stones. LARNAKA THE CHURCH OF AGIOS MAMAS, AGIOS SOZOMENOS The Singlitico family did not only make economic investments in their fields at Potamia. They also built a church, which was probably never completed, and was to serve as a family funeral church. Named Agios Mamas, this church is located in the nearby village of Agios Sozomenos at the foot of the cliff hermitage where Agios Sozomenos was revered, a local saint whose cult was linked to the hope of resurrection after death. The monument stands proudly on the edge of a village abandoned since 1964. It has lost its roof but there remain parts of the apse, walls, the pillars that separate the three naves and two doors. The building’s architecture is of Gothic style but from a later period with inspiration from the great buildings of Lefkosia and Famagusta, without the elegance in the proportions of the great medieval monuments. Two large tombs were constructed in the south wall and decorated with columns and mouldings, the motifs of which clearly belong to the Renaissance repertoire. This church is one of very few examples of religious construction in Gothic style in the countryside. Presumably they were also linked to the donation of the painted panel above the tomb of the saint in the hermitage carved into the cliff overlooking the church and the village. Fig.24 Agios Mamas Church in Agios Sozomenos village Fig.25 Salt lakes in Larnaka known as Salt lakes of San Lazzaro during the Venetian time Larnaka was just a large village in the sixteenth century the development of which depended on the SALT LAKES OF SAN LAZARRO which provided the ballast for ships operating on the Levant trade. Apart from the galleys, boats loaded supplies of salt, the quality of which was appreciated in Venice. The exploitation of the two salt lakes, now abandoned, was an important source of revenue for Venice, and the spectacle of salt extraction was of interest to all travellers and pilgrims stopping in Cyprus. Salt could be exploited almost everywhere along the Cypriot shores, the main centre of production was located here, near Larnaka, at this area called “Lakes of Saint Lazarus” where the two lakes had a circumference of more than 20 km. These lakes were not exploited according to the usual salt lakes system as the water which filled the lakes did not come from the sea but from two small torrents inland. Due to the proximity of the sea and the nature of the soil, the sun transformed the water to salt through evaporation during summertime; most of the travellers were amazed by the large salt surface of the lakes which contrasted to the usual small squares of the traditional Mediterranean salt lakes. 22 The salt extraction and trade were a State monopoly since Byzantine and Frankish times, and the Venetians continued this arrangement. All the Cypriots had to buy a certain amount of salt from the State and this tax brought regular incomes 23 �Lefkosia, before crossing the river Yialias), the other one before Agios Sozomenos, near the bridge across the Alykos. This latter mill, built in the fourteenth century, was in operation until the eighteenth century and is probably the oldest and most monumental watermill of Cyprus where we still observe the aqueduct conveying water and the imposing forced waterline built in massive stones. LARNAKA THE CHURCH OF AGIOS MAMAS, AGIOS SOZOMENOS The Singlitico family did not only make economic investments in their fields at Potamia. They also built a church, which was probably never completed, and was to serve as a family funeral church. Named Agios Mamas, this church is located in the nearby village of Agios Sozomenos at the foot of the cliff hermitage where Agios Sozomenos was revered, a local saint whose cult was linked to the hope of resurrection after death. The monument stands proudly on the edge of a village abandoned since 1964. It has lost its roof but there remain parts of the apse, walls, the pillars that separate the three naves and two doors. The building’s architecture is of Gothic style but from a later period with inspiration from the great buildings of Lefkosia and Famagusta, without the elegance in the proportions of the great medieval monuments. Two large tombs were constructed in the south wall and decorated with columns and mouldings, the motifs of which clearly belong to the Renaissance repertoire. This church is one of very few examples of religious construction in Gothic style in the countryside. Presumably they were also linked to the donation of the painted panel above the tomb of the saint in the hermitage carved into the cliff overlooking the church and the village. Fig.24 Agios Mamas Church in Agios Sozomenos village Fig.25 Salt lakes in Larnaka known as Salt lakes of San Lazzaro during the Venetian time Larnaka was just a large village in the sixteenth century the development of which depended on the SALT LAKES OF SAN LAZARRO which provided the ballast for ships operating on the Levant trade. Apart from the galleys, boats loaded supplies of salt, the quality of which was appreciated in Venice. The exploitation of the two salt lakes, now abandoned, was an important source of revenue for Venice, and the spectacle of salt extraction was of interest to all travellers and pilgrims stopping in Cyprus. Salt could be exploited almost everywhere along the Cypriot shores, the main centre of production was located here, near Larnaka, at this area called “Lakes of Saint Lazarus” where the two lakes had a circumference of more than 20 km. These lakes were not exploited according to the usual salt lakes system as the water which filled the lakes did not come from the sea but from two small torrents inland. Due to the proximity of the sea and the nature of the soil, the sun transformed the water to salt through evaporation during summertime; most of the travellers were amazed by the large salt surface of the lakes which contrasted to the usual small squares of the traditional Mediterranean salt lakes. 22 The salt extraction and trade were a State monopoly since Byzantine and Frankish times, and the Venetians continued this arrangement. All the Cypriots had to buy a certain amount of salt from the State and this tax brought regular incomes 23 �to the Treasury. Venice also required that all the Venetian ships bring back to Venice certain quantities of salt in order to sell them on the Northern Italian markets. By that measure, the salt extracted in Cyprus largely sustained the Venetian maritime trade between the Levant and Italy. The extraction was organised under the supervision of Venetian officials, who employed serfs with their donkeys. They had first to break the hard crust with picks, then cut them in large bricks and load them on the donkeys; the animals brought them directly to the shore where the sailors could load them on ship. At times when there were no ships, the blocks were stacked in huge pyramids near the coast, waiting for the next ships. Fig.27 Medieval incised ceramics, Pierides Museum Marfin Laiki Bank Foundation, Larnaka Fig.28 Interior of Agios Lazaros Church, Larnaka In Larnaka itself, there are no significant monuments from the Venetian period. However the Agios Lazaros church, a place of pilgrimage visited during the Middle Ages and the fort, built by the Ottomans on older structures, do have a Venetian connection. Additions and repairs in the southern arcade of AGIOS LAZAROS CHURCH were carried out in 1559 under the Provveditore of Cyprus Sebastian Vernier. In the CASTLE one can see the De Nores family Coat of arms and gravestones. The collections of the PIERIDES MUSEUM MARFIN LAIKI FOUNDATION present some examples of Lapithos type ceramic cookware manufactured in the sixteenth century. 24 Fig.26 Agios Lazaros Church, Larnaka 25 �to the Treasury. Venice also required that all the Venetian ships bring back to Venice certain quantities of salt in order to sell them on the Northern Italian markets. By that measure, the salt extracted in Cyprus largely sustained the Venetian maritime trade between the Levant and Italy. The extraction was organised under the supervision of Venetian officials, who employed serfs with their donkeys. They had first to break the hard crust with picks, then cut them in large bricks and load them on the donkeys; the animals brought them directly to the shore where the sailors could load them on ship. At times when there were no ships, the blocks were stacked in huge pyramids near the coast, waiting for the next ships. Fig.27 Medieval incised ceramics, Pierides Museum Marfin Laiki Bank Foundation, Larnaka Fig.28 Interior of Agios Lazaros Church, Larnaka In Larnaka itself, there are no significant monuments from the Venetian period. However the Agios Lazaros church, a place of pilgrimage visited during the Middle Ages and the fort, built by the Ottomans on older structures, do have a Venetian connection. Additions and repairs in the southern arcade of AGIOS LAZAROS CHURCH were carried out in 1559 under the Provveditore of Cyprus Sebastian Vernier. In the CASTLE one can see the De Nores family Coat of arms and gravestones. The collections of the PIERIDES MUSEUM MARFIN LAIKI FOUNDATION present some examples of Lapithos type ceramic cookware manufactured in the sixteenth century. 24 Fig.26 Agios Lazaros Church, Larnaka 25 �AGIA NAPA Near the villages of Kiti and Pervolia, near the lighthouse, stands the most elegant VENETIAN WATCH TOWER of Cyprus, with low and wide proportions, with beautiful stonework in a square form. It has just one floor. We note especially the terrace with machicolations. Without windows, the tower was accessible via an upstairs door, the lintel of which is carved with a lion of St. Mark holding a sword and flanked by two coats-ofarms, like all buildings constructed on the initiative of Venetian officers. Fig.29 Venetian Watch Tower near Kiti village Fig.30 Agia Napa Monastery THE MONASTERY OF AGIA NAPA The village of Agia Napa, now a well known Mediterranean seaside resort, was a famous place in the late Middle Ages and the Renaissance: pilgrims went there to venerate a miraculous icon of the Virgin Mary in the church of the monastery that was dedicated to the Theotokos. Because of its coastal location, this place of worship attracted people coming from Famagusta as well as sailors and foreign merchants. A unique feature of this monastery was that it had services by both Greek and Latin priests, which shows the strength of attraction of the cult of the icon and the convergence of worship during the fifteenth and sixteenth centuries. 26 The monastery is no longer isolated since it is surrounded by modern buildings, but it has preserved its enclosure that then protected it from attacks by pirates. The date of construction of the current building, which is not documented, probably goes back to the late fifteenth century, though its foundation was earlier, since the monastery is mentioned in the sources during the fourteenth century. Among the original characteristics of the monastic complex, one notices the combination of civil and religious architecture. The entrance to the monastery is through a door archway under a building comprising a ground and first floor. The first floor included external bays that were once loggias, closed today, indicating that this building was residential. 27 �AGIA NAPA Near the villages of Kiti and Pervolia, near the lighthouse, stands the most elegant VENETIAN WATCH TOWER of Cyprus, with low and wide proportions, with beautiful stonework in a square form. It has just one floor. We note especially the terrace with machicolations. Without windows, the tower was accessible via an upstairs door, the lintel of which is carved with a lion of St. Mark holding a sword and flanked by two coats-ofarms, like all buildings constructed on the initiative of Venetian officers. Fig.29 Venetian Watch Tower near Kiti village Fig.30 Agia Napa Monastery THE MONASTERY OF AGIA NAPA The village of Agia Napa, now a well known Mediterranean seaside resort, was a famous place in the late Middle Ages and the Renaissance: pilgrims went there to venerate a miraculous icon of the Virgin Mary in the church of the monastery that was dedicated to the Theotokos. Because of its coastal location, this place of worship attracted people coming from Famagusta as well as sailors and foreign merchants. A unique feature of this monastery was that it had services by both Greek and Latin priests, which shows the strength of attraction of the cult of the icon and the convergence of worship during the fifteenth and sixteenth centuries. 26 The monastery is no longer isolated since it is surrounded by modern buildings, but it has preserved its enclosure that then protected it from attacks by pirates. The date of construction of the current building, which is not documented, probably goes back to the late fifteenth century, though its foundation was earlier, since the monastery is mentioned in the sources during the fourteenth century. Among the original characteristics of the monastic complex, one notices the combination of civil and religious architecture. The entrance to the monastery is through a door archway under a building comprising a ground and first floor. The first floor included external bays that were once loggias, closed today, indicating that this building was residential. 27 �LEMESOS One notices a carved decoration, typical of the early Renaissance, particularly around the inner window with pilasters, columns and mouldings on jambs and arches. After passing the main gate, one enters the courtyard of the monastery bathed in a peaceful lovely flowered atmosphere. The cloister, punctuated by beautiful arches in the typical popular Gothic style of Cyprus, has at its center an attractive fountain housed in a dome resting on four pillars: it is an octagonal watershed in travertine marble decorated with carved heads connected by garlands flower, a typical Renaissance motif, alternating with coats-of-arms and other motifs of popular style. The small church, with roots dating back to Byzantine times, is built over an underground chamber carved into the rock; this is where the miraculous icon of the Virgin was displayed, beside a sacred spring (hagiasma). Within the church, there is a chapel, probably of Latin rite, adorned with late Gothic decoration, where one can distinguish a small rose window. 28 Fig.31 Agia Napa Monastery Fig.32 Fountain housed in a dome resting on four pillars, Agia Napa Monastery Fig.33 Lemesos Castle Lemesos has retained very few monuments of the Middle Ages and even less of the Renaissance. Only the CASTLE which defended the port is of interest. Built in the late twelfth century, it was repeatedly damaged during conflicts and dismantled by the Venetians after an Ottoman attack in 1538. It was fully re-built in the 1560s by Venetian military engineers. In order to withstand cannon fire, the entire building was surrounded by a thick wall. The castle now houses the CYPRUS MEDIEVAL MUSEUM where the finest collection of tombstones and other artefacts of the island are exhibited. In the hall on the ground floor, one sees in particular some examples of graves illustrating the diffusion of Italian customs in Cypriot society such as the grave of Ioannis Yafounis (d. 1558), a man of influence, wearing traditional Cypriot clothes in a late gothic frame. Two years earlier (1556), the tomb of Akylina Smerleni presents an epitaph on a scroll around skull and bones, according to Italian prototypes unrelated to the Byzantine aesthetics. In other rooms of the museum, different kinds of sixteenth century pottery are exhibited, some imported majolica ware from North or Central Italy but also glazed ware from Lapithos, painted with vibrant colours that recall Italian majolica. 29 �LEMESOS One notices a carved decoration, typical of the early Renaissance, particularly around the inner window with pilasters, columns and mouldings on jambs and arches. After passing the main gate, one enters the courtyard of the monastery bathed in a peaceful lovely flowered atmosphere. The cloister, punctuated by beautiful arches in the typical popular Gothic style of Cyprus, has at its center an attractive fountain housed in a dome resting on four pillars: it is an octagonal watershed in travertine marble decorated with carved heads connected by garlands flower, a typical Renaissance motif, alternating with coats-of-arms and other motifs of popular style. The small church, with roots dating back to Byzantine times, is built over an underground chamber carved into the rock; this is where the miraculous icon of the Virgin was displayed, beside a sacred spring (hagiasma). Within the church, there is a chapel, probably of Latin rite, adorned with late Gothic decoration, where one can distinguish a small rose window. 28 Fig.31 Agia Napa Monastery Fig.32 Fountain housed in a dome resting on four pillars, Agia Napa Monastery Fig.33 Lemesos Castle Lemesos has retained very few monuments of the Middle Ages and even less of the Renaissance. Only the CASTLE which defended the port is of interest. Built in the late twelfth century, it was repeatedly damaged during conflicts and dismantled by the Venetians after an Ottoman attack in 1538. It was fully re-built in the 1560s by Venetian military engineers. In order to withstand cannon fire, the entire building was surrounded by a thick wall. The castle now houses the CYPRUS MEDIEVAL MUSEUM where the finest collection of tombstones and other artefacts of the island are exhibited. In the hall on the ground floor, one sees in particular some examples of graves illustrating the diffusion of Italian customs in Cypriot society such as the grave of Ioannis Yafounis (d. 1558), a man of influence, wearing traditional Cypriot clothes in a late gothic frame. Two years earlier (1556), the tomb of Akylina Smerleni presents an epitaph on a scroll around skull and bones, according to Italian prototypes unrelated to the Byzantine aesthetics. In other rooms of the museum, different kinds of sixteenth century pottery are exhibited, some imported majolica ware from North or Central Italy but also glazed ware from Lapithos, painted with vibrant colours that recall Italian majolica. 29 �SUGAR PRODUCTION MILL, EPISKOPI During the Middle Ages and the Venetian rule Episkopi was a major center of sugar production owned by the Venetian family of Cornaro from 1363. Structures and investments there included a four-level palace, a sugar refinery and many storehouses. The surrounding land was irrigated by an ingenious water system (aqueducts, fountains, canals). This complex of houses and industrial buildings, mostly known through the archives, has not left many traces. Excavations conducted by the Department of Antiquities at a place called Serayia in the southern part of the village brought to light foundations of an impressive watermill, as demonstrated by the dimensions of the mill-stone for grinding sugar cane. All around, one can still see fragments of moulds used to form the sugar loaves that were placed in the Venetian market. 30 Fig.34,35 Sugar production mill, Episkopi village PAFOS Fig.36 Wall painting, Agios Neofytos Monastery, Katholikon, Pafos Similarly, there are no Renaissance monuments in Pafos. The Fort at the harbour’s entrance, although built by the Lusignan and constantly reinforced by the Venetians, was entirely rebuilt by the Ottomans following demolitions in 1570. In the two town museums we can find items from the time of Venetian rule. In the PAFOS DISTRICT ARCHAEOLOGICAL MUSEUM, a rare piece of Renaissance sculpture representing four tallish angels supporting a canopy, is exhibited. It comes from the Franciscan church in Pafos. At the BYZANTINE MUSEUM, many icons of the Virgin show direct Italian Renaissance influence through the art of her portraits (Panagia Deomeni from Kato Archimandrita, Panagia Philochiotissa from Philousa Kelokedaron). The portraits of the donors on the lower register of the icon of Agios Ioannis Theologos are also good testimonies of the Venetian fashion in the remote village of Agios Nikolaos (1562). 31 �SUGAR PRODUCTION MILL, EPISKOPI During the Middle Ages and the Venetian rule Episkopi was a major center of sugar production owned by the Venetian family of Cornaro from 1363. Structures and investments there included a four-level palace, a sugar refinery and many storehouses. The surrounding land was irrigated by an ingenious water system (aqueducts, fountains, canals). This complex of houses and industrial buildings, mostly known through the archives, has not left many traces. Excavations conducted by the Department of Antiquities at a place called Serayia in the southern part of the village brought to light foundations of an impressive watermill, as demonstrated by the dimensions of the mill-stone for grinding sugar cane. All around, one can still see fragments of moulds used to form the sugar loaves that were placed in the Venetian market. 30 Fig.34,35 Sugar production mill, Episkopi village PAFOS Fig.36 Wall painting, Agios Neofytos Monastery, Katholikon, Pafos Similarly, there are no Renaissance monuments in Pafos. The Fort at the harbour’s entrance, although built by the Lusignan and constantly reinforced by the Venetians, was entirely rebuilt by the Ottomans following demolitions in 1570. In the two town museums we can find items from the time of Venetian rule. In the PAFOS DISTRICT ARCHAEOLOGICAL MUSEUM, a rare piece of Renaissance sculpture representing four tallish angels supporting a canopy, is exhibited. It comes from the Franciscan church in Pafos. At the BYZANTINE MUSEUM, many icons of the Virgin show direct Italian Renaissance influence through the art of her portraits (Panagia Deomeni from Kato Archimandrita, Panagia Philochiotissa from Philousa Kelokedaron). The portraits of the donors on the lower register of the icon of Agios Ioannis Theologos are also good testimonies of the Venetian fashion in the remote village of Agios Nikolaos (1562). 31 �THE CHURCH OF PANAGIA CHRYSELEOUSA, EMPA The village of Empa, about 3 km from the coast of Pafos, was in the late Middle Ages a major centre of sugar production, under the ownership of the royal domain of the Lusignan. The great Byzantine church, dedicated to the Virgin Chryseleousa, located near the centre of the village, was built in the twelfth century and is characterised by two domes that dominate it. Its nave received abundant decoration in the late fifteenth century. The main dome has kept a strong representation of Christ Pantocrator surrounded by angels, archangels and prophets, all having been executed by an artist who was true to the style of Palaeologian painting. Other panels of the nave, chronicling the life of Christ, reflect the same artistic movement. However, the icons placed on the gilded wood sixteenth century iconostasis are in a completely different style. The main icon of Christ was executed by the painter Titos in 1536; close to it, we see the two panels of the twelve Apostles, executed with a skilled Italo-Byzantine style, whose faces refer to idealized Venetian prototypes; these panels were ordered by two Italian or Italian-Cypriot families whose coatsof-arms are painted at the bottom. Another coat-of-arms, painted above the north-east door of the church, shows how the principle of artistic patronage was then prevalent among the elite living on the island until the Ottoman conquest. 32 Fig.37 Icon of John the Theologian, Byzantine Museum of Pafos Bishopric Fig.38 Panels with Apostles, Iconostasis of Panagia Chryseleousa Church, Empa 33 �THE CHURCH OF PANAGIA CHRYSELEOUSA, EMPA The village of Empa, about 3 km from the coast of Pafos, was in the late Middle Ages a major centre of sugar production, under the ownership of the royal domain of the Lusignan. The great Byzantine church, dedicated to the Virgin Chryseleousa, located near the centre of the village, was built in the twelfth century and is characterised by two domes that dominate it. Its nave received abundant decoration in the late fifteenth century. The main dome has kept a strong representation of Christ Pantocrator surrounded by angels, archangels and prophets, all having been executed by an artist who was true to the style of Palaeologian painting. Other panels of the nave, chronicling the life of Christ, reflect the same artistic movement. However, the icons placed on the gilded wood sixteenth century iconostasis are in a completely different style. The main icon of Christ was executed by the painter Titos in 1536; close to it, we see the two panels of the twelve Apostles, executed with a skilled Italo-Byzantine style, whose faces refer to idealized Venetian prototypes; these panels were ordered by two Italian or Italian-Cypriot families whose coatsof-arms are painted at the bottom. Another coat-of-arms, painted above the north-east door of the church, shows how the principle of artistic patronage was then prevalent among the elite living on the island until the Ottoman conquest. 32 Fig.37 Icon of John the Theologian, Byzantine Museum of Pafos Bishopric Fig.38 Panels with Apostles, Iconostasis of Panagia Chryseleousa Church, Empa 33 �THE MONASTERY OF AGIOS NEOFYTOS NEAR TALA The monastery of Agios Neofytos, 15 km north of Pafos, near the village of Tala, is a prestigious religious institution founded back in the 1160s when Saint Neofytos dug a hermitage into the cliffside in order to spend there a holy life; paintings that decorate the Enkleistra are among the masterpieces of Byzantine painting, particularly representative of the art of the Comnenian period. The monastery was built at a much later time, near the end of the fifteenth century or early sixteenth as regards the katholikon. The church, dedicated to the Virgin Mary, has the form of a large basilica with three naves, which includes a large number of paintings executed during the first half of the sixteenth century. In such a conservative spiritual center of Orthodoxy, the decoration followed the rules of Byzantine iconography, as evidenced by all the paintings, especially in the northern vault which contains the cycle of 24 panels drawn from the Akathistos Hymnos. This theme, also represented in the “Latin Chapel” of Agios Ioannis Lampadistis at Kalopanagiotis, is treated according to the principles of Byzantine iconography but there, the artists added specific features from Italian painting. In the Katholikon of Agios Neofytos, painters remain faithful to the sixteenth century Byzantine style which finds here its most refined expression with an elegant design used by a skillful use of colour. Fig.39 Agios Neofytos Monastery: Enkleistra Fig.40 Wall paintings in the Katholikon of Agios Neofytos Monastery, Pafos Rare traces of Italian influence are seen in the Catholikon with clearer influence in some decoration, as seen in plant and floral Renaissance motifs, in the bands that surround the saints represented above the iconostasis. This detail confirms that the painters who worked in Agios Neofytos knew the Italian models, perhaps through the “Latin Chapel” of Kalopanagiotis. One, therefore, concludes that they are turning away from Italian aesthetic formulas by respecting the Byzantine tradition, and that this is a deliberate reaction against the innovations from the West. THE CHURCH OF AGIA EKATERINI NEAR KRITOU TERRA Near the village of Kritou Terra (about 4 km east of the village), we find one of the most astonishing churches built in the Cypriot countryside at the end of the fifteenth century-beginning of the sixteenth century. It is believed to have been a dependent monastery of St. Catherine in the Sinai until the end of the nineteenth century. The church of Agia Ekaterini is unique in its architecture, as the narthex is open, like a portico, and domed with three cupols. 34 The arcades remind those of the inner courtyard at Agia Napa which shows how different influences (local Gothic, Byzantine and Renaissance) could mix together in a remote place. Unfortunately, most of the frescoes of that period disappeared after the 1953 earthquake. 35 �THE MONASTERY OF AGIOS NEOFYTOS NEAR TALA The monastery of Agios Neofytos, 15 km north of Pafos, near the village of Tala, is a prestigious religious institution founded back in the 1160s when Saint Neofytos dug a hermitage into the cliffside in order to spend there a holy life; paintings that decorate the Enkleistra are among the masterpieces of Byzantine painting, particularly representative of the art of the Comnenian period. The monastery was built at a much later time, near the end of the fifteenth century or early sixteenth as regards the katholikon. The church, dedicated to the Virgin Mary, has the form of a large basilica with three naves, which includes a large number of paintings executed during the first half of the sixteenth century. In such a conservative spiritual center of Orthodoxy, the decoration followed the rules of Byzantine iconography, as evidenced by all the paintings, especially in the northern vault which contains the cycle of 24 panels drawn from the Akathistos Hymnos. This theme, also represented in the “Latin Chapel” of Agios Ioannis Lampadistis at Kalopanagiotis, is treated according to the principles of Byzantine iconography but there, the artists added specific features from Italian painting. In the Katholikon of Agios Neofytos, painters remain faithful to the sixteenth century Byzantine style which finds here its most refined expression with an elegant design used by a skillful use of colour. Fig.39 Agios Neofytos Monastery: Enkleistra Fig.40 Wall paintings in the Katholikon of Agios Neofytos Monastery, Pafos Rare traces of Italian influence are seen in the Catholikon with clearer influence in some decoration, as seen in plant and floral Renaissance motifs, in the bands that surround the saints represented above the iconostasis. This detail confirms that the painters who worked in Agios Neofytos knew the Italian models, perhaps through the “Latin Chapel” of Kalopanagiotis. One, therefore, concludes that they are turning away from Italian aesthetic formulas by respecting the Byzantine tradition, and that this is a deliberate reaction against the innovations from the West. THE CHURCH OF AGIA EKATERINI NEAR KRITOU TERRA Near the village of Kritou Terra (about 4 km east of the village), we find one of the most astonishing churches built in the Cypriot countryside at the end of the fifteenth century-beginning of the sixteenth century. It is believed to have been a dependent monastery of St. Catherine in the Sinai until the end of the nineteenth century. The church of Agia Ekaterini is unique in its architecture, as the narthex is open, like a portico, and domed with three cupols. 34 The arcades remind those of the inner courtyard at Agia Napa which shows how different influences (local Gothic, Byzantine and Renaissance) could mix together in a remote place. Unfortunately, most of the frescoes of that period disappeared after the 1953 earthquake. 35 �TROODOS AREA Fig.41 Church of Agia Ekaterini near Kritou Tera THE CHURCH OF ARCHANGELOS MICHAEL, CHOLI The church of the Archangel Michael is located high on the outskirts of the village of Choli. It is unique as it is built against a watchtower that was part of the defence system of the Chrysochrou Bay which includes Pyrgos tis Rigainas in the Akamas. The tower dates from the late fifteenth or early sixteenth century, the same as the church which is decorated with frescoes painted in a provincial and late Byzantine style. Fig.43 Church of Metamorphosis tou Sotiros, Palaichori Fig.42 Church of Archangelos Michael, Choli THE CHURCH OF METAMORPHOSIS TOU SOTIROS, PALAICHORI The village of Palaichori is located on the slopes of Mount Papoutsa in the Pitsilia area. In the Middle Ages, it was already a rich fief which was successively owned by the Lusignan, the Ibelin family, the military order of the Hospital of St. John, the family of the Counts of Edessa de Grenier and, finally, by the Commune of Venice. As might be expected, these great families left traces of their patronage in the local churches, one dedicated to the Metamorphosis tou Sotiros (Transfiguration of the Saviour) and one dedicated to Panagia Chrysopantanassa. On the top of a hill, the Church of the Metamorphosis tou Sotiros, sheltered by a large roof as is common in the Troodos, dominates the site. The interior has maintained an extensive programme of frescoes including cycles from the New Testament and some scenes from the Old Testament with representations of military saints and holy monks. The style of these paintings belongs to the late Byzantine tradition of the early sixteenth century and is comparable to those performed by Symeon Afxentis in the church of Agios Sozomenos in Galata. Very few stylistic elements borrowed from Italian art are seen in the Resurrection of Christ. 36 37 �TROODOS AREA Fig.41 Church of Agia Ekaterini near Kritou Tera THE CHURCH OF ARCHANGELOS MICHAEL, CHOLI The church of the Archangel Michael is located high on the outskirts of the village of Choli. It is unique as it is built against a watchtower that was part of the defence system of the Chrysochrou Bay which includes Pyrgos tis Rigainas in the Akamas. The tower dates from the late fifteenth or early sixteenth century, the same as the church which is decorated with frescoes painted in a provincial and late Byzantine style. Fig.43 Church of Metamorphosis tou Sotiros, Palaichori Fig.42 Church of Archangelos Michael, Choli THE CHURCH OF METAMORPHOSIS TOU SOTIROS, PALAICHORI The village of Palaichori is located on the slopes of Mount Papoutsa in the Pitsilia area. In the Middle Ages, it was already a rich fief which was successively owned by the Lusignan, the Ibelin family, the military order of the Hospital of St. John, the family of the Counts of Edessa de Grenier and, finally, by the Commune of Venice. As might be expected, these great families left traces of their patronage in the local churches, one dedicated to the Metamorphosis tou Sotiros (Transfiguration of the Saviour) and one dedicated to Panagia Chrysopantanassa. On the top of a hill, the Church of the Metamorphosis tou Sotiros, sheltered by a large roof as is common in the Troodos, dominates the site. The interior has maintained an extensive programme of frescoes including cycles from the New Testament and some scenes from the Old Testament with representations of military saints and holy monks. The style of these paintings belongs to the late Byzantine tradition of the early sixteenth century and is comparable to those performed by Symeon Afxentis in the church of Agios Sozomenos in Galata. Very few stylistic elements borrowed from Italian art are seen in the Resurrection of Christ. 36 37 �THE CHURCH OF PANAGIA CHRYSOPANTANASSA, PALAICHORI. A totally different perspective is adopted in the church of Panagia Chrysopantanassa located in Palaichori village center. Frescoes are preserved in the upper parts of walls and on arches separating the three naves. The iconographic program includes the Marian cycle and the Christological one, scenes related to the Invention and the Exaltation of the Holy Cross, scenes from the life of Saint Nicholas, as well as figures of Prophets and Saints, and even personification of virtues. 38 Fig.44 Wall painting with Saints on arches in Panagia Chysopantanassa, Palaichori The variety of topics is served by a strong sense of staging where groups of people are settled in sophisticated architecture. The artists were particularly careful in expressing the feelings of love and tenderness that Anne and Joachim show to the Virgin. The scenes are often animated by the actions of characters and a taste for detail; several scenes depicting the life of Saint Nicholas offer without any doubt the most beautiful portraits of traders and extraordinary performances of merchant ships of the sixteenth century. As in Saint Ioannis Prodromos at Askas, the artists knew the models of the Italian Renaissance and were heavily inspired by them. The series of female portraits personifying the seven virtues, smoothly links Byzantine tradition with Italian modernity. Among the church’s icons, we note in particular the one of the Enthroned Virgin and Child, dated Fig.45 Church of Panagia Chrysopantanassa, Palaichori 39 �THE CHURCH OF PANAGIA CHRYSOPANTANASSA, PALAICHORI. A totally different perspective is adopted in the church of Panagia Chrysopantanassa located in Palaichori village center. Frescoes are preserved in the upper parts of walls and on arches separating the three naves. The iconographic program includes the Marian cycle and the Christological one, scenes related to the Invention and the Exaltation of the Holy Cross, scenes from the life of Saint Nicholas, as well as figures of Prophets and Saints, and even personification of virtues. 38 Fig.44 Wall painting with Saints on arches in Panagia Chysopantanassa, Palaichori The variety of topics is served by a strong sense of staging where groups of people are settled in sophisticated architecture. The artists were particularly careful in expressing the feelings of love and tenderness that Anne and Joachim show to the Virgin. The scenes are often animated by the actions of characters and a taste for detail; several scenes depicting the life of Saint Nicholas offer without any doubt the most beautiful portraits of traders and extraordinary performances of merchant ships of the sixteenth century. As in Saint Ioannis Prodromos at Askas, the artists knew the models of the Italian Renaissance and were heavily inspired by them. The series of female portraits personifying the seven virtues, smoothly links Byzantine tradition with Italian modernity. Among the church’s icons, we note in particular the one of the Enthroned Virgin and Child, dated Fig.45 Church of Panagia Chrysopantanassa, Palaichori 39 �at 1506, where the donor Cherubina of Acre is kneeling on the left of Mary, while the inscription of the dedication is written on a long scroll on the right side. Figs.46,47 Wall paintings on arches, Panagia Chrysopantanassa, Palaichori 40 Palaichori also houses, THE BYZANTINE HERITAGE MUSEUM that deserves to be visited. Among the many icons of the sixteenth century, we note the cross and the cresting of an iconostasis where the movements of the Virgin and St. John depart from the Byzantine tradition. Several liturgical objects of the fifteenth and sixteenth centuries enrich the collections: antidoron dishes, including a copper one bearing an inscription in German Gothic, another one in bronze decorated in the center with a woman holding a scroll; other objects such as chalice, a paten, a phiale and a processional cross belong to the same period and which demonstrate the richness of village churches in the Renaissance when they received metalwork manufactured in Cyprus or imported from Germany and Italy. The liturgical books used by the village priests-displayed in windows-were still brought from Venice during the seventeenth and eighteenth centuries. THE CHURCH OF AGIOS IOANNIS PRODROMOS, ASKAS In this traditional village in the Pitsillia area of Troodos there is a stunning sixteenth century church the paintings of which have recently been cleaned by London’s Courtauld Institute of Art. The church is dedicated to Agios Ioannis Prodromos. Fig.48 Processional Cross, Byzantine Heritage Museum, Palaichori Fig.49 Antidoron dish, Byzantine Heritage Museum, Palaichori 41 �at 1506, where the donor Cherubina of Acre is kneeling on the left of Mary, while the inscription of the dedication is written on a long scroll on the right side. Figs.46,47 Wall paintings on arches, Panagia Chrysopantanassa, Palaichori 40 Palaichori also houses, THE BYZANTINE HERITAGE MUSEUM that deserves to be visited. Among the many icons of the sixteenth century, we note the cross and the cresting of an iconostasis where the movements of the Virgin and St. John depart from the Byzantine tradition. Several liturgical objects of the fifteenth and sixteenth centuries enrich the collections: antidoron dishes, including a copper one bearing an inscription in German Gothic, another one in bronze decorated in the center with a woman holding a scroll; other objects such as chalice, a paten, a phiale and a processional cross belong to the same period and which demonstrate the richness of village churches in the Renaissance when they received metalwork manufactured in Cyprus or imported from Germany and Italy. The liturgical books used by the village priests-displayed in windows-were still brought from Venice during the seventeenth and eighteenth centuries. THE CHURCH OF AGIOS IOANNIS PRODROMOS, ASKAS In this traditional village in the Pitsillia area of Troodos there is a stunning sixteenth century church the paintings of which have recently been cleaned by London’s Courtauld Institute of Art. The church is dedicated to Agios Ioannis Prodromos. Fig.48 Processional Cross, Byzantine Heritage Museum, Palaichori Fig.49 Antidoron dish, Byzantine Heritage Museum, Palaichori 41 �Its exterior offers no particular interest in the manner the building was restored lately. In contrast, the paintings, probably dating from the mid-sixteenth century due to their style, are attractive as they demonstrate knowledge of specific models of the Italian Renaissance. Most of the frescoes are displayed on the arches and columns separating the three naves. The series of saints and holy men and women represented in Renaissance frames on the columns and pillars are among the finest portraits of Cypriot painting of the sixteenth century. There are several series of attractive paintings, notably those that are a chronicle of the life of Agios Ioannis Prodromos. We note first the great vitality of the scenes where the characters wear varied, refined and coloured costumes (Annunciation to Zacharias, Banquet of Herodias), and in the architectural designs which include perspective (Visitation). The panels showing the public life of Christ are equally developed (Miracle at Cana, Jesus and the Woman of Samaria). The compositions display often the scene of dialogue between several characters by calling each other with vivid and expressive gestures (Healing of the blind, Pentecost). 42 Fig.50 Last Judgment, detail from wall painting, Agios Ioannis Prodromos, Askas We admire the profusion of often picturesque details in some panels: the guests at dinner in the Parable of the rich and the beggar Lazarus, fish, octopus and crabs returning the Fig.51 Nave of Agios Ioannis Prodoromos, Askas heads of the drowned in the scene of the Last Judgment and, finally, one shall not fail to observe the rare scene of the naked couple in bed, thrown to the flames of hell because it is sleeping instead of going to Mass on Sunday; this warning to the faithful recalls the central role of painting in spreading religious morality. Thus, the Church of Agios Ioannis Prodromos shows the dynamism of social relations in a remote mountainous area, served by artists mastering the Renaissance techniques. THE CHURCH OF AGIA CHRISTINA, ASKAS Near the village of Askas, towards Fterikoudi, we find an isolated chapel amidst the terraces of olive trees, dedicated to Agia Christina (locally also known as Agia Paraskevi), whose inscription of 1518 allows us to date the figurative decoration. Several panels of frescoes around the bema show that the Byzantine iconographic tradition remains strong in this region in the early sixteenth century while also exhibiting the influence of Italian painting. Thus, one can observe in the apse the treatment of coloured masses in the large panel of the Virgin surrounded by two archangels, or dynamic gestures and architecture represented in the Annunciation in the pediment. The decoration of the chapel of Agia Christina, made about forty years before the one in Agios Ioannis Prodromos, shows how the vitality of the artistic currents of the Renaissance reached the remotest areas of the island in the mountains. 43 �Its exterior offers no particular interest in the manner the building was restored lately. In contrast, the paintings, probably dating from the mid-sixteenth century due to their style, are attractive as they demonstrate knowledge of specific models of the Italian Renaissance. Most of the frescoes are displayed on the arches and columns separating the three naves. The series of saints and holy men and women represented in Renaissance frames on the columns and pillars are among the finest portraits of Cypriot painting of the sixteenth century. There are several series of attractive paintings, notably those that are a chronicle of the life of Agios Ioannis Prodromos. We note first the great vitality of the scenes where the characters wear varied, refined and coloured costumes (Annunciation to Zacharias, Banquet of Herodias), and in the architectural designs which include perspective (Visitation). The panels showing the public life of Christ are equally developed (Miracle at Cana, Jesus and the Woman of Samaria). The compositions display often the scene of dialogue between several characters by calling each other with vivid and expressive gestures (Healing of the blind, Pentecost). 42 Fig.50 Last Judgment, detail from wall painting, Agios Ioannis Prodromos, Askas We admire the profusion of often picturesque details in some panels: the guests at dinner in the Parable of the rich and the beggar Lazarus, fish, octopus and crabs returning the Fig.51 Nave of Agios Ioannis Prodoromos, Askas heads of the drowned in the scene of the Last Judgment and, finally, one shall not fail to observe the rare scene of the naked couple in bed, thrown to the flames of hell because it is sleeping instead of going to Mass on Sunday; this warning to the faithful recalls the central role of painting in spreading religious morality. Thus, the Church of Agios Ioannis Prodromos shows the dynamism of social relations in a remote mountainous area, served by artists mastering the Renaissance techniques. THE CHURCH OF AGIA CHRISTINA, ASKAS Near the village of Askas, towards Fterikoudi, we find an isolated chapel amidst the terraces of olive trees, dedicated to Agia Christina (locally also known as Agia Paraskevi), whose inscription of 1518 allows us to date the figurative decoration. Several panels of frescoes around the bema show that the Byzantine iconographic tradition remains strong in this region in the early sixteenth century while also exhibiting the influence of Italian painting. Thus, one can observe in the apse the treatment of coloured masses in the large panel of the Virgin surrounded by two archangels, or dynamic gestures and architecture represented in the Annunciation in the pediment. The decoration of the chapel of Agia Christina, made about forty years before the one in Agios Ioannis Prodromos, shows how the vitality of the artistic currents of the Renaissance reached the remotest areas of the island in the mountains. 43 �Fig.52 Church of Agia Christina, Askas 44 icons and liturgical books, some THE CHURCH OF TIMIOS STAVROS, dating to the sixteeenth century. KYPEROUNTA AND THE MUSEUM The church of Timios Stavros, located on a hill in the centre of the village, was one of the numerous places of worship Fig.53 Wall painting, Church of Timios Stavros , Kyperounta dedicated to the Holy Cross during the Middle Ages. Inside the north side wall of the church, a whole cycle of narrative paintings recall the history of the discovery of the Holy Cross in Jerusalem by Saint Helena. Painted in 1521, those frescoes are executed according to the Byzantine local style but Renaissance influence is rather evident in the four panels displayed on either side of the iconostasis, where the Evangelists are surrounded by sophisticated architectures which shows that the painters were aware of models brought by stamped books. The entrance of the church, opposite to the bema, is converted into a small museum containing THE CHURCH OF PANAGIA KATHOLIKI, PELENDRI Pelendri was an important village in the Middle Ages and a centre of royal bailiwick and until Venetian rule its economy was based on viticulture and gardening. The Church of Timios Stavros is amongst the most interesting ones of the Lusignan period. In the sixteenth century, the church seems to have been expanded to the south with a nave containing some painted panels, but their quality is not comparable to that of the other frescoes in the other village church, dedicated to Panagia Katholiki. This church is protected by a steep tiled roof. The interior is divided into three naves by wooden arcades. On the upper parts of the west wall, we see a Last Judgement the composition of which is rather unusual in its design and technique according to Cypriot standards of the same period compared to similar scenes on the same subject. The iconography is still linked to the traditional Byzantine composition with the distribution around the Preparation of the Throne of the different groups of people (Apostles, Prophets, Saints), and the representation of hell below, on the right side. The style is more influenced by Italian technique with a light and precise design of the faces and dresses and the use of nuanced colours. The details of the Judgement of the Souls show deeper Italian influence as the wild black demons and the naked bodies of the damned are painted with an uncommon sense of physical features. Moreover, on the whole fresco, all the figures are animated with delicate gestures and vivid expression in the eyes. On the wood-carved, gilded and painted iconostasis of the church, about fifty icons belong to the same school of Italo-Byzantine painting of the sixteenth century, some of them repainted at a later time. The famous icon of the Virgin, known as Panagia ton Konnaron, looks like a humanistic portrait of a young mother with her child. Other despotic icons show Saints standing with elegant expression, as the icon of Agios Mamas where the young shepherd has a rather unusual appearance - a little provocative - sitting in a supernatural way on the back of a lion that looks more like the emblem of Venice than the stereotyped lion represented by the Byzantine artists. Most of the icons related to religious feast cycles present the same aspects, some introducing in the background sophisticated architecture which remind us of similar Italian prototypes, as in the Presentation to the Temple or in the Entry into Jerusalem. Finally, near the iconostasis, there is another panel of high quality, the Deisis. Once again, even following the Byzantine iconography, the painter creates a totally new atmosphere using design and colours with a manneristic touch that gives the faithful a strong feeling of humanism. 45 �Fig.52 Church of Agia Christina, Askas 44 icons and liturgical books, some THE CHURCH OF TIMIOS STAVROS, dating to the sixteeenth century. KYPEROUNTA AND THE MUSEUM The church of Timios Stavros, located on a hill in the centre of the village, was one of the numerous places of worship Fig.53 Wall painting, Church of Timios Stavros , Kyperounta dedicated to the Holy Cross during the Middle Ages. Inside the north side wall of the church, a whole cycle of narrative paintings recall the history of the discovery of the Holy Cross in Jerusalem by Saint Helena. Painted in 1521, those frescoes are executed according to the Byzantine local style but Renaissance influence is rather evident in the four panels displayed on either side of the iconostasis, where the Evangelists are surrounded by sophisticated architectures which shows that the painters were aware of models brought by stamped books. The entrance of the church, opposite to the bema, is converted into a small museum containing THE CHURCH OF PANAGIA KATHOLIKI, PELENDRI Pelendri was an important village in the Middle Ages and a centre of royal bailiwick and until Venetian rule its economy was based on viticulture and gardening. The Church of Timios Stavros is amongst the most interesting ones of the Lusignan period. In the sixteenth century, the church seems to have been expanded to the south with a nave containing some painted panels, but their quality is not comparable to that of the other frescoes in the other village church, dedicated to Panagia Katholiki. This church is protected by a steep tiled roof. The interior is divided into three naves by wooden arcades. On the upper parts of the west wall, we see a Last Judgement the composition of which is rather unusual in its design and technique according to Cypriot standards of the same period compared to similar scenes on the same subject. The iconography is still linked to the traditional Byzantine composition with the distribution around the Preparation of the Throne of the different groups of people (Apostles, Prophets, Saints), and the representation of hell below, on the right side. The style is more influenced by Italian technique with a light and precise design of the faces and dresses and the use of nuanced colours. The details of the Judgement of the Souls show deeper Italian influence as the wild black demons and the naked bodies of the damned are painted with an uncommon sense of physical features. Moreover, on the whole fresco, all the figures are animated with delicate gestures and vivid expression in the eyes. On the wood-carved, gilded and painted iconostasis of the church, about fifty icons belong to the same school of Italo-Byzantine painting of the sixteenth century, some of them repainted at a later time. The famous icon of the Virgin, known as Panagia ton Konnaron, looks like a humanistic portrait of a young mother with her child. Other despotic icons show Saints standing with elegant expression, as the icon of Agios Mamas where the young shepherd has a rather unusual appearance - a little provocative - sitting in a supernatural way on the back of a lion that looks more like the emblem of Venice than the stereotyped lion represented by the Byzantine artists. Most of the icons related to religious feast cycles present the same aspects, some introducing in the background sophisticated architecture which remind us of similar Italian prototypes, as in the Presentation to the Temple or in the Entry into Jerusalem. Finally, near the iconostasis, there is another panel of high quality, the Deisis. Once again, even following the Byzantine iconography, the painter creates a totally new atmosphere using design and colours with a manneristic touch that gives the faithful a strong feeling of humanism. 45 �THE CHURCH OF PANAGIA IAMATIKI, ARAKAPAS The church of Panagia Iamatiki is located at the eastern end of the village in a hilly area planted with vines and orchards. The wood and tile roofed church has two doors to the south and the west and Gothic arches typical of the FrancoByzantine style. Inside, the visitor notices the three naves separated by arches adorned with paintings dating from the mid-sixteenth century. Fig.54 Mother of God holding the child Christ. Known as the Virgin Mary from Konnares c.1500, Chapel of Church of Panagia Katholiki, Pelendri Fig.55 Iconostasis, Church of Panagia Katholiki, Pelendri Fig.56 Detail from wall painting, Church of Panagia Katholiki, Pelendri 46 Although the upper part of the murals have been destroyed, on the arches and columns remain high-quality representations of the twelve Apostles, Evangelists, and some scenes depicting the lives of Saints. The ornaments give this church a unique place in the history of Renaissance painting in Cyprus. The backing decorative floral patterns follow the ribs of arches and columns. Among these ornaments, one will notice the garlands, with acanthus and palm leaves, entwined with broad red ribbon drawing frames and, on several occasions, these tapes adorn frames in which angels are painted. This particular feature is borrowed from the Italian Renaissance, showing that the painters knew well the stylistic trends of their times and that they could easily use them. THE CHURCH OF PANAGIA THEOTOKOS, KAKOPETRIA Kakopetria, a resort known for its cool climate and plentiful waters, contains several religious monuments of great interest. In addition to the monastery of Agios Nikolaos tis Stegis, with its Fig.57 Church of Panagia Iamatiki, Arakapas Fig.58 Wall painting on the arches, Church of Panagia Iamatiki, Arakapas 47 �THE CHURCH OF PANAGIA IAMATIKI, ARAKAPAS The church of Panagia Iamatiki is located at the eastern end of the village in a hilly area planted with vines and orchards. The wood and tile roofed church has two doors to the south and the west and Gothic arches typical of the FrancoByzantine style. Inside, the visitor notices the three naves separated by arches adorned with paintings dating from the mid-sixteenth century. Fig.54 Mother of God holding the child Christ. Known as the Virgin Mary from Konnares c.1500, Chapel of Church of Panagia Katholiki, Pelendri Fig.55 Iconostasis, Church of Panagia Katholiki, Pelendri Fig.56 Detail from wall painting, Church of Panagia Katholiki, Pelendri 46 Although the upper part of the murals have been destroyed, on the arches and columns remain high-quality representations of the twelve Apostles, Evangelists, and some scenes depicting the lives of Saints. The ornaments give this church a unique place in the history of Renaissance painting in Cyprus. The backing decorative floral patterns follow the ribs of arches and columns. Among these ornaments, one will notice the garlands, with acanthus and palm leaves, entwined with broad red ribbon drawing frames and, on several occasions, these tapes adorn frames in which angels are painted. This particular feature is borrowed from the Italian Renaissance, showing that the painters knew well the stylistic trends of their times and that they could easily use them. THE CHURCH OF PANAGIA THEOTOKOS, KAKOPETRIA Kakopetria, a resort known for its cool climate and plentiful waters, contains several religious monuments of great interest. In addition to the monastery of Agios Nikolaos tis Stegis, with its Fig.57 Church of Panagia Iamatiki, Arakapas Fig.58 Wall painting on the arches, Church of Panagia Iamatiki, Arakapas 47 �Fig.59 Wall painting with the Donors above the front door, Panagia Theotokos, Kakopetria Fig.60 Internal of Agios Sozomenos Church, Galata precious frescoes of the twelfth to fourteenth centuries in the Byzantine tradition, we have the church dedicated to Panagia Theotokos, which is located at the entrance of the village, arriving from Galata. The dedicatory inscription informs that this church was built in a monastery founded in 1520 by the cleric Leontios, shown with his wife Lucretia in a panel above the front door. In this panel the artist shows his mastery of portrait and emphasises the details of costumes. We also note that the clothes of Leontios and of his wife Lucretia, follow Venetian fashion as in the church of Archangelos at Galata, decorated a few years earlier. The taste for new patterns from Italy is, however, combined with a loyalty to late Byzantine iconographic style, as are most scenes in the nave that are not inspired by models of the Renaissance. THE CHURCH OF AGIOS SOZOMENOS, GALATA In the Solea valley, the village of Galata is worth a longer visit, because there are three important churches built and decorated in the sixteenth century that are very similar in their external appearance but different in their interiors. The church of Agios Sozomenos is located in the village centre, while the other two, those of Archangelos (or Panagia Theotokos) and Panagia Podithou, are located before the village when arriving from Lefkosia and the Evrychou main road. The church of Agios Sozomenos is typical of Troodos, with a wood 48 Fig.61 Church of Agios Sozomenos, Galata and tile sloping roof that protects the church and the exonarthex. Above the west door, a long inscription relates the construction and decoration of the building to a group of thirteen founders on the 3rd of September 1513. Most of the frescoes were executed by the artist Symeon Afxentis who composed several cycles (Life of Christ, apocryphal cycle of the Life of the Virgin, cycle of St. George) with many portraits of holy men and women. Afxentis’ style is very close to the Byzantine tradition in his iconographic types and technique, as seen in portraits of military Saints (Georgios, Nestor, Demetrios) that are loyal to Byzantine prototypes, but they are executed with elegance. In a few cases, the artist can be inspired by western models, for example in the scene of the Resurrection when Christ leaves the empty sarcophagus, guarded by soldiers who have fallen asleep. Nevertheless, Afxentis remains true to the tradition of the Byzantine Church celebrating its history by representing the seven major early Ecumenical councils and the Triumph of Orthodoxy in the exonarthex, on the northern wall. 49 �Fig.59 Wall painting with the Donors above the front door, Panagia Theotokos, Kakopetria Fig.60 Internal of Agios Sozomenos Church, Galata precious frescoes of the twelfth to fourteenth centuries in the Byzantine tradition, we have the church dedicated to Panagia Theotokos, which is located at the entrance of the village, arriving from Galata. The dedicatory inscription informs that this church was built in a monastery founded in 1520 by the cleric Leontios, shown with his wife Lucretia in a panel above the front door. In this panel the artist shows his mastery of portrait and emphasises the details of costumes. We also note that the clothes of Leontios and of his wife Lucretia, follow Venetian fashion as in the church of Archangelos at Galata, decorated a few years earlier. The taste for new patterns from Italy is, however, combined with a loyalty to late Byzantine iconographic style, as are most scenes in the nave that are not inspired by models of the Renaissance. THE CHURCH OF AGIOS SOZOMENOS, GALATA In the Solea valley, the village of Galata is worth a longer visit, because there are three important churches built and decorated in the sixteenth century that are very similar in their external appearance but different in their interiors. The church of Agios Sozomenos is located in the village centre, while the other two, those of Archangelos (or Panagia Theotokos) and Panagia Podithou, are located before the village when arriving from Lefkosia and the Evrychou main road. The church of Agios Sozomenos is typical of Troodos, with a wood 48 Fig.61 Church of Agios Sozomenos, Galata and tile sloping roof that protects the church and the exonarthex. Above the west door, a long inscription relates the construction and decoration of the building to a group of thirteen founders on the 3rd of September 1513. Most of the frescoes were executed by the artist Symeon Afxentis who composed several cycles (Life of Christ, apocryphal cycle of the Life of the Virgin, cycle of St. George) with many portraits of holy men and women. Afxentis’ style is very close to the Byzantine tradition in his iconographic types and technique, as seen in portraits of military Saints (Georgios, Nestor, Demetrios) that are loyal to Byzantine prototypes, but they are executed with elegance. In a few cases, the artist can be inspired by western models, for example in the scene of the Resurrection when Christ leaves the empty sarcophagus, guarded by soldiers who have fallen asleep. Nevertheless, Afxentis remains true to the tradition of the Byzantine Church celebrating its history by representing the seven major early Ecumenical councils and the Triumph of Orthodoxy in the exonarthex, on the northern wall. 49 �Fig.62 Church of Panagia Podithou, Galata Fig.63 The Crucifixion, niche of the west wall, Church of Panagia Podithou, Galata 50 THE CHURCH OF PANAGIA PODITHOU, GALATA The church of Panagia Podithou is the only preserved building of a monastic complex the history of which is unknown. The dedicatory inscription denotes that the church was founded in 1502 by Dimitrios de Koron who belongs to a family of officers who served the Lusignan. His portrait, and that of his wife Helen, are represented in the scene of the Foreshadows of the Virgin. The church contains some of the most beautiful frescoes painted in Cyprus during the Renaissance. In the upper part of the western facade, the Foreshadows of the Virgin, show the Virgin and the Child surrounded by ten prophets represented in medallions made of green branches with long leaves, according to iconographic forms of Italian art that we also find in the “Latin Chapel” at Kalopanagiotis. The most impressive scene, unique in Cyprus, is undoubtedly the Crucifixion, inside the nave, on the west wall. The artist transforms the scene of traditional Christian iconography in a dramatic picture where the death of Christ takes a historical dimension. A lively crowd of expressive characters is surging around the cross; we distinguish in particular a group of women supporting the Holy Virgin, painted with an Italian inspiration, Saint John shaken by a deep sadness, groups of soldiers and people on horseback or foot, in brightly coloured costumes, surrounded by weapons and banners. The iconography used by the painters who worked at Podithou shows that Fig.64 The Virgin Mary, Pediment of the outer side of the west wall, Church of Panagia Podithou, Galata Fig.65 The Coat of arms of the Zacharias Family, Detail of the scene of the Donors, Church of Archangelos, Galata 51 �Fig.62 Church of Panagia Podithou, Galata Fig.63 The Crucifixion, niche of the west wall, Church of Panagia Podithou, Galata 50 THE CHURCH OF PANAGIA PODITHOU, GALATA The church of Panagia Podithou is the only preserved building of a monastic complex the history of which is unknown. The dedicatory inscription denotes that the church was founded in 1502 by Dimitrios de Koron who belongs to a family of officers who served the Lusignan. His portrait, and that of his wife Helen, are represented in the scene of the Foreshadows of the Virgin. The church contains some of the most beautiful frescoes painted in Cyprus during the Renaissance. In the upper part of the western facade, the Foreshadows of the Virgin, show the Virgin and the Child surrounded by ten prophets represented in medallions made of green branches with long leaves, according to iconographic forms of Italian art that we also find in the “Latin Chapel” at Kalopanagiotis. The most impressive scene, unique in Cyprus, is undoubtedly the Crucifixion, inside the nave, on the west wall. The artist transforms the scene of traditional Christian iconography in a dramatic picture where the death of Christ takes a historical dimension. A lively crowd of expressive characters is surging around the cross; we distinguish in particular a group of women supporting the Holy Virgin, painted with an Italian inspiration, Saint John shaken by a deep sadness, groups of soldiers and people on horseback or foot, in brightly coloured costumes, surrounded by weapons and banners. The iconography used by the painters who worked at Podithou shows that Fig.64 The Virgin Mary, Pediment of the outer side of the west wall, Church of Panagia Podithou, Galata Fig.65 The Coat of arms of the Zacharias Family, Detail of the scene of the Donors, Church of Archangelos, Galata 51 �Fig.66 Deisis, below donors and dedicatory inscription, Church of Archangelos, Galata models of the Italian Renaissance easily circulated among the artistic circles of the island, which reproduced them with imagination. THE CHURCH OF ARCHANGELOS, GALATA The Church of Archangelos, otherwise known as Panagia Theotokos, was also decorated by the painter Symeon Afxentis in 1514, that is to say one year after the church of Agios Sozomenos. The donor of the church, Polos Zacharias, is represented on a dedicatory panel above the north gate. It deserves attention in that it presents the usual scene of the Deisis, before which the donor’s family kneel and where Polos is shown dressed in black, offering the model of his church to Christ. We see Madelena, his wife, and their three daughters in elegant dresses with deep squared necklines, precious embroidery and silk and beads according to Venetian fashion. This is, therefore, a fine example of a family adopting a Venetian way of life while remaining faithful to the Orthodox rite and Byzantine aesthetics. AGIOS IOANNIS LAMPADISTIS AND MUSEUM, KALOPANAGIOTIS Since the twelfth-thirteenth centuries, the village of Kalopanagiotis houses one of the largest monasteries of Troodos, that of Agios Ioannis Lampadistis. The attraction of the cult of the local saint remains partly mysterious, but it quickly won over the Franks since the Lusignan have 52 left traces of their patronage on the iconostasis of the oldest church of the monastery dedicated to Agios Irakleidios. Each historical period brings evidence of the common worship of both Greeks and Latins especially during the sixteenth century, when a chapel adjoined to the church was adorned with an original and rich decoration. Today, the art historians consider this “Latin Chapel” as one of the masterpieces of the Renaissance in Cyprus, even if the chapel was probably never served by priests of the Latin rite. This chapel is contiguous to two other churches, Agios Irakleidios church and Agios Ioannis Lampadistis church. The chapel is remarkable for the height of the nave covered by a semicircular vault, with large painted surfaces, following a common Italian architectural design. All the iconographic programme is devoted to specific topics of Byzantine religious painting. We note in particular that the Akathyst Hymn, sung in the Orthodox Church in honour of the Virgin, provides the subject of the frescoes of the northern and southern walls of the chapel, where the 24 scenes are inspired by the 24 stanzas of this hymn. Among the first 12 stanzas devoted to the childhood of Jesus, those of the Annunciation and Nativity show the influence of Italian painting in the gestures of the characters and the shape of their costumes. The Tree of Jesse on the western wall is devoted to the genealogy of the Virgin and combines faces represented in medallions connected to the 53 �Fig.66 Deisis, below donors and dedicatory inscription, Church of Archangelos, Galata models of the Italian Renaissance easily circulated among the artistic circles of the island, which reproduced them with imagination. THE CHURCH OF ARCHANGELOS, GALATA The Church of Archangelos, otherwise known as Panagia Theotokos, was also decorated by the painter Symeon Afxentis in 1514, that is to say one year after the church of Agios Sozomenos. The donor of the church, Polos Zacharias, is represented on a dedicatory panel above the north gate. It deserves attention in that it presents the usual scene of the Deisis, before which the donor’s family kneel and where Polos is shown dressed in black, offering the model of his church to Christ. We see Madelena, his wife, and their three daughters in elegant dresses with deep squared necklines, precious embroidery and silk and beads according to Venetian fashion. This is, therefore, a fine example of a family adopting a Venetian way of life while remaining faithful to the Orthodox rite and Byzantine aesthetics. AGIOS IOANNIS LAMPADISTIS AND MUSEUM, KALOPANAGIOTIS Since the twelfth-thirteenth centuries, the village of Kalopanagiotis houses one of the largest monasteries of Troodos, that of Agios Ioannis Lampadistis. The attraction of the cult of the local saint remains partly mysterious, but it quickly won over the Franks since the Lusignan have 52 left traces of their patronage on the iconostasis of the oldest church of the monastery dedicated to Agios Irakleidios. Each historical period brings evidence of the common worship of both Greeks and Latins especially during the sixteenth century, when a chapel adjoined to the church was adorned with an original and rich decoration. Today, the art historians consider this “Latin Chapel” as one of the masterpieces of the Renaissance in Cyprus, even if the chapel was probably never served by priests of the Latin rite. This chapel is contiguous to two other churches, Agios Irakleidios church and Agios Ioannis Lampadistis church. The chapel is remarkable for the height of the nave covered by a semicircular vault, with large painted surfaces, following a common Italian architectural design. All the iconographic programme is devoted to specific topics of Byzantine religious painting. We note in particular that the Akathyst Hymn, sung in the Orthodox Church in honour of the Virgin, provides the subject of the frescoes of the northern and southern walls of the chapel, where the 24 scenes are inspired by the 24 stanzas of this hymn. Among the first 12 stanzas devoted to the childhood of Jesus, those of the Annunciation and Nativity show the influence of Italian painting in the gestures of the characters and the shape of their costumes. The Tree of Jesse on the western wall is devoted to the genealogy of the Virgin and combines faces represented in medallions connected to the 53 �trunk with branches; we notice the presence of many prophets holding scrolls where citations related to Mary are written. Very few scenes in Cypriot painting of the Renaissance depict so clearly literate culture. Further details are inspired by Italian painting, as on the two panels of Moses receiving the Tablets of the Law, and Moses before the burning bush, where landscapes lose the symbolic rigidity of Byzantine painting and acquire the traits of figurative Venetian painting. Fig.67 View of Agios Ioannis Lampadistis Monastery , Kalopanagiotis Fig.68 Inner yard , Agios Ioannis Lampadistis Monastery, Kalopanagiotis Fig.69 Tree of Jesse, wall painting in the Chapel of Akathyst Hymn, Agios Ioannis Lampadistis, Kalopanagiotis 54 The roof, finally, deserves special attention because it incorporates several features of the decoration of Italian Renaissance churches; the arch that divides the vault carries 12 medallions of saints made in sets of acanthus leaves; on each side of this arch, the spaces are divided by two diagonal painted lines, formed with floral bands and geometric interlacing. The ocher framing of 12 quadrifoiled medallions of Apostles on the blue stand is reminiscent of the wooden frames of paintings decorating churches in Italy. All the decoration of the vault based on geometric or floral patterns shows how the painter was careful with details; the garlands are rows of green leaves topped with peaches, quince, pear, red ribbons, white flowers and can highlight the technical mastery of the artists giving the illusion of garlands in relief. THE MUSEUM, located in a special separate building inside the monastic complex, contains old and interesting icons. Most were painted during the thirteenth-fourteenth centuries but some of them are from a later period. The exhibited sanctuary doors are of special interest. Fig.70 Wall painting, Chapel of Akathyst Hymn, Agios Ioannis Lampadistis Monastery, Kalopanagiotis 55 �trunk with branches; we notice the presence of many prophets holding scrolls where citations related to Mary are written. Very few scenes in Cypriot painting of the Renaissance depict so clearly literate culture. Further details are inspired by Italian painting, as on the two panels of Moses receiving the Tablets of the Law, and Moses before the burning bush, where landscapes lose the symbolic rigidity of Byzantine painting and acquire the traits of figurative Venetian painting. Fig.67 View of Agios Ioannis Lampadistis Monastery , Kalopanagiotis Fig.68 Inner yard , Agios Ioannis Lampadistis Monastery, Kalopanagiotis Fig.69 Tree of Jesse, wall painting in the Chapel of Akathyst Hymn, Agios Ioannis Lampadistis, Kalopanagiotis 54 The roof, finally, deserves special attention because it incorporates several features of the decoration of Italian Renaissance churches; the arch that divides the vault carries 12 medallions of saints made in sets of acanthus leaves; on each side of this arch, the spaces are divided by two diagonal painted lines, formed with floral bands and geometric interlacing. The ocher framing of 12 quadrifoiled medallions of Apostles on the blue stand is reminiscent of the wooden frames of paintings decorating churches in Italy. All the decoration of the vault based on geometric or floral patterns shows how the painter was careful with details; the garlands are rows of green leaves topped with peaches, quince, pear, red ribbons, white flowers and can highlight the technical mastery of the artists giving the illusion of garlands in relief. THE MUSEUM, located in a special separate building inside the monastic complex, contains old and interesting icons. Most were painted during the thirteenth-fourteenth centuries but some of them are from a later period. The exhibited sanctuary doors are of special interest. Fig.70 Wall painting, Chapel of Akathyst Hymn, Agios Ioannis Lampadistis Monastery, Kalopanagiotis 55 �Fig.71 Museum of Agios Ioannis Lampadistis Monastery, Kalopanagiotis Fig.72 Iconostasis, Museum of Agios Ioannis Lampadistis Monastery, Kalopanagiotis Fig.73 Chysokourdaliotissa Church, Kourdali THE CHURCH OF CHRYSOKOURDALIOTISSA, KOURDALI Along the winding road through the valley descending from the village of Spilia, one reaches Kourdali, built around the monastery dedicated to the Dormition of the Virgin Mary. It was founded by the deacon Kourdalis and his wife at an unknown date during the sixteenth century. A large part of the frescoes have disappeared, but several panels on the bema and especially on the western wall remain, showing several interesting scenes. 56 There are compositions from the cycles of the New Testament, including two scenes of the Resurrection: one follows the canons of the Byzantine tradition, the other one draws its inspiration from the Italian tradition with Christ leaving the empty sarcophagus guarded by soldiers who have fallen asleep (as in the church of Agios Sozomenos at Galata). The Crucifixion presents also many similarities with the one in the church of Panagia Podithou at Galata. In both cases, the contribution of Renaissance painting is emphasised in the Virgin’s expression of physical pain, the rough attitude of characters and the presence of soldiers on horseback. In the Incredulity of Thomas, the architecture is also represented according to western style. The decoration of the church reveals the penetration of the Renaissance aesthetics in the deepest valleys of the Troodos in the middle of the sixteenth century. 57 �Fig.71 Museum of Agios Ioannis Lampadistis Monastery, Kalopanagiotis Fig.72 Iconostasis, Museum of Agios Ioannis Lampadistis Monastery, Kalopanagiotis Fig.73 Chysokourdaliotissa Church, Kourdali THE CHURCH OF CHRYSOKOURDALIOTISSA, KOURDALI Along the winding road through the valley descending from the village of Spilia, one reaches Kourdali, built around the monastery dedicated to the Dormition of the Virgin Mary. It was founded by the deacon Kourdalis and his wife at an unknown date during the sixteenth century. A large part of the frescoes have disappeared, but several panels on the bema and especially on the western wall remain, showing several interesting scenes. 56 There are compositions from the cycles of the New Testament, including two scenes of the Resurrection: one follows the canons of the Byzantine tradition, the other one draws its inspiration from the Italian tradition with Christ leaving the empty sarcophagus guarded by soldiers who have fallen asleep (as in the church of Agios Sozomenos at Galata). The Crucifixion presents also many similarities with the one in the church of Panagia Podithou at Galata. In both cases, the contribution of Renaissance painting is emphasised in the Virgin’s expression of physical pain, the rough attitude of characters and the presence of soldiers on horseback. In the Incredulity of Thomas, the architecture is also represented according to western style. The decoration of the church reveals the penetration of the Renaissance aesthetics in the deepest valleys of the Troodos in the middle of the sixteenth century. 57 �THE CHURCH OF ARCHANGELOS MICHAEL AND THE BYZANTINE MUSEUM , PEDOULAS The small church of Archangelos Michael in Pedoulas contains one of the oldest iconostasis of Cyprus bearing the Lusignan coat-of-arms, indicating that the church was placed under royal patronage. The inscription on the west wall reports the construction and decoration of the building in 1474, that is to say the precise year when Venice established its power on the island through the Queen Caterina Cornaro. The donor, the priest Basil, is depicted over the door with his wife and their two daughters in a scene of great simplicity in which we note the elaborate costumes of the women which stand out in their rich embroidery. No detail in the clothes evokes western fashion, and there is no Italian influence, the artists following the Byzantine tradition. The Byzantine Museum next to the church, exhibits significant precious icons of the medieval period, as well as several liturgical books printed in Venice in the eighteenth century, reflecting the close ties that continued to link Cyprus to Venice during the Ottoman period. Fig.75 Iconostasis, Archangelos Michael Church, Pedoulas Fig.76 Scene with Donors, wall painting, Archangelos Michael Church, Pedoulas 58 Fig.74 Manuscript, Pedoulas Byzantine Museum 59 �THE CHURCH OF ARCHANGELOS MICHAEL AND THE BYZANTINE MUSEUM , PEDOULAS The small church of Archangelos Michael in Pedoulas contains one of the oldest iconostasis of Cyprus bearing the Lusignan coat-of-arms, indicating that the church was placed under royal patronage. The inscription on the west wall reports the construction and decoration of the building in 1474, that is to say the precise year when Venice established its power on the island through the Queen Caterina Cornaro. The donor, the priest Basil, is depicted over the door with his wife and their two daughters in a scene of great simplicity in which we note the elaborate costumes of the women which stand out in their rich embroidery. No detail in the clothes evokes western fashion, and there is no Italian influence, the artists following the Byzantine tradition. The Byzantine Museum next to the church, exhibits significant precious icons of the medieval period, as well as several liturgical books printed in Venice in the eighteenth century, reflecting the close ties that continued to link Cyprus to Venice during the Ottoman period. Fig.75 Iconostasis, Archangelos Michael Church, Pedoulas Fig.76 Scene with Donors, wall painting, Archangelos Michael Church, Pedoulas 58 Fig.74 Manuscript, Pedoulas Byzantine Museum 59 �THE KYKKOS MONASTERY AND MUSEUM The most important monastery of Cyprus, Our Lady of Kykkos, was founded during the twelfth century but the Byzantine foundation had no real economic or political influence during the Lusignan and the Venetian periods. Most of the actual buildings of the monastic complex were built during the eighteenth and nineteenth centuries, as several fires damaged the original structures. Apart from its importance, the monastery houses one of the main museums of the island, where some objects are linked to the Renaissance period such as icons, dishes and the wood-carved ornamentation of the sixteenth century iconostasis. Among the most interesting pieces is a woodcarved cross, probably made in 1545 by George Lascaris, which can be considered as a masterpiece of microsculpture, including scenes from the Old and the New Testament inserted in Late Gothic - Early Renaissance archtecture. Engravings and liturgical books printed in Venice during the seventeenth and the eighteenth centuries are displayed in other windows showing the strong cultural relationship that Kykkos maintened with Italy after the Ottoman conquest. It is, therefore, not surprising that the first book relating to the history of the monastery was published abroad in 1751, precisely by Venetian printers. 60 Fig.77 Kykkos Museum Fig.78 Wood carved cross,1545, ykkos Museum Fig.79 View of Kykkos Monastery 61 �THE KYKKOS MONASTERY AND MUSEUM The most important monastery of Cyprus, Our Lady of Kykkos, was founded during the twelfth century but the Byzantine foundation had no real economic or political influence during the Lusignan and the Venetian periods. Most of the actual buildings of the monastic complex were built during the eighteenth and nineteenth centuries, as several fires damaged the original structures. Apart from its importance, the monastery houses one of the main museums of the island, where some objects are linked to the Renaissance period such as icons, dishes and the wood-carved ornamentation of the sixteenth century iconostasis. Among the most interesting pieces is a woodcarved cross, probably made in 1545 by George Lascaris, which can be considered as a masterpiece of microsculpture, including scenes from the Old and the New Testament inserted in Late Gothic - Early Renaissance archtecture. Engravings and liturgical books printed in Venice during the seventeenth and the eighteenth centuries are displayed in other windows showing the strong cultural relationship that Kykkos maintened with Italy after the Ottoman conquest. It is, therefore, not surprising that the first book relating to the history of the monastery was published abroad in 1751, precisely by Venetian printers. 60 Fig.77 Kykkos Museum Fig.78 Wood carved cross,1545, ykkos Museum Fig.79 View of Kykkos Monastery 61 �Fig.80 Kelefos bridge BRIDGES: ELIA, KELEFOS, ROUDIAS Several bridges of medieval and modern periods survive, without being possible to determine precisely their dating; on the one hand, these monuments do not bear inscriptions with chronology and, on the other hand, they were built using techniques that little changed over the centuries. They are characterised by large pointed arches spanning the river courses. Three bridges are located in an attractive forested area on the south side of the Troodos mountains, away from modern highways. These are the bridges of Elia, south of Kaminaria and west of Foini, of Kelefos, about 4 kilometres west of the bridge of Elia, and that of Roudias, a further 8 km west of Kelefos. 62 Fig.81 Elia bridge 63 �Fig.80 Kelefos bridge BRIDGES: ELIA, KELEFOS, ROUDIAS Several bridges of medieval and modern periods survive, without being possible to determine precisely their dating; on the one hand, these monuments do not bear inscriptions with chronology and, on the other hand, they were built using techniques that little changed over the centuries. They are characterised by large pointed arches spanning the river courses. Three bridges are located in an attractive forested area on the south side of the Troodos mountains, away from modern highways. These are the bridges of Elia, south of Kaminaria and west of Foini, of Kelefos, about 4 kilometres west of the bridge of Elia, and that of Roudias, a further 8 km west of Kelefos. 62 Fig.81 Elia bridge 63 �VENICE Fig.83 Loggetta (detail), Saint Mark’s Square, Venice Fig.82 Loggetta, Saint Marks square, Venice 64 A major centre of Hellenism during the end of the Middle Ages and especially after 1453, Venice has attracted a large number of Cypriots for many centuries; it was often servants, simple soldiers, craftsmen and merchants whose names and specific activities are unknown. Most often, they were assimilated into the Greek community of the city and were not organised in a ‘national’ independent group. This institutional status explains the difficulty in tracing Cypriots who lived in Venice because most were integrated either into the Greek community (officially recognised by the Venetian State in 1528) in the case of individuals of modest social status, or in the Venetian society, in the case of the aristocratic elite. The first evidence is a code-of-arms engraved in stone commemorating the relationship between Venice and Cyprus is on the LOREDAN PALACE, located on the Grand Canal, which nowdays houses some offices of the municipality of the city (on the Riva del Carbon that is to say, on the right bank of the Grand Canal, south of the Rialto Bridge, 500 meters from the vaporetto stop). This palace, probably founded in the twelfth century, retains the look of very old veneto-byzantine palaces, in spite of the clumsy restorations that occurred 65 �VENICE Fig.83 Loggetta (detail), Saint Mark’s Square, Venice Fig.82 Loggetta, Saint Marks square, Venice 64 A major centre of Hellenism during the end of the Middle Ages and especially after 1453, Venice has attracted a large number of Cypriots for many centuries; it was often servants, simple soldiers, craftsmen and merchants whose names and specific activities are unknown. Most often, they were assimilated into the Greek community of the city and were not organised in a ‘national’ independent group. This institutional status explains the difficulty in tracing Cypriots who lived in Venice because most were integrated either into the Greek community (officially recognised by the Venetian State in 1528) in the case of individuals of modest social status, or in the Venetian society, in the case of the aristocratic elite. The first evidence is a code-of-arms engraved in stone commemorating the relationship between Venice and Cyprus is on the LOREDAN PALACE, located on the Grand Canal, which nowdays houses some offices of the municipality of the city (on the Riva del Carbon that is to say, on the right bank of the Grand Canal, south of the Rialto Bridge, 500 meters from the vaporetto stop). This palace, probably founded in the twelfth century, retains the look of very old veneto-byzantine palaces, in spite of the clumsy restorations that occurred 65 �in the nineteenth century and the construction of the two upper floors. Its portico on the canal and the loggia on the first floor have preserved their original columns and capitals, and the main door of the side entrance is always surmounted by the Coat of arms of one branch of the Cornaro family, who got from King Peter I of Lusignan the fief of Episkopi in 1363. In this emblem are engrared the arms of the Lusignan, those of the the Kingdom of Jerusalem and, in the middle, the sword and the scroll on which was usually engraved the motto of the Order of the Sword which was founded by Peter I. Fig.84 Loredan Palace, Venice Fig.85 Coat of Arms of the Lusignan family, Loredan Palace, Venice 66 Thanks to the privilege granted by the King of Cyprus, the family took the name of Cornaro-Piscopia, which is what allowed the distinction from the other branches of the family, particularly from the one to which Caterina Cornaro belonged. The palace belonged to the family until the early eighteenth century and Elena Lucrezia Corner-Piscopia (1646-1684), a woman of great erudition who became the first woman university graduate on 25th of June 1678, after studying philosophy at Padua. In the eighteenth century, the palace was in the possession of the Loredan family and was then acquired by the municipality of Venice in 1868. Caterina Cornaro is without any doubt the historical figure who embodies the closest relationship that Venice maintained with Cyprus. Caterina generated a particular pride in Venice. When she became Queen she achieved a status which no Venetian lady could dream of, at a time when the highest honour reserved for women was to become the wife of the Doge (Dogaressa). However, in spite of her royal title, Caterina has not left many tangible records in Venice. In the official history of the city, Caterina Cornaro is celebrated for having offered the Kingdom of Cyprus to Venice in 1489. This, which enabled Venice to expand its colonial domain, is recalled in two bas-reliefs. The first one is in the Dominican church of SAINTS JOHN AND PAUL (Giovanni e Paolo), included in the monument of Doge Pietro Mocenigo (d. 1476), which is on the back side of the front entrance (on the right side). This white marble monument is considered as one of the masterpieces of the sculptor Pietro Lombardo, for the balance of its architecture, the elegant proportions of the volumes and the fineness of the carving. This official tomb emphasises the military prowess of the Doge whose feature in ducal dress is reminiscent of warriors dressed in the manner of ancient Rome. On the sarcophagus, two scenes represent the most important events of the Doge’s reign: on the left side, the entry of the Venetians in Smyrna in 1471, and on the right side, Caterina Cornaro handing over the keys of Famagusta, where the city is represented in the background, under the form of classical architecture. The second relief associated with Caterina Cornaro represents the same event and is located on the centre of the funeral monument erected Fig.86 Doge Pietro Mocenigo Monument, Saint John and Paul Church, Venice Fig.87 Saint John and Paul Church, Venice 67 �in the nineteenth century and the construction of the two upper floors. Its portico on the canal and the loggia on the first floor have preserved their original columns and capitals, and the main door of the side entrance is always surmounted by the Coat of arms of one branch of the Cornaro family, who got from King Peter I of Lusignan the fief of Episkopi in 1363. In this emblem are engrared the arms of the Lusignan, those of the the Kingdom of Jerusalem and, in the middle, the sword and the scroll on which was usually engraved the motto of the Order of the Sword which was founded by Peter I. Fig.84 Loredan Palace, Venice Fig.85 Coat of Arms of the Lusignan family, Loredan Palace, Venice 66 Thanks to the privilege granted by the King of Cyprus, the family took the name of Cornaro-Piscopia, which is what allowed the distinction from the other branches of the family, particularly from the one to which Caterina Cornaro belonged. The palace belonged to the family until the early eighteenth century and Elena Lucrezia Corner-Piscopia (1646-1684), a woman of great erudition who became the first woman university graduate on 25th of June 1678, after studying philosophy at Padua. In the eighteenth century, the palace was in the possession of the Loredan family and was then acquired by the municipality of Venice in 1868. Caterina Cornaro is without any doubt the historical figure who embodies the closest relationship that Venice maintained with Cyprus. Caterina generated a particular pride in Venice. When she became Queen she achieved a status which no Venetian lady could dream of, at a time when the highest honour reserved for women was to become the wife of the Doge (Dogaressa). However, in spite of her royal title, Caterina has not left many tangible records in Venice. In the official history of the city, Caterina Cornaro is celebrated for having offered the Kingdom of Cyprus to Venice in 1489. This, which enabled Venice to expand its colonial domain, is recalled in two bas-reliefs. The first one is in the Dominican church of SAINTS JOHN AND PAUL (Giovanni e Paolo), included in the monument of Doge Pietro Mocenigo (d. 1476), which is on the back side of the front entrance (on the right side). This white marble monument is considered as one of the masterpieces of the sculptor Pietro Lombardo, for the balance of its architecture, the elegant proportions of the volumes and the fineness of the carving. This official tomb emphasises the military prowess of the Doge whose feature in ducal dress is reminiscent of warriors dressed in the manner of ancient Rome. On the sarcophagus, two scenes represent the most important events of the Doge’s reign: on the left side, the entry of the Venetians in Smyrna in 1471, and on the right side, Caterina Cornaro handing over the keys of Famagusta, where the city is represented in the background, under the form of classical architecture. The second relief associated with Caterina Cornaro represents the same event and is located on the centre of the funeral monument erected Fig.86 Doge Pietro Mocenigo Monument, Saint John and Paul Church, Venice Fig.87 Saint John and Paul Church, Venice 67 �in honour of the Queen of Cyprus, in the right transept of the church of SAN SALVATORE (central district of Rialto), above the entrance to the sacristy. This monument was erected in the early 1580s by architect Bernardino Contino, more than seventy years after the death of the Queen (10th of July, 1510), and Caterina is represented as a woman draped in the antique manner, granting to the Doge the model of a city, being accompanied by young women with voluptuous forms that evoke the island of Aphrodite. At the foot of the monument, a slab of white veined marble bears the inscription: Catarina Corneliae Cypri, Hierosolymorum, ac Armeniae Reginae Cineres (ashes of Caterina Cornaro, Queen of Cyprus, Jerusalem and Armenia). This plaque marks in fact the second burial of the Queen because she was buried in the chapel of the family Cornaro attached to the church of SANTI APOSTOLI (district of Canareggio, 300 metres from Rialto Bridge going to the station). The chapel of the family has not preserved any memory of the Queen but houses the tombs of Caterina’s father, Marco Cornaro (who died in 1511) and of her brother Giorgio (died in 1540) who were consistent supporters of the Queen when she went through difficult years. The celebration of this unique queen related to the Republic of Venice Fig.88 Funeral Monument of Caterina Cornaro, San Salvatore Church, Venice 68 inspired considerable literature that contributed to building a myth around Caterina Cornaro. Several painters have represented her, including Gentile Bellini and Titian, the former’s portrait displayed in Budapest and the latter’s in Florence. In Venice, Caterina Cornaro appears in an idealised fashion in the Solemn landing in Venice of the Queen of Cyprus who came granting her kingdom to the Commune. This huge canvas painted by Antonio Vassilacchi, as said by Aliense (Milos ca 1556-Venice 1629), is hanging in Hall VI of the CORRER MUSEUM. Executed a long time after the death of the Queen, it depicts Caterina Cornaro arriving in Venice and hosted in the midst of festivities. There is speculation but no proof, that the Queen is amongst the ladies of the Venetian aristocracy attending the Miracle of the Cross fall into the canal of San Lorenzo, painted by Gentile Bellini in 1500, exhibited in the Hall XX of the GALLERY OF THE ACADEMY. Despite the reputation acquired by Caterina Cornaro after her death, the Queen of Cyprus did not attract much interest among artists during her lifetime. Her name was later given to the family palace, a building located on the Grand Canal and renovated from 1724. This is where Caterina was born in 1454, CORRER DELLA REGINA PALACE, on the left bank of the Grand Canal, at the corner of the Rio San Cassiano, opposite the Ca ‘d’Oro. Whatever the role of Caterina Cornaro was in granting Cyprus to Venice, the Signoria managed a very important political coup by integrating Fig.89 Tomb of Caterina Cornaro, Santi Apostoli Church, Venice Fig.90 Santi Apostoli Church, Venice 69 �in honour of the Queen of Cyprus, in the right transept of the church of SAN SALVATORE (central district of Rialto), above the entrance to the sacristy. This monument was erected in the early 1580s by architect Bernardino Contino, more than seventy years after the death of the Queen (10th of July, 1510), and Caterina is represented as a woman draped in the antique manner, granting to the Doge the model of a city, being accompanied by young women with voluptuous forms that evoke the island of Aphrodite. At the foot of the monument, a slab of white veined marble bears the inscription: Catarina Corneliae Cypri, Hierosolymorum, ac Armeniae Reginae Cineres (ashes of Caterina Cornaro, Queen of Cyprus, Jerusalem and Armenia). This plaque marks in fact the second burial of the Queen because she was buried in the chapel of the family Cornaro attached to the church of SANTI APOSTOLI (district of Canareggio, 300 metres from Rialto Bridge going to the station). The chapel of the family has not preserved any memory of the Queen but houses the tombs of Caterina’s father, Marco Cornaro (who died in 1511) and of her brother Giorgio (died in 1540) who were consistent supporters of the Queen when she went through difficult years. The celebration of this unique queen related to the Republic of Venice Fig.88 Funeral Monument of Caterina Cornaro, San Salvatore Church, Venice 68 inspired considerable literature that contributed to building a myth around Caterina Cornaro. Several painters have represented her, including Gentile Bellini and Titian, the former’s portrait displayed in Budapest and the latter’s in Florence. In Venice, Caterina Cornaro appears in an idealised fashion in the Solemn landing in Venice of the Queen of Cyprus who came granting her kingdom to the Commune. This huge canvas painted by Antonio Vassilacchi, as said by Aliense (Milos ca 1556-Venice 1629), is hanging in Hall VI of the CORRER MUSEUM. Executed a long time after the death of the Queen, it depicts Caterina Cornaro arriving in Venice and hosted in the midst of festivities. There is speculation but no proof, that the Queen is amongst the ladies of the Venetian aristocracy attending the Miracle of the Cross fall into the canal of San Lorenzo, painted by Gentile Bellini in 1500, exhibited in the Hall XX of the GALLERY OF THE ACADEMY. Despite the reputation acquired by Caterina Cornaro after her death, the Queen of Cyprus did not attract much interest among artists during her lifetime. Her name was later given to the family palace, a building located on the Grand Canal and renovated from 1724. This is where Caterina was born in 1454, CORRER DELLA REGINA PALACE, on the left bank of the Grand Canal, at the corner of the Rio San Cassiano, opposite the Ca ‘d’Oro. Whatever the role of Caterina Cornaro was in granting Cyprus to Venice, the Signoria managed a very important political coup by integrating Fig.89 Tomb of Caterina Cornaro, Santi Apostoli Church, Venice Fig.90 Santi Apostoli Church, Venice 69 �Fig.91 Decorated arches, Loggetta, Venice Fig.92 Palace Correr della Regina, Venice 70 the Kingdom of Lusignan in its colonial domain. Accordingly, this peaceful conquest was celebrated in the urban setting where the Venetian power featured its potency, namely on the Piazza San Marco. The reconstruction of the LOGGETTA located at the foot of the campanile of St. Mark in the years 1537-1549, provided an opportunity to demonstrate publicly the political hegemony of Venice in the Mediterranean world. The Loggeta was designed by Jacopo Sansovino (14861570), the great Florentine architect to whom the Signoria had assigned the St. Mark Library building during the same years. Sansovino gave to the Loggetta the appearance of a small monument inspired by ancient architecture, with three profusely decorated arches. In the four niches Sansovino put up bronze statues of Minerva, Apollo, Mercury and Peace that he made between 1540 and 1545. On the upper register, he arranged three bas-reliefs in marble illustrating the official ideology. So, one finds in the middle an allegory of Venice as a woman dispensing justice with a sword in her right hand and a balance in her left, and flanked by two lions. The relief on the left is an allegory of the island of Crete, while the one on the right represents the island of Cyprus, personified by the goddess Aphrodite. In the heart of the city, Cyprus is seen closely associated with its patroness, the Signoria, offering it legendary beauty, a glorious past and an ancient culture. This allegorical representation was partially true because, near the Loggetta, the ST. MARK LIBRARY Fig.93 Portrait of Caterina Cornaro 71 �Fig.91 Decorated arches, Loggetta, Venice Fig.92 Palace Correr della Regina, Venice 70 the Kingdom of Lusignan in its colonial domain. Accordingly, this peaceful conquest was celebrated in the urban setting where the Venetian power featured its potency, namely on the Piazza San Marco. The reconstruction of the LOGGETTA located at the foot of the campanile of St. Mark in the years 1537-1549, provided an opportunity to demonstrate publicly the political hegemony of Venice in the Mediterranean world. The Loggeta was designed by Jacopo Sansovino (14861570), the great Florentine architect to whom the Signoria had assigned the St. Mark Library building during the same years. Sansovino gave to the Loggetta the appearance of a small monument inspired by ancient architecture, with three profusely decorated arches. In the four niches Sansovino put up bronze statues of Minerva, Apollo, Mercury and Peace that he made between 1540 and 1545. On the upper register, he arranged three bas-reliefs in marble illustrating the official ideology. So, one finds in the middle an allegory of Venice as a woman dispensing justice with a sword in her right hand and a balance in her left, and flanked by two lions. The relief on the left is an allegory of the island of Crete, while the one on the right represents the island of Cyprus, personified by the goddess Aphrodite. In the heart of the city, Cyprus is seen closely associated with its patroness, the Signoria, offering it legendary beauty, a glorious past and an ancient culture. This allegorical representation was partially true because, near the Loggetta, the ST. MARK LIBRARY Fig.93 Portrait of Caterina Cornaro 71 �Fig.94 Entrance of St. Mark Library, Venice Fig.95 San Sebastiano Church, Venice 72 deserves to be regarded as a repository of literary culture of Cyprus. The building, the construction of which was initiated in 1537 by Jacopo Sansovino (completed only in 1588), houses the collections of Greek manuscripts donated by Cardinal Bessarion, and also includes several valuable texts for the history of Cypriot culture. During the sixteenth century the manuscripts of George Bustron’s and Leontios Machaira’s chronicles, the collection of Petrarchist love poems and legal codes of feudal times were added. A tradition of scholarship has linked Venice to Cyprus and, not surprisingly, two scholars of Cypriot origin became curators of the St. Mark Library in the seventeenth century: Giovanni Sozomeno (16261632) and Giovanni Matteo Bustron (1659-1667). The St. Mark Library is not the only institution owning texts and documents essential to the cultural history of Cyprus: the State Archives (housed in the monastery buildings of the Frari church) and the collections of the Correr Museum contain priceless documents, such as the Museo Navale, where two wooden models of Famagusta from the midsixteenth century are exhibited. Another important figure in the Cypriot culture of the Renaissance was to Jacopo Sansovino who was assigned the task of creating the monument of Cardinal Livio Podocataro who died in 1555 and whose grave is located in the church of SAN SEBASTIANO (in the district of Dorsoduro, near the Zattere). In this church which owes its fame to the cycles of paintings by Paolo Veronese, the monument of Livio Podocataro, completed between 1557-1565, reveals itself as a minor work of Sansovino, with its massive proportions and too sober decoration (notice the arms of the Podocataro family in the lower register). However, it is worth recalling the essential role played by the cardinal who belonged to a powerful aristocratic family in Cyprus, whose members attended the University of Padua since the mid-fifteenth century and were often of Latin rite. Before his death, Cardinal Livio Podocataro instituted a foundation in order to allow three young students from Cyprus to study in Padua. This institution functioned until the late eighteenth century and offered a framework to maintain permanent relations between the elite of the island and Venice, throughout the period of Ottoman rule over Cyprus. A last major figure of Cypriot hellenism notable at a slightly later time is Thomas Flanghini (1579-1648). Cypriot by his mother, Corfiot by his father, Flanghini belonged to a merchant family whose social ascent was marked by its admission to the Venetian patrician during the seventeenth century. Two palaces are connected with the family. The first one, the FLANGHINI PALACE, was the family residence on the Grand Canal, next to the church of San Geremia, built during the last quarter of the seventeenth century, to which the architect Giuseppe Sardi gave a balanced facade; the other one is located in the Castello district, behind the Fig.96 Livio Podocataro monument, San Sebastiano Church, Venice Fig.97 Tomb of Livio Podocataro 73 �Fig.94 Entrance of St. Mark Library, Venice Fig.95 San Sebastiano Church, Venice 72 deserves to be regarded as a repository of literary culture of Cyprus. The building, the construction of which was initiated in 1537 by Jacopo Sansovino (completed only in 1588), houses the collections of Greek manuscripts donated by Cardinal Bessarion, and also includes several valuable texts for the history of Cypriot culture. During the sixteenth century the manuscripts of George Bustron’s and Leontios Machaira’s chronicles, the collection of Petrarchist love poems and legal codes of feudal times were added. A tradition of scholarship has linked Venice to Cyprus and, not surprisingly, two scholars of Cypriot origin became curators of the St. Mark Library in the seventeenth century: Giovanni Sozomeno (16261632) and Giovanni Matteo Bustron (1659-1667). The St. Mark Library is not the only institution owning texts and documents essential to the cultural history of Cyprus: the State Archives (housed in the monastery buildings of the Frari church) and the collections of the Correr Museum contain priceless documents, such as the Museo Navale, where two wooden models of Famagusta from the midsixteenth century are exhibited. Another important figure in the Cypriot culture of the Renaissance was to Jacopo Sansovino who was assigned the task of creating the monument of Cardinal Livio Podocataro who died in 1555 and whose grave is located in the church of SAN SEBASTIANO (in the district of Dorsoduro, near the Zattere). In this church which owes its fame to the cycles of paintings by Paolo Veronese, the monument of Livio Podocataro, completed between 1557-1565, reveals itself as a minor work of Sansovino, with its massive proportions and too sober decoration (notice the arms of the Podocataro family in the lower register). However, it is worth recalling the essential role played by the cardinal who belonged to a powerful aristocratic family in Cyprus, whose members attended the University of Padua since the mid-fifteenth century and were often of Latin rite. Before his death, Cardinal Livio Podocataro instituted a foundation in order to allow three young students from Cyprus to study in Padua. This institution functioned until the late eighteenth century and offered a framework to maintain permanent relations between the elite of the island and Venice, throughout the period of Ottoman rule over Cyprus. A last major figure of Cypriot hellenism notable at a slightly later time is Thomas Flanghini (1579-1648). Cypriot by his mother, Corfiot by his father, Flanghini belonged to a merchant family whose social ascent was marked by its admission to the Venetian patrician during the seventeenth century. Two palaces are connected with the family. The first one, the FLANGHINI PALACE, was the family residence on the Grand Canal, next to the church of San Geremia, built during the last quarter of the seventeenth century, to which the architect Giuseppe Sardi gave a balanced facade; the other one is located in the Castello district, behind the Fig.96 Livio Podocataro monument, San Sebastiano Church, Venice Fig.97 Tomb of Livio Podocataro 73 �church of San Zaccaria. Since 1953 it is seat of the ISTITUTO DI STUDI ELLENICO BIZANTINI E POSTBIZANTINI DI VENEZIA (Hellenic Institute of Venice of Byzantine and Post-Byzantine Studies), an institution depending on the Greek State. A lawyer and wealthly merchant, Thomas Flanghini left in his will to the benefit of the Greek Community of Venice a huge sum of money (170.000 ducats) in order to create a school for educating the young Greeks, to give dowries to poor Greek girls, and to establish a Greek hospital. After his death, this amount was used to buy some estates near the Greek church of St. George, CHIESA DI SAN GIORGIO DI GRECI and to build two houses. One became the main building of the Greek Confraternity (Scoletta) and where the first level was organized as an hospital. The second building housed the Flanghinian College, now Hellenic Institute, which operated for 132 years, admitting about 600 students. Both constructions were designed by the famous Venetian architect Baldassare Longhena for an expense of 14.000 ducats. Fig.98 Flanghini Palace, Venice 74 Fig.99 The Greek Church of St. George and the Hellenic Institute of Venice, Venice 75 �church of San Zaccaria. Since 1953 it is seat of the ISTITUTO DI STUDI ELLENICO BIZANTINI E POSTBIZANTINI DI VENEZIA (Hellenic Institute of Venice of Byzantine and Post-Byzantine Studies), an institution depending on the Greek State. A lawyer and wealthly merchant, Thomas Flanghini left in his will to the benefit of the Greek Community of Venice a huge sum of money (170.000 ducats) in order to create a school for educating the young Greeks, to give dowries to poor Greek girls, and to establish a Greek hospital. After his death, this amount was used to buy some estates near the Greek church of St. George, CHIESA DI SAN GIORGIO DI GRECI and to build two houses. One became the main building of the Greek Confraternity (Scoletta) and where the first level was organized as an hospital. The second building housed the Flanghinian College, now Hellenic Institute, which operated for 132 years, admitting about 600 students. Both constructions were designed by the famous Venetian architect Baldassare Longhena for an expense of 14.000 ducats. Fig.98 Flanghini Palace, Venice 74 Fig.99 The Greek Church of St. George and the Hellenic Institute of Venice, Venice 75 �This College was the second important achievement of the Greek Confraternity, after the construction of the church dedicated to St. George, the construction of which started in 1539. Among the various artists employed on the decoration of the church, we find famous Cretan painters as Michele Damaschino and Emanuele Zane, but also a Cypriot painter was associated with them, Ioannis o Kyprios, also called Giovanni Ciprioto, who made the frescoes inside the dome (1589-1590) and later the Ascension in the bema (1593). Fig.100 The dome of St. George in Venice by the painter Ioannis, the so-called Kyprios Fig.101 Portrait of Thomas Flanghini, 17th century Fig.102 Tombstone of Thomas Flanghini 76 Giovanni Ciprioto and Thomas Flanghini are not the only Cypriots connected to the Greek Confraternity as a number of merchants and immigrants settled in Venice. The archives of the Hellenic Institute hold rich collections of manuscripts, documents and icons that prove the major input made by the Cypriots to the Confraternity. Some died there and asked to be buried in the cemetery behind the church of St. George. For them, as for many Greeks, Venice was a second homeland where one could study the Greek classical heritage and, more generally, humanities. For this reason, Venice became the centre of the Greek learning during the Ottoman rule until the end of the 18th century. Most of the books printed in Greek were edited in Venice and then sent to the entire Greek world, including Cyprus. It is no wonder that the Abbot Ephraim came to Venice in order to print his Description of the Kykkos Monastery in 1751. A few years later, the Archimandrite Kyprianos followed the same path when he published his Chronologial History of Cyprus, in 1777. The last person demonstrating the close ties between Cyprus and Venice is MARC ANTONIO BRAGADINO, the officer who led the Venetian defence of Famagusta in 1570-1571 and became the symbol of the sacrifice of the Republic of Venice to save the Christian world from the Ottoman threat. After the surrender of the city, on the 1st of August 1571, Bragadino was executed by flaying and his skin was shipped as a trophy to Istanbul where it was kept in the arsenal. According to tradition, the skin was stolen and brought to Venice so that the hero of Famagusta received a proper burial. First stored in the church of San Gregorio, the urn was finally displayed on the 18th of May, 1596, in the church of SAINTS JOHN AND PAUL (first altar in the right aisle). We note, over the urn, Bragadino’s sculpted bust and a monochrome fresco depicting his martyrdom. The long history of Veneto-Cypriot relationships from the Middle Ages until our days contains also romantic and beautiful imagined memories. One of them, the REGATA STORICA, connects a major Venetian feast with the arrival of Caterina Cornaro in Venice in 1489, even if the origins of the naval feasts go further back to the thirteenth century. Every year, during the first Sunday of September, the most famous race takes place where the best rowers of the city compete on their boats 77 �This College was the second important achievement of the Greek Confraternity, after the construction of the church dedicated to St. George, the construction of which started in 1539. Among the various artists employed on the decoration of the church, we find famous Cretan painters as Michele Damaschino and Emanuele Zane, but also a Cypriot painter was associated with them, Ioannis o Kyprios, also called Giovanni Ciprioto, who made the frescoes inside the dome (1589-1590) and later the Ascension in the bema (1593). Fig.100 The dome of St. George in Venice by the painter Ioannis, the so-called Kyprios Fig.101 Portrait of Thomas Flanghini, 17th century Fig.102 Tombstone of Thomas Flanghini 76 Giovanni Ciprioto and Thomas Flanghini are not the only Cypriots connected to the Greek Confraternity as a number of merchants and immigrants settled in Venice. The archives of the Hellenic Institute hold rich collections of manuscripts, documents and icons that prove the major input made by the Cypriots to the Confraternity. Some died there and asked to be buried in the cemetery behind the church of St. George. For them, as for many Greeks, Venice was a second homeland where one could study the Greek classical heritage and, more generally, humanities. For this reason, Venice became the centre of the Greek learning during the Ottoman rule until the end of the 18th century. Most of the books printed in Greek were edited in Venice and then sent to the entire Greek world, including Cyprus. It is no wonder that the Abbot Ephraim came to Venice in order to print his Description of the Kykkos Monastery in 1751. A few years later, the Archimandrite Kyprianos followed the same path when he published his Chronologial History of Cyprus, in 1777. The last person demonstrating the close ties between Cyprus and Venice is MARC ANTONIO BRAGADINO, the officer who led the Venetian defence of Famagusta in 1570-1571 and became the symbol of the sacrifice of the Republic of Venice to save the Christian world from the Ottoman threat. After the surrender of the city, on the 1st of August 1571, Bragadino was executed by flaying and his skin was shipped as a trophy to Istanbul where it was kept in the arsenal. According to tradition, the skin was stolen and brought to Venice so that the hero of Famagusta received a proper burial. First stored in the church of San Gregorio, the urn was finally displayed on the 18th of May, 1596, in the church of SAINTS JOHN AND PAUL (first altar in the right aisle). We note, over the urn, Bragadino’s sculpted bust and a monochrome fresco depicting his martyrdom. The long history of Veneto-Cypriot relationships from the Middle Ages until our days contains also romantic and beautiful imagined memories. One of them, the REGATA STORICA, connects a major Venetian feast with the arrival of Caterina Cornaro in Venice in 1489, even if the origins of the naval feasts go further back to the thirteenth century. Every year, during the first Sunday of September, the most famous race takes place where the best rowers of the city compete on their boats 77 �decorated according to old traditions. This very popular event linked to the maritime history of Venice is also an occasion to organise a spectacular maritime procession recalling the former power of the Venetian fleet. On that special day, one can admire a reconstructed Bucintore and the ducal gondola with sailors and officials dressed in traditional costumes. 78 Fig.103 Marc Antonio Bragadino monument, Saints John and Paul Church, Venice Fig.104 Marc Antonio Bragadino monument, Saints John and Paul Church, Venice 79 �decorated according to old traditions. This very popular event linked to the maritime history of Venice is also an occasion to organise a spectacular maritime procession recalling the former power of the Venetian fleet. On that special day, one can admire a reconstructed Bucintore and the ducal gondola with sailors and officials dressed in traditional costumes. 78 Fig.103 Marc Antonio Bragadino monument, Saints John and Paul Church, Venice Fig.104 Marc Antonio Bragadino monument, Saints John and Paul Church, Venice 79 �Venice - Cyprus An ongoing relationship Municipalities, Cultural foundations as well as the Embassy of Italy in Cyprus organise events perpetuating the strong bonds between Cyprus and Venice. Scientists from Cyprus, especially architects and artists study in universities in Venice. Cyprus participates in the Art Biennale and Architecture Biennale in Venice as well as in other events of international reputation taking place in Venice. Influences of Venetian rule may be detected in the local dialect, design and gastronomy. The twinning of the city of Larnaka with Venice accentuates the will to continue the relationship between the two regions. Fig.107 Cyprus Pavilion in Venice Biennale, 2011 Fig.105,106 Ceremony for the twinning of Larnaka with Venice, May 2010 80 81 �Venice - Cyprus An ongoing relationship Municipalities, Cultural foundations as well as the Embassy of Italy in Cyprus organise events perpetuating the strong bonds between Cyprus and Venice. Scientists from Cyprus, especially architects and artists study in universities in Venice. Cyprus participates in the Art Biennale and Architecture Biennale in Venice as well as in other events of international reputation taking place in Venice. Influences of Venetian rule may be detected in the local dialect, design and gastronomy. The twinning of the city of Larnaka with Venice accentuates the will to continue the relationship between the two regions. Fig.107 Cyprus Pavilion in Venice Biennale, 2011 Fig.105,106 Ceremony for the twinning of Larnaka with Venice, May 2010 80 81 �and the great west door and several decorative elements of its portals, may be attributed to the Venetian period. Several coats-of-arms nevertheless bear the mark of their time since they belong to the type of winding armories, typical heraldic language of the Renaissance. Fig.108 Othello Tower in occupied Ammochostos (Famagusta) VENETIAN MONUMENTS IN OCCUPIED AREAS AND PROTECTION OF CULTURAL HERITAGE As a result of the military invasion by Turkey in 1974 and the subsequent occupation of the northern part of the island, 36.2% of its territory, Cyprus’ cultural heritage has been severely affected despite existing internationally binding treaties regarding the protection of cultural heritage. The damage is grave and in many cases, irreversible. There are notable Venetian monuments in the area under occupation. The Republic of Cyprus is continuously striving for the protection of these monuments which are a valuable part of Cyprus’ and the world’s cultural heritage. 82 The occupied part of Lefkosia also retains vestiges reminiscent of the Venetian presence on the island. Besides the walls of Savorgnano and the Kyrenia Gate already mentioned, in Atatürk square there is the column that symbolised the power of Venice as can be found in the main square of every town located in the territories that were controlled by Venice. In Lefkosia it is a re-used 6 meters tall Roman column in grey granite. It is set on a hexagonal base on which are engraved six coats-of-arms of major Venetian families whose members occupied official positions in the colonial government (Dona, Contarini, Pesaro and Michiel are discernible). In September 1570 after the Fall of Nicosia, the column lost the statue of the lion of St. Mark which crowned it because it expressed the power and the protection of Venice. The monuments of the sixteenth century can be completed by the Bedestan which was the Greek cathedral in the sixteenth century and which adjoins St. Sophia church, now Selimiye mosque. The building has undergone several changes as one of the most perfect military masterpieces of the Renaissance. It bears the name of the count Hercole Martinengo, who initiated the works in 1559 and died there two years later. Some major Italian architects, as Gian Girolamo San Micheli, collaborated on this work. The bastion is celebrated for the ability Like Lefkosia, AMMOCHOSTOS, which of the Venetian military engineers is occupied by Turkey since 1974, has to adapt theoretical concepts retained its walls from the Venetian with the reality on the ground. period, but these have not been entirely rebuilt. The Venetians had Most of the main architectural reinforced some parts of the walls evidence of the Venetian official and their intervention is evident presence is concentrated around the at several places. Three points central square of the city. Opposite show the direct impact of Venice: the Gothic cathedral of St. Nicholas (converted into a mosque during the The Sea Gate, open on the port, Ottoman period), the former royal totally rebuilt by the Venetians before Lusignan palace was renovated the end of the fifteenth century, has and changed into the Palazzo del kept its bow and marble pilasters Proveditore. Of the monument decorated according to the criteria only the triple arched gate remains of the civil Renaissance architecture. which formed the public façade The door has at its top the bas- of the palace, on which the arms relief of the lion of St. Mark and, of Giovanni Renier are carved, below it, the inscription recording Captain of Famagusta in 1552. the restoration of the tower by the The decoration shows the direct proveditore Nicolò Priuli in 1496. influence of Renaissance style with the use of very large stone blocks The old Lusignan citadel was derived from military architecture reinforced. New round towers were but decorated with trigryphs and built over the former ones. The so-called guttae borrowed from ancient Greek “Tower of Othello” defends the main classical design, and combined with gate of the citadel which has above the use of four granite columns taken the entrance a huge marble relief from the Roman ruins of Salamis. of the lion of St. Mark, symbol of the The gateway was used as an official strength of Venice on land and sea. loggia for public audiences and Another important defensive work was a major point for meetings realised by the Venetians is the famous and ceremonies in everyday life. Martinengo bastion, at the northwest From this loggia, the Ottoman corner of the city walls, considered chief commander, Lala Mustafa 83 �and the great west door and several decorative elements of its portals, may be attributed to the Venetian period. Several coats-of-arms nevertheless bear the mark of their time since they belong to the type of winding armories, typical heraldic language of the Renaissance. Fig.108 Othello Tower in occupied Ammochostos (Famagusta) VENETIAN MONUMENTS IN OCCUPIED AREAS AND PROTECTION OF CULTURAL HERITAGE As a result of the military invasion by Turkey in 1974 and the subsequent occupation of the northern part of the island, 36.2% of its territory, Cyprus’ cultural heritage has been severely affected despite existing internationally binding treaties regarding the protection of cultural heritage. The damage is grave and in many cases, irreversible. There are notable Venetian monuments in the area under occupation. The Republic of Cyprus is continuously striving for the protection of these monuments which are a valuable part of Cyprus’ and the world’s cultural heritage. 82 The occupied part of Lefkosia also retains vestiges reminiscent of the Venetian presence on the island. Besides the walls of Savorgnano and the Kyrenia Gate already mentioned, in Atatürk square there is the column that symbolised the power of Venice as can be found in the main square of every town located in the territories that were controlled by Venice. In Lefkosia it is a re-used 6 meters tall Roman column in grey granite. It is set on a hexagonal base on which are engraved six coats-of-arms of major Venetian families whose members occupied official positions in the colonial government (Dona, Contarini, Pesaro and Michiel are discernible). In September 1570 after the Fall of Nicosia, the column lost the statue of the lion of St. Mark which crowned it because it expressed the power and the protection of Venice. The monuments of the sixteenth century can be completed by the Bedestan which was the Greek cathedral in the sixteenth century and which adjoins St. Sophia church, now Selimiye mosque. The building has undergone several changes as one of the most perfect military masterpieces of the Renaissance. It bears the name of the count Hercole Martinengo, who initiated the works in 1559 and died there two years later. Some major Italian architects, as Gian Girolamo San Micheli, collaborated on this work. The bastion is celebrated for the ability Like Lefkosia, AMMOCHOSTOS, which of the Venetian military engineers is occupied by Turkey since 1974, has to adapt theoretical concepts retained its walls from the Venetian with the reality on the ground. period, but these have not been entirely rebuilt. The Venetians had Most of the main architectural reinforced some parts of the walls evidence of the Venetian official and their intervention is evident presence is concentrated around the at several places. Three points central square of the city. Opposite show the direct impact of Venice: the Gothic cathedral of St. Nicholas (converted into a mosque during the The Sea Gate, open on the port, Ottoman period), the former royal totally rebuilt by the Venetians before Lusignan palace was renovated the end of the fifteenth century, has and changed into the Palazzo del kept its bow and marble pilasters Proveditore. Of the monument decorated according to the criteria only the triple arched gate remains of the civil Renaissance architecture. which formed the public façade The door has at its top the bas- of the palace, on which the arms relief of the lion of St. Mark and, of Giovanni Renier are carved, below it, the inscription recording Captain of Famagusta in 1552. the restoration of the tower by the The decoration shows the direct proveditore Nicolò Priuli in 1496. influence of Renaissance style with the use of very large stone blocks The old Lusignan citadel was derived from military architecture reinforced. New round towers were but decorated with trigryphs and built over the former ones. The so-called guttae borrowed from ancient Greek “Tower of Othello” defends the main classical design, and combined with gate of the citadel which has above the use of four granite columns taken the entrance a huge marble relief from the Roman ruins of Salamis. of the lion of St. Mark, symbol of the The gateway was used as an official strength of Venice on land and sea. loggia for public audiences and Another important defensive work was a major point for meetings realised by the Venetians is the famous and ceremonies in everyday life. Martinengo bastion, at the northwest From this loggia, the Ottoman corner of the city walls, considered chief commander, Lala Mustafa 83 �Pasha, witnessed the martyrdom of the last Venetian Captain of Famagusta, Marc Antonio Bragadino, on the 15th of August 1571. In front of the Palazzo del Proveditore, and at a central place in the main square of the city, two colums were erected by the Venetian officers, as in most cities under Venetian domination, reproducing the model of the twin columns at the waterfront of Venice, which held aloft the statues of St. Theodore and the lion of St. Mark. In Ammochostos, as in Venice and elsewhere, those two colums had a ceremonial function for processions and punishment. At some time, the famous Sarcophagus of Venus, was displayed between the two columns which symbolised the close association of ancient myth with Venetian strengh. The sarcophagus is located behind the gateway of the Palazzo del Proveditore and the two columns in front of the building opposite, an Ottoman madrassa which incorporates part of the old bischop’s palace complex. Outside the walls and the main square of the city, few remains of Venetian civil architecture can be found. The ruins of the two palaces worth noting: the first one, is called the “Bedestan Palace” or the “Queen’s Palace” and underwent many restorations; only the portal remains in its original form and preserves the stones worked “alla diamante”. The second palace, called either “Bulwar’s Arch” or “Biddulph’s Gate”, has few remains of the façade but those are the most interesting and ostentatious of the whole city. Its masonry is similar to the one of 84 the gateway of the Palazzo del Proveditore with large blocks and rounded arches, but the entablature is rich in finely carved decoration with fine corbels, two of which with rampant lions holding up a shield with a cross. Finally, it should be noted that the Church of Agios Mamas in occupied Morfou was an important place of worship from the Middle Ages to the eighteenth century. It was the subject of extensive restoration in the Venetian period according to the mixed criteria of the Franco- Byzantine style, especially recognisable in the motifs of the arch above the sarcophagus of the Saint. The iconostasis of the church is faithful to the mixture of styles that are typical of this period. We notice four slender columns with Gothic capitals and finely carved marble panels with Venetian coatsof-arms, executed with care and elegance which refers directly to USEFUL INFORMATION models of the Italian Renaissance. The Republic of Cyprus cannot guarantee the safety of visitors in the occupied areas. The Government of the Republic of Cyprus, since it is prevented by the Turkish military forces to exercise effective control over the occupied part of the island, will be unable to offer any help in case of accident, injury, theft, illness etc, and thus foreign nationals may find themselves in a difficult situation in case of need. 85 �Pasha, witnessed the martyrdom of the last Venetian Captain of Famagusta, Marc Antonio Bragadino, on the 15th of August 1571. In front of the Palazzo del Proveditore, and at a central place in the main square of the city, two colums were erected by the Venetian officers, as in most cities under Venetian domination, reproducing the model of the twin columns at the waterfront of Venice, which held aloft the statues of St. Theodore and the lion of St. Mark. In Ammochostos, as in Venice and elsewhere, those two colums had a ceremonial function for processions and punishment. At some time, the famous Sarcophagus of Venus, was displayed between the two columns which symbolised the close association of ancient myth with Venetian strengh. The sarcophagus is located behind the gateway of the Palazzo del Proveditore and the two columns in front of the building opposite, an Ottoman madrassa which incorporates part of the old bischop’s palace complex. Outside the walls and the main square of the city, few remains of Venetian civil architecture can be found. The ruins of the two palaces worth noting: the first one, is called the “Bedestan Palace” or the “Queen’s Palace” and underwent many restorations; only the portal remains in its original form and preserves the stones worked “alla diamante”. The second palace, called either “Bulwar’s Arch” or “Biddulph’s Gate”, has few remains of the façade but those are the most interesting and ostentatious of the whole city. Its masonry is similar to the one of 84 the gateway of the Palazzo del Proveditore with large blocks and rounded arches, but the entablature is rich in finely carved decoration with fine corbels, two of which with rampant lions holding up a shield with a cross. Finally, it should be noted that the Church of Agios Mamas in occupied Morfou was an important place of worship from the Middle Ages to the eighteenth century. It was the subject of extensive restoration in the Venetian period according to the mixed criteria of the Franco- Byzantine style, especially recognisable in the motifs of the arch above the sarcophagus of the Saint. The iconostasis of the church is faithful to the mixture of styles that are typical of this period. We notice four slender columns with Gothic capitals and finely carved marble panels with Venetian coatsof-arms, executed with care and elegance which refers directly to USEFUL INFORMATION models of the Italian Renaissance. The Republic of Cyprus cannot guarantee the safety of visitors in the occupied areas. The Government of the Republic of Cyprus, since it is prevented by the Turkish military forces to exercise effective control over the occupied part of the island, will be unable to offer any help in case of accident, injury, theft, illness etc, and thus foreign nationals may find themselves in a difficult situation in case of need. 85 �Lefkosia FAMAGUSTA GATE Lefkosia Municipality Cultural Centre Tel: 22797660, 22797651 THE HOUSE OF CHATZIGEORGAKIS KORNESIOS Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Patriarchou Grigoriou 20 Lefkosia Tel: 22305316 Open all year round (closed on Public Holidays) Tuesday, Thursday, Friday 08:30–15:30 Wednesday 08:30–17:00 Saturday 09:30–17:30 Sunday, Monday Closed THE BANK OF CYPRUS CULTURAL FOUNDATION The Bank of Cyprus Cultural Foundation Phaneromenis 86-90 1011 Lefkosia Tel: 22677134, 22128157 Open all year round (closed on Public Holidays) Open daily: 10:00–19:00 THE LEVENTIS MUNICIPAL MUSEUM OF LEFKOSIA A.G. Leventis Foundation and Lefkosia Municipality Ippokratous 17 Laiki Geitonia Lefkosia Tel: 22661475 Open all year round (closed on Public Holidays) OMERIYE MOSQUE Plateia Tyllirias Monday – Saturday 10:00–16:30 Sunday Closed PANAGIA CHRYSALINIOTISSA Chrysaliniotissis Street THE MANOR HOUSE AND IRRIGATION SYSTEM, POTAMIA Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 STAVROS TOU MISSIRIKOU Lefkonos Street BYZANTINE MUSEUM Cultural Centre of the Archbishop Makarios III Foundation Archbishopric Grounds Plateia Archiepiskopou Kyprianou Lefkosia Tel: 22430008 Open all year round (closed on Public Holidays) Monday – Friday 09:00–16:30 Saturday 09:00–13:00 Sunday Closed 86 Via Dali village, just past the village of Potamia towards Agios Sozomenos, turn right and reach the Manor House. The remains of the irrigation systems can be seen off the road to Agios Sozomenos and Dali before crossing the river Yialias, coming from Lefkosia, and near the bridge across the Alykos. THE CHURCH OF AGIOS MAMAS, AGIOS SOZOMENOS Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 In the village of Agios Sozomenos, after Potamia. Larnaka Lemesos LARNAKA SALT LAKE Main road from Larnaka to the Airport. LEMESOS MEDIEVAL CASTLE AND MUSEUM Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 PIERIDES MUSEUM MARFIN LAIKI BANK The Pierides Museum Marfin Laiki Bank Foundation Zinonos Kitieos 4 Larnaka Tel: 24814555 Open all the year round (closed on Public Holidays), Monday – Thursday 09:00–16:00 Friday and Saturday 09:00–13:00 Sunday Closed KITI WATCHTOWER Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Turn off the main road from Larnaka to Kiti towards Meneou village. The tower is off the road from Meneou to Cape Kiti on the right. Access also from the Kiti – Pervolia - Meneou road, between Pervolia and Meneou, off the road on the left. The site can be viewed from the outside. Agia Napa THE MONASTERY OF AGIA NAPA Bishopric of Constantias and Ammochostou 12 Agiou Georgiou Street, 5820 Paralimni, Tel: 23812456 Open during daylight hours At the centre of Agia Napa Richardou & Berengarias Lemesos Tel: 25305419 Open all the year round (closed on Public Holidays) Monday – Saturday 09:00–17:00 Sunday 10:00–13:00 SUGAR PRODUCTION, EPISKOPI Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Turn off the old Lemesos to Pafos main road in the village of Episkopi, just before the Eco Petrol Station, in the direction of Pafos. Then immediately turn left and see the site from the street as it is fenced off. Pafos PAFOS DISTRICT ARCHAEOLOGICAL MUSEUM Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Leoforos Georgios Griva Digeni 43 Pafos Tel: 26306215 Open all year round (closed on Public Holidays) Tuesday, Thursday, Friday, Saturday 08:00–15:00 Wednesday 08:00–17:00 Sunday and Monday Closed 87 �Lefkosia FAMAGUSTA GATE Lefkosia Municipality Cultural Centre Tel: 22797660, 22797651 THE HOUSE OF CHATZIGEORGAKIS KORNESIOS Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Patriarchou Grigoriou 20 Lefkosia Tel: 22305316 Open all year round (closed on Public Holidays) Tuesday, Thursday, Friday 08:30–15:30 Wednesday 08:30–17:00 Saturday 09:30–17:30 Sunday, Monday Closed THE BANK OF CYPRUS CULTURAL FOUNDATION The Bank of Cyprus Cultural Foundation Phaneromenis 86-90 1011 Lefkosia Tel: 22677134, 22128157 Open all year round (closed on Public Holidays) Open daily: 10:00–19:00 THE LEVENTIS MUNICIPAL MUSEUM OF LEFKOSIA A.G. Leventis Foundation and Lefkosia Municipality Ippokratous 17 Laiki Geitonia Lefkosia Tel: 22661475 Open all year round (closed on Public Holidays) OMERIYE MOSQUE Plateia Tyllirias Monday – Saturday 10:00–16:30 Sunday Closed PANAGIA CHRYSALINIOTISSA Chrysaliniotissis Street THE MANOR HOUSE AND IRRIGATION SYSTEM, POTAMIA Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 STAVROS TOU MISSIRIKOU Lefkonos Street BYZANTINE MUSEUM Cultural Centre of the Archbishop Makarios III Foundation Archbishopric Grounds Plateia Archiepiskopou Kyprianou Lefkosia Tel: 22430008 Open all year round (closed on Public Holidays) Monday – Friday 09:00–16:30 Saturday 09:00–13:00 Sunday Closed 86 Via Dali village, just past the village of Potamia towards Agios Sozomenos, turn right and reach the Manor House. The remains of the irrigation systems can be seen off the road to Agios Sozomenos and Dali before crossing the river Yialias, coming from Lefkosia, and near the bridge across the Alykos. THE CHURCH OF AGIOS MAMAS, AGIOS SOZOMENOS Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 In the village of Agios Sozomenos, after Potamia. Larnaka Lemesos LARNAKA SALT LAKE Main road from Larnaka to the Airport. LEMESOS MEDIEVAL CASTLE AND MUSEUM Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 PIERIDES MUSEUM MARFIN LAIKI BANK The Pierides Museum Marfin Laiki Bank Foundation Zinonos Kitieos 4 Larnaka Tel: 24814555 Open all the year round (closed on Public Holidays), Monday – Thursday 09:00–16:00 Friday and Saturday 09:00–13:00 Sunday Closed KITI WATCHTOWER Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Turn off the main road from Larnaka to Kiti towards Meneou village. The tower is off the road from Meneou to Cape Kiti on the right. Access also from the Kiti – Pervolia - Meneou road, between Pervolia and Meneou, off the road on the left. The site can be viewed from the outside. Agia Napa THE MONASTERY OF AGIA NAPA Bishopric of Constantias and Ammochostou 12 Agiou Georgiou Street, 5820 Paralimni, Tel: 23812456 Open during daylight hours At the centre of Agia Napa Richardou & Berengarias Lemesos Tel: 25305419 Open all the year round (closed on Public Holidays) Monday – Saturday 09:00–17:00 Sunday 10:00–13:00 SUGAR PRODUCTION, EPISKOPI Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Turn off the old Lemesos to Pafos main road in the village of Episkopi, just before the Eco Petrol Station, in the direction of Pafos. Then immediately turn left and see the site from the street as it is fenced off. Pafos PAFOS DISTRICT ARCHAEOLOGICAL MUSEUM Department of Antiquities 1 Museum Street, Lefkosia Tel: 22865864 Leoforos Georgios Griva Digeni 43 Pafos Tel: 26306215 Open all year round (closed on Public Holidays) Tuesday, Thursday, Friday, Saturday 08:00–15:00 Wednesday 08:00–17:00 Sunday and Monday Closed 87 �PAFOS BYZANTINE MUSEUM Ilission Street, 8047 Pafos Tel: 26932092 Bishopric of Pafos Andrea Ioannou Street, 5 Pafos (Next to the Bishopric of Pafos) Tel: 26931393 Monday – Friday 09:00–17:00 Saturday 10:00–13:00 Sunday Closed Closed on Public Holiday THE CHURCH OF PANAGIA CHRYSELEOUSA, EMPA Bishopric of Pafos Ilission Street, 8047, Pafos Tel: 26932092 At the centre of Empa village which you reach by turning off inland from the Pafos to Chlorakas road. The key can be obtained from the coffee shop across the road from the church. The coffee shop is open daily until late. The key is also available from Father Marios, tel. 99578370. THE MONASTERY OF AGIOS NEOFYTOS NEAR TALA The Monastery of Agios Neofytos 8777, Tala Tel: 26652481 The Monastery can be reached from Pafos via Empa and Tala or by turning off the main Pafos to Polis road at Mesa Chorio, about 5km north of Pafos towards Polis. The church is open during the day. THE CHURCH OF AGIA EKATERINA NEAR KRITOU TERRA Bishopric of Pafos Ilission Street, 8047, Pafos Tel: 26932092 88 The church can be reached by turning off left from the main Pafos to Polis road when going in direction of Polis, between Giolou village and Skoulli towards “Agia Ekaterini”. It is the turning after the “Kato Akourdaleia, Pano Akourdaleia” turning. The features highlighted for this church can be viewed from the outside. THE CHURCH OF ARCHANGELOS MICHAEL ,CHOLI Bishopric of Pafos Ilission Street, 8047, Pafos Tel: 26932092 The village can be reached by turning off to the left towards Choli from the main Pafos to Polis road when going in the direction of Polis and following the signs to Choli. The key, if required, is with Mrs Vasiliki, Tel: 26321124, whose house is about 75m up towards the village on the right, opposite the public telephone box. Troodos area THE CHURCH OF METAMORFOSEOS TOU SOTIROS, PALAICHORI Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 From the main Lefkosia – Palechori Agros road turn up towards Palaichori and then turn left, towards “Church of Sotiros 16th Century” and reach the church after about 500m. The key is with the priest, Father Kyriakos, Tel: 22642376, at the last house before you reach the church (outside staircase leading to first floor). THE CHURCH OF PANAGIA CHRYSOPANTANASSA, PALAICHORI Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 At centre of village The key is with Mrs Dora, Tel: 22642217, 99974230 Open Tuesdays and Wednesdays 10:00–13:00. Contact point the cafeteria across the road (Mrs Androulla) MUSEUM OF BYZANTINE HERITAGE, PALAICHORI Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 At centre of village, about 50m across the street from the church, along the road leading out of the village. Open Tuesdays and Wednesdays 10:00-13:00, Tel 22643012 THE CHURCH OF IOANNIS PRODROMOS, ASKAS Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 Turn down, from the main street at centre of village (signposted in Greek). The church is likely to be closed. The keys are with Father Andreas, Tel 22642332 and Mr Kostakis Konstantinou, Tel: 99579369. One or the other is usually available. The house of Father Andreas is on the main village street, about 50m from the turning to the church, in the directing of Palechori, on the right. THE CHURCH OF AGIA CHRISTINA, ASKAS Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 Turn, down, from the main road between Askas and Fterikoudi on a tarmac road signposted to “St Christina Chapel (St Paraskevi)” and follow this road for 1,5km to its end. The church is likely to be closed. The key is with Father Andreas, Tel: 22642332 and Mr Kostakis Konstantinou, Tel: 99579369. One or the other is usually available. THE CHURCH OF TIMIOS STAVROS, KYPEROUNTA AND THE MUSEUM Bishopric of Lemesos 306 Agiou Andreou, 3035 Lemesos Tel: 25864300 Near the centre of the village on a hill, past the village square and the church of Panagia Katholiki. The key is at the village council offices, about 75m before the church, Tel: 25813204, 99468168 open 08:00–14:00, 17:00–19:00, closed on Saturday and Sunday) and with Father Ioannis, Tel: 99409041, whose house is after the school on the right, on the road leading steeply down on the left when going in the direction of the church, just after the village council office and the co-op. THE CHURCH OF PANAGIA KATHOLIKI, PELENDRI Bishopric of Lemesos 306 Agiou Andreou, 3035 Lemesos Tel: 25864300 At the lower end of the village. Take the steep narrow turning, down, just before the co-op store on the main street, when coming from the direction of the Lemesos – Troodos road. 89 �PAFOS BYZANTINE MUSEUM Ilission Street, 8047 Pafos Tel: 26932092 Bishopric of Pafos Andrea Ioannou Street, 5 Pafos (Next to the Bishopric of Pafos) Tel: 26931393 Monday – Friday 09:00–17:00 Saturday 10:00–13:00 Sunday Closed Closed on Public Holiday THE CHURCH OF PANAGIA CHRYSELEOUSA, EMPA Bishopric of Pafos Ilission Street, 8047, Pafos Tel: 26932092 At the centre of Empa village which you reach by turning off inland from the Pafos to Chlorakas road. The key can be obtained from the coffee shop across the road from the church. The coffee shop is open daily until late. The key is also available from Father Marios, tel. 99578370. THE MONASTERY OF AGIOS NEOFYTOS NEAR TALA The Monastery of Agios Neofytos 8777, Tala Tel: 26652481 The Monastery can be reached from Pafos via Empa and Tala or by turning off the main Pafos to Polis road at Mesa Chorio, about 5km north of Pafos towards Polis. The church is open during the day. THE CHURCH OF AGIA EKATERINA NEAR KRITOU TERRA Bishopric of Pafos Ilission Street, 8047, Pafos Tel: 26932092 88 The church can be reached by turning off left from the main Pafos to Polis road when going in direction of Polis, between Giolou village and Skoulli towards “Agia Ekaterini”. It is the turning after the “Kato Akourdaleia, Pano Akourdaleia” turning. The features highlighted for this church can be viewed from the outside. THE CHURCH OF ARCHANGELOS MICHAEL ,CHOLI Bishopric of Pafos Ilission Street, 8047, Pafos Tel: 26932092 The village can be reached by turning off to the left towards Choli from the main Pafos to Polis road when going in the direction of Polis and following the signs to Choli. The key, if required, is with Mrs Vasiliki, Tel: 26321124, whose house is about 75m up towards the village on the right, opposite the public telephone box. Troodos area THE CHURCH OF METAMORFOSEOS TOU SOTIROS, PALAICHORI Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 From the main Lefkosia – Palechori Agros road turn up towards Palaichori and then turn left, towards “Church of Sotiros 16th Century” and reach the church after about 500m. The key is with the priest, Father Kyriakos, Tel: 22642376, at the last house before you reach the church (outside staircase leading to first floor). THE CHURCH OF PANAGIA CHRYSOPANTANASSA, PALAICHORI Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 At centre of village The key is with Mrs Dora, Tel: 22642217, 99974230 Open Tuesdays and Wednesdays 10:00–13:00. Contact point the cafeteria across the road (Mrs Androulla) MUSEUM OF BYZANTINE HERITAGE, PALAICHORI Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 At centre of village, about 50m across the street from the church, along the road leading out of the village. Open Tuesdays and Wednesdays 10:00-13:00, Tel 22643012 THE CHURCH OF IOANNIS PRODROMOS, ASKAS Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 Turn down, from the main street at centre of village (signposted in Greek). The church is likely to be closed. The keys are with Father Andreas, Tel 22642332 and Mr Kostakis Konstantinou, Tel: 99579369. One or the other is usually available. The house of Father Andreas is on the main village street, about 50m from the turning to the church, in the directing of Palechori, on the right. THE CHURCH OF AGIA CHRISTINA, ASKAS Bishopric of Tamasos and Oreinis Arch. Makarios III Avenue, Deftera, Lefkosia Tel: 22465465 Turn, down, from the main road between Askas and Fterikoudi on a tarmac road signposted to “St Christina Chapel (St Paraskevi)” and follow this road for 1,5km to its end. The church is likely to be closed. The key is with Father Andreas, Tel: 22642332 and Mr Kostakis Konstantinou, Tel: 99579369. One or the other is usually available. THE CHURCH OF TIMIOS STAVROS, KYPEROUNTA AND THE MUSEUM Bishopric of Lemesos 306 Agiou Andreou, 3035 Lemesos Tel: 25864300 Near the centre of the village on a hill, past the village square and the church of Panagia Katholiki. The key is at the village council offices, about 75m before the church, Tel: 25813204, 99468168 open 08:00–14:00, 17:00–19:00, closed on Saturday and Sunday) and with Father Ioannis, Tel: 99409041, whose house is after the school on the right, on the road leading steeply down on the left when going in the direction of the church, just after the village council office and the co-op. THE CHURCH OF PANAGIA KATHOLIKI, PELENDRI Bishopric of Lemesos 306 Agiou Andreou, 3035 Lemesos Tel: 25864300 At the lower end of the village. Take the steep narrow turning, down, just before the co-op store on the main street, when coming from the direction of the Lemesos – Troodos road. 89 �The key is at the house next to the church’s courtyard (Mrs Panagiota, Tel: 99994932, 25552268. The key is with Mr Athos Savvides Tel: 99476149 and 22952580 09:00–12:00, 13:00-16:00 THE CHURCH OF PANAGIA IAMATIKI, ARAKAPAS Bishopric of Lemesos 306 Agiou Andreou, 3035 Lemesos Tel: 25864300 Meetng point: Coffee shop/post agency, opposite bridge. At the far end of the village when coming from Kalo Chorio along the Lemesos – Agros main road, above the main village church. The church is likely to be closed. Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 The keys are with Mrs Androulla, Tel: 96539606 and Mr Kostas Kalamaras, Tel: 99428957, 22622880. One or the other is usually available. THE CHURCH OF PANAGIA THEOTOKOS, KAKOPETRIA Bishopric of Morfou 3 Mitropoleos Street, Evrychou Tel: 22932401 On main street between Kakopetria and Galata just before the petrol station on the right coming from Kakopetria. The key is at the butcher’s shop opposite the petrol station. The shop is normally open 07:30 – 20:00 except Sunday all day and Wednesday afternoon. (The church light switch is in a box at the far end of the church from the door on the opposite side). THE CHURCH OF AGIOS SOZOMENOS, GALATA Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 90 Off the main Galata village road from the centre, by the bridge. Take the steep road, up, roughly opposite the bridge in the direction of Kakopetria. Go past the village church and take the second turning on the left. THE CHURCH OF PANAGIA PODITHOU, GALATA Off main Lefkosia – Troodos road at Galata village, signposted “Church of Archangel, Panagia Podithou”. Turn off, follow this side road past the cemetery and after 150m turn down, right, along an earth road. The church is straight ahead. The key is with Mr Athos Savvides Tel: 99476149 and 22952580 09:00–12:00, 13:00–16:00. Meeting point: Coffee shop/post agency opposite bridge. THE CHURCH OF ARCHANGELOS , GALATA Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 Off main Lefkosia – Troodos road at Galata village signposted “Church of Archangel, Panagia Podithou”. Turn off, follow this side road past the cemetery and after 150m turn down, right, along an earth road. Immediately turn left. The key is with Mr Athos Savvides Tel: 99476149 and 22952580 09:00–12:00, 13:00–16:00 Meeting point: Coffee shop/post agency opposite bridge. AGIOS IOANNIS LAMPADISTIS, KALOPANAGIOTIS Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 From the main road at the centre of the village take the turning down towards “Agios Ioannis Lampadistis” and after 500m cross bridge. The church is open: October – March 09:00-12:00, 13:00-16:00 April – September 09:00-18:30 The museum is open: October – February 10:00-15:00 March – May 09:30-17:00 June – August 09:30-19:00 September 09:30-17:00 On Sundays from 11:00 Closed on Easter Sunday Father Andreas, Tel: 99476149, 22952580 Father Artemios, Tel: 97629644 THE CHURCH OF CHRYSOKOURDALIOTISSA, KOURDALI Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 In the village of Kourdali, just below Spilia. The key is at the stone house across the tarmac road, with Sister Isidora. Tel: 22922212, 99779592. Closed 13:00-15:00 THE CHURCH OF ARCHANGEL MICHAEL, PEDOULAS Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 At cul-de-sac at the lower end of the village, signposted. The key is with the Byzantine Museum caretaker, across the road, and at the house just before the church. The key is also available with Mr Andreas Pavlou, Tel: 99635584 THE PEDOULAS BYZANTINE MUSEUM Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 Across the road from the Church of Archangel Michael. Opening hours: Tuesday – Saturday 10:00-16:00 Sunday, Monday Closed Closed on Public Holidays KYKKOS MONASTERY AND MUSEUM Bishopric of Kykkos and Tylliria Agiou Prokopiou Street, Lefkosia Tel: 22390000 About 18km from Pedoulas on the main road going west. Opening hours: November – May 10:00–16:00 June – October 10:00–17:00 Tel: 22942736 BRIDGES (a) ELIA, (b) KELEFOS, (c) ROUDIAS Along the route turning off the Pedoulas to Kykkos main road, turn off towards, and past, Kaminaria village, first reach Elia Bridge, then Kelefou, then Roudias, then, via Vretsia village, reach the Pafos side of Troodos mountains. The road after Kelefos to Roudias is not tarmac and is often unsuitable for driving. Access to the bridges is also possible from Agios Nikolaos village on the Pafos to Troodos main road and from Milikouri village, off the Pedoulas to Kykkos main road. Parts of the route after Milikouri can also become unsuitable for driving. 91 �The key is at the house next to the church’s courtyard (Mrs Panagiota, Tel: 99994932, 25552268. The key is with Mr Athos Savvides Tel: 99476149 and 22952580 09:00–12:00, 13:00-16:00 THE CHURCH OF PANAGIA IAMATIKI, ARAKAPAS Bishopric of Lemesos 306 Agiou Andreou, 3035 Lemesos Tel: 25864300 Meetng point: Coffee shop/post agency, opposite bridge. At the far end of the village when coming from Kalo Chorio along the Lemesos – Agros main road, above the main village church. The church is likely to be closed. Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 The keys are with Mrs Androulla, Tel: 96539606 and Mr Kostas Kalamaras, Tel: 99428957, 22622880. One or the other is usually available. THE CHURCH OF PANAGIA THEOTOKOS, KAKOPETRIA Bishopric of Morfou 3 Mitropoleos Street, Evrychou Tel: 22932401 On main street between Kakopetria and Galata just before the petrol station on the right coming from Kakopetria. The key is at the butcher’s shop opposite the petrol station. The shop is normally open 07:30 – 20:00 except Sunday all day and Wednesday afternoon. (The church light switch is in a box at the far end of the church from the door on the opposite side). THE CHURCH OF AGIOS SOZOMENOS, GALATA Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 90 Off the main Galata village road from the centre, by the bridge. Take the steep road, up, roughly opposite the bridge in the direction of Kakopetria. Go past the village church and take the second turning on the left. THE CHURCH OF PANAGIA PODITHOU, GALATA Off main Lefkosia – Troodos road at Galata village, signposted “Church of Archangel, Panagia Podithou”. Turn off, follow this side road past the cemetery and after 150m turn down, right, along an earth road. The church is straight ahead. The key is with Mr Athos Savvides Tel: 99476149 and 22952580 09:00–12:00, 13:00–16:00. Meeting point: Coffee shop/post agency opposite bridge. THE CHURCH OF ARCHANGELOS , GALATA Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 Off main Lefkosia – Troodos road at Galata village signposted “Church of Archangel, Panagia Podithou”. Turn off, follow this side road past the cemetery and after 150m turn down, right, along an earth road. Immediately turn left. The key is with Mr Athos Savvides Tel: 99476149 and 22952580 09:00–12:00, 13:00–16:00 Meeting point: Coffee shop/post agency opposite bridge. AGIOS IOANNIS LAMPADISTIS, KALOPANAGIOTIS Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 From the main road at the centre of the village take the turning down towards “Agios Ioannis Lampadistis” and after 500m cross bridge. The church is open: October – March 09:00-12:00, 13:00-16:00 April – September 09:00-18:30 The museum is open: October – February 10:00-15:00 March – May 09:30-17:00 June – August 09:30-19:00 September 09:30-17:00 On Sundays from 11:00 Closed on Easter Sunday Father Andreas, Tel: 99476149, 22952580 Father Artemios, Tel: 97629644 THE CHURCH OF CHRYSOKOURDALIOTISSA, KOURDALI Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 In the village of Kourdali, just below Spilia. The key is at the stone house across the tarmac road, with Sister Isidora. Tel: 22922212, 99779592. Closed 13:00-15:00 THE CHURCH OF ARCHANGEL MICHAEL, PEDOULAS Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 At cul-de-sac at the lower end of the village, signposted. The key is with the Byzantine Museum caretaker, across the road, and at the house just before the church. The key is also available with Mr Andreas Pavlou, Tel: 99635584 THE PEDOULAS BYZANTINE MUSEUM Bishopric of Morfou 3 Mitropoleos Street, 2831, Evrychou Tel: 22932401 Across the road from the Church of Archangel Michael. Opening hours: Tuesday – Saturday 10:00-16:00 Sunday, Monday Closed Closed on Public Holidays KYKKOS MONASTERY AND MUSEUM Bishopric of Kykkos and Tylliria Agiou Prokopiou Street, Lefkosia Tel: 22390000 About 18km from Pedoulas on the main road going west. Opening hours: November – May 10:00–16:00 June – October 10:00–17:00 Tel: 22942736 BRIDGES (a) ELIA, (b) KELEFOS, (c) ROUDIAS Along the route turning off the Pedoulas to Kykkos main road, turn off towards, and past, Kaminaria village, first reach Elia Bridge, then Kelefou, then Roudias, then, via Vretsia village, reach the Pafos side of Troodos mountains. The road after Kelefos to Roudias is not tarmac and is often unsuitable for driving. Access to the bridges is also possible from Agios Nikolaos village on the Pafos to Troodos main road and from Milikouri village, off the Pedoulas to Kykkos main road. Parts of the route after Milikouri can also become unsuitable for driving. 91 �Venice MUSEUMS DUCALE PALACE PALAZZO DUCALE San Marco 1, 30124 Venezia 1 November - 31 March : 09:00-17:00 1 April - 31 October : 09:00-19:00 Closed 25 December, 1 January Vaporetto stop : San Marco, San Zaccaria MUSEUM CORRER MUSEO CORRER San Marco 52, 30124 Venezia 1 November-31 March : 09:00-17:00 1 April-31 October : 09:00-19:00 closed 25 December, 1 January Vaporetto stop : San Marco, San Zaccaria GALERY OF THE ACCADEMY GALLERIA DELL’ACCADEMIA Campo de la Carità 1050, 30123 Venezia Tuesday-Sunday: 08:15-19:15 Monday : 08:15-14:00. Vaporetto stop : Accademia BYZANTINE MUSEUM (HELLENIC INSTITUTE) MUSEO DIPINTI SACRI BIZANTINI (ISTITUTO ELLENICO) Castello 3412, 30122 Venezia Tuesday-Saturday : 09:00-12:30, 13:30-16:30 ; Sunday : 10:00-17:00 Closed on Monday Vaporetto stop : San Zaccaria 92 CHURCHES THE GREEK CHURCH OF SAINT GEORGE CHIESA DI SAN GIORGIO DEI GRECI Castello 3412, 30122 Venezia Monday-Saturday : 09:00-12:30, 14:30-16:30 ; Sunday : 09:00-13:00 Closed on Monday Vaporetto stop : San Zaccaria SAINT JOHN AND PAUL CHURCH BASILICA SANTI GIOVANNI E PAOLO (SAN ZANIPOLO) Campo SS. Giovanni e Paolo, Castello 6363, 30122 Venezia Every day : 07:30-12:30, 15:30-19:30 Vaporetto stop : Ospedale SAN SALVATORE CHURCH CHIESA SAN SALVADOR Campo San Salvador, San Marco 4826, 30122 Venezia Winter (September - May) Monday-Saturday 09:00-12:00, 15:00-19:00 Sunday : 15:00-19:00 Summer (June - August): Monday-Saturday 09:00-12:00, 16:00-19:00 Sunday: 16:00-19:00 Vaporetto stop : Rialto SAN SEBASTIANO CHURCH CHIESA SAN SEBASTIANO Campo di San Sebastiano, Dorsoduro 1686, 30123 Venezia Monday-Saturday : 10:00-17:00 Closed on Sunday, 24-25 and 31 December, 1 January, 15 August, Easter 93 �Venice MUSEUMS DUCALE PALACE PALAZZO DUCALE San Marco 1, 30124 Venezia 1 November - 31 March : 09:00-17:00 1 April - 31 October : 09:00-19:00 Closed 25 December, 1 January Vaporetto stop : San Marco, San Zaccaria MUSEUM CORRER MUSEO CORRER San Marco 52, 30124 Venezia 1 November-31 March : 09:00-17:00 1 April-31 October : 09:00-19:00 closed 25 December, 1 January Vaporetto stop : San Marco, San Zaccaria GALERY OF THE ACCADEMY GALLERIA DELL’ACCADEMIA Campo de la Carità 1050, 30123 Venezia Tuesday-Sunday: 08:15-19:15 Monday : 08:15-14:00. Vaporetto stop : Accademia BYZANTINE MUSEUM (HELLENIC INSTITUTE) MUSEO DIPINTI SACRI BIZANTINI (ISTITUTO ELLENICO) Castello 3412, 30122 Venezia Tuesday-Saturday : 09:00-12:30, 13:30-16:30 ; Sunday : 10:00-17:00 Closed on Monday Vaporetto stop : San Zaccaria 92 CHURCHES THE GREEK CHURCH OF SAINT GEORGE CHIESA DI SAN GIORGIO DEI GRECI Castello 3412, 30122 Venezia Monday-Saturday : 09:00-12:30, 14:30-16:30 ; Sunday : 09:00-13:00 Closed on Monday Vaporetto stop : San Zaccaria SAINT JOHN AND PAUL CHURCH BASILICA SANTI GIOVANNI E PAOLO (SAN ZANIPOLO) Campo SS. Giovanni e Paolo, Castello 6363, 30122 Venezia Every day : 07:30-12:30, 15:30-19:30 Vaporetto stop : Ospedale SAN SALVATORE CHURCH CHIESA SAN SALVADOR Campo San Salvador, San Marco 4826, 30122 Venezia Winter (September - May) Monday-Saturday 09:00-12:00, 15:00-19:00 Sunday : 15:00-19:00 Summer (June - August): Monday-Saturday 09:00-12:00, 16:00-19:00 Sunday: 16:00-19:00 Vaporetto stop : Rialto SAN SEBASTIANO CHURCH CHIESA SAN SEBASTIANO Campo di San Sebastiano, Dorsoduro 1686, 30123 Venezia Monday-Saturday : 10:00-17:00 Closed on Sunday, 24-25 and 31 December, 1 January, 15 August, Easter 93 �! ( " ! SKARINOU LEFKARA ! KATO ( PANO LEFKARA ! ( ! ( ! ( ! ( ANAFOTIDA ! APLANTA ( AGIA ANNA LYMPIA ! ( ! KITI ( ! ( Cape Kiti 5 ! ( ! [ MENEOU SOFTADES ! ( PERIVOLIA ! ( ! ( Salt Lake International Airport TROULLOI ! ( ! ( Harbour ! ( LYSI ! ( PYLA ! ( VATILI ! ( VOROKLINI ! ( ARSOS ! ( ! ( MELOUSEIA ! ( KELLIA LIVADIA " ! ! ( ARADIPPOU !( [7 8 ! (! " LARNAKA! ñ Marina î!9 ! ( Salt Lake 6 ! ( Larnaka ! ( TERSEFANOU ! TREMETOUSIA " ! ATHIENOU AVDELLERO ! ( DROMOLAXIA ! ( KLAVDIA ! ( PETROFANI KOCHI ! ( KALO CHORIO LOUROUKINA ! ( ! ( ALETHRIKO ! ( ! ANGLISIDES ( ! KIVISILI ( MENOGEIA ! ( ! [ ! PYRGA ( 2 !! (( DALI ! ( ! ( ! PSEVDAS ( ! ( MOSFILOTI ! ( KOFINOU ! ( DELIKIPOS ! ( ! ( KORNOS ! ( SIA ! ( NISOU ! ( ! PERA ( CHORIO AGIA VARVARA ! ( ALAMPRA KOTSIATIS MATHIATIS ! ( LYTHRODONTAS ! ( KATO DRYS Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 S KATALIONTAS ! ( ANALIONTAS ! ( MARGI ! ( 3 ! ( POTAMIA 4 3 !î! ! ( (( MARGO AGIOS SOZOMENOS ! PYROGI ( ! ( ! ( AGIA AFANTEIA ASKEIA ! ( STRONGYLOS NIS MA M KA DROU RAG ! ( ! ( XYLOFAGOU ! ( STYLLOI ! ( GAIDOURAS KALOPSIDA AVGOROU ORMIDEIA LARNAKA BAY ! ( ! ( ACHNA PRASTIO ! ( ! ( MAKRASYKA ! ( ! ( KOUKLIA ! ( XYLOTYMVOU PERGAMOS ! ( KONTEA ! ( SINTA ! ( PYRGA ! ( AS ! ( î " ñ © STATE COPYRIGHT RESERVED Tourist Information Office Church World Cultural Heritage: UNESCO Museum Castle, Fort Municipality Community Ancient Site Antiquity ! ROUTE 2 Lefkosia within the walls Potamia Manor House Irrigation System Agios Mamas Kiti Tower Larnaka Salt Lakes Pierides Marfin Laiki Bank Museum Agios Lazaros Castle REFER NCE Motorway MainRoad SecondaryRoad District Boundary Sovereign Base Area Boundary Limit of area under Turkish occupation since 1974 Route 2 Town, Built-up area ! ( ! [ 3 ! ( " ! 8 ! ( 9 ! ( ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( 7 ! ( 1 A RIG KLEARXOU INIS U PRO VA SAV S EO AR IO AG SIS ON NT UA IOU Places of worship other than Greek Orthodox O TSERI ROUTE 1 Bank Of Cyprus Cultural Foundation Stavros tou Missirikou Omeriye Mosque Plateia Elefterias & Walls Leventis Municipal Museum 4 ! ( 5 ! ( Byzantine Museum Panagia Chrysaliniotissa Famagusta Gate Walls Main Road REFER NCE Main Road One Way Secondary Road Secondary Road One Way Pedestrian Zone Route1 Limit of area under Turkish occupation since 1974 Church 3 ! ( Museum Place of Interest M & School PostOffice î DIAG U EIA PO AT KO III PL PIS U IE RIO CH KA AR MA OS OR OF LE LE ME KL LY PO TIO U AL X TA ME AG OT PR OU EIT AK U ORO OU ID ON LE OF LE TH S NIA GE EV K EO KA IA ON NT OS OR AL IO U TH ZIN AS OU TH OU OR KA NT OU OP ISK IEP CH AR D KY ID HE MA R R KA IO U III OU RIT © STATE COPYRIGHT RESERVED Tourist Information Office ParkingPlace Aphrodite's Cultural Route ¹ + [ $ " ñ House of Chatzigeorgakis Kornesios 6 ! ( 7 ! ( 8 ! ( 9 ! ( 10 ! ( 1 ! ( 2 ! ( 3 ! ( ! ( GERI Flatro C ! ( U LATSIA " ! K LO Municipal Garden LAKATAMEIA " ! TYMVOU ! ( EXI IOU PATRO UF TO EORG UG Agios Georgios 56 AGIO î ) + AN AST FILOTHEOU V NA K OS STROVOLOS " ! Agios Kassianos î ! ( IN 38 OS U II IN G EORGIO 44 OS OR U PANA LEO F OR OS LAR M LA SA Caraffa ILEOS PLATEIA VAS 57 ) + 9 ! ( OF LE FOTEINO FO AGLANGIA " ! OU 39 DIMONAKTOS ARCHIEPISKOPOU 8 ! ( ) + Aqueduct 54 Podocataro " ! OV OD RON "Fournoi" AM Gallery MO CH OS TO U EKTO ROS PO LYV IOU ¹ METEO UK OR A IO " ! IAK LA PRODIKOU OU EN EGKOMI U OO S AGIOU KASSI A OU N IO MORA AG 63 ION OS TIO PA AN PA ! ( TI YM ITTO U Taht-el-Kala Mosque 64 EN IS AD AM EL VITO NOS ID DIG LEFKOSIA A EFEN T HIS EO S ! ñ 27 OS S INO AM ON SIM 113 U ALEXAN R KA I BAK ERMOU 61 ! ñ 43 37 15 S IEO N EO TH Municipal Garden AL SS RO OR ¹ 58 GE OR GIO GR IVA 1 ! ( S EOU 52 TEMP ON ) + 7 ! ( 55 KIT 10 ! ( OU 158 OF L LE S KL ISTO THEM LIDINI S PLATEI DIMARC A HEIAS 59 APOSTO LOU VA RNAVA K RATO US PATR IARC HOU Mansion GRIG ORIO (19th cent) U 5 ! ( 62 138 ISAA KIOU KO MNINO U TILLIRIAS 47 ) + SO UTSOU PLATEIA Agios Antonios 6 ! î ( U RO NIE OG IOL g DO TO INA ROS ATH OU DIO GENOUS ATTALE I I OU P TRIK S O US AN OF IST GKALIMP NIKI XE LA PA Playing Field S TO LEOFO LIPERTI AR LE FKONOS KIMONOS ELPI 46 HIS OU NT ONIS ILOU TIN XA N STA ROU OS 66 M &4 ! ( ¹ S EVRI PIDO U US SOFOKLEOU 67 SA PFO ON SK RO AS LEOFOROS KYKKO U PER LE F KON 45 NO S I 35 3 ! ( HO MILTIADOU ONISILOU L EO F O AGO S KLEOU LIPERTI NIKO U SOKRATOUS LYKOURGO PRAXITELO US PYT LIA SID OU ACHILLEOS 148 THE AXIO YKKOU IOUS 51 ! ñ Agios Savvas î U DIO N YS Area under Turkish occupation since 1974 OS K IN O 2 ! ( British Council AR IST OT ELO US 53 AGIO ! ñ 42 THRAKIS AR IST EIDOU Laiki Geitonia Traditional Pedestrial quarter IP 1 XANTHIS XENIEROU 150 151 OU SIN STA OS OR EN IM U DOULO !! [" R FO A RS S PYG MALIONO S DROU I PO KRA TOUS 74 73 ARISTOKYPROU LEOFOROS KONSTANTINOU PALAIOLOGOU PRAXIPPOU 36 OF LE KL ON EN LEOFORO S SPYRO AGIOS DOMETIOS LEO U ALEX AN ARTEMIDOS MEGA LO APOLLONOS TE LID 71 49 YP RO U Public Library Constanza SEO S l Municipal Garden U RO DA PIN T I S SIS IO IN SA L MOUSOULITA S IS IP AN FIL OK 9 $ Municipal Garden 102 110 ! ( INO RIG FO A IN LEO RO SK OS TA K 1 ! ( 29 D' Avila OU OS STASIN LEOFOR 65 MINOOS ! TRACHONAS ( A RS Municipal Garden ROS OMIR OU 104 ¹ P OUPA ! ( ¹ 41 ! ñ 70 ZO UN IAN 69 LEO FO 95 98 TRIKOUP ON 72 OU 147 149 152 154 I 111 LEOFOROS ATHI N AS A SIAS S P Y TH A 103 139 137 M & 48 AGIOU M A R ) + Tripoli O VAG U RO Dionysios Solomos Statue PA SE RO ANTIGO NOU U CHRIS TO I VOLON AK U ennis ourts Municipal Garden A LOYD ORTZ U SOFO ULI FO EV ITA EO T IA KR TH EN DIG U ATOU LASKAR AN DR EA U FO KA IFORO ROS NIK KOU LOU TOS IPPONAK KL EO U IRA LEOFO OU U IO A NN YS IR AK LEO US RSE OS OTH ELO U RO ISO OU RY GIS PE CH K LE OU S IRA LO U EIO ER M AGIO PLATEIA ARCHIEPISKOPOU KYPRIANOU OTHONO S EPTA PENT ADAK TY ON NOS ZINO ARCH IM KYPR ANDR IA N ITOU OU LIDRAS 95 94 LEO NTO S ATH IN S DRO KL EOU CHAT ZIGE O RG AKI KO PRA RNES XAN IOU DRO U PEIR AIO S AS EKTR TRIKO U PI U IPIO KL RIAS ELEFTE Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 IRAS NIS OU S KRITI OU AL KI VIAD LOIZ OU EIA DO ROU PLAT TRIKOUPI MNINI S ANNI S KO K L EA NT CHRISTO HI FIDI POUL INAS BOUM OMENI S FA N ER AS AISC HY LOU N MOU SO SOLO NOS RO U DI S ELEN IS AGIA ON ARIADNIS FOKIONOS S AS AG O SOLO NOS DIT IS AFRO LIDRAS AR N ALD AS GRAMMOU US KLEO NEOFYTOU RODINOU U N IKO GRA ALE KOM XIOU NIN OU OU TON PERI PLO UTA RCH OU RIA TH E EL EF OU M AN PATR ON ROK LG A VOU OU GE R KLE OU S PERI ION PALA ILEI VAS TH EO DO TO U IA PL AT E DIO PLAT EIA NYSI OU SOLO MOU NO US RI EL A KAT TELI N IOU KA OU K EO U L I �! ( " ! SKARINOU LEFKARA ! KATO ( PANO LEFKARA ! ( ! ( ! ( ! ( ANAFOTIDA ! APLANTA ( AGIA ANNA LYMPIA ! ( ! KITI ( ! ( Cape Kiti 5 ! ( ! [ MENEOU SOFTADES ! ( PERIVOLIA ! ( ! ( Salt Lake International Airport TROULLOI ! ( ! ( Harbour ! ( LYSI ! ( PYLA ! ( VATILI ! ( VOROKLINI ! ( ARSOS ! ( ! ( MELOUSEIA ! ( KELLIA LIVADIA " ! ! ( ARADIPPOU !( [7 8 ! (! " LARNAKA! ñ Marina î!9 ! ( Salt Lake 6 ! ( Larnaka ! ( TERSEFANOU ! TREMETOUSIA " ! ATHIENOU AVDELLERO ! ( DROMOLAXIA ! ( KLAVDIA ! ( PETROFANI KOCHI ! ( KALO CHORIO LOUROUKINA ! ( ! ( ALETHRIKO ! ( ! ANGLISIDES ( ! KIVISILI ( MENOGEIA ! ( ! [ ! PYRGA ( 2 !! (( DALI ! ( ! ( ! PSEVDAS ( ! ( MOSFILOTI ! ( KOFINOU ! ( DELIKIPOS ! ( ! ( KORNOS ! ( SIA ! ( NISOU ! ( ! PERA ( CHORIO AGIA VARVARA ! ( ALAMPRA KOTSIATIS MATHIATIS ! ( LYTHRODONTAS ! ( KATO DRYS Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 S KATALIONTAS ! ( ANALIONTAS ! ( MARGI ! ( 3 ! ( POTAMIA 4 3 !î! ! ( (( MARGO AGIOS SOZOMENOS ! PYROGI ( ! ( ! ( AGIA AFANTEIA ASKEIA ! ( STRONGYLOS NIS MA M KA DROU RAG ! ( ! ( XYLOFAGOU ! ( STYLLOI ! ( GAIDOURAS KALOPSIDA AVGOROU ORMIDEIA LARNAKA BAY ! ( ! ( ACHNA PRASTIO ! ( ! ( MAKRASYKA ! ( ! ( KOUKLIA ! ( XYLOTYMVOU PERGAMOS ! ( KONTEA ! ( SINTA ! ( PYRGA ! ( AS ! ( î " ñ © STATE COPYRIGHT RESERVED Tourist Information Office Church World Cultural Heritage: UNESCO Museum Castle, Fort Municipality Community Ancient Site Antiquity ! ROUTE 2 Lefkosia within the walls Potamia Manor House Irrigation System Agios Mamas Kiti Tower Larnaka Salt Lakes Pierides Marfin Laiki Bank Museum Agios Lazaros Castle REFER NCE Motorway MainRoad SecondaryRoad District Boundary Sovereign Base Area Boundary Limit of area under Turkish occupation since 1974 Route 2 Town, Built-up area ! ( ! [ 3 ! ( " ! 8 ! ( 9 ! ( ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( 7 ! ( 1 A RIG KLEARXOU INIS U PRO VA SAV S EO AR IO AG SIS ON NT UA IOU Places of worship other than Greek Orthodox O TSERI ROUTE 1 Bank Of Cyprus Cultural Foundation Stavros tou Missirikou Omeriye Mosque Plateia Elefterias & Walls Leventis Municipal Museum 4 ! ( 5 ! ( Byzantine Museum Panagia Chrysaliniotissa Famagusta Gate Walls Main Road REFER NCE Main Road One Way Secondary Road Secondary Road One Way Pedestrian Zone Route1 Limit of area under Turkish occupation since 1974 Church 3 ! ( Museum Place of Interest M & School PostOffice î DIAG U EIA PO AT KO III PL PIS U IE RIO CH KA AR MA OS OR OF LE LE ME KL LY PO TIO U AL X TA ME AG OT PR OU EIT AK U ORO OU ID ON LE OF LE TH S NIA GE EV K EO KA IA ON NT OS OR AL IO U TH ZIN AS OU TH OU OR KA NT OU OP ISK IEP CH AR D KY ID HE MA R R KA IO U III OU RIT © STATE COPYRIGHT RESERVED Tourist Information Office ParkingPlace Aphrodite's Cultural Route ¹ + [ $ " ñ House of Chatzigeorgakis Kornesios 6 ! ( 7 ! ( 8 ! ( 9 ! ( 10 ! ( 1 ! ( 2 ! ( 3 ! ( ! ( GERI Flatro C ! ( U LATSIA " ! K LO Municipal Garden LAKATAMEIA " ! TYMVOU ! ( EXI IOU PATRO UF TO EORG UG Agios Georgios 56 AGIO î ) + AN AST FILOTHEOU V NA K OS STROVOLOS " ! Agios Kassianos î ! ( IN 38 OS U II IN G EORGIO 44 OS OR U PANA LEO F OR OS LAR M LA SA Caraffa ILEOS PLATEIA VAS 57 ) + 9 ! ( OF LE FOTEINO FO AGLANGIA " ! OU 39 DIMONAKTOS ARCHIEPISKOPOU 8 ! ( ) + Aqueduct 54 Podocataro " ! OV OD RON "Fournoi" AM Gallery MO CH OS TO U EKTO ROS PO LYV IOU ¹ METEO UK OR A IO " ! IAK LA PRODIKOU OU EN EGKOMI U OO S AGIOU KASSI A OU N IO MORA AG 63 ION OS TIO PA AN PA ! ( TI YM ITTO U Taht-el-Kala Mosque 64 EN IS AD AM EL VITO NOS ID DIG LEFKOSIA A EFEN T HIS EO S ! ñ 27 OS S INO AM ON SIM 113 U ALEXAN R KA I BAK ERMOU 61 ! ñ 43 37 15 S IEO N EO TH Municipal Garden AL SS RO OR ¹ 58 GE OR GIO GR IVA 1 ! ( S EOU 52 TEMP ON ) + 7 ! ( 55 KIT 10 ! ( OU 158 OF L LE S KL ISTO THEM LIDINI S PLATEI DIMARC A HEIAS 59 APOSTO LOU VA RNAVA K RATO US PATR IARC HOU Mansion GRIG ORIO (19th cent) U 5 ! ( 62 138 ISAA KIOU KO MNINO U TILLIRIAS 47 ) + SO UTSOU PLATEIA Agios Antonios 6 ! î ( U RO NIE OG IOL g DO TO INA ROS ATH OU DIO GENOUS ATTALE I I OU P TRIK S O US AN OF IST GKALIMP NIKI XE LA PA Playing Field S TO LEOFO LIPERTI AR LE FKONOS KIMONOS ELPI 46 HIS OU NT ONIS ILOU TIN XA N STA ROU OS 66 M &4 ! ( ¹ S EVRI PIDO U US SOFOKLEOU 67 SA PFO ON SK RO AS LEOFOROS KYKKO U PER LE F KON 45 NO S I 35 3 ! ( HO MILTIADOU ONISILOU L EO F O AGO S KLEOU LIPERTI NIKO U SOKRATOUS LYKOURGO PRAXITELO US PYT LIA SID OU ACHILLEOS 148 THE AXIO YKKOU IOUS 51 ! ñ Agios Savvas î U DIO N YS Area under Turkish occupation since 1974 OS K IN O 2 ! ( British Council AR IST OT ELO US 53 AGIO ! ñ 42 THRAKIS AR IST EIDOU Laiki Geitonia Traditional Pedestrial quarter IP 1 XANTHIS XENIEROU 150 151 OU SIN STA OS OR EN IM U DOULO !! [" R FO A RS S PYG MALIONO S DROU I PO KRA TOUS 74 73 ARISTOKYPROU LEOFOROS KONSTANTINOU PALAIOLOGOU PRAXIPPOU 36 OF LE KL ON EN LEOFORO S SPYRO AGIOS DOMETIOS LEO U ALEX AN ARTEMIDOS MEGA LO APOLLONOS TE LID 71 49 YP RO U Public Library Constanza SEO S l Municipal Garden U RO DA PIN T I S SIS IO IN SA L MOUSOULITA S IS IP AN FIL OK 9 $ Municipal Garden 102 110 ! ( INO RIG FO A IN LEO RO SK OS TA K 1 ! ( 29 D' Avila OU OS STASIN LEOFOR 65 MINOOS ! TRACHONAS ( A RS Municipal Garden ROS OMIR OU 104 ¹ P OUPA ! ( ¹ 41 ! ñ 70 ZO UN IAN 69 LEO FO 95 98 TRIKOUP ON 72 OU 147 149 152 154 I 111 LEOFOROS ATHI N AS A SIAS S P Y TH A 103 139 137 M & 48 AGIOU M A R ) + Tripoli O VAG U RO Dionysios Solomos Statue PA SE RO ANTIGO NOU U CHRIS TO I VOLON AK U ennis ourts Municipal Garden A LOYD ORTZ U SOFO ULI FO EV ITA EO T IA KR TH EN DIG U ATOU LASKAR AN DR EA U FO KA IFORO ROS NIK KOU LOU TOS IPPONAK KL EO U IRA LEOFO OU U IO A NN YS IR AK LEO US RSE OS OTH ELO U RO ISO OU RY GIS PE CH K LE OU S IRA LO U EIO ER M AGIO PLATEIA ARCHIEPISKOPOU KYPRIANOU OTHONO S EPTA PENT ADAK TY ON NOS ZINO ARCH IM KYPR ANDR IA N ITOU OU LIDRAS 95 94 LEO NTO S ATH IN S DRO KL EOU CHAT ZIGE O RG AKI KO PRA RNES XAN IOU DRO U PEIR AIO S AS EKTR TRIKO U PI U IPIO KL RIAS ELEFTE Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 IRAS NIS OU S KRITI OU AL KI VIAD LOIZ OU EIA DO ROU PLAT TRIKOUPI MNINI S ANNI S KO K L EA NT CHRISTO HI FIDI POUL INAS BOUM OMENI S FA N ER AS AISC HY LOU N MOU SO SOLO NOS RO U DI S ELEN IS AGIA ON ARIADNIS FOKIONOS S AS AG O SOLO NOS DIT IS AFRO LIDRAS AR N ALD AS GRAMMOU US KLEO NEOFYTOU RODINOU U N IKO GRA ALE KOM XIOU NIN OU OU TON PERI PLO UTA RCH OU RIA TH E EL EF OU M AN PATR ON ROK LG A VOU OU GE R KLE OU S PERI ION PALA ILEI VAS TH EO DO TO U IA PL AT E DIO PLAT EIA NYSI OU SOLO MOU NO US RI EL A KAT TELI N IOU KA OU K EO U L I �96 Church Tourist Information Office Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 ! ñ 2 ( 1 (! ! ! ñ!ñ PAFOS Castle, Fort Harbour ! [ GEROSKIPOU AGIA MARINOUDA ! ( ! ñ World Cultural Heritage: UNESCO ! ( ACHELEIA Pafos International Airport ! ( © STATE COPYRIGHT RESERVED PRAITORI ! ( 8 ! ( 9 ! ( 10 ! ( 11 ! ( ! ( ! ( ( SINAOROS ! SOLEA [! Roudias Bridge Kelefos Bridge Elia Bridge ! ( KOILANI Kykkos Monastery ! OMODOS ( ! ( 1 ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( 7 ! ( ! ( AGIOS ! MAMAS ( Panagia Iamatiki Agia Christina Ioannis Prodromos ! ( KATO MONI ! ( ZOOPIGI ! ( SOLEA 3 ! ( 3 ! ( 3 (OREINIS) 5 ! ( Route 5 Route 4 Region name 8 ! ( 7 ! ( Limit of area under Turkish occupation since 1974 District Boundary Loose Surface î ! ( Community Start and end of route 4 and 5 Museum ! ( © STATE COPYRIGHT RESERVED Tourist Information Office Antiquity World Cultural Heritage: UNESCO Place of interest Church ! ñ ! [ ! ORA ( AKAPNOU ! ( AGIOI VAVATSINIAS ! ( ) + î ! ( ! ( EPTAGONEIA ! ( MELINI ! ODOU ( REFER NCE Secondary road Main road LOUVARAS 7 ! ( ARAKAPAS KONSTANTINOS ! AGIOS ( SYKOPETRA KAMPI ! ( VAVATSINIA )( + ! LAZANIAS ! ( FIKARDOU !KALO CHORIO ( ( GOURRI ! ANA PAN AREDIOU ! ( ! KLIROU ( ( MALOUNTA ! AGIOS EPIFANIOS ! ( ! ( AGROKIPIA MITSERO ! ( ! ( AGIOS IOANNIS î ! ( (! î !ñ ! ! PALAICHORI ( ( ( î! (MORFOU) ! FARMAKAS ! ( ( PALAICHORI KALO CHORIO ! ( AGIOS PAVLOS AGIOI ! ILIOFOTOI ( FTERIKOUDI 4 ASKAS ! APLIKI ( ! ( THEODOROS ! AGIOS ( AGIOS IOANNIS ! ( ! ( ALONA ! AGROS ( ! ( ! POTAMITISSA ( Chrysopantanassa & Museum Metamorfosis tou Sotiros Panagia Katholiki Timios Stavros ROUTE 5 KOUKA ! ( ! ( ! ( PITSILIA LAGOUDERA POLYSTYPOS KATO MYLOS 2 !! (( î PELENDRI ( DYMES ! ! ( XYLIATOS ! ( ! ( AGIA MARINA ! ( ALITHINOU LIVADIA ! ( 6 ! PLATANISTASA ( ! ( ! ( AGRIDIA 1 ( î! ! ( ! ( SARANTI KANNAVIA CHANDRIA ! AMIANTOS ( TRIMIKLINI MONIATIS PERA PEDI ! ( ! PANO PLATRES ( PLATEIA TROODOUS ! ( SPILIA ! ( AGIOS GEORGIOS KAFKALLOU ! ( ! AGIA EIRINI ( KYPEROUNTA TROODOS (OLYMPOS) RANGE ) + 1 ! ( î ! KAKOPETRIA ( TROODOS FOREST (NATIONAL FOREST PARK) KATO PLATRES ! ( MANDRIA FOINI DIMITRIOS ! ARSOS ( VASA ! ( ! ( !( ( î! ! PALAIOMYLOS ( ! ( ! ( TROODOS AGIOS RESORT Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 Archangelos Michael & Museum Agios Ioannis Lampadistis & Museum Archangelos Panagia tis Podythou Agios Sozomenos Panagia Theotokos ! ( ! FILOUSA ( ROUTE 4 MESANA ! ( ! [ 9 ! ( ! [ KAMINARIA ! MOUTOULLAS ( ! ( 4 ! ( !( ñ !OIKOS 5 ! î GALATA ( (3 !KALOPANAGIOTIS î ! ! ( î(! 6 2 ( î! î( ! ( PRODROMOS ! ( LEMITHOU TREIS ELIES AGIOS NIKOLAOS Panagia Chrysokourdaliotissa ! ( SALAMIOU ! ( KONIA ! ( MARATHOUNTA ! ( ARMINOU ! ( MESA CHORIO ! ARMOU ( 1 ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( 7 ! ( Antiquity EMPA AGIOS IOANNIS ( î! ! ( 3 ! ( ! KOILINEIA ( ! GALATARIA ( ! ( CHLORAKAS ! ( LEMPA TREMITHOUSA ! MESOGI ( PEDOULAS 7 SecondaryRoad 10 ! ( ! ( KALLEPEIA ! ( ! ( KISSONERGA ! ( TSADA ! ( MYLIKOURI !! [( ! ( 4 ( î! ! PENTALIA ( Museum TALA ! ( 11 !! [( Community KOILI ! ( ! îñ ! [ ! ( VRETSIA Municipality Coral Bay STROUMPI ! ( KALIANA ! [ ! ( REFER NCE T GERAKIES MainRoad ! ( THELETRA ! EVRYCHOU ( ! AGIOS THEODOROS ( ! GIOLOU ( ! ( Panagia Chryseleousa STATOSAGIOS FOTIOS Town, Built-up area ! ( AKOURSOS ! ( SIMOU 8 Route 3 PEGEIA ! MILIOU ( TEMVRIA Archangelos Michail ! EVRETOU ( ! TSAKISTRA( Agios Neofytos Monastery LOUKROUNOU MARATHASA KATHIKAS ! ( ! ( ( KORAKOU ! ! ( PANO ARODES î !MAMOUNTALI ( Ancient Site ! [ ( KATO ARODES ! KRITOU TERA ! ( ( KATO ! AKOURDALEIA ! ( PANO AKOURDALEIA ASPROGIA ! PANO PANAGIA ( Place of interest ! Cape Drepano ( TERA ! AGIOS ISIDOROS ! ( ! STENI ( ! ( ! ( ) + INEIA l î Archaeological Museum ! ( ! ( 3 ! ( ! ( ! ( PELATHOUSA ! FLASOU ( DROUSEIA 6 ! ! ! PERISTERONA (( ( î! SKOULLI ! ( 5 ( TRIMITHOUSA KAMPOS CHOLI ! LINOU ( GOUDI ! ( AGIOS ( EPIFANIOS ! FASLI ! ( FRODISIA ROUTE 3 CHRYSOCHOU ! ( ( KARAMOULLIDES ! ! VYZAKIA ( ( ANDROLIKOU ! ! ( " ! POLIS ! ( " ñ Byzantine Museum ! ñ ! NIKITARI NEO ( CHORIO ! MAKOUNTA ! ( ! ( District Boundary CHRYSOCHOU BAY ! KATYDATA ( AKAMAS FOREST " ! Motorway ) + " ! AS ! ( Agia Aikaterini " ! AM " ! AK 1 ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( ARGAKA ! ( 97 �96 Church Tourist Information Office Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 ! ñ 2 ( 1 (! ! ! ñ!ñ PAFOS Castle, Fort Harbour ! [ GEROSKIPOU AGIA MARINOUDA ! ( ! ñ World Cultural Heritage: UNESCO ! ( ACHELEIA Pafos International Airport ! ( © STATE COPYRIGHT RESERVED PRAITORI ! ( 8 ! ( 9 ! ( 10 ! ( 11 ! ( ! ( ! ( ( SINAOROS ! SOLEA [! Roudias Bridge Kelefos Bridge Elia Bridge ! ( KOILANI Kykkos Monastery ! OMODOS ( ! ( 1 ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( 7 ! ( ! ( AGIOS ! MAMAS ( Panagia Iamatiki Agia Christina Ioannis Prodromos ! ( KATO MONI ! ( ZOOPIGI ! ( SOLEA 3 ! ( 3 ! ( 3 (OREINIS) 5 ! ( Route 5 Route 4 Region name 8 ! ( 7 ! ( Limit of area under Turkish occupation since 1974 District Boundary Loose Surface î ! ( Community Start and end of route 4 and 5 Museum ! ( © STATE COPYRIGHT RESERVED Tourist Information Office Antiquity World Cultural Heritage: UNESCO Place of interest Church ! ñ ! [ ! ORA ( AKAPNOU ! ( AGIOI VAVATSINIAS ! ( ) + î ! ( ! ( EPTAGONEIA ! ( MELINI ! ODOU ( REFER NCE Secondary road Main road LOUVARAS 7 ! ( ARAKAPAS KONSTANTINOS ! AGIOS ( SYKOPETRA KAMPI ! ( VAVATSINIA )( + ! LAZANIAS ! ( FIKARDOU !KALO CHORIO ( ( GOURRI ! ANA PAN AREDIOU ! ( ! KLIROU ( ( MALOUNTA ! AGIOS EPIFANIOS ! ( ! ( AGROKIPIA MITSERO ! ( ! ( AGIOS IOANNIS î ! ( (! î !ñ ! ! PALAICHORI ( ( ( î! (MORFOU) ! FARMAKAS ! ( ( PALAICHORI KALO CHORIO ! ( AGIOS PAVLOS AGIOI ! ILIOFOTOI ( FTERIKOUDI 4 ASKAS ! APLIKI ( ! ( THEODOROS ! AGIOS ( AGIOS IOANNIS ! ( ! ( ALONA ! AGROS ( ! ( ! POTAMITISSA ( Chrysopantanassa & Museum Metamorfosis tou Sotiros Panagia Katholiki Timios Stavros ROUTE 5 KOUKA ! ( ! ( ! ( PITSILIA LAGOUDERA POLYSTYPOS KATO MYLOS 2 !! (( î PELENDRI ( DYMES ! ! ( XYLIATOS ! ( ! ( AGIA MARINA ! ( ALITHINOU LIVADIA ! ( 6 ! PLATANISTASA ( ! ( ! ( AGRIDIA 1 ( î! ! ( ! ( SARANTI KANNAVIA CHANDRIA ! AMIANTOS ( TRIMIKLINI MONIATIS PERA PEDI ! ( ! PANO PLATRES ( PLATEIA TROODOUS ! ( SPILIA ! ( AGIOS GEORGIOS KAFKALLOU ! ( ! AGIA EIRINI ( KYPEROUNTA TROODOS (OLYMPOS) RANGE ) + 1 ! ( î ! KAKOPETRIA ( TROODOS FOREST (NATIONAL FOREST PARK) KATO PLATRES ! ( MANDRIA FOINI DIMITRIOS ! ARSOS ( VASA ! ( ! ( !( ( î! ! PALAIOMYLOS ( ! ( ! ( TROODOS AGIOS RESORT Prepared by Lands and Surveys Department, Ministry of Interior, Kypros 2010 Archangelos Michael & Museum Agios Ioannis Lampadistis & Museum Archangelos Panagia tis Podythou Agios Sozomenos Panagia Theotokos ! ( ! FILOUSA ( ROUTE 4 MESANA ! ( ! [ 9 ! ( ! [ KAMINARIA ! MOUTOULLAS ( ! ( 4 ! ( !( ñ !OIKOS 5 ! î GALATA ( (3 !KALOPANAGIOTIS î ! ! ( î(! 6 2 ( î! î( ! ( PRODROMOS ! ( LEMITHOU TREIS ELIES AGIOS NIKOLAOS Panagia Chrysokourdaliotissa ! ( SALAMIOU ! ( KONIA ! ( MARATHOUNTA ! ( ARMINOU ! ( MESA CHORIO ! ARMOU ( 1 ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( 7 ! ( Antiquity EMPA AGIOS IOANNIS ( î! ! ( 3 ! ( ! KOILINEIA ( ! GALATARIA ( ! ( CHLORAKAS ! ( LEMPA TREMITHOUSA ! MESOGI ( PEDOULAS 7 SecondaryRoad 10 ! ( ! ( KALLEPEIA ! ( ! ( KISSONERGA ! ( TSADA ! ( MYLIKOURI !! [( ! ( 4 ( î! ! PENTALIA ( Museum TALA ! ( 11 !! [( Community KOILI ! ( ! îñ ! [ ! ( VRETSIA Municipality Coral Bay STROUMPI ! ( KALIANA ! [ ! ( REFER NCE T GERAKIES MainRoad ! ( THELETRA ! EVRYCHOU ( ! AGIOS THEODOROS ( ! GIOLOU ( ! ( Panagia Chryseleousa STATOSAGIOS FOTIOS Town, Built-up area ! ( AKOURSOS ! ( SIMOU 8 Route 3 PEGEIA ! MILIOU ( TEMVRIA Archangelos Michail ! EVRETOU ( ! TSAKISTRA( Agios Neofytos Monastery LOUKROUNOU MARATHASA KATHIKAS ! ( ! ( ( KORAKOU ! ! ( PANO ARODES î !MAMOUNTALI ( Ancient Site ! [ ( KATO ARODES ! KRITOU TERA ! ( ( KATO ! AKOURDALEIA ! ( PANO AKOURDALEIA ASPROGIA ! PANO PANAGIA ( Place of interest ! Cape Drepano ( TERA ! AGIOS ISIDOROS ! ( ! STENI ( ! ( ! ( ) + INEIA l î Archaeological Museum ! ( ! ( 3 ! ( ! ( ! ( PELATHOUSA ! FLASOU ( DROUSEIA 6 ! ! ! PERISTERONA (( ( î! SKOULLI ! ( 5 ( TRIMITHOUSA KAMPOS CHOLI ! LINOU ( GOUDI ! ( AGIOS ( EPIFANIOS ! FASLI ! ( FRODISIA ROUTE 3 CHRYSOCHOU ! ( ( KARAMOULLIDES ! ! VYZAKIA ( ( ANDROLIKOU ! ! ( " ! POLIS ! ( " ñ Byzantine Museum ! ñ ! NIKITARI NEO ( CHORIO ! MAKOUNTA ! ( ! ( District Boundary CHRYSOCHOU BAY ! KATYDATA ( AKAMAS FOREST " ! Motorway ) + " ! AS ! ( Agia Aikaterini " ! AM " ! AK 1 ! ( 2 ! ( 3 ! ( 4 ! ( 5 ! ( 6 ! ( ARGAKA ! ( 97 �CTO OFFICES ABROAD UNITED KINGDOM CYPRUS TOURIST OFFICE 17, Hanover Street London W1S 1YP Tel. 0044-207-569 8800, Fax: 0044-207-499 4935 E-mail: informationcto@btconnect.com IRELAND CYPRUS TOURISM ORGANISATION 71 Lower Leeson St., Dublin 2 Tel. 00 353-1-662 92 69 Fax: 00 353-1-662 92 70 E-mail: cyprusinfo@eircom.net GERMANY FREMDENVERKEHRSZENTRALE ZYPERN FRANKFURT Zeil 127, 60313 Frankfurt Tel. 0049-69-25 19 19, Fax: 0049-69-25 02 88 E-mail: info@cto–fra.de BERLIN Wallstr. 27, 10179 Berlin Tel. 0049-30–23 45–75 90, Fax: 0049-30–23 45–75 92 E-mail: cto_berlin@t—online.de SWITZERLAND FREMDENVERKEHRSZENTRALE ZYPERN Gottfried Keller – Strasse 7, CH-8001 Zürich Tel. 0041-44-262 3303 Fax: 0041-44-251 2417 Geneva: Tel: 0041-22-741 33 03 E-mail: ctozurich@bluewin.ch AUSTRIA ZYPERN TOURISMUS Parkring 20, A–1010 Wien Tel. 0043-1-513 18 70 Fax: 0043-1-513 18 72 E-mail: office@zyperntourismus.at 98 FRANCE OFFICE DU TOURISME DE CHYPRE 15, Rue de la Paix, 75002 Paris Tel.0033-1-42.61.42.49 Fax: 0033-1-42.60.48.53 E-mail: cto.chypre.paris@wanadoo.fr BELGIUM OFFICE DU TOURISME DE CHYPRE DIENST VOOR TOERISME VAN CYPRUS Avenue de Cortenbergh 61, Kortenberglaan B-1000 Bruxelles/Brussel Tel. 0032-2-735.06.21 Fax: 0032-2-735.66.07 E-mail: cyprus@skynet.be SWEDEN CYPERNS TURISTRÅD Sveavägen 66, 111 34 Stockholm Tel. 0046-8-10 50 25 Fax: 0046-8-10 64 14 E-mail: info@ctosweden.org GREECE CYPRUS TOURISM ORGANISATION ATHENS Voukourestiou 38, Kolonaki, Athens 10673 Tel. 0030-210-36 10 178, 0030-210-36 10 057 Fax: 0030-210-36 44 798 E-mail: cto–athens@ath.forthnet.gr THESSALONIKI Nikis Ave. 37, Thessaloniki 54013, P.O.Box 50046 Tel. 0030-2310-242880 Fax: 0030-2310-286881 E-mail: kotthes@the.forthnet.gr FINLAND KYPROKSEN MATKAILUTOIMISTO Aleksanterinkatu 48B, 00100 Helsinki Tel. 00358-9–476 09 100, Fax: 00358-9–476 09 120 E-mail: info@ctofinland.org ITALY ENTE NAZIONALE PER IL TURISMO DI CIPRO Via Santa Sofia 6, 20122 Milano Tel. 0039-02-58 31 98 35, 0039-02-58 30 33 28 Fax: 0039-02-58 30 33 75 E-mail: info@turismocipro.it UNITED STATES CYPRUS TOURISM ORGANIZATION 13 East 40th Str. New York, NY 10016 Tel. 001-212-683–5280 Fax: 001-212-683–5282 E-mail: gocyprus@aol.com THE NETHERLANDS CYPRUS VERKEERSBUREAU Keizersgracht 424 II, 1016 GC Amsterdam Tel. 0031-020-624 4358 Fax: 0031-020-638 3369 E-mail: cyprus.sun@planet.nl ISRAEL CYPRUS TOURISM ORGANISATION Top Tower-14th floor, Dizengoff Centre 50 Dizengoff Str., - Tel-Aviv 64332 Tel. 00972-3-52 57 442 Fax: 00972-3-52 57 443 E-mail: cto@netvision.net.il RUSSIAN FEDERATION CYPRUS TOURISM ORGANISATION MOSCOW Povarskaya 9, Building 2, 121069, Moscow Tel. 007-495-223-9684 Fax: 007-495-744-2955 E-mail: ctomoscow@visitcyprus.com ST. PETERSBURG 27, Furshtatskaya street, 191123 St. Petersburg Tel. 007-812-332-58-08 Fax: 007-812-332-58-09 E-mail: spbcto@yandex.ru HUNGARY CIPRUSI IDEGENFORGALMI HIVATAL H-1051 Budapest, Dorottya Str. 3. III floor Tel. 00-36-1-266 6044 Fax: 00-36-1-266 6043 E-mail: ciprusinfo@t-online.hu POLAND CYPRYJSKA ORGANIZACJA TURYSTYCZNA Ul Piekna 20, 00 549 Warsaw Tel. 0048-22-827 90 36 Fax: 0048-22-8279037 E-mail: cto@cypr.pl CZECH REPUBLIC KYPERSKÁ ORGANIZACE CESTOVNÍHO RUCHU Václavské námesti 1282/51, 110 00 Praha 1 Tel. 00–420-224–281 285 Fax: 00–420-224–281 286 E-mail: cto.prague@volny.cz MIDDLE EAST AND ARABIAN GULF CYPRUS TOURISM ORGANISATION Al Ghurair Center, Office Tower,No 436B, P.O.Box 94670, Deira, Dubai, UAE Tel. 00971-4-2277637 Fax: 00971-4-22 77 638 Email: tourism@cyprusme.com CYPRUS TOURISM ORGANISATION IN CYPRUS Leoforos Lemesou 19, Lefkosia (Nicosia) P.O.Box 24535, CY 1390 Lefkosia (Nicosia) Cyprus Tel. 22 69 11 00 Fax: 22 33 16 44 E-mail: cytour@visitcyprus.com Web-site: www.visitcyprus.com 99 �CTO OFFICES ABROAD UNITED KINGDOM CYPRUS TOURIST OFFICE 17, Hanover Street London W1S 1YP Tel. 0044-207-569 8800, Fax: 0044-207-499 4935 E-mail: informationcto@btconnect.com IRELAND CYPRUS TOURISM ORGANISATION 71 Lower Leeson St., Dublin 2 Tel. 00 353-1-662 92 69 Fax: 00 353-1-662 92 70 E-mail: cyprusinfo@eircom.net GERMANY FREMDENVERKEHRSZENTRALE ZYPERN FRANKFURT Zeil 127, 60313 Frankfurt Tel. 0049-69-25 19 19, Fax: 0049-69-25 02 88 E-mail: info@cto–fra.de BERLIN Wallstr. 27, 10179 Berlin Tel. 0049-30–23 45–75 90, Fax: 0049-30–23 45–75 92 E-mail: cto_berlin@t—online.de SWITZERLAND FREMDENVERKEHRSZENTRALE ZYPERN Gottfried Keller – Strasse 7, CH-8001 Zürich Tel. 0041-44-262 3303 Fax: 0041-44-251 2417 Geneva: Tel: 0041-22-741 33 03 E-mail: ctozurich@bluewin.ch AUSTRIA ZYPERN TOURISMUS Parkring 20, A–1010 Wien Tel. 0043-1-513 18 70 Fax: 0043-1-513 18 72 E-mail: office@zyperntourismus.at 98 FRANCE OFFICE DU TOURISME DE CHYPRE 15, Rue de la Paix, 75002 Paris Tel.0033-1-42.61.42.49 Fax: 0033-1-42.60.48.53 E-mail: cto.chypre.paris@wanadoo.fr BELGIUM OFFICE DU TOURISME DE CHYPRE DIENST VOOR TOERISME VAN CYPRUS Avenue de Cortenbergh 61, Kortenberglaan B-1000 Bruxelles/Brussel Tel. 0032-2-735.06.21 Fax: 0032-2-735.66.07 E-mail: cyprus@skynet.be SWEDEN CYPERNS TURISTRÅD Sveavägen 66, 111 34 Stockholm Tel. 0046-8-10 50 25 Fax: 0046-8-10 64 14 E-mail: info@ctosweden.org GREECE CYPRUS TOURISM ORGANISATION ATHENS Voukourestiou 38, Kolonaki, Athens 10673 Tel. 0030-210-36 10 178, 0030-210-36 10 057 Fax: 0030-210-36 44 798 E-mail: cto–athens@ath.forthnet.gr THESSALONIKI Nikis Ave. 37, Thessaloniki 54013, P.O.Box 50046 Tel. 0030-2310-242880 Fax: 0030-2310-286881 E-mail: kotthes@the.forthnet.gr FINLAND KYPROKSEN MATKAILUTOIMISTO Aleksanterinkatu 48B, 00100 Helsinki Tel. 00358-9–476 09 100, Fax: 00358-9–476 09 120 E-mail: info@ctofinland.org ITALY ENTE NAZIONALE PER IL TURISMO DI CIPRO Via Santa Sofia 6, 20122 Milano Tel. 0039-02-58 31 98 35, 0039-02-58 30 33 28 Fax: 0039-02-58 30 33 75 E-mail: info@turismocipro.it UNITED STATES CYPRUS TOURISM ORGANIZATION 13 East 40th Str. New York, NY 10016 Tel. 001-212-683–5280 Fax: 001-212-683–5282 E-mail: gocyprus@aol.com THE NETHERLANDS CYPRUS VERKEERSBUREAU Keizersgracht 424 II, 1016 GC Amsterdam Tel. 0031-020-624 4358 Fax: 0031-020-638 3369 E-mail: cyprus.sun@planet.nl ISRAEL CYPRUS TOURISM ORGANISATION Top Tower-14th floor, Dizengoff Centre 50 Dizengoff Str., - Tel-Aviv 64332 Tel. 00972-3-52 57 442 Fax: 00972-3-52 57 443 E-mail: cto@netvision.net.il RUSSIAN FEDERATION CYPRUS TOURISM ORGANISATION MOSCOW Povarskaya 9, Building 2, 121069, Moscow Tel. 007-495-223-9684 Fax: 007-495-744-2955 E-mail: ctomoscow@visitcyprus.com ST. PETERSBURG 27, Furshtatskaya street, 191123 St. Petersburg Tel. 007-812-332-58-08 Fax: 007-812-332-58-09 E-mail: spbcto@yandex.ru HUNGARY CIPRUSI IDEGENFORGALMI HIVATAL H-1051 Budapest, Dorottya Str. 3. III floor Tel. 00-36-1-266 6044 Fax: 00-36-1-266 6043 E-mail: ciprusinfo@t-online.hu POLAND CYPRYJSKA ORGANIZACJA TURYSTYCZNA Ul Piekna 20, 00 549 Warsaw Tel. 0048-22-827 90 36 Fax: 0048-22-8279037 E-mail: cto@cypr.pl CZECH REPUBLIC KYPERSKÁ ORGANIZACE CESTOVNÍHO RUCHU Václavské námesti 1282/51, 110 00 Praha 1 Tel. 00–420-224–281 285 Fax: 00–420-224–281 286 E-mail: cto.prague@volny.cz MIDDLE EAST AND ARABIAN GULF CYPRUS TOURISM ORGANISATION Al Ghurair Center, Office Tower,No 436B, P.O.Box 94670, Deira, Dubai, UAE Tel. 00971-4-2277637 Fax: 00971-4-22 77 638 Email: tourism@cyprusme.com CYPRUS TOURISM ORGANISATION IN CYPRUS Leoforos Lemesou 19, Lefkosia (Nicosia) P.O.Box 24535, CY 1390 Lefkosia (Nicosia) Cyprus Tel. 22 69 11 00 Fax: 22 33 16 44 E-mail: cytour@visitcyprus.com Web-site: www.visitcyprus.com 99 �TOURIST INFORMATION OFFICES Open every morning except Sundays and on Monday, Tuesday, Thursday and Friday afternoons POLIS Vasileos Stasioikou A’ 2 CY 8820, Polis Chrysochous Tel. 26 32 24 68 Fax: 26 32 13 27 LEFKOSIA (NICOSIA) Aristokyprou 11, Laiki Geitonia (East of Plateia Eleftherias) CY 1011 Lefkosia Tel. 22 67 42 64 Fax: 22 66 07 78 AGIA NAPA Leoforos Kryou Nerou 12, CY 5330 Agia Napa Tel. 23 72 17 96 Fax: 23 72 45 07 LEMESOS (LIMASSOL) a) Agiou Andreou 142 CY 3036 Lemesos Tel. 25 36 27 56, Fax: 25 74 65 96 b) Georgiou A’ 22, CY 4047 Lemesos Potamos tis Germasogeias (eastern entrance of Dasoudi beach) Tel. 25 32 32 11 Fax: 25 31 34 51 c) Lemesos Harbour P.O.Box 55605, CY 3781 Lemesos Service to all passenger boats Tel. 25 57 18 68 Fax: 25 56 03 43 PARALIMNI - PROTARAS Protara 14 CY 5296 Paralimni Tel. 23 83 28 65 Fax: 23 83 28 64 Many thanks to: The Church of Cyprus, the Bishoprics of Pafos, Lemesos, Kykkou and Tyllirias, Tamassou and Oreinis, Morfou and Konstantias – Ammochostou, the Department of Antiquities, the Department of History and Archaeology of the University of Cyprus, the Hellenic Institute of Byzantine and Post-Byzantine Studies in Venice, the Municipalities of Lefkosia, Larnaka and Ammochostos, the Leventis Municipal Museum, the Bank of Cyprus Cultural Foundation, the Byzantine Museum of Makarios III Cultural Foundation, Kykkos Museum, Marfin Laiki Cultural Centre, Pedoulas Byzantine Museum, Palaichori Museum of Byzantine Heritage, Pierides Museum Marfin Laiki Bank Foundation and all those who worked for the preparation of the publication “Cyprus – Venice, Cultural Routes” PLATRES CY 4820 Platres Tel. 25 42 13 16 Fax: 25 81 30 80 LARNAKA a) Plateia Vasileos Pavlou CY 6023 Larnaka Tel. 24 65 43 22 Fax: 24 65 34 92 b) Larnaka International Airport CY 7130 Larnaka Tel. 24 00 83 68 Fax: 24 00 83 69 PAFOS a) Gladstonos 3, CY 8046 Pafos Tel. 26 93 28 41 Fax: 26 95 33 41 b) Poseidonos 63A, CY 8042, Kato Pafos Tel. 26 93 05 21 Fax: 26 93 05 19 c) Pafos International Airport, CY 8320 Pafos Tel. 26 00 73 68 (service to all flights) Fax: 26 00 73 69 100 101 �TOURIST INFORMATION OFFICES Open every morning except Sundays and on Monday, Tuesday, Thursday and Friday afternoons POLIS Vasileos Stasioikou A’ 2 CY 8820, Polis Chrysochous Tel. 26 32 24 68 Fax: 26 32 13 27 LEFKOSIA (NICOSIA) Aristokyprou 11, Laiki Geitonia (East of Plateia Eleftherias) CY 1011 Lefkosia Tel. 22 67 42 64 Fax: 22 66 07 78 AGIA NAPA Leoforos Kryou Nerou 12, CY 5330 Agia Napa Tel. 23 72 17 96 Fax: 23 72 45 07 LEMESOS (LIMASSOL) a) Agiou Andreou 142 CY 3036 Lemesos Tel. 25 36 27 56, Fax: 25 74 65 96 b) Georgiou A’ 22, CY 4047 Lemesos Potamos tis Germasogeias (eastern entrance of Dasoudi beach) Tel. 25 32 32 11 Fax: 25 31 34 51 c) Lemesos Harbour P.O.Box 55605, CY 3781 Lemesos Service to all passenger boats Tel. 25 57 18 68 Fax: 25 56 03 43 PARALIMNI - PROTARAS Protara 14 CY 5296 Paralimni Tel. 23 83 28 65 Fax: 23 83 28 64 Many thanks to: The Church of Cyprus, the Bishoprics of Pafos, Lemesos, Kykkou and Tyllirias, Tamassou and Oreinis, Morfou and Konstantias – Ammochostou, the Department of Antiquities, the Department of History and Archaeology of the University of Cyprus, the Hellenic Institute of Byzantine and Post-Byzantine Studies in Venice, the Municipalities of Lefkosia, Larnaka and Ammochostos, the Leventis Municipal Museum, the Bank of Cyprus Cultural Foundation, the Byzantine Museum of Makarios III Cultural Foundation, Kykkos Museum, Marfin Laiki Cultural Centre, Pedoulas Byzantine Museum, Palaichori Museum of Byzantine Heritage, Pierides Museum Marfin Laiki Bank Foundation and all those who worked for the preparation of the publication “Cyprus – Venice, Cultural Routes” PLATRES CY 4820 Platres Tel. 25 42 13 16 Fax: 25 81 30 80 LARNAKA a) Plateia Vasileos Pavlou CY 6023 Larnaka Tel. 24 65 43 22 Fax: 24 65 34 92 b) Larnaka International Airport CY 7130 Larnaka Tel. 24 00 83 68 Fax: 24 00 83 69 PAFOS a) Gladstonos 3, CY 8046 Pafos Tel. 26 93 28 41 Fax: 26 95 33 41 b) Poseidonos 63A, CY 8042, Kato Pafos Tel. 26 93 05 21 Fax: 26 93 05 19 c) Pafos International Airport, CY 8320 Pafos Tel. 26 00 73 68 (service to all flights) Fax: 26 00 73 69 100 101 ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus Venice Cultural Routes Subject The topic of the resource Cyprus--Culture--Guidebooks Κύπρος--Πολιτισμός--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource The special relationships that Cyprus maintained with Venice and Italian cities have been marked by contrasting phases that show a consolidation of reports throughout the Middle Ages to the Renaissance. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Cyprus_Venice_Cultural_Routes_EN_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Culture--Guidebooks Cyprus--Tourism--Guidebooks Κύπρος--Πολιτισμός--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/2ef1884168b8c089e2ceac1fa79aa90d.pdf 2ad6c0c6c4b84c4adc146fb5c9d61ff9 PDF Text Text LOCATION OF STAY OF TOURISTS IN 2009 (HORIZONTAL % DISTRIBUTION) Location of stay: COUNTRY Paralimni Agia Napa Larnaka Lemesos Pafos* Lefkosia Elsewhere More than 1 Location United Kingdom 18,1 10,4 8,2 Germany 8,8 28,3 15,8 8,6 47,9 1,8 4,0 0,9 10,8 26,9 2,0 3,8 3,6 Switzerland 13,1 62,8 5,1 6,2 6,5 1,9 1,2 3,1 France 8,8 5,9 9,8 21,5 23,4 11,4 2,8 16,3 Netherlands 5,6 14,2 8,1 9,0 52,7 3,5 3,3 3,7 Belgium 2,5 1,1 4,4 11,1 65,6 8,1 1,9 5,1 Austria 10,6 37,1 19,9 13,1 9,2 3,6 1,8 4,8 Italy 8,3 21,8 11,1 16,9 13,3 15,7 1,9 11,1 Ireland 15,6 27,3 5,5 11,3 33,3 2,9 2,4 1,6 Greece 1,8 1,2 13,2 28,4 12,6 35,4 2,9 4,6 Sweden 43,7 42,4 5,6 2,5 3,6 1,4 0,2 0,7 Denmark 26,2 41,4 5,6 3,9 19,6 1,6 0,6 1,1 Finland 21,1 36,5 3,2 7,7 28,9 1,6 0,0 1,0 Norway 43,6 40,6 6,1 3,2 4,6 0,7 0,3 0,8 Russia 2,6 28,4 6,8 35,0 22,5 2,7 0,6 1,5 Israel 2,5 17,9 30,4 20,1 12,5 7,0 5,2 4,4 USA 1,3 3,2 21,9 28,2 10,0 21,7 3,7 10,1 Other Countries 6,1 13,4 18,9 21,9 17,4 14,0 2,5 5,7 All Countries 15,4 17,1 10,1 13,2 33,2 5,7 3,0 Cyprus Tourism in Figures 2,3 Source: Passenger Survey 2009 of the Statistical Service of Cyprus * Polis Chrysochous is included in Pafos SELECTED TOURISM PARAMETERS BY COUNTRY IN 2009 TOURIST ARRIVALS (% ON TOTAL) PACKAGE TOURISTS (% ON TOTAL) AVERAGE LENGTH OF STAY (IN DAYS) STAYED IN PAID ACCOMMODATION (%) AVERAGE PER PERSON EXPENDITURE (IN €) United Kingdom 49,9 55,6 10,9 73,8 646 Germany 6,1 78,0 9,8 93,4 732 COUNTRY Switzerland 1,8 85,5 8,6 94,5 837 France 1,2 48,9 8,5 84,0 709 Netherlands 1,4 75,0 9,1 93,7 754 Belgium 1,1 56,9 7,9 93,9 809 Austria 1,3 74,1 9,1 93,1 804 Italy 0,7 42,9 8,3 87,9 839 Ireland 0,9 73,6 9,7 86,2 838 Greece 6,2 13,0 7,9 47,8 508 Sweden 5,1 89,1 8,6 93,6 569 Denmark 1,4 84,6 8,5 96,4 689 Finland 1,5 90,6 8,1 96,1 573 Norway 2,8 84,6 9,9 92,9 697 Russia 6,9 70,7 10,7 79,5 986 Israel 1,5 51,2 4,7 83,7 563 USA 0,8 4,6 12,5 52,4 750 Other Countries 9,3 33,8 10,0 70,0 763 All Countries 100 58,3 9,9 76,9 697 Source: Passenger Survey 2009 of the Statistical Service of Cyprus Additional information can be found at http://www.visitcyprus.biz 2009 �TOURIST ARRIVALS BY MONTH TOURISM IN CYPRUS: VOLUME, VALUE AND CHARACTERISTICS JAN SUMMARY Revenue from tourism in 2009 was estimated at €1.510 million, recording a decrease of 16,6% in relation to the corresponding figure for 2008 (€1.810 million). By far the biggest market share of tourist arrivals was captured yet again by Europe, which accounted for the 93,8% of total arrivals in 2009. TOURIST ARRIVALS 1995 1996 1997 1998 2,9% 63.098 2,1% MONTH SHARE 70.140 51.848 YEAR 2007 4,2% 2,1% MONTH SHARE 90.434 2,6% 50.658 YEAR 2008 56.626 2,2% MONTH SHARE MAR 47.066 YEAR 2009 The total number of visitor arrivals in 2009 was 2.369.980 as compared to 2.630.547 in 2008, recording a decrease of 9,9%. Of the total visitor arrivals in 2009, 2.141.193 (90,3% of the total) were attributed to tourists (i.e. visitors staying at least one night) and the remaining 228.787 (9,7% of the total) to excursionists (visitors who do not stay overnight i.e. cruise-ship visitors, transit passengers and same-day tourists). The average length of stay of tourists in Cyprus was estimated at 9,9 days. FEB APR 2,6% MAY JUN 181.395 246.546 8,5% 260.931 11,5% 12,2% 108.164 182.091 271.559 4,5% 7,6% 307.237 11,3% 12,8% 104.316 189.310 273.058 4,3% 7,8% JUL 282.465 11,3% AUG 304.126 291.583 14,2% 13,6% 342.554 328.100 14,3% 13,6% 352.423 340.534 SEP OCT NOV 276.178 230.431 12,9% 89.670 10,8% 3,1% 97.900 11,1% 100% 72.127 2.403.750 4,1% 315.437 275.103 TOTAL 66.201 2.141.193 4,2% 305.348 267.866 12,7% DEC 3,0% 94.741 100% 73.742 2.416.081 11,7% 14,6% 14,1% 13,1% 11,4% 3,9% 3,1% 100% AVERAGE LENGTH OF STAY (DAYS) 1995 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 11,5 10,9 11,5 11,3 11,3 11,0 10,3 11,1 10,9 10,7 10,4 10,4 10,0 10,1 9,9 2.100.000 1.950.000 2.088.000 2.222.706 2.434.285 2.686.205 2.696.732 2.418.238 2.303.247 2.349.012 2.470.063 2.400.924 2.416.081 2.403.750 2.141.193 EXCURSIONIST ARRIVALS TOURIST ARRIVALS BY COUNTRY OF USUAL RESIDENCE 1995 COUNTRY United Kingdom 2009 2008 2007 2009/2008 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 151.425 CHANGE (%) 138.526 105.525 134.249 143.256 226.095 143.922 77.024 113.208 128.532 186.679 228.254 255.252 226.797 228.787 2009/2007 1.069.196 1.242.655 1.282.873 -14,0 -16,7 Germany 131.161 132.058 138.451 -0,7 -5,3 Greece 131.875 133.015 139.815 -0,9 -5,7 Sweden 108.253 124.948 120.989 -13,4 -10,5 Norway 60.245 63.470 53.442 -5,1 12,7 Finland 32.758 32.333 21.461 1,3 52,6 Denmark 29.667 38.216 34.759 -22,4 -14,6 France 26.187 36.099 41.394 -27,5 -36,7 Larnaka 25 4.588 22 1.416 45 10.336 53 5.142 UNITS AND BEDS IN OPERATION BY AREA, AS AT 31.12.2009 AREA HOTELS 5-1 STAR HOTEL APTS UNITS BEDS UNITS Lefkosia 15 2.173 2 33 9.453 19 1.024 UNITS BEDS TOURIST VILLAS UNITS BEDS TOURIST APTS UNITS BEDS TRAD. BUILDINGS 130 Lemesos TOURIST VILLAGES BEDS UNITS BEDS 3 2 320 7 15 2.176 5 465 UNITS 20 82 51 AREA TOTAL BEDS 2.329 1.608 82 13.051 26 564 OTHER* UNITS 1 60 9 360 5 442 60 8 2.344 BEDS 2 60 110 6.949 1 16 171 20.456 Switzerland 38.662 38.560 41.407 0,3 -6,6 Agia Napa Netherlands 30.996 26.302 26.650 17,8 16,3 Paralimni 27 7.136 60 7.418 2 690 4 78 1 12 1 4 95 15.338 58 16.577 37 3.562 12 4.152 135 948 19 1.412 35 271 7 1.423 303 28.345 43 333 10 245 74 2.335 193 18.692 23 7.338 141 1.450 107 4.758 138 1.189 29 3.356 855 88.803 Belgium 22.966 26.368 23.174 -12,9 -0,9 Pafos Austria 27.463 26.620 24.359 3,2 12,7 Hill Resorts** 21 1.757 224 52.020 Italy 15.604 16.859 19.225 -7,4 -18,8 CYPRUS Ireland 18.537 23.632 35.875 -21,6 -48,3 Spain 3.072 3.641 4.118 -15,6 -25,4 * Other: Hotels without star, Guesthouses, Furnished Apartments and Camping sites. ** New Hill Resorts Area definition used from 1.1.2009 onwards: As defined in the corresponding CTO Tourism Development Strategy for the Troodos region. Russia 148.740 180.926 145.921 -17,8 1,9 Poland 17.186 20.358 16.669 -15,6 3,1 Hungary 9.700 9.641 10.086 0,6 -3,8 Czech Republic 20.477 20.027 20.972 2,2 -2,4 Other Europe 65.877 71.773 68.545 -8,2 -3,9 Arab Countries* 26.490 23.513 26.662 12,7 -0,6 Gulf Countries** 27.085 26.163 26.640 3,5 1,7 Israel 31.364 32.034 34.205 -2,1 -8,3 USA 17.921 21.117 23.744 -15,1 -24,5 Canada 4.698 5.512 5.625 -14,8 -16,5 Australia 10.523 11.506 10.742 -8,5 -2,0 1995 1996 1997 1998 1999 2000 2001 2002 1.384 1.333 1.440 1.500 1.751 2.040 2.182 1.941 Other Countries All Countries 14.490 16.404 18.725 -11,7 -22,6 2.141.193 2.403.750 2.416.081 -10,9 LICENSED BEDS IN OPERATION 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 78.427 84.549 84.368 86.151 84.173 85.303 92.176* 94.466* 95.185* 96.535* 95.592* 93.957* 92.569* 90.398* 88.803* 2003 2004 2005 2006 2007 2008 2009 1.743 1.688 1.733 1.772 1.878 1.810 1.510 * Including camping sites (3.120 beds in 2001, 2002 and 2.808 beds in 2003-2009). REVENUE FROM TOURISM* (IN € MILLIONS**) -11,4 * Arab Countries: Egypt, Libya, Jordan, Iraq, Lebanon, Syria ** Gulf Countries: Bahrain, Iran, Kuwait, UAE, Saudi Arabia, Oman, Qatar, Yemen * Includes revenue from both tourists and excursionists ** For the years 1995-2007, figures were converted from Cyprus Pounds into Euros using the rate €1= CYP£ 0.585274 �TOURIST ARRIVALS BY MONTH TOURISM IN CYPRUS: VOLUME, VALUE AND CHARACTERISTICS JAN SUMMARY Revenue from tourism in 2009 was estimated at €1.510 million, recording a decrease of 16,6% in relation to the corresponding figure for 2008 (€1.810 million). By far the biggest market share of tourist arrivals was captured yet again by Europe, which accounted for the 93,8% of total arrivals in 2009. TOURIST ARRIVALS 1995 1996 1997 1998 2,9% 63.098 2,1% MONTH SHARE 70.140 51.848 YEAR 2007 4,2% 2,1% MONTH SHARE 90.434 2,6% 50.658 YEAR 2008 56.626 2,2% MONTH SHARE MAR 47.066 YEAR 2009 The total number of visitor arrivals in 2009 was 2.369.980 as compared to 2.630.547 in 2008, recording a decrease of 9,9%. Of the total visitor arrivals in 2009, 2.141.193 (90,3% of the total) were attributed to tourists (i.e. visitors staying at least one night) and the remaining 228.787 (9,7% of the total) to excursionists (visitors who do not stay overnight i.e. cruise-ship visitors, transit passengers and same-day tourists). The average length of stay of tourists in Cyprus was estimated at 9,9 days. FEB APR 2,6% MAY JUN 181.395 246.546 8,5% 260.931 11,5% 12,2% 108.164 182.091 271.559 4,5% 7,6% 307.237 11,3% 12,8% 104.316 189.310 273.058 4,3% 7,8% JUL 282.465 11,3% AUG 304.126 291.583 14,2% 13,6% 342.554 328.100 14,3% 13,6% 352.423 340.534 SEP OCT NOV 276.178 230.431 12,9% 89.670 10,8% 3,1% 97.900 11,1% 100% 72.127 2.403.750 4,1% 315.437 275.103 TOTAL 66.201 2.141.193 4,2% 305.348 267.866 12,7% DEC 3,0% 94.741 100% 73.742 2.416.081 11,7% 14,6% 14,1% 13,1% 11,4% 3,9% 3,1% 100% AVERAGE LENGTH OF STAY (DAYS) 1995 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 11,5 10,9 11,5 11,3 11,3 11,0 10,3 11,1 10,9 10,7 10,4 10,4 10,0 10,1 9,9 2.100.000 1.950.000 2.088.000 2.222.706 2.434.285 2.686.205 2.696.732 2.418.238 2.303.247 2.349.012 2.470.063 2.400.924 2.416.081 2.403.750 2.141.193 EXCURSIONIST ARRIVALS TOURIST ARRIVALS BY COUNTRY OF USUAL RESIDENCE 1995 COUNTRY United Kingdom 2009 2008 2007 2009/2008 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 151.425 CHANGE (%) 138.526 105.525 134.249 143.256 226.095 143.922 77.024 113.208 128.532 186.679 228.254 255.252 226.797 228.787 2009/2007 1.069.196 1.242.655 1.282.873 -14,0 -16,7 Germany 131.161 132.058 138.451 -0,7 -5,3 Greece 131.875 133.015 139.815 -0,9 -5,7 Sweden 108.253 124.948 120.989 -13,4 -10,5 Norway 60.245 63.470 53.442 -5,1 12,7 Finland 32.758 32.333 21.461 1,3 52,6 Denmark 29.667 38.216 34.759 -22,4 -14,6 France 26.187 36.099 41.394 -27,5 -36,7 Larnaka 25 4.588 22 1.416 45 10.336 53 5.142 UNITS AND BEDS IN OPERATION BY AREA, AS AT 31.12.2009 AREA HOTELS 5-1 STAR HOTEL APTS UNITS BEDS UNITS Lefkosia 15 2.173 2 33 9.453 19 1.024 UNITS BEDS TOURIST VILLAS UNITS BEDS TOURIST APTS UNITS BEDS TRAD. BUILDINGS 130 Lemesos TOURIST VILLAGES BEDS UNITS BEDS 3 2 320 7 15 2.176 5 465 UNITS 20 82 51 AREA TOTAL BEDS 2.329 1.608 82 13.051 26 564 OTHER* UNITS 1 60 9 360 5 442 60 8 2.344 BEDS 2 60 110 6.949 1 16 171 20.456 Switzerland 38.662 38.560 41.407 0,3 -6,6 Agia Napa Netherlands 30.996 26.302 26.650 17,8 16,3 Paralimni 27 7.136 60 7.418 2 690 4 78 1 12 1 4 95 15.338 58 16.577 37 3.562 12 4.152 135 948 19 1.412 35 271 7 1.423 303 28.345 43 333 10 245 74 2.335 193 18.692 23 7.338 141 1.450 107 4.758 138 1.189 29 3.356 855 88.803 Belgium 22.966 26.368 23.174 -12,9 -0,9 Pafos Austria 27.463 26.620 24.359 3,2 12,7 Hill Resorts** 21 1.757 224 52.020 Italy 15.604 16.859 19.225 -7,4 -18,8 CYPRUS Ireland 18.537 23.632 35.875 -21,6 -48,3 Spain 3.072 3.641 4.118 -15,6 -25,4 * Other: Hotels without star, Guesthouses, Furnished Apartments and Camping sites. ** New Hill Resorts Area definition used from 1.1.2009 onwards: As defined in the corresponding CTO Tourism Development Strategy for the Troodos region. Russia 148.740 180.926 145.921 -17,8 1,9 Poland 17.186 20.358 16.669 -15,6 3,1 Hungary 9.700 9.641 10.086 0,6 -3,8 Czech Republic 20.477 20.027 20.972 2,2 -2,4 Other Europe 65.877 71.773 68.545 -8,2 -3,9 Arab Countries* 26.490 23.513 26.662 12,7 -0,6 Gulf Countries** 27.085 26.163 26.640 3,5 1,7 Israel 31.364 32.034 34.205 -2,1 -8,3 USA 17.921 21.117 23.744 -15,1 -24,5 Canada 4.698 5.512 5.625 -14,8 -16,5 Australia 10.523 11.506 10.742 -8,5 -2,0 1995 1996 1997 1998 1999 2000 2001 2002 1.384 1.333 1.440 1.500 1.751 2.040 2.182 1.941 Other Countries All Countries 14.490 16.404 18.725 -11,7 -22,6 2.141.193 2.403.750 2.416.081 -10,9 LICENSED BEDS IN OPERATION 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 78.427 84.549 84.368 86.151 84.173 85.303 92.176* 94.466* 95.185* 96.535* 95.592* 93.957* 92.569* 90.398* 88.803* 2003 2004 2005 2006 2007 2008 2009 1.743 1.688 1.733 1.772 1.878 1.810 1.510 * Including camping sites (3.120 beds in 2001, 2002 and 2.808 beds in 2003-2009). REVENUE FROM TOURISM* (IN € MILLIONS**) -11,4 * Arab Countries: Egypt, Libya, Jordan, Iraq, Lebanon, Syria ** Gulf Countries: Bahrain, Iran, Kuwait, UAE, Saudi Arabia, Oman, Qatar, Yemen * Includes revenue from both tourists and excursionists ** For the years 1995-2007, figures were converted from Cyprus Pounds into Euros using the rate €1= CYP£ 0.585274 �LOCATION OF STAY OF TOURISTS IN 2009 (HORIZONTAL % DISTRIBUTION) Location of stay: COUNTRY Paralimni Agia Napa Larnaka Lemesos Pafos* Lefkosia Elsewhere More than 1 Location United Kingdom 18,1 10,4 8,2 Germany 8,8 28,3 15,8 8,6 47,9 1,8 4,0 0,9 10,8 26,9 2,0 3,8 3,6 Switzerland 13,1 62,8 5,1 6,2 6,5 1,9 1,2 3,1 France 8,8 5,9 9,8 21,5 23,4 11,4 2,8 16,3 Netherlands 5,6 14,2 8,1 9,0 52,7 3,5 3,3 3,7 Belgium 2,5 1,1 4,4 11,1 65,6 8,1 1,9 5,1 Austria 10,6 37,1 19,9 13,1 9,2 3,6 1,8 4,8 Italy 8,3 21,8 11,1 16,9 13,3 15,7 1,9 11,1 Ireland 15,6 27,3 5,5 11,3 33,3 2,9 2,4 1,6 Greece 1,8 1,2 13,2 28,4 12,6 35,4 2,9 4,6 Sweden 43,7 42,4 5,6 2,5 3,6 1,4 0,2 0,7 Denmark 26,2 41,4 5,6 3,9 19,6 1,6 0,6 1,1 Finland 21,1 36,5 3,2 7,7 28,9 1,6 0,0 1,0 Norway 43,6 40,6 6,1 3,2 4,6 0,7 0,3 0,8 Russia 2,6 28,4 6,8 35,0 22,5 2,7 0,6 1,5 Israel 2,5 17,9 30,4 20,1 12,5 7,0 5,2 4,4 USA 1,3 3,2 21,9 28,2 10,0 21,7 3,7 10,1 Other Countries 6,1 13,4 18,9 21,9 17,4 14,0 2,5 5,7 All Countries 15,4 17,1 10,1 13,2 33,2 5,7 3,0 Cyprus Tourism in Figures 2,3 Source: Passenger Survey 2009 of the Statistical Service of Cyprus * Polis Chrysochous is included in Pafos SELECTED TOURISM PARAMETERS BY COUNTRY IN 2009 TOURIST ARRIVALS (% ON TOTAL) PACKAGE TOURISTS (% ON TOTAL) AVERAGE LENGTH OF STAY (IN DAYS) STAYED IN PAID ACCOMMODATION (%) AVERAGE PER PERSON EXPENDITURE (IN €) United Kingdom 49,9 55,6 10,9 73,8 646 Germany 6,1 78,0 9,8 93,4 732 COUNTRY Switzerland 1,8 85,5 8,6 94,5 837 France 1,2 48,9 8,5 84,0 709 Netherlands 1,4 75,0 9,1 93,7 754 Belgium 1,1 56,9 7,9 93,9 809 Austria 1,3 74,1 9,1 93,1 804 Italy 0,7 42,9 8,3 87,9 839 Ireland 0,9 73,6 9,7 86,2 838 Greece 6,2 13,0 7,9 47,8 508 Sweden 5,1 89,1 8,6 93,6 569 Denmark 1,4 84,6 8,5 96,4 689 Finland 1,5 90,6 8,1 96,1 573 Norway 2,8 84,6 9,9 92,9 697 Russia 6,9 70,7 10,7 79,5 986 Israel 1,5 51,2 4,7 83,7 563 USA 0,8 4,6 12,5 52,4 750 Other Countries 9,3 33,8 10,0 70,0 763 All Countries 100 58,3 9,9 76,9 697 Source: Passenger Survey 2009 of the Statistical Service of Cyprus Additional information can be found at http://www.visitcyprus.biz 2009 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus Tourism 2009 Subject The topic of the resource Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource The total number of visitor arrivals in 2009 was 2.369.980 as compared to 2.630.547 in 2008, recording a decrease of 9,9%. Of the total visitor arrivals in 2009, 2.141.193 (90,3% of the total) were attributed to tourists (i.e. visitors staying at least one night) and the remaining 228.787 (9,7% of the total) to excursionists (visitors who do not stay overnight i.e. cruise-ship visitors, transit passengers and same-day tourists). The average length of stay of tourists in Cyprus was estimated at 9,9 days. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Cyprus_Tourism_2009_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/2fe1db633c959029bb0873e3cbacdf4c.pdf 5476a2aac1e45874371ec2bbb7d69375 PDF Text Text Cyprus Spiritual and Cultural Journeys 1 �Journeys of Faith AN INTRODUCTION TO A SPIRITUAL WORLD 2 C yprus, that “ethereal and blessed land” that stands apart, serene and sacred with an irresistible fascination,is a paradise full of natural beauty, history, memories and culture. A most surprising feature is its density of monuments of religious devotion. It is an island of distinctive aura and charm, where the whole spectrum of Christianity’s historical and cultural development can be seen, from inception to the present day. beauty, where according to Greek myth the goddess Aphrodite was born - was chosen as the first place to receive the great �CHRISTIANITY’S HISTORICAL CROSSROAD message of the new faith on the advent of Christianity. Cyprus became the gateway through which the message of the Gospels spread throughout the length and breadth of the Ecumene. The first mission of the apostles Paul and Barnabas (the latter of Cypriot descent) occurred here in accordance with the will and wish of God: “..being sent forth by the Holy Ghost, departed unto Seleucia; and from thence they sailed to Cyprus” (Acts 12, 4). This divine ‘choice’ – at the same time an ornament and endowment for the country – is expressed through the many monuments dedicated to prayer and devotion, but also through the plethora of holy men connected with the saintly island, thus endowing it with the expression“Cyprus the island of saints”. It is no coincidence that Cyprus - the island of saints”. Τhe Office of the pilgrimage tours of the Church of Cyprus (office@churchofcyprus.org. cy, tel. 35722554600, fax. 35722346254) opens its doors to welcome the pilgrims and share with them the holy gifts of an entire religious world. p Situated on a steep hill, Stavrovouni Monastery offers a panorama of the surrounding countryside. t (From left to right) Multi coloured glass, Saints Barnabas and Hilarion church, Peristerona. Wall icon, Panagia (Virgin Mary) Chrysaliniotissa church, Lefkosia. Church service at Metochi tou Kykkou, Lefkosia. The bellfry of St Savvas church, Lefkosia. Byzantine icons. Panagia (Virgin Mary) Chrysopolitissa church, Pafos. 1 �Sights and places of worship and their religious significance G od bequeathed to the land of Cyprus exceptional natural beauty and impressive scenery. Dramatic coastlines, deep blue sea, imposing mountains, green forests, wildlife sanctuaries of great beauty and unique ecosystems; and all bathed in sunlight. At the same time, the faith of the inhabitants of the island embroidered and adorned it with countless monuments and places expressing religious devotion; sights that bear witness to a tremendous historical journey. Cyprus has so much to offer the visitor/pilgrim that a single journey does not suffice! p Church of Archangelos Mihail (Archangel Michael), Galata. p Agios Ioannis (St John’s) Cathedral. Lambousa Agios Ilarionas E A A R Morfou U N D E R T U R K I S Lefkosia H (Nicosia) Peristerona Soloi Panagia Forviotissa (Asinou) Kaliana Oikos Peristerona Kalopanagiotis Panagia tou Kykkou (Kykkos) Theletra Pegeia Panagia Chrysorrogiatissa Choulou Galataria Koili Letympou Tsada Agios Neofytos Tala Empa Pafos Geroskipou Acheleia Moutoullas Pedoulas Palaiomylos Pano Lefkara Arakapas Vavla Kouka Anogyra Agios Iraklidios Pera Chorio Galata Malounta Kakopetria Lagoudera Platanistasa Fikardou Askas Agros Machairas Palaichori Pelendri Panagia Trooditissa Praitori Tamassos Louvaras Kato Lefkara Kofinou Kellaki Monagri Agios Georgios Alamanos Choirokoitia Prastio Kourion Lemesos (Linassol) t Small parish of Agios Georgios (St George) Alamanos monastery. p St Paul’s column at Pafos. 2 p Archangel Michael’s monastery at Monagri. p Church of Timiou Stavrou (Holy Cross), at Pano Lefkara. �Panagia Afentrika Agios Filon p Church of Agios Georgios (St George) of Chortakion. Apostolos Andreas p Church of Agios Georgios (St George), at Kellaki. Rizokarpaso Aigialousa Panagia Kanakaria Leonariso Lythragkomi Кoma tou Gialou Akanthou Keryneia Livadia Historical landmarks Antifonitis Agios Ioannis Chrysostomos 8200 b.C. 1050 b.C 480 b.C 330 a.D. 1192 a.D. 1489 a.D. 1571 a.D. 1878 a.D. 1960 a.D. Trikomo Koutsoventis U P A T Geometric & Archaic period Apostolos Varnavas I O N S I N C E Lysi 1 9 7 4 Salamina Classic, Hellenistic & Roman period Ammochostos Acheritou Byzantine period (Famagusta) Agios Sozomenos Dali Sotira Kelia Paralimni Agia Napa Larnaka Stavrovouni Kiti Lusignan period Venetian period Ottoman period British period Independence - Republic of Cyprus TURKEY Beirut Tire Nazareth Tel Aviv Jerusalem L ISRAE S eize the opportunity during your stay in Cyprus to also visit the Holy Land. The Island is literally almost a stone’s throw, offering the visitor fast and comfortable access via a wide choice of short cruises or air connections. CYPRUS EGYPT Cairo Aqaba Damascus IRAQ Amman N A short distance from the Holy Land ON SYRIA LEBAN C DA C JOR O Prehistoric era SAUDI ARABIA 3 �...ONE OF THE FIRST LANDS TO EMBRACE THE HOLY GOSPEL... C hristianity spread and took root throughout the lands of the Mediterranean sea very rapidly. According to the texts of the New Testament, the Cypriots were one of the first to embrace Christianity and preach it beyond the boundaries of Palestine. Equally, they were the first to accept the truth of the Gospels outside the Holy Land, when the first apostolic mission 4 �A riceless Peritage H COUNTLESS IMPORTANT ARCHAEOLOGICAL MONUMENTS, MARKING THE DAWN OF THE CHRISTIAN ERA was undertaken in 45 A.D., during which the Apostles Paul, Barnabas and Mark – the latter two of Cypriot descent – arrived in Salamis and preached the message of the Nazarene, “crossing the island to the edge of Pafos” (Acts, 13.6). In Pafos they baptised the Roman ProConsul Sergius Paulus, the first ranking official of the Roman Empire to embrace Christianity. Naturally, of great significance to the Church of Cyprus is the ratification of its autocephaly through the 7th canon of the 3rd Ecumenical Council in Ephesus in 431 A.D. This unique heritage is not only unequivocally demonstrated by the numerous early Christian monuments, but also by the presence of many Bishops of Cyprus in the first as well as the subsequent Ecumenical Councils. p Morning sun rays entering the Church of Panagia (St Mary) Hortakiotissa. zz Internal view of the dome of Agia Paraskevi, Geroskipou. z St Lazarus church interior, Larnaka. t Frescoes in the Panagia (St Mary) tou Araka church at Lagoudera. 5 �u Church of Timios Stavros (Holy Cross) at Pelendri. 6 �Creation Through Faith BYZANTINE ART AND CYPRIOT MONUMENTS OF UNESCO WITNESSING THE TRAILS OF A GLORIOUS HERITAGE C yprus, burdened with memories of its turbulent past and with its monuments standing as witnesses to a great historical journey, forms a significant centre for the study of Byzantine painting and art. This is mainly attributed to the important number of monuments preserved, to their quality as well as to the degree of preservation of this wealth. An important group of churches of great archaeological, architectural and artistic value, with superb wall paintings dating from the 11th to the 17th centuries are concentrated in the Troodos mountain range. This concentration in such a small geographical area is perhaps a unique case worldwide. In recognition of their value, UNESCO has declared ten of these churches as monuments belonging to the World Cultural Heritage, such as the churches of Agios Nikolaos tis Stegis in Kakopetria, Panagia of Asinou and Panagia of Arakas in Lagoudera. ppp Church of Panagia (Virgin Mary) of Asinou. pp Church of Saints Barnabas and Hilarion at Peristerona. p Church of Panagia (Virgin Mary) of Arakas at Lagoudera. ttt Church of Metamorfosis tou Sotiros (Tranformation of Christ) at Palaichori. tt St Lazarus Church, Larnaka. t Historical medieval chapel at Pyrga. 7 �The Quest For Tranquility GUARDIANS OF FAITH, HISTORY AND TRADITION T he Byzantine Empire and Orthodoxy were the two pivots that indelibly marked the development of Cyprus. A plethora of monasteries was founded with the contribution and sponsorship of the devout Emperors of Constantinople: the Monastery of Kykkos, the largest on the island, with its icon of the Virgin Mary whose painting was traditionally attributed to Luke the Evangelist, Machairas Monastery and the Hermitage of Saint Neofytos, painted by the hand of Theodoros 8 Apsevdis, are the most important monuments of the island, captivating and moving the visitor. In most monasteries, the visitor/worshipper will enjoy the colours and scents of nature and discover new and unique spiritual pleasures. The visitor can share the passions and faith of the Cypriot people and experience intense spiritual emotions; and appreciate contemporary reality through an acquaintance with tradition. �u Monastery of St Irakleidios. uu Monastery of Agia Napa. t The historic Kykkos Monastery. yy Monastery of Panagia Trooditissa. p Monastery of Panagia tou Machaira. u Monastery of Panagia Chrysorrogiatissa. uu Monastery of Agios Neofytos. ...SPIRITUAL SOLACE, UNDER THE VEIL OF NATURAL SURROUNDINGS... Multi-cultural Cyprus In other parts of Cyprus the visitor may come across buildings and religious monuments of different faiths and creeds. Muslim mosques, orthodox temples and churches of other creeds co-exist peacefully, thus demonstrating the unique and rich history and traditions of this country, one that is expressed vividly through the monuments p Catholic church of on the island. Terra Santa, Larnaka. The mosque of Um Haram or Tekkesi Hala Sultan, an especially noteworthy and important Muslim place of worship connected with the prophet Mohammed himself, by Larnaka’s Salt Lake. p 9 �...EXTENSIVE COLLECTIONS OF BYZANTINE ART... A fine specimen of Byzantine art, dating from the 6th century: The famous mosaic in the church of Panagia Angeloktisti at Kiti. p p St Irakleidios skull, kept at his monastery. 10 p Religious artefact dis- played at a museum. p Silver artefact incorporating actual wood from the Holy Cross. u Byzantine hagiography is an occupation for many monks all over the island. �Priceless Heirlooms & Treasures THE ISLAND IS FULL OF ARCHAEOLOGICAL SITES OF PARTICULAR PRESTIGE AND CHARM p Hand painted arch at Panagia Iamatiki. C yprus is full of archaeological sites of particular prestige and charm. The culture and faith of its people is indelibly marked on each monument and work of art. The archaeologist’s spade has revealed the foundations of over ninety early Christian basilicas – with three, five and seven aisles, adorned withvivid mosaic floors, marble inlays, reliefs dressed with marble and marble sculptures. Equally important examples of this civilisation and of the Byzantine art of the 6th century A.D. are the mural mosaics, such as those found in the church of the Virgin Angeloktistis (‘built by angels’) in Kiti village. The visitor may see the ecclesiastical treasures of Cyprus through the priceless collections of works of Byzantine art on display in various Byzantine museums and sacristies, such as the Byzantine Museum of the Archbishop Makarios III Foundation in Lefkosia, the Museum of Kykkos Monastery the Byzantine Museum of Pafos and the icon Museum in the monastery of Saint John Lampadistis. p Old icon from Saints Barnabas and Hilarion church, Peristerona. t Virgin Mary and Christ fresco at Saints Barnabas and Hilarion church, Peristerona. u Priceless ecclesiastical collections at the Kykko Monastery Museum. 11 �Long Standing Тraditions A NEVER ENDING CELEBRATION p“Kalos Logos,” a nocturnal late service on Good Saturday, during the Holy Week. I u Baptism at an orthodox church. 12 n Cyprus the visitor has the opportunity to attend a plethora of traditional events, celebrations and fairs that take place in villages and towns the length and breadth of the island, throughout the year. Celebrations and fairs that co-exist with the sounds of Byzantine religious melodies and the rhythms of traditional music. Holy Week and Easter, the ‘Good Word’ as it is called here, are all celebrated on the island �...LISTENING TO BYZANTINE PSALMS AND MELODIES... Sacred utensils. y yy with overwhelming solemnity. The celebration of the Holy Spirit, or ‘Kataclysmos’ as it is called, held only in Cyprus; that of Epiphany, with the blessing of the waters in the coastal areas in January, or even the various local festivals and fairs organised in the villages in the autumn and summer months - all bear witness to steadfast traditions and the strong link between art and religious worship. Good Friday procession. u Candles and oliveoil lights in the sanctuary of Panagia Hortakiotissa church. 13 �Р E A aradise to be xperienced SAVOUR AND SEE! T his island, with its clean, warm sea, endless beaches and star-lit nights, not only has a historic past and maintains an unspoiled nature but also offers luxurious hotel complexes with full facilities, within easy reach to most destinations, so that visitors can enjoy a most confortable stay; it is also a gastronomic and wine connoisseur heaven, able to satisfy all demands with countless tavernas, restaurants, bars and cafes. Above all, however, the visitor will be mesmer- ised by the Island’s people and will forever treasure fond memories of Cypriot hospitality. p Mediterranean specialities. u Dining room at Machairas Monastery. p Traditional breadmaking. 14 �...GRAIN, WINE AND OLIVE OIL... 15 �Route planner Lefkosia Salamina (Nicosia) Egkomi Larnaka Pegeia Kiti Amathous Pafos p Agios Kassianos church. Kourion Lemesos Lefkosia. The old town (Limassol) In the footsteps of Apostles Paul and Barnabas Follow the path of Apostles Paul and Barnabas and it will lead you through a gripping maze of history and culture. A history linked with the preaching of Christianity on the island, which from there opened out to the entire world. ● St John’s Cathedral ● Arch. Makarios III Byzantine Museum ● Church of Panagia Chrysaliniotissa ● Church of Agios Kassianos ● Church of Panagia Faneromeni ● Church of Holy Cross of Missirikou ● Church of Agios Antonios ● Church of Archangel Michael Tripiotis Lefkosia (Nicosia) Larnaka Pelendri Stavrovouni Monastery Omodos Кouka Lefkara Tsada Tochni Anogyra Pafos Lemesos (Limassol) Worship of the Holy Cross p Panagia Angeloktisti, Kiti. Multi-cultural Cyprus ● Larnaka: Church of Saint Lazarus ● Dromolaxia: Mosque of Um Haram or Tekke Hala Sultan ● Kiti: Church of the Virgin Mary Angeloktistis ● Kivisili: Church of the Virgin Mary ● Klavdia: Church/mosque of Saint Catherine ● Pyrga: Gothic Church of the Virgin Stazousa ● Pyrga: Royal Chapel ● Stavrovouni Monastery 16 The arrival of St Helen in Cyprus is an important moment demonstrating the respect and devotion shown to the Holy Cross. She anchored off Cyprus on her return from the Holy Land, built Stavrovouni Monastery and endowed it with part of the Holy Cross, the rivets and nails with which Christ was nailed to the cross and a fragment from the cross of the honourable thief. A piece of the Holy Rope, with which they bound the hands of Jesus as they led Him to the Cross, was also left there. ● Stavrovouni Monastery ● Tochni ● Lefkara ● Pelendri ● Kouka ●Omodos ● Anogyra p Stavrovouni Monastery. ● Tsada �p Agios Nikolaos Stegis church. p Agios Ioannis Lampadistis Museum. p Panagia tou Araka Monastery. Monuments of UNESCO Solea region Monuments of UNESCO Marathasa region Monuments of UNESCO Pitsilia region ● Nikitari: Church of Panagia tis Asinou (Virgin of Asinou) ● Galata: Church of Panagia tis Podithou (Virgin of Podithou) ● Kakopetria:Church of Agios Nikolaos tis Stegis (Saint Nicholas of the Roof) ● Kalopanagiotis: Monastery of Agios Ioannis Lampadistis (St. John Lampadistis) ● Moutoulas: Church of the Virgin Mary ● Pedoulas: Churchof Archangelos Michael (Archangel Michael) ● Lagoudera: Monastery of Panagias tou Araka (the Virgin of Araka) ● Platanistasa: Holy Cross of Agiasmati ● Pelendri: Church of the Holy Cross ● Palaichori: Church of the Transfiguration of the Saviour Monachisme and ascetism ● Orounda: Monastery of Saint Nicholas ● Kalopanagiotis: Monastery of Saint John Lampadistis ● Monastery of the Virgin Mary of Kykkos ● Prodromos: Virgin Trikoukia ● Prodromos: Monastery of the Virgin Trooditissa) t Kykkos Monastery. Lefkosia (Nicosia) Peristerona Monastery of Panagia tou Kykkou Lefkosia (Nicosia) Paralimni Pera Chorio Kalopanagiotis Kelia Sotira Panagia Agia Napa Larnaka Tala Empa Pafos Geroskipou Lemesos (Limassol) Byzantine art in Cyprus West Byzantine art in Cyprus: East ● Peristerona: Church of Saints Barnabas and Hilarion ● Kalopanagiotis: Monastery of Saint John Lampadistis ● Monastery of the Virgin Mary of Kykkos ● Panagia ● Tala ● Empa ● Kato Pafos ● Geroskipou ● Lefkosia ● Pera Chorio: Church of the Blessed Apostles ● Kellia: Church of Saint Anthony ● Larnaka: Church of Saint Lazarus ● Sotira ● Paralimni ● AgiaNapa Produced by: Cyprus Tourist Organisation 12/2013 Design: WINGS, Text: Loucas A. Panagiotou, Printing: RPM Lithographica Ltd, Photography: Elias Eliades, WINGS, CTO archive. 17 �UNITED KINGDOM 13 St. James’s Square (Cyprus Embassy Building) SW1Y 4LB London Tel.: +44 207 321 4183 E-mail: informationcto@btconnect.com CYPRUS 19 Lemesos Avenue, P.O.Box: 24535, 1390 Lefkosia Tel: +357 22 69 11 00 Fax: +357 22 33 16 44 Email: cytour@visitcyprus.com www.visitcyprus.com 430.01.13 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus Spiritual and Cultural Journeys Subject The topic of the resource Cyprus--Culture--Guidebooks Κύπρος--Πολιτισμός--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource Cyprus, that “ethereal and blessed land” that stands apart, serene and sacred with an irresistible fascination,is a paradise full of natural beauty, history, memories and culture. A most surprising feature is its density of monuments of religious devotion. It is an island of distinctive aura and charm, where the whole spectrum of Christianity’s historical and cultural development can be seen, from inception to the present day. beauty, where according to Greek myth the goddess Aphrodite was born - was chosen as the first place to receive the great. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Cyprus_Spiritual_and_Cultural_Journeys_1_2013_EN_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Culture--Guidebooks Cyprus--Tourism--Guidebooks Κύπρος--Πολιτισμός--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί https://apsida.cut.ac.cy/files/original/54d2703f37331a45ba78fdefbb0d5351.pdf 39750dd48f5a8be155c1f50f671bf85d PDF Text Text Cyprus Nature Trails ��CONTENTS Discover Cyprus on Foot Discover the scents and colours of Cyprus 6 Degree of difficulty of trails� 9 Get to know Cyprus by walking safely 10 Nature trails reference map 14 Nature Trails Adonis 17 Aphrodite 18 Smigies 19 Κato Amiantos - Loumata ton Aeton 21 Xyliatos Dam 23 Κionia - Profitis Elias 25 Κonoi - Ayioi Anargyri 29 Κyparissia - Ydatofraktis (Dam) Germasogeias 31 Panayia tou Araka - Stavros tou Agiasmati 33 Αyia Eirini - Limeria 37 Doxa soi o Theos - Pyrofylakio (Firelook Out Station) Madaris 39 Τeisia tis Madaris 41 Artemis 43 Αtalanti 45 Κannoures - Ayios Nikolaos tis Stegis 47 Κaledonia 49 Persephone 50 Psilo Dentro (Tall Tree) - Bouziaris 51 Prodromos - Zoumi 55 Fragma (Dam) Prodromou - Stavroulia 57 Usefull Information General Information 58 CTO offices 59 For the purposes of this publication, every effort has been made to include correct and valid information at the time of printing. The photos in the pamphlet are not necessarily related to the text accompanying them. Production: Cyprus Tourism Organisation Texts: Forestry Department - Ministry of Agriculture and Natural Resources Design: Consortium of karamella - Macann Erricson / Pencil Communications Printing: Konos Printing Press Ltd Photos: Forestry’s Department archive, CTO’s archive, Μelios Agathaggelou, Nathaniel Andrew, Agis Agesilaou, Alfonso Lorenzetto, Arthur Wieffering, Camila Morandi, Filippo Silvestris, Giuseppe Simone Bertolucci, Marcus Bassler, Franco Cappellari, Stefano Gerardi. ���DISCOVER THE SCENTS AND COLOURS OF CYPRUS According to tradition, in order to really get to know a place, you need to walk it. Cyprus, at the crossroads of three continents, encapsulates 10,000 years of tradition and culture and boasts a diverse landscape that you may find surprising on such a small island. The aim of this publication is to encourage visitors to explore the island’s natural beauty, especially its fauna, flora and mining heritage, by walking its nature trails, which have been created to highlight the beautiful landscapes of Cyprus, a much loved tourist destination. There is a vast choice of walking trails in Cyprus, but only a few have been included in this publication. A short description of all the nature trails can be found on the Forestry Department and the CTO websites. This publication includes: • A selection of 20 nature trails in different parts of the island so that the visitor can chose the route of his preference. • A code of conduct and tips for a pleasant and comfortable walk. • Maps of the routes mentioned in the brochure. • A list of websites, numbers for useful information. 6 A series of unique and complex geological processes have made Cyprus a model for scientists and a key to understanding the evolution of planet Earth and its oceans. The wooded summit of Troodos is the deepest layer of a piece of oceanic crust and the upper mantle of the earth, i.e. an ophiolite formed 90 million years ago, 8000 metres below the surface of the sea. Cyprus’ diverse landscape, with its strong Mediterranean character, is an impressive sight for visitors, especially due to the island’s small size. Many of its forest areas have been classified as National Forest Parks and protected areas for flora and fauna. The national forests cover more than 70 percent of the NATURA 2000 network of the island. Cyprus’ forests are mostly natural woodlands of great biodiversity and major ecological significance. • The main forest tree, from the coastal area until an altitude of up to 1200-1400 metres, is the Calabrian (Pinus brutia) while the Black pine (Pinus nigra ssp pallasiana) dominates in the higher reaches of Troodos. �DISCOVER CYPRUS ON FOOT • In large rivers and the areas surrounding them, the dominant trees are the oriental plane (Platanus orientalis) and the alder (Alnus orientalis). • On a smaller scale there are other tree species such as the Cyprus cedar (Cedrus brevifolia) and the Mediterranean Cypress (Cupressus sempervirens). • In middle and high elevations, a common species of bush is the golden oak (Quercus alnifolia), found on its own, in unmixed forests, or together with the pine tree. • In the lowlands you will find maquis shrubland, with dominant species the Phoenicean juniper or Arâr, (Juniperus phoenicea), the (wild) olive tree (Olea europaea), the carob tree (Ceratonia siliqua) and the mastic tree (Pistacia lentiscus) as well as the Calabrian. Cypus’ flora comprises around 1908 different kinds of plants, subspecies, varieties, types or hybrids. Of these, 139 are endemic to Cyprus, i.e. plants native only to Cyprus and found nowhere else in the world. Walking along Cyprus’ many nature trails you will encounter some of the many endemic plants that are in danger of extinction, such as: • ‘‘The skilla’, a species of plant of the Hyacinthaceae family (Scilla morrisii), • Loch’s Glory-of-the-snow (of Τroodos), (Chionodoxa lochiate) • Lefkara’s ankle (Astragalus macrocarpus ssp. Lefkarensis) • Kotschy’s orchid (Οphrys kotschy), • the Cyprus tulip (Tulipa cypria) as well as other varieties, most of which have been included in the Berne Convention’s list of protected plants. Cyprus has a wonderful variety of habitats suitable for many species of animal. This is due to the variety of landscapes on the island, each with their own particular microclimate and topographical features, and the variety of terrains and geological substrates, as well as the diversity of forest and agricultural vegetation. 7 �Some of the routes have been designed to give the visitor the chance to discover Cyprus’ cultural heritage through various monuments such as: Worthy of note among the mammals found on the island are: • The mouflon (Ovis gmelini ophion) a wild sheep species, found only in Cyprus. It is also the largest wild mammal that exists on the island. • The fox (Vulpes vulpes), which is Cyprus’ only carnivorous mammal. • The hedgehog (Hemiechinus auritus dorotheae) an endemic subspecies, a shy and reclusive animal. • Bats are a remarkable feature of Cypriot fauna and one of the most peculiar and noteworthy types of mammals. There are 19 different species. Cyprus’ geographical position makes it one of the most important migratory natural habitats and international bird life organisations consider it among the most important areas in the world for its biodiversity of birds. It is also a unique location in Europe for endemic birds. The butterflies of Cyprus, which belong to the order leptidoptera, are also considered of particular interest. There are 52 species, 9 of which are endemic to Cyprus. 8 • The Byzantine Churches of the Troodos region, which are listed as UNESCO World Heritage Sites. • The Venetian bridges that could inspire a study of the historical relations between Venice and Cyprus, during the period that the Renaissance spirit was spreading through the island. • The mosques that highlight the multicultural nature of Cyprus. DISCOVER THE BEAUTY OF CYPRUS ON FOOT �DEGREE OF DIFFICULTY OF TRAILS� All nature trails are divided in 3 categories of difficulty, as follows: Category 1: Easy trail, with gentle gradient. Suitable for all ages and fitness levels. Category 2: Average degree of difficulty, suitable for adults in fair to good fitness levels. Sudden changes in gradient (uphill and/or downhill), and/or course along narrow or rough terrain. Category 3: High degree of difficulty. Route with difficult terrain such as sudden changes in gradient (uphill and/or downhill), course along particularly rough and/or slippery, and/or narrow, and/or steep terrain. Suitable for adults in very good to excellent fitness levels. Unsuitable for young children. 9 �GET TO KNOW CYPRUS BY WALKING SAFELY For your walk to be both pleasant and safe you must prepare yourself appropriately: • Before choosing your route you need to assess your abilities and make sure that you are healthy and in good physical shape. It is preferable to walk with others and not alone so that you have help in case of an accident. • Choose a walking pace that suits all the members of your group. At the beginning of your route it is advisable to walk slowly until you and your friends can determine what pace you prefer. • Do not stray from the sign-posted route. By following the sign posted route you are less likely to get lost or to find yourself in a situation that you cannot handle. • The appropriate equipment and suitable clothing are necessary for a comfortable and enjoyable walk. In areas with a high altitude the weather can change suddenly and it is important to be well prepared. • • • 10 Choose the appropriate clothing and shoes. Make sure you have plenty of drinking water with you. If you will be walking after sunset, make sure you are equipped with a torch. • In case of an accident, remain calm. Make sure you pack a First Aid kit with you before your begin your walk. Ask for help from other walkers. Look for the closest forest or police station. • The mountains and nature are for all to enjoy: • It is illegal to light a fire at any time of the year. • Do not smoke while walking. • Do not litter. • • • • • Do not pick flowers or plants. Preserving the flora is our responsibility. There are many flowers and plants that are near extinction. Do not bother any animals or insects you may encounter throughout your hike. Respect the ecosystem; you are an integral part of it. Make sure you have plastic bags with you to dispose of and remove your litter. Walkers who wish to bring their pets must have them on a leash so that they do not bother or frighten other walkers. You must also have plastic bags with you in order to pick up after your pets. �DISCOVER CYPRUS ON FOOT • If you require overnight accommodation, make sure you do the appropriate research and book in advance. • The Cyprus Tourism Organisation’s website has a lot of useful information. Camping is only allowed in official camping sites. Consult the Forestry Department’s website to find official camping sites where you may spend the night. 11 ���ΕΠΑΡΧΙΑ ΠΑΦΟΥ - ΔΑΣΟΣ ΑΚΑΜΑ Το δάσος Ακάμα είναι περιοχή Natura 2000 NATURE TRAILS REFERENCE MAP Kyrenia . ! Lapithos Kormakitis Area Under Turkish Morfou Lefkosia . ! Kokkinotrimithia . ! Astromeritis Polis . ! Oikos Neo Chorio Kato Deftera Agia Marina Evrychou Kampos Kakopetria Kapedes Pedoulas Prodromos Spilia Kyperounta Troodos square Amiantos Lazanias Alona Kornos Platanistasa Pano Platres Stroumpi Vavatsinia Saittas Trimiklini Prastio Pafos . ! Foinikaria Parekklishia Armenochori Zygi . ! Lemesos Pissouri Akrotiri SCALE 0 10 20 (C) STATE COPYRIGHT 14 40 km �DISCOVER CYPRUS ON FOOT Rizokarpaso Akanthou Μπογάζι occupation since 1974 Ammochostos . ! Lysi Paralimni Athienou Protaras Agia Napa Koshi . ! Larnaka Reference Highway Main Road ! . Towns / Villages Afroditi, Adonis and Smigies nature trails Amiantos - Loumata ton Aeton nature trail Profitis Elias - Kionia nature trail Xyliatos dam nature trail Kyparissia - Germasogia waterdam nature trail Konnos - Agioi Anargiroi nature trail Agia Irini - Limeria nature trail Panagia tou Araka - Stavros tou Agiasmati nature trail Doxa soi o Theos - Madari firelook out station and Tisia tis Madaris nature trails Prodromos dam - Stavroulia and Prodromos - Zoumi nature trails Kalidonia, Persefoni and Psilo Dentro - Pouziaris nature trails Kannoures - Agios Nikolaos nature trail Artemis and Atalanti nature trails 15 �PAFOS DISTRICT - AKAMAS FOREST ΑDONIS, ΑPHRODITE, SMIGIES The Akamas Forest is a Natura 2000 site. ro Af i dit Afroditi, Adonis and Smigies Nature Trail dit Pyrgos tis Rigenas i Reference Baths of Afroditi ! ^ Afro diti A don is \F !! Afro dit Bathss of Afroditi d ni is A ! ^ i-A don o 5 ! P \ ! ^ ! F ! Picnic site Church Point of interest Archeological stite Starting point Nature Trail \F !! Loose surface road Hard surface road Main road River A d o n is Built up area S m Maqui vegetation ig i es Forest SCALE 1:30.000 SCALE: 1:25.000 0 0 Loose surface road Hard surface road i g i es Main road Church River Point of interest Archeological stite Neo Chorio Maqui vegetation Starting point Forest F ! 5 ! 16 YRIGHT Latsi Built up area P Agios Minas Church ul a Picnic site i ns m Neo Chorio P en S 1000m m 1.400 as Akam Nature Trail Reference 500 700 Agios Minas Church (C) STATE COPYRIGHT (C) STATE COPYRIGHT 250 350 P F ! 5 ! Neo Chorio Androlikou Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared CYPRUS 2013 by the Department of Forest of the Ministry of Agriculture Natural Resources and Environment CYPRUS 2013 �PAFOS DISTRICT - AKAMAS FOREST ΑDONIS (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: 400m before the Baths of Aphrodite LENGTH: 7,5km ESTIMATED DURATION: 3 - 4 hours DIFFICULTY RATE: 3 POINTS OF INTEREST: This trail offers beautiful views of Polis Chrysochous, the Pafos Forest and the Akamas peninsula. The path runs past Pyrgos tis Rigainas (Queen’s Tower) and connects with the Smigies trail at Kefalovrysia, where there’s a fountain of non-potable water, and with the Aphrodite trail at Pyrgo tis Rigainas. Another point worth mentioning is a 500-year-old oak tree, which is located near the ruins of the tower. To return full circle, the trail follows the main road that connects the Baths of Aphrodite with Polis for about 400 metres. At the starting point of the trail you can visit the Botanical Gardens of Akamas. It is part of the E4 European walking route. ENDEMIC PLANTS: Shrub rush (Bosea cypria), Shrubby knapweed (Ptilostemon chamaepeuce var, cyprius), ‘Valoti’ Integrifolia (Ballota integrifolia), Marjoram (Origanum majorana var. tenuifolium), Dwarf shrub (Onosma fruticosum), Cyprus sage (Phlomis cypria var. occidentalis). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic). The forest of Akamas serves as a resting point for many migratory birds. REPTILES: 440322 / 3879456 440322 / 3879456 35m 319m 35m Cyprus viper, Cyprus lizard, Black whip Snake 17 �ΕΠΑΡΧΙΑ ΠΑΦΟΥ - ΔΑΣΟΣ ΑΚΑΜΑ Το δάσος Ακάμα είναι περιοχή Natura 2000 APHRODITE (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: LENGTH: 7,5km ESTIMATED DURATION: 3 - 4 hours DIFFICULTY RATE: 3 POINTS OF INTEREST: Of special interest on this trail are the Baths of Aphrodite, where, according to legend, the goddess used to take her baths, as well as the ruins of Pyrgos tis Rigainas (Queen’s Tower), which are believed to belong to a medieval monastery. Another point worth mentioning is a 500-year-old oak tree, which is located near the ruins of the tower. Along the trail you can find excellent views of Cape Arnaoutis, Polis Chrysochous and the PAFOS Forest. There are two non potable water fountains along the trail, one near the ruins of Pyrgos tis Rigainas and another between the Baths of Aphrodite and Kakoskali. The trail connects with the Adonis trail. The E4 European walking route crosses through the starting point of the trail, which is also the location of the Botanical Gardens of Akamas. ENDEMIC PLANTS: Dwarf shrub (Onosma fruticosum), Cyprus sage (Phlomis cypria var. occidentalis) FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic). The forest serves as a resting point for many migratory birds. REPTILES: 18 The Baths of Aphrodite Cyprus viper, Cyprus lizard, Black whip Snake 440322 / 3879456 440322 / 3879456 35m 333m 35m �PAFOS DISTRICT - AKAMAS FOREST SMIGIES (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: Smigies picnic site, 2,5km from Neo Chorio, within the Akamas region. LENGTH: (a) Short route 2,5km (b) Long route 5km ESTIMATED DURATION: (a) Short route - 1 hour (b) Long route - 2 hours DIFFICULTY RATE: 2 POINTS OF INTEREST: Initially the trail offers beautiful views of the coastline of the Akamas peninsula to the west, including Lara Bay, and later on to the east with view of Chrysochous bay in the direction of Latsi, Polis, Pachyammos and the PAFOS forest. The long route runs past the old mines, magnesium facilities, and abandoned kilns, and through a dense section of the Akamas forest. The trail also connects with the Adonis trail at Kefalovrisia, where you will find a non-potable water fountain. At the starting point, the two routes are adjacent to the walking trail of “Pissouromoutti”. Both routes pass by the Piana fire lookout station of the Forestry Department. The trail is part of the E4 European walking route. ENDEMIC PLANTS: Thyme (Thymus integer), Cyprus germander (Teucrium micropodiodes), Dwarf shrub (Onosma fruticosum), ‘Valoti’ - Integrifolia (Ballota integrifolia), Marjoram (Origanum majorana var. tenuifolium). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic). The Forest of Akamas serves as a resting point for many migratory birds. REPTILES: 439163 / 3875910 439163 / 3875910 273m 388m 273m Cyprus viper, Cyprus lizard, Black whip snake 19 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICT The Troodos National Forest Park is a Natura 2000 site. 5 ! 5 ! Platania Karvounas 5 ! Amiantos - Loumata ton Aeton Nature Trail 5 ! Platania Reference Karvounas 5 ! Botanical Garden 5 5 ! ! Almirolivado 5 ! cal en 5 ! P \ ! ^ ! F ! \ ! P Agios Mamas Church 5 ! Picnic site Starting point Church Point of interest Archeological site Nature Trail Amiantos Asbestos Mine Loose surface road Amiantos Hard F ! \ ! surface road Main road P P Loumata ton Aeton s Mamas hurch F ! Agios Andreas River Church Built up area Maqui vegetation iantos Asbestos Mine Amiantos Forest F ! Agios Andreas Church (C) STATE COPYRIGHT P F ! SCALE: 1:25.000 SCALE: 1:25.000 250 500 1000m 250 500 1.000 m 0 0 Loumata ton Aeton (C) STATE COPYRIGHT Nature Trail Reference Loose surface road Picnic site Main road Church Point of interest Maqui vegetation Starting point Forest 20 Amiantos Built up area Archeological stite Troodos Square River 5 ! RIGHT Kyperounta Hard surface road Pelendri Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared by the Department of Forest of the Ministry of Agriculture Natural Resources and Environment CYPRUS 2013 CYPRUS 2013 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICT KATO AMIANTOS - LOUMATA TON AETON (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: The main road between Kato Amiantos village and SEK Trade Union camping site. LENGTH: 2,5km ESTIMATED DURATION: 1 hour DIFFICULTY RATE: 2 POINTS OF INTEREST: The trail runs through a beautiful hillside and along the riverbank with lush vegetation, ending at Amiantos Park. It also goes past the restored hide-out of the EOKA fighters and the stream Loumata ton Aetons. From linear the trail becomes circular by following the roads through the village towards the summer camping site of S.E.K trade union confederation. The trail is located within the Troodos National Forest Park. ENDEMIC PLANTS: Golden oak (Querqus alnifolia), Troodos gorse (Genista fasselata subsp. crudelis), Tears of the Virgin Mary (Arabis purpurea), Aphrodite’s spurge (Euphorbia veneris). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 493784 / 3863663 493740 / 3864188 1106m 1106m 1012m Cyprus viper, Cyprus lizard, Black whip snake, Montpellier snake 21 �ADELFOI FOREST - LEFKOSIA DISTRICT Xyliatos Xyliatos Dam Nature Trail Xyliatos Reference 5 ! P \ ! ^ ! F ! 5 ! F ! Picnic site Church Point of interest Archeological site Starting point Nature trail Xyliatos Dam Loose surface road Hard surface road Main road 5 ! River F ! Built up area Maqui vegetetion Xyliatos Dam Forest Water dam SCALE:SCALE: 1:25.000 1:25.000 250 500 1000m 250 500 1.000 m 0 0 Stavros tou Αyiasmati (C) STATE COPYRIGHT (C) STATE COPYRIGHT Reference Xyliatos Nature Trail Loose surface road Hard surface road Picnic site Main road Church River Point of interest Built up area Archeological stite Maqui vegetation Starting point Forest Dam 22 TE COPYRIGHT P Lagoudera Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 Prepared by the Department of Forest of the Ministry of Agricultur Natural Resources and Environment CYPRUS 2013 �ADELFOI FOREST - LEFKOSIA DISTRICT XYLIATOS DAM (CIRCULAR) STARTING POINT: COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK 503323 / 3874077 503323 / 3874077 543m 601m 543m (a) The overflow of the dam (b) The dam’s picnic site LENGTH: 3,8km ESTIMATED DURATION: 1 -1,5 hours DIFFICULTY RATE: 2 POINTS OF INTEREST: Forest Landscape. The trail begins at the overflow of the dam and runs alongside the highest water level point of the dam. It then crosses the artificial bridge over the dam. The uphill trail takes you to the Xyliatos-Lagoudera road, which if you follow through the dam’s embankment will lead you to the starting point. The trail connects with another 200m trail, which starts from the picnic site Fraktis tou Xyliatou (Dam of Xyliatou), follows a small section of the XyliatosLagoudera road, joining with the circular path at dam’s embankment. The dam itself is also a point of interest. A section of the path passes through a pine forest where you will encounter varieties of the golden oak tree, strawberry tree, myrtle, oriental alder and labdanum. ENDEMIC PLANTS: Shrubby knapweed (Ptilostemon chamaepeuce subsp. cyprius), Tears of the Virgin Mary (Arabis purpurea), ‘Manouthkia’* (Pterocephalus multiflorus subsp. multiflorus), Cyprus skullcap (Scutellaria cypria subsp. elatior), Thyme (Thymus integer), Wild garlic (Allium willeanum). (* Manouthkia evergreen small shrub with pale pink flowers). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) FISH: Trout, carp, bass AMPHIBIANS: Frogs 23 �MACHAIRAS FOREST The Machairas National Forest Park is a Natura 2000 site. Agios Onoufrios Church P 5 ! Mantra tou Kampiou Profitis Ilias - Kionia Nature Trail 5 ! Agios Onoufrios Grigoris Afxentiou Hideout Church P Reference ! ^ P 5 ! Panagia Machera Monastery Mantra tou Kampiou 5 ! P Profitis Ilias Church \5F !!! ^ ! P F ! 5 ! xentiou ut Church Point of interest Archeological site Starting point Nature trail Kionia F5 !! achera ery Picnic site Profitis Ilias Church Loose surface road 5 ! Hard surface road F !P Main road River Built up area Maqui vegetetion Forest F5 !! Water dam SCALE: 1:45.000 SCALE: 1:45.000 Vavatsinia (C) STATE COPYRIGHT Nature Trail Kapedes Lazanias Hard surface road Main road Church River Point of interest Built up area Archeological stite Vavatsinia Maqui vegetation Starting point 24 2000m 2.000 m Loose surface road Picnic site YRIGHT 500 1000 500 1.000 Gourri (C) STATE COPYRIGHT Reference 0 0 Forest Vavatsinia Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared by the Department of Forest of the Ministry of Agricultu Natural CYPRUS 2013 Environment Resources and CYPRUS 2013 �MACHAIRAS FOREST KIONIA - PROFITIS ELIAS (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: Kionia picnic site. There are two access points to the trail, one from the Machairas monastery road that leads to Kionia, and one from the Vavatsinia to Machairas road. The trail ends at the monastery of Profitis Elias, approximately 8km from Lythrodontas and 6km from Mandra tou Kambiou, via dirt roads. LENGTH: 7km ESTIMATED DURATION: 2,5 hours DIFFICULTY RATE: 3 Steep downhill path especially towards the end. POINTS OF INTEREST: The trail starts at the Kionia picnic site, where you can find a fountain with drinking water. The trail runs through a forest section and offers a great view of the Mesaoria plain. It belongs to the Machairas National Forest Park, which is a Natura 2000 site and is part of the E4 European walking route. On the trail there is a perennial strawberry tree, while the picnic site boasts perennial pine and sandarac trees. The trail ends at the Profitis Elias picnic site. ENDEMIC PLANTS: Shrubby knapweed (Ptilostemon chamaepeuce var. cyprius), Golden oak (Quercus alnifolia), Tears of the Virgin Mary (Arabis purpurea), ‘Manouthkia’ (Pterocephalus multiflorus subsp. multiflorus). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, Partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 518049 / 3864213 522495 / 3865694 1251m 1251m 677m Cyprus viper, Black whip Snake, Cyprus lizard 25 ���AMMOCHOSTOS DISTRICT - CAPE GRECO Protaras ! ^ Konnos - Agioi Anargiroi Nature Trail Spilia tou Kyklopa F ! Protaras Reference Konnos 5 ! P \ ! ! ^ F ! Picnic site Church Point of interest Agioi Anargiroi Church 5 ! P F ! ! ^ Spilia tou Kyklopa F ! \ ! \ ! Archeological stite Starting point Nature Trail Kamara tou Koraka Loose surface road Konnos Hard surface road Sea Caves Main road River Agioi Anargiroi Church 5 ! Built up area P F ! Maqui vegetation Kavo Gkreko Forest \ ! Kamara tou Koraka SCALE: 1:25.000 SCALE: 1:25.000 00 (C) STATE COPYRIGHT 300 300 600 600 1200m m 1.200 Protaras (C) STATE COPYRIGHT Nature Trail Reference Loose surface road Hard surface road Picnic site Archeological stite Built up area Kavo Gkreko Maqui vegetation Starting point PYRIGHT River Point of interest 28 Main road Church Forest Agia Napa Kavo Gkreko Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 �AMMOCHOSTOS DISTRICT - CAPE GRECO KONNOI - AYIOI ANARGYRI (CIRCULAR) STARTING POINT: COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK 597627 / 3871654 598201 / 3870837 3m 28m 10m (a) Konnos Beach, between Protaras and Cape Greco. (b) Ayioi Anargyri church, accessible from the ProtarasCape Greco main road close to the Cape. LENGTH: 4,8km ESTIMATED DURATION: 2 hours DIFFICULTY RATE: 1 POINTS OF INTEREST: There are excellent views throughout the trail. Particularly impressive is the view of the stunning Konnos Bay. For the first two km of the trail, beginning at Konnos Bay, the path continues parallel to the beach and arrives at the Ayioi Anargyri church, which is bult above a sea cave where it is said that the Saint Anargyri lived an ascetic life. Following the trail to the south, through low shrub vegetation, it leads to the natural Kamara (arch) tou Koraka bridge, an impressive geological formation. After the bridge, the trail ascends slightly, passing through the ruins of the temple of Aphrodite, running parallel to the coastline through high shrub vegetation, and towards its end through a small, pine forest. ENDEMIC PLANTS: Golden oak (Bosea cypria), Wild garlic (Allium willeanum), Three colour chamomile (Anthemis tricolor), Dwarf shrub (Onosma fruticosum), Cyprus germander (Teucrium micropodioides), ‘Valandia’ (Valantia eburnean). FAUNA: The mains species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Kestler, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic). The National Cape Greco Forest Park serves as a resting point for many migratory birds. REPTILES: Cyprus viper, Cyprus lizard, Cyprus chameleon, Black whip snake 29 �LEMESOS FOREST Prastio (Kellaki) Prastio (Kellaki) Kyparissia - Germasogia waterdam Nature Trail Reference F ! F ! 5 ! P \ ! ^ ! F ! Picnic site Church Point of interest Archeological site Starting point Nature trail Loose surface road Hard surface road Main road River Built up area Maqui vegetation Forest Waterdam F ! SCALE: SCALE: 1:35.0001:35.000 0 0 (C) STATE COPYRIGHT 350 350 Foinikaria 700 700 1400m 1.400 m Prastio (Kellaki) (C) STATE COPYRIGHT Nature Trail Reference Loose surface road Hard surface road Picnic site Main road Church River Point of interest Built up area Archeological stite Maqui vegetation Starting point Forest Dam 30 Foinikaria IGHT Akrounta Foinikaria Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 Prepared by the Department of Forest of the Ministry of Agriculture Natural Resources and Environment CYPRUS 2013 �LEMESOS FOREST KYPARISSIA - YDATOFRAKTIS (DAM) GERMASOGEIAS (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: Around 5km from the main Parekklisia - Kellaki road through dirt and forest roads. It ends at the dam of Yermasogeia. LENGTH: Two routes • The first is circular and is 3,7km. • The second terminates at the Yermasogeia dam and is 11km in length. ESTIMATED DURATION: First trail: 1.5 hours Second trail: 3 - 3.5 hours DIFFICULTY RATE: First trail: 2. There is a steep downhill at the start Second trail: 3. There is a steep downhill at the start POINTS OF INTEREST: The trail initially passes through areas of forest and then continues for a short distance along the Kyparissia river and then offers a panoramic view of the Yermasoyeia dam and Lemesos. The trail runs through a forest, with clusters of Cypress trees. Cupressus sempervirens var. horizontalis). It connects to the circular trail of Yermasoyeia dam. The Kyparissia Forest is a Natura 2000 site. ENDEMIC PLANTS: ‘Valoti’ - Integrifolia (Ballota integrifolia), Cyprus Alysson (Alyssum chondrogynum), Thyme (Thymus integer), Shrubby knapweed (Ptilostemon chamaepeuce subsp. cyprius), Cyprus Yellow Sun Rose (Helianthemum obtusifolium). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 512494 / 3850318 509539 / 3846411 562m 692m 140m Cyprus viper, Cyprus lizard, Black whip snake 31 �ADELFOI FOREST - LEMESOS DISTRICT A section of the path is located within a Natura 2000 site (Madari - Papoutsa area) Panagia tou Araka - Stavros tou Agiasmati Nature Trail Stavros tou Agiasmati Referencechurch F !P Saranti 5 ! P \ ! ^ ! F ! Stavros tou Agiasmati church F !P Panagia tou Araka Church F ! P Picnic site Church Point of Interest Archeological site Starting point Nature trail Loose surface road Hard surface road Lagoudera Main Road River a tou Araka Church Built up area Platanistasa Maqui vegetation Chandria Livadia Forest Alithinou Lagoudera Waterdam SCALE: 1:35.000 SCALE: 1:35.000 350 700 1400m 350 700 1.400 m 0 0 Polystypos (C) STATE COPYRIGHT Alona Nature Trail Platanistasa (C) STATE COPYRIGHT Loose surface road Reference Livadia (Lefkosias) Picnic site Alithinou River Point of interest Polystypos Built up area Archeological stite Maqui vegetation Starting point Forest Dam YRIGHT Lagoudera Main road Church 32 Saranti Hard surface road Alona Chandria Alithinou Platanistasa Polystypos Alona Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 Prepared by the Department of Forest of the Ministry of Agriculture Natural Resources and Environment CYPRUS 2013 �ADELFOI FOREST - LEMESOS DISTRICT PANAYIA TOU ARAKA - STAVROS TOU AYIASMATI (LINEAR) STARTING POINT: COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK 500622 / 3870714 504190 / 3870714 1035m 1164m 854m (a) Panayia tou Araka, Lagoudera (b) Stavros tou Ayiasmati (8km from Platanistasa) LENGTH: 7km ESTIMATED DURATION: 3 hours DIFFICULTY RATE: 3 POINTS OF INTEREST: The churches of Panayia tou Araka (1192 AD) and Stavros tou Ayiasmati (1494 AD) which boast outstanding frescoes and are UNESCO World Heritage Sites are of particular interest. The trail passes through a pine forest, vineyards, almond trees and old stone structures. To the east of the trail you will see Kionia, to the north the Morphou plain and Pentadactylos mountain range, to the west, Troodos and to the south, Madari. The trail connects with the Lagoudera or Agros - Madari trial. At the entrance of the Panayias tou Araka church you will find a 700 year old oak tree. The trail is part of the European E4 path. ENDEMIC PLANTS: Thyme (Thymus integer), Shrubby knapweed (Ptilosteon chamaepeuce var. cyprius), ‘Manouthkia’ (Pterocephalus multiflorus subsp. multiflorus), Cyprus skullcap (Scutellaria cypria subsp. cypria). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: Cyprus viper, Cyprus lizard, Cyprus chameleon, Black whip snake 33 ���ADELFOI FOREST - LEFKOSIA DISTRICT The trail is found within a Natura 2000 site (Madari - Papoutsa Area) Agia Irini - Limeria Nature Trail Reference 5 ! P Limeria ΕΟΚΑ \ ! ^ ! F ! ! ^ Picnic site Church Point of interest Archeological site Starting point Nature trail Loose surface road Kannavia Hard surface road Limeria ΕΟΚΑ ! ^ Agia Irini F ! P Main road River Built up area Holy Monastery of Panagias Chrysokourdaliotissas P Maqui vegetation Kannavia Forest Waterdam SCALE: 1:25.000 SCALE: 1:25.000 250 500 1000m 250 500 1.000 m F ! P Agia Irini Spilia 0 0 P (C) STATE COPYRIGHT (C) STATE COPYRIGHT oly Monastery of Panagias Chrysokourdaliotissas P Reference Nature Trail Loose surface road Hard surface road Picnic site Church River Point of interest Agia Irini Main road Built up area Spilia Archeological stite Starting point P 36 TE COPYRIGHT Kannavia F ! Spilia Maqui vegetation Forest Dam Saranti Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 Prepared by the Department of Forest of the Ministry of Agriculture Natural Resources and Environment CYPRUS 2013 �ADELFOI FOREST - LEFKOSIA DISTRICT AYIA EIRINI - LIMERIA (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: Ayia Eirini village. The starting point is accessible by car by dirt road from “Selladi tis Straorouthkias”, 2km from Spilia village. LENGTH: 5km ESTIMATED DURATION: 2,5 hours DIFFICULTY RATE: 3 Steep uphill route POINTS OF INTEREST: The trail passes through a pine forest, offering a beautiful view of the Bay of Morphou, ending in Limeria. At Selladi tis Straorouthkias trail joins with the Kourdali-Limeria trail, and they share a common trail for two km. You can visit various hideouts that were used by EOKA guerrillas during the anti-colonial struggle of 1955-59. The Kapoura picnic site is found 6km from the Ayia Eirini road towards Vyzakia, next to the Kapoura Forest Station. ENDEMIC PLANTS: Golden oak (Quercus alnifolia), Thyme (Thymus integer), ‘Manouthkia’ (Pterocephalus multiflorus subsp. multiflorus), Cyprus skullcap (Scutellaria cypria subsp. cypria). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 497153 / 3870892 495505 / 3872007 906m 1217m 1204m Cyprus viper, Cyprus lizard, Black whip snake 37 �ADELFOI FOREST - LEFKOSIA DISTRICT The trail is located within a Natura 2000 site (Madari - Papoutsa area) Agia Irini Kannavia P P ni P Doxa si o Theos Madari fire look-out station and Tisia tis Madaris Nature Trails Kannavia Spilia Reference Saranti P 5 ! P \ ! ^ ! F ! F ! Saranti F ! Doxa si o Theos Picnic site Panagia tou Araka Church Church Lagoudera Point of interest Archeological site Starting point Nature trail P Madari P Loose surface road F ! Hard surface road Main road Chandria Doxa si o Theos River Built up area F ! Maqui vegetation Forest Madari F ! Kyperounta Waterdam SCALE: SCALE: 1:30.0001:30.000 300 600 1200m 300 600 1.200 m 00 Chandria Agridia (C) STATE COPYRIGHT (C) STATE COPYRIGHT Nature Trail Built up area Archeological stite Maqui vegetation Starting point 38 River Forest Lagoudera Main road Church Point of interest OPYRIGHT Spilia Hard surface road Picnic site Agia Irini Saranti Loose surface road Reference Kyperounta Kannavia Agridia Chandria Kyperounta Agridia Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources 2013Environment CYPRUS and CYPRUS 2013 �DOXA SOI O THEOS - PYROFYLAKIO (FIRELOOK OUT STATION) MADARIS (LINEAR) STARTING POINT: ADELFOI FOREST - LEFKOSIA COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK 496636 / 3868189 499555 / 3868180 1338m 1609m 1582m (a) At Doxa soi o Theos, 2km from Kyperounta and 5km from Spilia, on the Kyperounta - Spilia road. (b) At the Madaris fire lookout tower. You can access the trail by car on the Chandria - Polystypos road, heading towards the Adelfoi mountain which is at a distance of 3km. The road is paved, except for the last 800 metres before the starting point of the trail, where it becomes a narrow, uneven dirt road. LENGTH: 3,8km ESTIMATED DURATION: 2 hours DIFFICULTY RATE: 3 POINTS OF INTEREST: There is a panoramic view in all directions when you reach an altitude of around 1400-1600m along the Madaris ridge. The path ends close to the top of Adelfoi mountain (1613m). The visitor has the opportunity to climb up the Madaris fire lookout tower which overlooks the area. This trail connects with other nature trails in the area such as: the Madaris - Selladi tou Karamanlo path and the Doxa soi o Theos - Moutti tis Choras path. At starting point (a) there is a fountain with drinking water. The European trail E4 crosses with starting point (a). ENDEMIC PLANTS: Shrubby knapweed (Ptilostemon chamaepeuce var. cyprius), Golden oak (Quercus alnifolia), Tears of the Virgin Mary (Arabis purpurea), ‘Manouthkia’ (Pterocephalus multiflorus subsp. multiflorus), Cyprus skullcap (Scutellaria cypria subsp. cypria), Thyme (Thymus integer). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: Cuprus viper, Cyprus lizard, Black whip snake 39 �40 �ADELFOI FOREST - LEFKOSIA TEISIA TIS MADARIS (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: Close to the Madaris fire lookout tower, near the ending point of the Doxa soi o Theos - Madari trail. You can access the road by car on the Chandria - Polystypos road, heading towards the tip of Adelfoi mountain which is at a distance of 3km. The road is paved, except for the last 800 metres before the starting point of the trail, where it becomes a narrow, uneven dirt road. LENGTH: 3km ESTIMATED DURATION: 1,5 hours DIFFICULTY RATE: 2 POINTS OF INTEREST: There are tall, impressive cliffs along the trail, as well as areas of geological interest. You will also encounter a beautiful view of the Mesaoria Plain and Morphou Bay. This trail connects with the Madari - Doxa soi o Theos trail and the Madari - Selladi tou Karamanli trail. The path is at an altitude of 1600m. At the highest point of Adelfoi mountain (1613m) you will find the fire lookout tower Madaris. ENDEMIC PLANTS: Wild rose (Rosa chionistrae), Troodos cat-mint (Nepeta troodi), Star-of-Bethlehem (Ornithogalum chionophilum), Chamomile (Anthemis plutonia), Manouthkia (Pterocephalus multiflorus subsp. multiflorus), Golden oak (Quercus alnifolia), Cedar (Cedrus brevifolia), Cyprus crocus (Crocus cyprius), Thyme (Thymus integer). FAUNA: The main species of fauna found in this area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 499924 / 3867654 499924 / 3867654 1582m 1582m 1582m Cyprus viper, Cyprus lizard, Black whip snake 41 �TROODOS FOREST - LEMESOS LEFKOSIA DISTRICTS The Troodos National Forest Park is a Natura 2000 site. Artemis and Atalanti Nature Trails Prodromos Dam 5 ! Reference 5 ! P \ ! ^ ! F ! Chionistra P Holy Monastery of Panagias tis Trikoukkias Artemis Picnic site Church Kampos tou Point of Livadiou Pasia Livadi interest 5 ! 5 ! Archeological site 5 ! Starting point Nature trail Chionistra Loose surface road ! 5 5 ! Troodos Visitor Centre F ! F ! 5 ! 5 ! Hard surface road Almirolivado Main Road 5 ! Troodos River square \ ! Built up area Artemis Maqui vegetation Atalanti Forest 5 ! Xerokolimpos Waterdam Troodos Visitor Centre F ! 42 PYRIGHT 1.000 m 1000m \ ! (C) STATE COPYRIGHT (C) STATE COPYRIGHT Reference Atalanti SCALE: 1:25.000 SCALE: 1:25.000 250 500 500 250 00 Prodromos Troodos Nature Trail \ ! square Loose surface road Hard surface road Picnic site Main road Church River Point of interest Built up area Archeological stite Maqui vegetation Starting point Forest Dam Troodos square Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared CYPRUS 2013 by the Department of Forest of the Ministry of Agriculture Natural Resources and Environment CYPRUS 2013 �TROODOS FOREST - LEMESOS NICOISA DISTRICTS ARTEMIS (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: 300m from where the road starts, towards Chionistra meets the Troodos - Prodromos road. LENGTH: 7km ESTIMATED DURATION: 2,5 - 3 hours DIFFICULTY RATE: 1 POINTS OF INTEREST: The trail passes through the black pine forest; you will also encounter rare species of flora and rock formations of the area. You can find two ancient black pine trees (Pinus nigra subsp. Pallasiana) that are around 500 years old; they are accompanied by signs with information. Of historic interest are “The teishia tis palaias choras”, ruins of makeshift fortifications built in the last years of the Venetian occupation of Cyprus (1571 AD) by a group Venetian generals attempting to defend themselves against the Ottomans. The route circles around the top of Mount Olympus (Chionistra) at an altitude of 1850m, offering an excellent view in all directions. The trail is located within the Troodos National Forest Park and you will find the Environmental Information Centre for the Troodos National Forest Park at a distance of 2,2km from the trail. ENDEMIC PLANTS: Cyprus Skullcap (Scutellaria cypria subsp. cypria), Cyprus jurinea (Jurinea cypria), Spurge (Euphorbia cassia subsp. rigoi), Cyprus germander (Teucrium cyprium subsp. cyprium), chamomile (Salvia willeana), Pondikangathos (common subshrub) (Astragalus echinus subsp. chionistrae). FAUNA: The main species of fauna found in this area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 488309 / 3865639 488307 / 3865645 1835m 1850m 1835m Cyprus viper, Cyprus snake (endemic) 43 �ΕΠΑΡΧΙΑ ΠΑΦΟΥ - ΔΑΣΟΣ ΑΚΑΜΑ Το δάσος Ακάμα είναι περιοχή Natura 2000 44 �TROODOS FOREST - LEMESOS NICOISA DISTRICTS ATALANTI (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: Troodos Square LENGTH: 14km ESTIMATED DURATION: 4 - 5 hours DIFFICULTY RATE: 2 POINTS OF INTEREST: The trail goes around Chionistra mountain at an altitude of 1700-1750 metres, passing through dense areas of black pine trees (Pinus nigra subsp. Pallasiana) and Prickly Juniper Troodos (Juniperus foeditissima). One of the largest trees, Prickly Juniper is found on the trail; it is 800 years old. There are wonderful views of all areas of the island. The entrance tunnel of the chrome mine, which has been out of service since 1982 is particularly interesting. The first finishing point of the trail is 9km along the Troodos - Prodromos road. To continue on the trail you must cross the main road and walk on the forest road of Katoikies Chromiou towards Ayios Nikolaos tis Stegis church for around 200m, where a wooden sign points your direction; the trail is approximately parallel to the main road and ends at Troodos Square where you will find the Environmental Information Centre of Troodos National Forest Park. A fountain with drinking water is located 3km from the starting point heading towards Troodos Square. ENDEMIC PLANTS: Golden oak (Quercus alnifolia), Manouthkia (Pterocephalus multiflorus subsp. multiflorus), Silver mint (Mentha longifolia subsp. cypria), Prickly Juniper, Cyprus Alysson (Alyssum troodi). FAUNA: The main species of fauna found in this area are: MAMMALS: Mouflon, fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 489120 / 3864648 489127 / 3864652 1725m 1830m 1748m Cyprus viper, Cyprus snake (endemic) 45 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICTS The Troodos National Forest Park is a Natura 2000 site. P F ! Holy Monastery of Agios Nikolaos tis Stegis Kannoures - Agios Nikolaos Nature Trail Kakopetria Reference 5 ! 5 ! P \ ! ^ ! F ! P F ! Holy Monastery of Agios Nikolaos tis Stegis Picnic site Church Point of interest Archeological site Starting point Nature trail Loose surface road Hard surface road Main road River Built up area Maqui vegetation Kampos tou Livadhiou 5 ! Forest Pashia livadi Waterdam 5 ! 5 ! SCALE: 1:35.000 SCALE: 1:35.000 00 400 375 800 750 1.600 1500m m F ! Almyrolivado (C) STATE COPYRIGHT (C) STATE COPYRIGHT Nature Trail Kampos tou Livadhiou Reference 5 ! Picnic site Church Point of interest F ! 5 ! Loose surface road Pashia livadi Hard surface road \ ! Main road 5 ! River YRIGHT Kakopetria 5 ! \ ! P 5 ! Prodromos Maqui vegetation Starting point 5 !5 Forest ! Troodos square Almyrolivado Built up area Archeological stite 46 5 5 ! ! 5 ! Almyrolivado Dam 5 ! Troodos square Amiantos Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared by the Department of Forest of the Ministry of Agriculture, CYPRUS 2013 Natural Resources and Environment CYPRUS 2013 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICTS KANNOURES - AYIOS NIKOLAOS TIS STEGIS (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: The main road of Karvounas - Troodos Square, 1km before Troodos, 9,5km from Karvounas. The trail can either end at the Ayios Nikolaos tis Stegis Church or continue until Kakopetria village. LENGTH: 9km (12km until Kakopetria) ESTIMATED DURATION: 3 hours (4 hours until Kakopetria) DIFFICULTY RATE: 3 Quite a difficult downhill route. POINTS OF INTEREST: Forest scenery. The trail begins at the source of the Karkotis river and crosses through the river’s beautiful valley, passing near the closed chrome mine and ending in Kakopetria. On the way, you can visit the Ayios Nikolaos tis Stegis church (12th century) that boasts exquisite frescoes; it is also a UNESCO World Heritage site. From the church, if you follow the Pedoulas - Kakopetria road for about 3km you will end up in Kakopetria. The trail is located within the Troodos National Forest Park. ENDEMIC PLANTS: Shrubby knapweed (Ptilostemon chamaepeuce var. cyprius), Golden oak (Quercus alnifolia), Tears of the Virgin Mary (Arabis purpurea), ‘Manouthkia’ (Pterocephalus multiflorus subsp. multiflorus), Thyme (Thymus integer). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 489684 / 3865479 489542 / 3870586 1654m 1654m 872m Cyprus viper, Cyprus lizard, Black whip snake, Montpellier snake 47 �TROODOS FOREST- LEMESOS AND LEFKOSIA DISTRICTS The Troodos National Forest Park is a Natura 2000 site. 5 ! 5 ! 5 ! 5 ! 5 ! 5 ! \ ! Troodos square F ! F ! Kaledonia, Persefoni and Psilo Dentro - Pouziaris Nature Trails Reference 5 5 ! ! Almyrolivado 5 ! 5 ! \ ! Troodos square Pe rse fon i ris P ouzia F ! Visitor Centre onia F ! F ! ntr Psilo De Kali d F ! o- 5 ! P \ ! ^ ! F ! Archeological site Starting point ris Main road ouzia River Mesa Potamos Built up area - P o Point of interest Hard surface road t ro Psilo Den Kali d \ ! Church Loose surface road Pe Waterfall rse fon i F ! Picnic site Nature trail \ ! Psilo Dentro \ ! P Almyrolivado 5 ! Troodos Visitor Centre Botanical Garden 5 5 ! ! 5 ! 5 ! Maqui vegetation Forest Pano Platres Waterfall Waterdam SCALE: 1:30.000 1:30.000 SCALE: 375 750 1500m m 00 350 700 1.400 o Dentro Mesa Potamos (C) STATE COPYRIGHT (C) STATE COPYRIGHT Reference Pano PlatresPicnic site Nature Trail Loose surface road Main road River Point of interest Maqui vegetation Starting point Forest Amiantos Fini Pano Platres Built up area Archeological stite Dam 48 Troodos square Hard surface road Church COPYRIGHT Prodrommos 5 ! Moniatis Prepared by the Department of Forest of the Ministry of the Department of Resources and Environment Prepared by Agriculture, Natural Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 CYPRUS 2013 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRIICTS KALEDONIA (LINEAR) STARTING POINT: COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK 488177 / 3863588 487989 / 3861494 1571m 1571m 1238m (a) 350m from the main road of Troodos Square - Platres, 3km from the square. You can also access the starting point from the old Troodos - Platres road, after the Presidential Summer Residence. (b) At the Psilo Dentro (Tall Tree) above Pano (Upper) Platres LENGTH: 3km ESTIMATED DURATION: 1,5 hours DIFFICULTY RATE: 3 POINTS OF INTEREST: From the starting point in Troodos Square, the trail passes through a dense forest and then runs alongside the Cold River (Krios Potamos), which has running water all year round. It then passes by the Caledonian Waterfall and finishes at the Psilo Dentro in Pano Platres. The trail is located within the Troodos National Forest Park. The E4 length of the route begins at starting point (a) and runs until the Caledonian Waterfall. In Troodos Square you will find the Environmental Information Centre for the Troodos National Forest Park. ENDEMIC PLANTS: Chamomile (Salvia willeana), Tears of the Virgin Mary (Arabis purpurea), Thorny gorse (Genista fasselata subsp. crudelis), Silver mint (Mentha longifolia subsp. cypria), Spurge (Euphorbia veneris), Golden oak (Quercus alnifolia). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: Cyprus viper, Cyprus snake (endemic) 49 �ΕΠΑΡΧΙΑ ΠΑΦΟΥ - ΔΑΣΟΣ ΑΚΑΜΑ Το δάσος Ακάμα είναι περιοχή Natura 2000 PERSEPHONE (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: LENGTH: 3km ESTIMATED DURATION: 1 hour DIFFICULTY RATE: 1 POINTS OF INTEREST: Lush vegetation. For the first 2km of the route the walker will pass through dense black pine forest. The ending point at Makria Kontarka offers a stunning view. The trail is located within the Troodos National Forest Park and it is part of the European E4 path. The Kampos tou Livadiou picnic area is located 2km from Troodos Square in the direction of Karvounas, and at a distance of 2.5km you will find the Armurolivado and Livadi tou Pasia picnic sites. The path is linear and the walker can be picked up by car at the point where the path intersects with the existing forest road or can return on foot by following the same path, or by following the Psilo Dentro (Tall Tree) - Pouziaris path, that intersects with the Persephone Path. The Environmental Information Centre for the Troodos National Forest Park can be found in Troodos Square. ENDEMIC PLANTS: Golden oak (Quercus alnifolia), Cyprus Skullcap (Scutellaria cypria subsp. cypria), Troodos cat mint (Nepeta troodi), Cyprus germander (Teucrium cyprium), Manouthkia (Pterocephalus multiflorus subsp. multiflorus), Troodos sage (Salvia willeana). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, Partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 50 150m south of Troodos Square, in the direction of the police station. Cyprus viper, Cyprus snake (endemic) 489149 / 3864227 491183 / 3862858 1733m 1733m 1654m �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRIICTS PSILO DENTRO (TALL TREE) - BOUZIARIS (CIRCULAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: The crossing point of the forest road Platres - Mesa Potamos with the tourist road Moniatis - Platres - Troodos, close to the Psilo Dentro (Tall Tree). LENGTH: 9km ESTIMATED DURATION: 3 - 4 hours DIFFICULTY RATE: 3 This path is very challenging due to the uphill and downhill areas of the route. POINTS OF INTEREST: For the first km the path passes through dense clusters of pine trees, whilst on the 3rd km, at the points with a higher altitude, it passes through an impressive and dense black line forest (Pinus nigra subsp. Pallasiana.) At points along the trail you will experience a panoramic view. It is located within the National Forest Park of Troodos. ENDEMIC PLANTS: Golden oak (Quercus alnifolia), Tears of the Virgin Mary (Arabis purpurea), Manouthkia (Pterocephalus multiflorus subsp. multiflorus), Cyprus Skullcap (Scutellaria cypria subsp. cypria), Chamomile (Salvia willeana). FAUNA: The main species of fauna found in the area are MAMMALS: Fox hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 488045 / 3861513 489206 / 3864248 1178m 1178m 1178m Cyprus viper, Cyprus snake (endemic), Cyprus lizard 51 ���TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICTS The Troodos National Forest Park is a Natura 2000 site. Moutoulas Prodromos Dam - Stavroulia and Prodromos - Zoumi Nature Trails Stavroulia F ! 5 ! Pedoulas Marathos Stavroulia F ! F ! 5 ! ro Da m Pedoulas Hard surface road Main road River Built up area Archeological stite Maqui vegetation Starting point Forest Holy Monastery of Panagias tis Trikoukkias 54 Kakopetria Loose surface road Point of interest OPYRIGHT Forest Nature Trail Church P Maqui vegetation Holy Monastery of Panagias tis Trikoukkias Picnic site s River Waterdam dr F ! 5 ! Reference Starting point SCALE: 1:30.000 SCALE: 1:30.000 375 750 1500m 0 0 375 750 1.500 m ro (C) STATE COPYRIGHT Prodromos Dam P Archeological site Main Road Dam sP Frakti (C) STATE COPYRIGHT Point of interest Hard surface road F ! Prodromos om oumi Z odrom os - v ta Church Built up area ou -S Prodromos a uli Picnic site Loose surface road os mi Zoumi F ! o Prodr om - Z ou vr ia ul -S 5 ! Prodrom os 5 ! P \ ! ^ ! Zoumi F ! Nature trail F ! ta Marathos Reference Dam Prodromos Agios Demetrios Troodos square Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment Prepared by the Department of Forest of the Ministry of Agriculture, Natural Resources and Environment CYPRUS 2013 CYPRUS 2013 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICTS PRODROMOS - ZOUMI (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: The children’s play area in Prodromos LENGTH: 3km ESTIMATED DURATION: 1 - 1,5 hours DIFFICULTY RATE: 2 POINTS OF INTEREST: The trail passes through rows of Black Pine trees (Pinus nigra subsp. Pallasiana). At various points along the trail there are panoramic views of the Marathasa valley, Morphou Bay, Kykkos Monastery, Tripylos and Vouni Panayias. At Zoumi the path joins with the Frakti Prodromos-Stavroulia nature trail. The path can also be circular if the walker chooses the Prodromos - Troodos road, with an extra distance of 2.7 km. The trail is located within the Troodos National Forest Park. ENDEMIC PLANTS: Manouthkia (Pterocephalus multiflorus subsp. multiflorus), Chamomile (Salvia willeana), Cyprus germander (Teucrium cyprium). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (endemic), Cyprus wheatear (endemic) REPTILES: 484816 / 3867753 486289 / 3868974 1499m 1475m 1314m Cyprus viper, Montpellier snake 55 �56 �TROODOS FOREST - LEMESOS AND LEFKOSIA DISTRICTS FRAGMA (DAM) PRODROMOU - STAVROULIA (LINEAR) COORDINATES OF THE STARTING POINT COORDINATES OF THE END POINT ALTIDUTE OF THE STARTING POINT ALTIDUTE OF HIGHEST PEAK ALTIDUTE OF END PEAK STARTING POINT: On Troodos Square - Prodromos main road, a little bit above the Prodromos dam, at an 8km distance from Troodos Square and a 3km distance from Prodromos. There are two options for the finishing point, both on the Prodromos - Ayios Nikolaos road. LENGTH: First route 4,5km. Second route 5,5km. ESTIMATED DURATION: 1,5 - 2 hours DIFFICULTY RATE: 3 Very sudden downhill. POINTS OF INTEREST: The trail offers a wonderful view of the Morphou Bay and the Troodos mountain range, and a panoramic view of the abandoned chrome mining tunnels. The trail passes through an incredibly dense black pine forest. The trail is located within the Troodos National Forest Park. On the west side of the dam there is a picnic site and the Marathos picnic site is found on the Ayios Nikolaos Prodromos road. ENDEMIC PLANTS: Troodos cat mint (Nepeta troodi), Cyprus germander (Teucrium cyprium), Cyprus Alysson (Alyssum troodi). FAUNA: The main species of fauna found in the area are: MAMMALS: Fox, hare, hedgehog BIRDS: Bonelli’s eagle, Eurasian jay, Wood pigeon, partridge, Cyprus warbler (Εndemic), Cyprus wheatear (Εndemic) REPTILES: 486053 / 3867270 387434 / 3869887 1592m 1592m 1262m Cyprus viper, Cyprus snake (endemic) 57 �GENERAL INFORMATION • In case of a forest fire only, call 1407 immediately (24 hours, no charge) • In case of injury call 112 (general emergency number) • Contact the Police 1460 • Forestry Department head offices Tel: 22805510, 22805542 E-mail: director@fd.moa.gov.cy • LEFKOSIA, Larnaca and AMMOCHOSTOS Forest District Tel: 22403704 E-mail: LEFKOSIAdiv@fd.moa.gov.cy • PAFOS Forest District Tel: 26991840 E-mail: PAFOSdiv@fd.moa.gov.cy • Troodos Forest District Tel: 22608512 E-mail: troodosdiv@fd.moa.gov.cy • Platania Forest Station Tel: 22924219, 22922454 • Troodos Environmental Information Centre Tel: 25420145 • Website in Greek http://www.moa.gov.cy/moa/fd/ fd.nsf/DMLcenters_gr/DMLcenters_ gr?OpenDocument#1 • Website in English http://www.moa.gov.cy/moa/fd/ fd.nsf/DMLcenters_en/DMLcenters_ en?OpenDocument#1 E-mail: troodosvc@fd.moa.gov.cy • Amiandos Environmental Information Centre Troodos Botanical Garden “AG Leventis” Tel: 25550092 E-mail:troodosbg@fd.moa.gov.cy • Camping Sites Website in English: http://www.moa.gov.cy/moa/fd/fd.nsf/DMLcamp_ en/DMLcamp_en?OpenDocument • Picnic Sites: Website in English: http://www.moa.gov.cy/moa/fd/fd.nsf/DMLpicnic_ en/DMLpicnic_en?OpenDocument • Kyperounda Hospital Tel: 25532021 • Platres Hospital Tel: 25422224 • Cyprus Agrotourism Company Tel: 22340071 www.agrotourism.com.cy E-mail:helpdesk@agrotourism.com.cy 58 • Visitor Centre of Athalassa National Forest Park Tel: 22403704, 22805527 Website in English: http://www.moa.gov.cy/moa/fd/ fd.nsf/DMLcenters_en/DMLcenters_ en?OpenDocument#2 E-mail:athalassacentre@fd.moa.gov.cy • Environmental Information Centre of Larnaca Mountainous Area Tel: 24322020 http://www.perivallontiko.anetel.com E-mail:perivallontiko@anetel.com • The Episkopi Environmental Information Centre Tel: 26642234 Email: epeicentre@cytanet.com.cy • Cyprus Centre of Environmental Research and Education of Lemesos Bishopric Tel: 25954954, 25864344, 99302425 Website in English: http://www.kykpee.org/istoselides/istoselides_ agglika/kikpee_to_kentro_en.html Email: kykpee@cytanet.com.cy • Akrotiri Environmental Education and Information Centre Tel: 25826562 Website in English: http://www.akrotirienvironment.com/ Email: akrotiricentre@cytanet.com.cy Public Transportation • Transportation Organization of LEFKOSIA District Tel: 77777755 www.osel.com.cy • Lemesos Public Transportation Company Tel:77778121 www.limassolbuses.com • Zinonas Buses, Larnaca Tel: 80007744 www.zinonasbuses.com • PAFOS Transport Organization Tel: 80005588 www.pafosbuses.com �USEFUL INFORMATION CTO Offices in Cyprus Leoforos Lemesou 19, Lefkosia P.O. Box 24535, CY 1390 Lefkosia Cyprus Τel: 22 69 11 00, Fax: 22 33 16 44 E-mail: cytour@visitcyprus.com Web-site: www.visitcyprus.com Information Offices Lefkosia (Nicosia) Aristokyprou 11, Laiki Geitonia (East of Plateia Eleftherias) CY 1011 Lefkosia Τel: 22 67 42 64, Fax: 22 66 07 78 Lemesos (Limassol) • Agiou Andreou 142, CY 3036 Lemesos Τel: 25 36 27 56, Fax: 25 74 65 96 • Georgiou A’ 22, CY 4047 Lemesos Potamos tis Germasogeias (Eastern entrance of Dasoudi beach) Τel: 25 32 32 11, Fax: 25 31 34 51 • Lemesos Harbour P.O. Box 55605, CY 3781 Lemesos (Service to all passenger boats) Τel: 25 57 18 68, Fax: 25 56 03 43 Larnaka • Plateia Vasileos Pavlou, CY 6023 Larnaka Τel: 24 65 43 22, Fax: 24 65 34 92 • Larnaka International Airport CY 7130 Larnaka Τel: 24 00 83 68, Fax: 24 00 83 69 Pafos • Agoras 8, CY 8010 Pafos Τel: 26 93 28 41, Fax: 26 95 33 41 • Poseidonos 63A, CY 8042 Kato Pafos Τel: 26 93 05 21, Fax: 26 93 05 19 • Pafos International Airport, CY 8320 Pafos (Service to all flights) Τel: 26 00 73 68, Fax. 26 00 73 69 Polis • Vasileos Stasioikou A’ 2 CY 8820 Polis Chrysochous Τel: 26 32 24 68, Fax: 26 32 13 27 Agia Napa • Leoforos Kryou Nerou 12, CY 5330 Agia Napa Τel: 23 72 17 96, Fax: 23 72 45 07 Paralimni - Protaras • Protara 14, CY 5296 Paralimni Τel: 23 83 28 65, Fax: 23 83 28 64 Pano Platres • CY 4820 Platres Τel: 25 42 13 16, Fax: 25 81 30 80 59 �www.visitcyprus.com 152. 01.13 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus Nature Trails Subject The topic of the resource Cyprus--Nature--Guidebooks Κύπρος--Φύση--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource According to tradition, in order to really get to know a place, you need to walk it. Cyprus, at the crossroads of three continents, encapsulates 10,000 years of tradition and culture and boasts a diverse landscape that you may find surprising on such a small island. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Cyprus_Nature_Trails_1_2013_EN_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Nature--Guidebooks Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Κύπρος--Φύση--Οδηγοί https://apsida.cut.ac.cy/files/original/975f3c1427c7f019f53b2ed6e7872e5a.pdf 4abc5f384cd4fb55c6e4edffa8c3f705 PDF Text Text cover new 2012 2:cover new 11/14/12 12:53 PM Page 3 Cyprus... inspiring champions �cover new 2012 2:cover new 11/14/12 12:53 PM Page 4 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 1 “I found this training camp ideal. I must compliment the organisation and all involved for an excellent stay again. I highly recommend all professional teams to come to the island…” Gery Vink, Coach of Jong Ajax �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 2 Sports Tourism in Cyprus There are many reasons why athletes and sports lovers are drawn to the beautiful island of Cyprus… There’s the exceptional climate, the range of up-to-date sports facilities, the high-quality service industry, and the short travel times between city, sea and mountains. Cyprus offers a wide choice of sports facilities. From gyms to training grounds, from Olympic swimming pools to mountain biking routes, there’s everything the modern sportsman or woman could ask for. One of the world’s favourite holiday destinations, Cyprus also has an impressive choice of accommodation, from self-catering apartments to luxury hotels. When considering where to stay, it’s worth remembering that many hotels provide fully equipped fitness centres and health spas with qualified personnel - the ideal way to train and relax. A gateway between Europe and the Middle East, Cyprus enjoys easy flight connectivity with all major European countries and beyond. Many international sports bodies have already recognized Cyprus as the ideal training destination. And it’s easy to see why National Olympic Committees from a number of countries have chosen Cyprus as their pre-Olympic Games training destination. Medical care in Cyprus is of the highest standard, combining advanced equipment and facilities with the expertise of highly skilled practitioners. The safe and friendly atmosphere also encourages athletes to bring families for an enjoyable break in the sun. Great restaurants, friendly cafes and great beaches make Cyprus the perfect place to unwind and relax. �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 3 Cyprus: inspiring champions �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 Football Top-flight football teams from Europe and beyond choose to train in Cyprus every year. These teams have included FC Lokomotiv, CSKA Moscow, FC Dinamo Moscow, AIK (Sweden), Vitesse, Udinese, Young Ajax, Rapid (Vienna), the women's national squads of England, France, Russia, Scotland, Canada, the Netherlands, and more. Cyprus boasts many national stadiums (all located within a relatively short distance of each other), grass football fields, athletics facilities, and training resources of the highest standard. Facilities incorporated within include first-aid and physiotherapy rooms, anti-doping control facilities, changing rooms, restrooms, showers, canteens, VIP rooms, conference spaces, telecommunications services, media rooms and more. The infrastructure in place can easily meet the demands of the most rigorous professional training programme… and with so many football teams training here regularly, it’s never a problem to organise a friendly match. 12:38 PM Page 4 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 5 “Our stay here in Cyprus was perfect. The Vitesse training camp was a huge success and was enjoyed by all who participated. All in all, our expectations for the training and overall camp experience were exceeded.’’ Mirjam Clifford – Performance Manager of Vitesse Football Club of the Netherlands Cyprus is particularly well suited to pre-season training from November through April, a period offering plenty of sunshine, minimal rain, and temperatures ranging from 10 to 25 degrees celsius. Other leading football teams who have trained in Cyprus include such famous names as AC Sparta Praha (Czech Republic), FC Steaua Bucuresti (Romania), Ipswich Town FC (England), Malmo FF (Sweden), and Crystal Palace FC (England). “We believe Cyprus offers excellent training facilities and a comfortable environment for British clubs… The advantage in Cyprus for clubs is they have the quality of competitive opposition which you do not necessarily get elsewhere in Europe.” Gary Hooper – Former Luton defender and current sports travel professional �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 6 Cycling The ideal Cyprus climate makes it possible to explore the island’s breathtaking countryside all year round, making for an unforgettable cycling experience. For professional or recreational mountain bikers looking to head off the beaten track, Cyprus offers an abundance of hidden trails along the coast or up in the mountains, all offering something new to discover. Whether exploring the winding dirt tracks of the Troodos mountains, the beautiful wild nature trails, or the rocky coastline of the Akamas, Cyprus is a haven for mountain bikers. The local terrain varies within very short distances, making cycling in Cyprus both a great workout and a journey of discovery. Thanks to the excellent secondary roads winding through spectacular local countryside, Cyprus is also great for road cycling. This is the sixth time in a row, that I come to Cyprus to ride the races of the Sunshine Cup. It’s a perfect preparation for the season, I like it very much. I can test my fitness and I can test my new bike. Jaroslav Kulhavy - Men's Cross Country Gold Medallist, London 2012 Olympics �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 The Cyprus Cycling Federation, a member of the International Cycling Union, organises a number of local road races, international MTB races and a host of other competitions, attracting world class cyclists from all over the world. International champions and top names from the world of cycling have all competed and trained in Cyprus, including Sweden’s Alexandra Engen, Belgium’s Kevin Van Hoovels, Bart Bretjens and Henk Jaap Moorlag of the Netherlands, Austria’s Elizabeth Osl and Karl Markt, Italy’s Massimo de Bertolis, Germany’s Karl Platt, Olympic Gold medalists Sabine Spitz of Germany and Jaroslav Kulhavy of the Czech Republic, as well as Switzerland’s Thomas Frischknecht, Thomas Litcher and Fabian Giger. Teams that have chosen Cyprus as a training destination include the Belgian National Team, the British Olympic Association, the Netherlands Olympic Committee, the Irish National Olympic Cycling Team, the Milram Team, and the Ghost Factory Racing Team. A number of local bicycle centres offer bike rental services, route information, guide assistance and support for organised groups. 12:38 PM Page 7 “In Cyprus we are given the opportunity to train on the most beautiful mountain and roadbike roads. Whether we plan an easy ride along the coast or an ambitious tour with lots of altitude-gain up the mountains, the island provides all kinds of opportunities for our team and fulfils the needs for a professional training camp.” Lisi Osl – Member of Ghost Factory Racing Team and 2009 Mountain Bike World Cup winner �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 “... we’ve had really good support from the Cyprus Tourism Organisation ... in putting together our camp which is a critical part of our preparation for the World Championships. [Our Cyprus training] venue itself has world class sporting facilities combined with a first-class hotel. Everything is compact and within easy walking distance and makes it a perfect location for the British team to train.” Michael Scott - British Swimming National Performance Director Aquatics Swimmers can enjoy the best of both worlds in Cyprus as the island boasts excellent open waters, plus a number of swimming pools, both indoor and outdoor. The many top-class swimming pool facilities in Cyprus include 25m and 50m open-air, heated pools of 8-10 lanes, 1m diving boards, 3m spring boards, 5m, 7.5m and 10m platforms. Supplementary equipment, underwater viewing and filming windows are also available. Various national swimming teams have trained in Cyprus, including the Swedish and British Olympic Swimming Teams, as well as the Dutch, Finnish and Austrian national squads. The facilities have also attracted famous names, such as Peter van den Hoogenband of Holland and Michael Klim of Australia. Among the acclaimed swimmers that have trained in Cyprus are Rebecca Adlington and Michael Jamieson of Team GB, and the British Paralympic Team – including, amongst others, Jonathan Fox, Susannah Rodgers, Eleanor Simmonds and Stephanie Millward. Sarah Louise Rung of Norway’s Paralympic Team trained in Cyprus, as did Marleen Veldhuis and Ranomi Kromowidjojo of the national team of the Netherlands. Members of the Dutch Paralympic Team who trained here include Michael Schoenmaker, Marlou Van der Kulk and Mirjam de Koning-Peper. 12:38 PM Page 8 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 9 “The sport facilities and hotels are, of course, outstanding… the beautiful weather and hospitality of the Cyprus people have made these training camps the best we can have. Every time (we visit Cyprus) we bring new people and other top foreign swimmers because we want to share this perfect training spot. We are very proud and lucky to be able to train in Cyprus.” Jacco Verhaeren, Technical Director of the Royal Dutch Swimming Federation �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 Athletics Well-equipped outdoor athletic facilities exist throughout Cyprus, ready to cater for your training whether you choose to exercise at dawn or dusk. Pay a visit to the island’s many training grounds and you’ll see for yourself that Cyprus is more than ready to welcome serious athletes. All major towns boast modern sports complexes with high quality facilities, telecommunication services, meeting rooms and more. A large number of international athletes have chosen Cyprus for their pre-season training in various track and field disciplines, including members of the British, Belgian and German athletics federations. Athletes who have trained in Cyprus include such internationally acclaimed, medal-winning individuals as Denise Lewis, Kelly Sotherton, Mark Lewis Francis, Tia Hellebaut, Dean Macey and ΄ Elodie Ouedraogo. ΄ 12:38 PM Page 10 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 11 “What strikes you at the finish is how smoothly the Challenge runs… kilometre markers and water stations pop up at metronomic regularity; the routes are clearly marked with enthusiastic marshals at every ambiguous point…” Steven Seaton (former editor of Runners World magazine) on the 4Day Challenge Marathon Running The climate, the wide diversity of terrain, the short distances between town, country and coast make Cyprus perfect for runners. Marathons and half-marathons regularly prove popular with local and international athletes, plus event organisers often offer athletes and spectators alike the chance to enjoy a spot of outdoor cultural entertainment after the race. Triathlon All year round warm weather conditions make Cyprus a paradise for triathlon enthusiasts looking for a comprehensive triathlon training destination. Swimming in one of the island’s outdoor 50m pools or in one of the beautiful calm bays; cycling along picturesque routes, ranging from long straights to steep hills; running in one of the state-of-art newly constructed track areas or on a trail by the sea… All triathlon sports can easily be practiced on the island at facilities and areas close to a variety of accommodation options. Triathlon, running and cycling races are organised all year round and provide ideal opportunities to test your skills in a relaxed atmosphere. �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 12 Other Sporting Activities Cyprus is a dream destination for sports and adventure lovers After all, along with those already mentioned, Cyprus offers a whole host of sports and activities guaranteed to make any visit to the island an exciting and invigorating experience. GOLF Many of today’s professional sportsmen and women will admit that they’re addicted to golf, and it’s a game rapidly growing in stature here in Cyprus. With 300 days of sunshine and several exceptional courses, golfers return to Cyprus time and time again. A number of international standard 18-hole courses are now in place and many international competitions have already been held. An impressive infrastructure has grown to support the Cyprus golfing boom and with lively clubhouses, equipment rentals, luxurious hotels, and properties to buy or rent just yards from the fairway, the island serves everything the modern golfer could need. �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 13 “Besides wonderful all-season conditions for windsurfing training, Cyprus also offers other attractions and no one can be bored there. My sport requires very specific weather conditions and I therefore visit many places in the world. For me, Cyprus is not only a place to prepare for competitions, but it’s also my sanctuary… a place where I can relax with friends. I sincerely urge you all to visit Cyprus.” Poland's Zofia Noceti-Klepacka - Women's RS-X Windsurfing Bronze Medallist at the London 2012 Olympic Games “There is no better place for high-level competitions. The only thing I can say is that Cyprus is the place to be…” Nicos Kaklamanakis (Greece) – Olympics Windsurfing Gold Medalist WATERSPORTS With the sparkling blue waters of the Mediterranean always close at hand, Cyprus is the perfect watersports destination, summer or winter. Crystal clear with minimal tides, the waters off Cyprus are ideal for professionals and fun-seekers alike. Small wonder then that sportsmen and women head here to prepare for international competitions in windsurfing, sailing, swimming, canoeing and more. SAILING & WINDSURFING Cyprus is regarded as a top sailing centre and extensive sailing and windsurfing facilities enable athletes to save time by storing their sailing equipment without disassembling it. Trained professionals representing the island’s sailing associations can provide every assistance. The relatively calm waters off Cyprus are ideal for sailors of all standards, and many vessels of all sizes can be seen sailing off-shore, from single-person boats to chartered yachts. DIVING For those looking to explore beneath the surface, everything from cave to wreck diving is available, with the sunken wreck of the Zenobia – lying on the seabed off Larnaka – rated as one of the world’s top dives. Many of the diving centres situated throughout the island are members of the Cyprus Federation of Underwater Activities. These centres provide quality diving equipment under the professional guidance of instructors. �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 14 BEACH VOLLEYBALL Given the quality of the island’s beaches, the reliable sunshine and the stunning backdrops, it’s no real surprise that Beach Volleyball has found a natural home in Cyprus. The island’s resorts have hosted a number of FIVB world and CEV events in recent years and have seen many of the sport’s most acclaimed performers demonstrate their skills in the sand. MOTORSPORT For decades, Cyprus has been a focal point for international motorsport. Every year, the island hosts the Cyprus Rally, a highlyacclaimed event that has appeared in no less than the FIA World Rally Championship, the FIA Middle East Rally Championship, and the Intercontinental Rally Challenge. The event has regularly seen the world’s top drivers go head-to-head on the island’s challenging special stages, bringing the passion and excitement of international motorsport to Cyprus. As well as the annual Cyprus Rally, the Pafos International Rally has become a firm favourite of rally fans, as have the many other rallying and sprint events that take place throughout the year. SHOOTING Shooting is a popular sport in Cyprus and the Cyprus Shooting Sport Federation is very active, organising local, national and international events, as well as providing facilities in every town, covering the trap, skeet, double trap and sporting disciplines. Arms and ammunition are safely stored, while shooting centres also offer a number of facilities including cafeterias. Along with the Olympic shooting range in Lefkosia, a new Olympic standard shooting range was recently completed in the Larnaka district. Both ranges boast excellent facilities for professionals and keen amateurs and have hosted many worldclass events. �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 15 “The wide variety of rock climbing opportunities that are available across Cyprus will appeal to climbers of all standards and preferences”. George Andreou - the first Cypriot to climb Mount Everest and Vice Chairman of the Cyprus Mountaineering & Sport Climbing Federation For such a compact island, Cyprus boasts a huge variety of natural terrain. This, coupled with its ideal climate, makes it the perfect place for adventure seekers looking to engage in sports that some would regard as a little more extreme. Parachuting, hang-gliding and all manner of adrenalinefuelled activities are already well-established here. Also growing in popularity are such thrilling pursuits as mountain boarding, kite surfing and sky-diving. HIKING, TREKKING & CLIMBING The natural beauty and variety of the Cyprus countryside makes it the perfect place to head out on foot. For many years, rock climbing was one of Cyprus’ best kept secrets, but this fun and physically challenging pastime is now proving a major hit and a growing number of bolted sport climbing routes can now be found across the island. Plus, in further good news for those with a head for heights, the mild climate means that you can climb year-round, unlike other parts of Europe where this already challenging sport is at the mercy of the weather. Climbing in Cyprus offers a unique variety of over 300 recorded routes, both traditional and sport. There are 4 main climbing areas with a mixture of limestone and sandstone rock type: Cape Greko: located in the far south east side of the island consisting of soft limestone, offering a great number of traditional climbing routes right next to the sea. Drousheia: with a wealth of sports, traditional and bouldering routes. Diarizos: a hard limestone area located between Lemesos and Pafos offering the best sports routes on the island with various levels of difficulty. Troodos: offering a great number of traditional and sport routes, some reaching up to 150 metres. MEDICAL SUPPORT & WELLNESS Medical and rehabilitation facilities are of the highest standard in Cyprus, combining advanced medical equipment with the expertise of highly-skilled practitioners. Sports stadiums and venues offer first-aid equipment while regional medical centres and hospitals can cater for almost any eventuality. Not only is Cyprus the ideal place to receive treatment for sports-related injuries, it’s also perfect for resting and recuperating afterwards. The island boasts an extensive range of health and wellness spas offering a broad range of traditional and alternative treatments and therapies which soothe, rejuvenate and inspire. Extensive facilities also exist for physiotherapy and rehabilitation. �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Page 16 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:38 PM Mountain biking in the Troodos… running beside the Mediterranean… swimming off the beach… Cyprus... the winners’ destination Page 17 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:39 PM Page 18 Useful Information Lefkosia The 1000 –year-old capital of Cyprus lies in the centre of the island. The combination of the old walled city, with its traditional houses, workshops and narrow streets full of cafes, and the cosmopolitan city, with its modern shops and highly developed infrastructure, gives Lefkosia (also known as Nicosia) a unique character. The headquarters of many of the island’s sports associations are located here. Lemesos The island’s major port Lemesos (Limassol) successfully combines its roles as a city with a long tradition and history, a tourist resort and a modern international business centre. Monuments of the past, traditional workshops and unique architectural features can be found here, while watersports and training facilities are numerous. Larnaka The city of Larnaka (Larnaca) has a charm of its own. A bustling working city and a popular coastal resort, it is also home to the island’s major international airport. As well as providing an array of sports facilities, from football pitches to swimming, Larnaka is a perfect base for further travel around the island. Pafos The charming town of Pafos (Paphos), with its picturesque harbour and many archaeological sites, is also a lively place with luxury hotels, golf courses and natural attractions. The second international airport of the island is located just a few kilometres from the town and sports facilities are numerous – especially for swimmers. Troodos Mountains A cool escape from the heat of the summer or a skiing destination in winter, the Troodos mountains offer tracks, paths and trails for cycling, hiking and running. Athletes often use Troodos for altitude training. Agia Napa / Protaras The best beaches of the island are here and this makes Agia Napa (Ayia Napa) and Protaras major holiday destinations, with plenty of hotels. Watersports of all kinds and training facilities are available. Villages Hiking, cycling and running in the beautiful countryside can be combined with accommodation in traditional houses at many of the villages around the island. Cyprus... inspiring champions Fast Facts: Languages: The official languages of Cyprus are Greek and Turkish, however English is very widely spoken. Road signs are clearly presented in Greek and English. Time: Local time is GMT + 2hrs, except during daylight saving time when it is GMT + 3hrs. Currency: Cyprus currency is the euro. Airports International airports are located at Larnaka and Pafos. For information, telephone +357 24 816400 (Larnaka International Airport), +357 26 007002 (Pafos International Airport), or, when in Cyprus, call the national information line at 77778833. Alternatively, visit www.cyprusairports.com.cy Tourist information offices can be found at both Larnaka and Pafos airports. Larnaka: Tel: +357 24 008368 Pafos: Tel: +357 26 007368 �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:39 PM Page 19 Sports Events/Training ESTABLISHED SPORTS VISITORS TO CYPRUS A selection of teams that have already chosen Cyprus as their training destination: National sports associations and teams: Belgian National Cycling Team Israel National Swimming Team Berlin Swimming Association Saint Petropolis Cycling Association UK National Swimming Team Norwegian National Swimming team Norwegian National Paralympics Team Dutch National Disabled Team Vitesse Arnhem Football Team Slask Wroclaw Football Team Legia Warsaw Football Team Kazakhstan National Cycling Team F.C Locomotiv Moscow Yong Ajax, Netherlands MAJOR SPORTS EVENTS HELD IN CYPRUS: ● IRC Cyprus Rally (2010, 2011, 2012) ● Cyprus Women’s Cup (12 national women’s football teams – host nations, England, Scotland, the Netherlands, annually). ● Cyprus International 4 Day Challenge - Adventure races (annually) ● Cyprus Marathon, Half-Marathon & 10km (annually) ● Cyprus Sunshine Cup, International Cycling Races (UCI Calendar) (annually) ● Limassol GSO International Marathon (annually) ● Tour of Cyprus Cycling Challenge (2010, 2012) ● Aphrodite Trophy (annually) ● Volkswagen Cyprus Cycling Tour (2012) ● European Championship Shotgun – Trap/Skeet/Double Trap (2012) ● Archery European Grand Prix (1st Leg) Cyprus (2012) ● Shooting 9th World Games Compact Sporting (2012) ● Polis to Akamas MTB Challenge (2011, 2012) ● White Rocks X-Triathlon (2011, 2012) ● Cyprus Aphrodite Half-Marathon (annually) ● CEV Challenger Beach Volley Tournament, 2009, 2010, 2011 ● FIVB Beach Volleyball SWATCH Youth World Championships (2012) ● RSX Youth Worlds, (2010) �CTO 2012 SPORTS NEW:ALTHELIC BROCHURE NEW OCTnew 11/14/12 12:39 PM Page 20 Contact Details All major sports are represented in Cyprus by federations and associations who can help individuals and groups locate equipment, premises or anything they need to train in Cyprus. There are also a number of specialist sports- handling companies operating who can provide useful advice and professional assistance. The Cyprus Tourism Organisation is always happy to help with any enquiry: Cyprus Tourism Organisation P.O. Box 24535 CY 1390 Lefkosia Tel:(+357) 22691100 Fax: (+357) 22331644 E-mail: cytour@visitcyprus.com www.visitcyprus.com SPORTS BODIES Cyprus Sports Organisation P.O. Box 24804 1304 Lefkosia Cyprus Tel.: (+357) 22897000 Fax: (+357) 22358222 E-mail: info@sportskoa.org.cy www.sportskoa.org.cy Produced by: Cyprus Tourism Organisation (CTO) Text and Design: Action Global Communications Edited and Supervised by: Monica Liatiri - CTO Photos: CTO archives, Arena Sports Printed by: Imprinta Ltd November 2012 4120112 Cyprus Olympic Committee P.O. Box 23931 1687 Lefkosia Cyprus Tel: (+357) 22449880/81 Fax: (+357) 2244989890 E-mail: cypnoc@cytanet.com.cy www.olympic.org.cy �cover new 2012 2:cover new 11/14/12 12:53 PM Page 5 CTO Offices abroad UNITED KINGDOM CYPRUS TOURISM ORGANISATION 17 Hanover Street London W1S 1YP Information: Tel. 0044 207 569 8800 Administration: Tel. 0044 207 569 8822 Fax: 0044 207 499 4935 E-mail: informationcto@btconnect.com SWEDEN CYPERNS TURISTRÅD Sveavägen 66 111 34 Stockholm Tel. 0046 8 10 50 25 Fax: 0046 8 10 64 14 E-mail: stockholm@visitcyprus.com www.upplevcypern.nu RUSSIAN FEDERATION CYPRUS TOURISM ORGANISATION GERMANY FREMDENVERKEHRSZENTRALE ZYPERN FRANKFURT Zeil 127 60313 Frankfurt Tel. 0049 69 25 19 19 Fax: 0049 69 25 02 88 E-mail: info@cto-fra.de GREECE CYPRUS TOURISM ORGANISATION ST. PETERSBURG 27 Furshtatskaya street 191123 St. Petersburg Tel. 007 812 332 58 08 Fax: 007 812 332 58 09 E-mail: spbcto@yandex.ru BERLIN Wallstrasse 27 10179 Berlin Tel. 0049 30 23 45 75 90 Fax: 0049 30 23 45 75 92 E-mail: cto_berlin@t-online.de THESSALONIKI Nikis Ave. 37 54013 Thessaloniki P.O.Box 50046 Tel. 0030 2310 242880 Fax: 0030 2310 286881 E-mail: cto_thes@otenet.gr SWITZERLAND FREMDENVERKEHRSZENTRALE ZYPERN Gottfried Keller – Strasse 7 8001 Zürich Tel. 0041 44 262 33 03 Fax: 0041 44 251 24 17 E-mail: ctozurich@bluewin.ch FINLAND KYPROKSEN MATKAILUTOIMISTO Aleksanterinkatu 48 B Fl - 00100 Helsinki Tel. 00358 9 4760 9100 Fax: 00358 9 4760 9120 E-mail: info@ctofinland.org AUSTRIA ZYPERN TOURISMUS Parkring 20 1010 Wien Tel. 0043 1 513 18 70 Fax: 0043 1 513 18 72 E-mail: office@zyperntourismus.at FRANCE OFFICE DU TOURISME DE CHYPRE 15, rue de la Paix 75002 Paris Tel. 0033 1 42 61 42 49 Fax: 0033 1 42 60 48 53 E-mail: info@tourisme-chypre.fr BELGIUM OFFICE DU TOURISME DE CHYPRE DIENST VOOR TOERISME VAN CYPRUS Avenue de Cortenbergh 61 Kortenberglaan 61 B-1000 Bruxelles/Brussel Tel. 0032 2 735 06 21 Fax: 0032 2 735 66 07 E-mail: cyprus@skynet.be ATHENS Voukourestiou 38, Kolonaki 10673 Athens Tel. 0030 210 3610178, 0030 210 3610057 Fax: 0030 210 3644798 E-mail: cto-athens@cyta.gr ITALY ENTE NAZIONALE PER IL TURISMO DI CIPRO Via A. Solari 13 20144 Milano Tel. 003902 58319835 Fax: 003902 58303375 E-mail: info@turismocipro.it www.turismocipro.it UNITED STATES CYPRUS TOURISM ORGANIZATION 13 East 40th Street New York NY 10016 Tel. 001 212 683-5280/81 Fax: 001 212 683-5282 E-mail: gocyprus@aol.com THE NETHERLANDS CYPRUS VERKEERSBUREAU Keizersgracht 424 II 1016 GC Amsterdam Tel. 0031 20 624 4358 Fax: 0031 20638 3369 E-mail: info.cyprus@kpnmail.nl ISRAEL CYPRUS TOURISM ORGANISATION Top Tower-14th floor, Dizengoff Centre 50 Dizengoff street Tel-Aviv 64332 Tel. 00972 3 5257442 Fax: 00972 3 5257443 E-mail: cto@netvision.net.il MOSCOW 9, bld. 2 Povarskaya street 121069, Moscow Tel. 007 495 223 9684 Fax: 007 499 575 0319 E-mail: ctomoscow@visitcyprus.com UKRAINE CYPRUS TOURISM ORGANIZATION 24, Vorovskogo street 01054 Kiev Tel. 0038 044 499 64 54 Fax: 0038 044 499 664 55 E-mail: ctoukraine@visitcyprus.com HUNGARY CIPRUSI IDEGENFORGALMI HIVATAL Dorottya utca 3 1052 Budapest Tel. 00361 266 6044, 00361 328 0353 Fax: 00361 266 6043 E-mail: ciprusinfo@t-online.hu POLAND CYPRYJSKA ORGANIZACJA TURYSTYCZNA Wilcza street 13/6 00-538 Warszawa Tel. 0048 22 8279036 Fax: 0048 22 8279034 E-mail: cto@cypr.pl CZECH REPUBLIC KYPERSKÁ ORGANIZACE CESTOVNÍHO RUCHU Václavské náměsti 1282/51 110 00 Praha 1 Tel. 00420 224 281 285 Fax: 00420 224 281 286 E-mail: cto.prague@volny.cz MIDDLE EAST AND ARABIAN GULF CYPRUS TOURISM ORGANISATION Al Ghurair Center, Office Tower, No 436B P.O.Box 94670, Deira, Dubai, UAE Tel. 00971 4 2277637 Fax: 00971 4 2277638 Email: tourism@cyprusme.com �cover new 2012 2:cover new 11/14/12 12:53 PM Page 2 www.visitcyprus.com CYPRUS TOURISM ORGANISATION Leoforos Lemesou 19, Lefkosia (Nicosia) P.O.Box 24535 CY 1390 Lefkosia (Nicosia) Tel. (00357) 22 69 11 00 Fax: (00357) 22 33 16 44 E-mail: cytour@visitcyprus.com 4120112 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Κυπριακός Οργανισμός Τουρισμού Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cyprus Tourism Organisation Contributor An entity responsible for making contributions to the resource Στη συγκέντρωση και την τεκμηρίωση του υλικού συνέβαλε η κα Μύρια Στασουλή Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cyprus Inspiring Champions Subject The topic of the resource Cyprus--Sports--Guidebooks Kύπρος--Αθλητισμός--Οδηγοί Cyprus--Tourism--Guidebooks Κύπρος--Τουρισμός--Οδηγοί Description An account of the resource There are many reasons why athletes and sports lovers are drawn to the beautiful island of Cyprus. There’s the exceptional climate, the range of up-to-date sports facilities, the high-quality service industry, and the short travel times between city, sea and mountains. Creator An entity primarily responsible for making the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Source A related resource from which the described resource is derived Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Publisher An entity responsible for making the resource available Library of Cyprus University of Technology Digital Heritage Research Lab of Cyprus University of Technology Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Cyprus Tourism Organisation Κυπριακός Οργανισμός Τουρισμού Rights Information about rights held in and over the resource Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource EN Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Cyprus_Inspiring_Champions_1_2012_lrg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 35.151625, 33.375048 Cyprus--Sports--Guidebooks Cyprus--Tourism--Guidebooks Kύπρος--Αθλητισμός--Οδηγοί Κύπρος--Τουρισμός--Οδηγοί