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                  <text>Κυπριακά Ταχυδρομεία</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                  <text>&amp;Eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha; &amp;alpha;&amp;pi;&amp;omicron;&amp;tau;&amp;epsilon;&amp;lambda;&amp;epsilon;ί&amp;tau;&amp;alpha;&amp;iota; &amp;alpha;&amp;pi;ό 1211 &amp;gamma;&amp;rho;&amp;alpha;&amp;mu;&amp;mu;&amp;alpha;&amp;tau;ό&amp;sigma;&amp;eta;&amp;mu;&amp;alpha;. &amp;Gamma;&amp;iota;&amp;alpha; &amp;nu;&amp;alpha; &amp;delta;&amp;epsilon;ί&amp;tau;&amp;epsilon; &amp;omicron;&amp;lambda;ό&amp;kappa;&amp;lambda;&amp;eta;&amp;rho;&amp;eta; &amp;tau;&amp;eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;pi;&amp;alpha;&amp;tau;ή&amp;sigma;&amp;tau;&amp;epsilon; &lt;a title="&amp;Sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha;" href="https://apsida.cut.ac.cy/items/browse?collection=19"&gt;&amp;epsilon;&amp;delta;ώ&lt;/a&gt;</text>
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                <text>Chionodoxa iochiae meikle, Wild Flowers of Cyprus Thematic Issue, Republic of Cyprus, Κυπριακή Δημοκρατία</text>
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                <text>All the illustrated stamps are from the collection of original watercolors of Cypriot flora by E.Megaw and D. Meilke, which they donated to the Bank of Cyprus Cultural Foundation. The six stamps depicted in this issue form part of the forty donated watercolors.</text>
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                <text>Cyprus Post, Republic of Cyprus  </text>
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                <text>Library of Cyprus University of Technology</text>
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                <text>5th November 1990</text>
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                <text>Designer: Elektra Megaw</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>www.cypruspost.gov.cy</text>
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                <text>1990-W. FLOWERS-2C</text>
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                <text>35.160417, 33.346556</text>
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                <text> Alex Matsoukis, Athens</text>
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                  <text>Κυπριακά Ταχυδρομεία</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                  <text>&amp;Eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha; &amp;alpha;&amp;pi;&amp;omicron;&amp;tau;&amp;epsilon;&amp;lambda;&amp;epsilon;ί&amp;tau;&amp;alpha;&amp;iota; &amp;alpha;&amp;pi;ό 1211 &amp;gamma;&amp;rho;&amp;alpha;&amp;mu;&amp;mu;&amp;alpha;&amp;tau;ό&amp;sigma;&amp;eta;&amp;mu;&amp;alpha;. &amp;Gamma;&amp;iota;&amp;alpha; &amp;nu;&amp;alpha; &amp;delta;&amp;epsilon;ί&amp;tau;&amp;epsilon; &amp;omicron;&amp;lambda;ό&amp;kappa;&amp;lambda;&amp;eta;&amp;rho;&amp;eta; &amp;tau;&amp;eta; &amp;sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;pi;&amp;alpha;&amp;tau;ή&amp;sigma;&amp;tau;&amp;epsilon; &lt;a title="&amp;Sigma;&amp;upsilon;&amp;lambda;&amp;lambda;&amp;omicron;&amp;gamma;ή &amp;Kappa;&amp;upsilon;&amp;pi;&amp;rho;&amp;iota;&amp;alpha;&amp;kappa;ά &amp;Tau;&amp;alpha;&amp;chi;&amp;upsilon;&amp;delta;&amp;rho;&amp;omicron;&amp;mu;&amp;epsilon;ί&amp;alpha;" href="https://apsida.cut.ac.cy/items/browse?collection=19"&gt;&amp;epsilon;&amp;delta;ώ&lt;/a&gt;</text>
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                <text>"Cyprus 1974" Wood Engraving, Refugee Fund, Republic of Cyprus  </text>
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                <text>An excerpt from the play "Mass in Phaneromeni Church" by Zhtaro: &#13;
&#13;
Left Chorister (A Refugee)&#13;
&#13;
 "There’s no island on the waves, &#13;
Only lamentations,&#13;
There’s no bread in this land, &#13;
Only pain, &#13;
Where is my land &#13;
Land of Love and Truth, &#13;
Where is my life &#13;
Life of dreams and freedom;&#13;
There is no sound of angels in heaven &#13;
Only blood,&#13;
There is no chase man in this world &#13;
Only my enemy". &#13;
&#13;
Right Chorister (A non-refugee)&#13;
&#13;
"Lord, is it true? &#13;
There’s no island on the waves? &#13;
Lord, nor bread in this land?&#13;
Lord, is it true? &#13;
There’s no sound of angels?&#13;
Lord, nor chaste a man?"&#13;
&#13;
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                <text>Designer: A. Tassos</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>35.160417, 33.346556</text>
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                <text> Alex Matsoukis, Athens</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text>Archbishop Makarios, 20th Anniversary of the Republic of Cyprus, Republic of Cyprus  </text>
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                <text>In the 20 years since its independence, Cyprus has had to provide significant improvements in the life of its citizens in spite of the destruction in 1974 resulting from the Turkish invasion, occupation of 37% of the land and appropriations of large productive regions and sources of wealth. In addition it had the obligation to care for some 210,000 refugees who were in need of housing, work , schools, hospitals and so much more that no one could imagine. In 1960, the Government inherited from the British administration an economy which was underdeveloped and lagging behind. Production was totally inadequate and the economic revival depended on unstable factors. Half the population was engaged in agriculture and contributed less than 20% of the national income.&#13;
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                <text>Library of Cyprus University of Technology&#13;
&#13;
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>www.cypruspost.gov.cy</text>
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                <text>1980-20TH ANNIV.-175M&#13;
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                <text> Aspioti - Elka, Athens&#13;
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text>The architecture we see in this set of Post Office buildings, is typical of the architecture we observe in all parts of the world that have been influenced by the Greek ideas, local demands such as the weather, local traditions and their intended use. One of the main characteristics in architecture is the columns. The most classical and superb building with columns is the Parthenon. Just as a king (God on earth) has bodyguards to protect him, so does a God have need of bodyguards. The statue or icon of a God (which is to be found in a temple or a church) is therefore in need of bodyguards who are none other than the columns. These should not be too close to hinder the  proach to God with ease, nor should they be too far apart that they project the impression of an unguarded God. The architecture which we can observe on the island has made use of columns extensively until the 2nd World War. The column has become a popular tradition, and among the sayings for a man, it is said :"You are the column of the house"; "You are the pillar of the house", i.e. the keeper of the traditions and values of the family. (see also the 1993 stamp, Pancyprian Gymnasioum).&#13;
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                <text>Library of Cyprus University of Technology</text>
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                <text>10th May 1990</text>
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                <text>Designer: A. A. Ioannides</text>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>www.cypruspost.gov.cy</text>
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                <text> Alex Matsoukis, Athens</text>
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                  <text>Στη τεκμηρίωση του υλικού συνέβαλαν ο κ. Μανώλης Εμμανουήλ, η κα Ευανθία Στυλιανού και στον ποιοτικό έλεγχο του ο κ. Μαρίνος Κόρτας.&#13;
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                <text> The decision of the European Council of Ministers to declare the year 1990 as the "European Year of Tourism" was designed to emphasize the role and development of tourism. Tourism, an activity turned into an industry, affects every society in many different ways and has a profound impact on the social, cultural and economic life of every country that seeks to promote it. Cyprus is no exception to the impact of tourism especially on its economy and hotel developments. It is the largest contributor to the island's foreign exchange earnings. Future growth and employment in tourism will have greater economic importance than hitherto both in Cyprus and the European Union where it is estimated that in the Union of 15, tourism will directly employ some 8 million people. </text>
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                <text>Designer: A. A. Ioannides</text>
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