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                  <text>Church of Panagia of Asinou</text>
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                <text>Saint Eudokia</text>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>The figure of Saint Evdokia as part of a monumental painting program in Cyprus is rather a unicum.&#13;
Evdokia’s life comes in agreement with the salvific context of the narthex.  This is probably the reason she was chosen instead of the other two saints who share the same name with her.  She is commemorated on 1st of March as a martyr in the Orthodox Church.  She was a beautiful woman, taking advantage of her charm, as a prostitute.   She later repented and converted to Christianity, changing her life drastically to austere penance.  According to her Vita, she was able to perform resurrection miracles and along with the weight given to penitence and redemption in the Menaion on her feast day, contributes to the promotion of the principal message conveyed through every depiction, salvation.</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>Figure-124</text>
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                <text>Scales Of Justice</text>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</text>
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                <text>On the northern half of the internal part of the west arch, the Scales of Justice are depicted.  The whole scenery and the accompanying inscription Justice refers to and continues the eschatological concept that characterises the wall paintings of the narthex.  A red semicircle, from which the scales hang by a chain, represents Heaven.  An angel holds a scroll with the names of the souls to be judged while devils hold scrolls with the records of sins to be put on the balance.  Also, black figures recognised as demons are trying to cheat the balance in order that the scale leans on their side.&#13;
The weighing of the soul is narrated in the book of Apocalypse 20:12, from which the Byzantine iconography draws upon the typical representation of the scene. </text>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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                <text>2006</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="833469">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>Figure-123</text>
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                <text>Saint Paraskeve</text>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>Icons--post-Byzantine--Cyprus</text>
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                <text>Εικόνες--Μεταβυζαντινές--Κύπρος</text>
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                <text>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</text>
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                <text>The panel on the lower part of the soffit of the western arch of the narthex depicts Saint Paraskevi holding a medallion with Christ as the Man of Sorrows.  On each side of His figure, His sigla can be read and behind Him the cross is painted.  &#13;
Paraskevi (i.e. Friday), a martyr, was named as such because she was born on Friday.  She was widely venerated across the Eastern Roman Empire but also in southern Italy.&#13;
The specific type of representation of Saint Paraskevi holding a medallion depicting the Man of Sorrows corresponds to the metaphorical portrayal of Good Friday, as on Friday Christ was placed and suffered on the cross.  The scene was popular among the iconographic repertoire of churches in Cyprus during late medieval years and relics of her were kept in the monasteries of Kikkos, Mahairas and Saint Barbara.&#13;
The link of Saint Paraskevi with the Day of Judgement, and therefore with the whole iconographic program of the narthex, is additionally to be found on textual contents.  In the Vespers service of 26 July, the date of her commemoration, Paraskevi is called to intervene with Christ on the Second Coming in order to protect the souls of the faithful.  On the contrary, in Apocalypse of Anastasia, Paraskevi and others are mentioned not as defenders of the faithful but as prosecutors of the sinners, standing before the throne of the Almighty.</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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On the central part of the left side of the lunette, the Fiery Stream is represented.  An entirely painted-in-red angel pushes a group of sinners to the flames with a trident.  On the front line there is a king, a queen, lori and three hierarchs.  The inscriptions written, read: place the sinners into the fire and the fiery stream.  The Fiery Stream refers indirectly to the Second Coming as in a homily accredited to Hippolytos, another homily addressed to Emperor Constantine the 5th and in the Apocalypse of Anastasia.&#13;
On the left corner of the lunette, Hades is personified as a naked winged man riding a monster with an inscription: the insatiable Hades.&#13;
On the right side of the lunette a Trumpeting Angel is figured.  In front of the angel, there is an empty sarcophagus and two groups of souls within clouds.  The souls are personified as children dressed in white garments and with covered heads.  The inscription cites the epistle of Paul towards the Thessalonians 4:17 reads: we will be caught up together with them in the clouds.</text>
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                <text>Timotheos and Mavra are the saints portrayed in the north of the western door of the narthex.&#13;
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>Figure-118</text>
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                <text>Cross Cryptograms</text>
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                <text>On the south portal of the west door of the narthex prophylactic crosses with a waived crown of thorns and cryptograms are shown.&#13;
The cross operates as apotropaic symbols to evil powers.  Therefore its depiction on the doorstep had a reasonable meaning.&#13;
The cryptograms written on the jambs of the narthex underline the sacrifice of Jesus though the cross, his charity and operate as signs of the faith of the martyrs but also highlight the salvific and eschatological symbolism of the cross.</text>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="833334">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <name>Subject</name>
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                <text>On the soffit of the west arch of the narthex, two angels unfold the Scroll of Heaven.  The Scroll is embellished with golden stars and two medallions containing two heads, the personified Moon and Sun.  The accompanying inscription reads: the angels are rolling up the scroll of heaven, and the source of inspiration comes mainly from the book of Apocalypse, Isaiah and an extract of a homily on the Second Coming.  Counterparts of the representation are attested at the same exact position in the church of Saint Nicolas of the Roof.</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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