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                <text>In the lower zone of the tympanum of the south-east niche of the bema area, Saint Gregory of Nyssa and an unknown deacon are represented.</text>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>https://apsida.cut.ac.cy/items/show/45036</text>
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                <text>Figure-014-016</text>
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            <description>A name given to the resource</description>
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                <text>Four medallions which contain busts of four prelates are depicted on the soffit of the south-east niche in the bema area.  Only one of the names of these hierarchs can be clearly seen: that of Saint Auxibius.</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Figure-013</text>
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                  <text>Church of Panagia of Asinou</text>
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                <text>Communion Of Apostles</text>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>On the central zone of the apse of the bema area, the scene of the Communion of the Apostles is depicted.  In terms of chronology, this is a fresco made by the Asinou Master in 1105.  The best preserved part is that on the left.  Unusual as it is, Saint John leads this group by receiving the Communion first.  Traditionally the place of John in this representation is occupied by Paul while John is located in the background.  This was adopted mistakenly and anachronistically by most of the Communion scenes but Paul was never one of the Twelve Apostles.  In any case, the representation at Asinou is the right one.&#13;
The southernmost person represented is Judas who seems to abandon the scene while Christ stares at him in a very figurative expression.  The figures of the twelfth-century frescoes express a deep spirituality and nobility and are rhythmical.  They express the new iconographic trends of the Comnenan painting and mirror iconographically and stylistically the art of Constantinople, where the painter most probably came from.&#13;
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            <name>Creator</name>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2006</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="831654">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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                <text>Figure-012</text>
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            <name>Coverage</name>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <description>A name given to the resource</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>Library of Cyprus University of Technology</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού</text>
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            <description>A related resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG, MP3</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <description>The nature or genre of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Figure-008</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>35.046355, 32.973431</text>
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        <name>Panayia Asinou (Church : Troodos--Cyprus)</name>
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        <name>Εικόνες--Μεταβυζαντινές--Κύπρος</name>
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        <name>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</name>
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            <description>The topic of the resource</description>
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                <text>The figures of Saint Mary of Egypt and Saint Zosimus are depicted on both sides of the arch of the sanctuary.  Together they make up the Communion of Mary and are dated to the first decoration cycle of Asinou.&#13;
Mary used to live a dissolute life for several years in Alexandria but she turned to God at the Holy Sepulchre on the feast day of the Exaltation of the Holy Cross.  Following her conversion to Christianity, she decided to live in the desert as an eremite for almost fifty years.  However, monk Zosimus found her, offering his mantle to hide her nudity.  She accepted his gesture and started telling her story to him.  Then she asked him to meet the following year at the bank of the Jordan River in order to receive Communion.  So it happened but the year after that, he found her dead at the exact same place and buried her along with a lion.&#13;
Mary is depicted with a dark-coloured skin, indication of her long morally corrupt life.  The painter also draws her as a skinny figure with wild hair and features, showing her beauty after a long time of fasting and isolation.  Her face can be described as wild, an additional sign of her long-lasting estrangement from people.  &#13;
Saint Zosimus from the other side of the arch holds the chalice and the spoon from which Mary received the Communion, while he stares at her.&#13;
This representation of the Communion of Mary at Asinou is one of the earliest depictions of the scene which became a popular theme for ecclesiastical iconographical programmes later on, even though placed in different areas within the naos.  Besides that, its location is a paradox yet appropriate for the visual interplay established&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ioannides, Marinos</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="831560">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού</text>
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            <description>A related resource</description>
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                <text>https://apsida.cut.ac.cy/items/show/45036</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG, MP3</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>en</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Figure-007</text>
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        <name>Εικόνες--Μεταβυζαντινές--Κύπρος</name>
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        <name>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</name>
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              <description>A name given to the resource</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saint John Merciful</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>Icons--post-Byzantine--Cyprus</text>
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                <text>Εικόνες--Μεταβυζαντινές--Κύπρος</text>
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            <description>An account of the resource</description>
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                <text>Saint John the Merciful, dressed in a prelate’s uniform, is depicted in the prothesis recess, the northern counterpart area of diakonikon.  He is a local saint, as his birthplace was Amathus and his parents were Cypriots.&#13;
The portrait of Saint John within the sanctuary does not conform to the customary depiction.  Although Thesia was the traditional scene depicted in the prothesis where the Holy Sacraments were prepared, this scene had not yet been iconographically developed.&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2006</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="831540">
                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="831541">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού</text>
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            <description>A related resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Figure-006</text>
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        <src>https://apsida.cut.ac.cy/files/original/3b960d34e30662966d529bee18187512.mp3</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Church of Panagia of Asinou</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Nativity Of Mary</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Panayia Asinou (Church : Troodos--Cyprus)</text>
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                <text>Icons--post-Byzantine--Cyprus</text>
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                <text>Εικόνες--Μεταβυζαντινές--Κύπρος</text>
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                <text>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The scene of the Nativity of Mary occupies the lunette’s tympanum on the northern wall within the bema area and according to stylistic terms, it is dated to the original programme of the mural decoration of the church.&#13;
The episode consists of two scenes.  The larger one shows Anna, mother of Mary, sitting on a bed, two maids bearing food and Joachim overlooking his spouse from an open window.  Additionally, on the right corner below, two maids are bathing the new-born Mary.  &#13;
Inspiration for the stylistic representation of the episode is drawn from the pagan art.  A representative example in the Cypriot context is the ‘Birth of Achilles’ mosaic in Nea Paphos, dated to the fifth century A.D&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ioannides, Marinos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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                <text>Library of Cyprus University of Technology</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2006</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digital Heritage Research Lab of Cyprus University of Technology</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="831522">
                <text>Απαγορεύεται η δημοσίευση ή αναπαραγωγή, ηλεκτρονική ή άλλη χωρίς τη γραπτή συγκατάθεση του δημιουργού.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="831523">
                <text>https://apsida.cut.ac.cy/items/show/45036</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG, MP3</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="831525">
                <text>en</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="831527">
                <text>Figure-005</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="831528">
                <text>35.046355, 32.973431</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>Icons--post-Byzantine--Cyprus</name>
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        <name>Panayia Asinou (Church : Troodos--Cyprus)</name>
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        <name>Εικόνες--Μεταβυζαντινές--Κύπρος</name>
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      <tag tagId="7453">
        <name>Παναγία της Ασίνου (Ναός : Τρόοδος--Κύπρος)</name>
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