Browse Items (237 total)

In the central zone of the northern semidome of the narthex, the Garden of Paradise is painted. The scene contains the locked gate leading to Paradise with a guardian cherub in front of it. Also, a number of the Elect walk towards it, with Peter as…

Laurentios is one of the monks-donors included in the iconographic program of the narthex of Asinou. He stands next to Saint Sozomenos, on the east respond, and is depicted turned east to the side of Virgin Phorviotisa. He is portrayed in the…

The Monk Leontios, one of the donors, is depicted in a confined panel, on the left hand side of Archangel Michael in the north conch of the narthex of Asinu.
According to his occupation, he is dressed in a dark grey tunic with a belt, a black hood…

Monk Babylas is depicted on the west responds of the north arch between Saint Evdokia and Marina. He is turned to the east with his hands raised towards Saint Marina. Babylas is dressed in a dark grey tunic and a black hood. The accompanying label…

Saints Cosmas and Damian, the so-called Anargyroi, decorate the zone west of the northern door of the narthex. They were twin brothers, therefore the garments which they are depicted with are identical. The same applies for their insignia, a…

The portrait of Saint Marina is located on the northern semidome of the narthex, next to Cosmas and Damianus.
Marina is a universal saint, venerated both in the Latin and Orthodox church. The Latin church venerates her as Saint Margaret. She…

On the upper band of the soffit on the northern arch, the choirs of the Elect appear. From west to east they are recognised as the Choir of the Hierarchs, the Choir of the Prophets, the Choir of the Blessed and the Choir of the Martyrs. These…

The figure of Saint Evdokia as part of a monumental painting program in Cyprus is rather a unicum.
Evdokia’s life comes in agreement with the salvific context of the narthex. This is probably the reason she was chosen instead of the other two…

On the northern half of the internal part of the west arch, the Scales of Justice are depicted. The whole scenery and the accompanying inscription Justice refers to and continues the eschatological concept that characterises the wall paintings of…

The panel on the lower part of the soffit of the western arch of the narthex depicts Saint Paraskevi holding a medallion with Christ as the Man of Sorrows. On each side of His figure, His sigla can be read and behind Him the cross is painted. …